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Cosmopolitan
4 days ago
- Entertainment
- Cosmopolitan
Here's where every outfit in Netflix's ‘Sirens' is from, worn by Meghann Fahy, Milly Alcock and Julianne Moore
How did we spend our weekend? Binge watching Netflix's new TV show, Sirens, of course. The all-star cast includes Meghann Fahy, Milly Alcock and Julianne Moore, but truly, it's the fashion throughout the five-part series that had us tuning in until the final episode. Talk about a dramatic ending! Don't worry – no spoilers here. The only info we'll be revealing is the deets on where you can get your hands on the exact outfits seen on screen. If you have yet to watch, the show is based on Molly Smith Metzler's 2011 play, Elemeno Pea, and follows Devon, a woman with more than a little baggage, as she attempts to reconnect with her troubled younger sister, Simone, in an effort to get her to leave her glamorous life and return home to Buffalo, New York. Located in a Nantucket-esque wealthy coastal town, the outfits by costume designer Caroline Duncan deserve their own subplot, IMO, providing relevant but unspoken context, speaking to each character's individual arc and revealing all-important clues. Below, all the info on the best Sirens outfits and where you can get the look. Let's not forget, Simone is trying desperately to carve out a new life for herself after escaping her tragic past, so it makes sense that she has fully adopted the same style as her new contemporaries in an attempt to ingratiate herself and fit in with the crowd. More than just a trend, the preppy patterned dresses worn by Simone and all those in the cult – we mean conservation charity group – signify the luxury and lifestyle associated with society's elite who can afford to vacation for 3 months of the year. This pink dress from the Lilly Pulitzer x Goop collection, released in 2019, is as preppy as they come. It's one of many Lilly Pulitzer designs featured in the show, along with similarly patterned designs. 'Simone's got to be obnoxious,' costume designer Caroline Duncan told Refinery29. 'It's like the dial is just turned up way too high. She's vibrating far too brightly, and she's trying way too hard to fit in. So everything about her feels extra, and she is in a hotter colour than everyone else in that world.' If Blair Waldorf taught us anything, it's that a headband is not optional, so naturally, Simone is repeatedly seen wearing one in the first few episodes. An Ashley McCormick mother-of-pearl cuff with seashell motifs nods to the coastal location, but it's her locket (with an identical necklace later gifted to Devon by Michaela) that provides the finishing touch while serving to identify the inner circle. As the episodes progress, so too do Simone's outfits. Sure, she's still wearing Lilly Pulitzer, but her shirt is a soft butter yellow. Paired with white linen shorts, there's a more relaxed feel to the ensemble, with Castañer cap-toe espadrilles worn on her feet and also a Jacquemus raffia bucket hat and white Miu Miu oval sunglasses at an early point in the episode. 'If you look closely, you can notice that there's such a journey within each character, within the costumes that they're wearing and the colours that they're wearing,' Milly Alcock, who portrays Simone, tells Town & Country. 'Simone goes from heels to flats, and it's symbolic of her being more grounded.' This journey is most evident in the final outfit we see Simone wear. Gone are the bright, brash prints and in their place is an asymmetric draped gown that's not quite silver, not quite blue. 'Blue very much felt like a moment, a marker for Simone feeling more in control. She starts to feel a little bit bolder and a step wiser,' says Duncan of the custom gown. It's a departure from what those around her are wearing and more in line with Michaela's aesthetic, as is her pin-straight hair worn down and around her face. Devon's head-to-toe black and stompy combat boots set her apart, and you better believe it's intentional. It's a look she returns to throughout the series, every time she leaves Cliff House. At the end of episode one, when she's banished from the property's grounds to a nearby hotel, all expenses paid for, we see Devon take advantage of the opportunity and buy a slinky crimson dress accessorised with a Jonathan Simkhai Birdget Oyster Shell bag and Christian Louboutin black peep-toe suede platform heels. The Francesca Miranda design featuring a custom monochrome red lining is sultry and sexy, standing out for all the right reasons. 'It felt like Devon would love that dress, because it's exoskeletal and it moves and it's bold. It moves so beautifully, and the colour is so defiant,' says Duncan. Plus, the Buffalo Bills (Devon's oft-referenced team) wear red, making it a nice tie-in to her pride around her roots. Of all the characters, Devon's style goes through the biggest evolution as she attempts to infiltrate and extract her sister from the cult. This includes donning her own Lilly Pulitzer frock complete with, you guessed it, Alice band and locket. 'Pulitzer is a great visual. It's so iconic, everyone understands,' Duncan told Vogue. Devon's Rodebjer yellow patterned summer dress feels like it falls somewhere between the two camps of her genuine self and new alter-ego. The relaxed, floaty maxi silhouette is less in keeping with the Stepford Wives, while the injection of colour aligns with the pretty colour palette of the town of Port Haven. Similarly, her choice of a brown striped Breton top and jeans in the final episode is one of the few IRL wearable outfits in the entire show. It's a normal outfit for a young woman that doesn't feel loaded with status or stigma. Despite leading the pack, Michaela – or Kiki, to the anointed – shuns the typical colourful, preppy attire favoured by her adoring followers. Instead, she favours a wardrobe consisting of loose, floaty silhouettes and neutral hues. 'Everyone else around Michaela is in this flutter of beautiful colour, and she's this visual pause,' says Duncan. 'Which, of course, means that she's the person you're looking at, at all times, in the room.' Most of Julianne Moore's costumes were custom-made by Caroline, like the ivory halterneck top made from vintage silk paired with coordinating flowing wide-leg trousers that Michaela wears in episode one. 'Our intent was to always have the audience questioning what the mythos surrounding her, and the lore of her, was,' says Duncan. 'I wanted her to feel like she was always floating and above the fracas of the real world.' Her clothes scream quiet luxury. She adds colour through her accessories, favouring statement jewels – like the Solange oversized necklace and earrings set worn with an Alexander McQueen strapless draped marigold gown by Michaela for the gala – and chunky gold pieces that add further elegance. When items were sourced and bought, it's no wonder they were from labels that nail this aesthetic, like The Row, Vince and this one-shoulder caftan gown by Halston. Her muted colour palette, including this linen Proenza Schouler top, also provides a contrast against Devon's black attire. As the two women battle for Simone's allegiance, their clothes visually state their opposition. 'It was very intentional that she not wear the colours of her posse,' Duncan explains. Cue a rewatch! Alexandria Dale is the Digital Fashion Writer at Cosmopolitan UK. Covering everything from the celebrity style moments worth knowing about to the latest fashion news, there's nothing she loves more than finding a high street dupe of a must-have designer item. As well as discovering new brands, she's passionate about sustainable fashion and establishing the trends that are actually worth investing in. Having worked in fashion journalism for six years, she has experience at both digital and print publications including Glamour and Ok!
Yahoo
5 days ago
- Entertainment
- Yahoo
How to Shop Every Preppy Outfit from Netflix's 'Sirens' for Summer
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Netflix's new series Sirens follows Devon (Meghann Fahy) on her journey to a wealthy island, where she confronts her estranged sister Simone (Milly Alcock) and attempts to rescue her from a cultish relationship with her boss, Michaela Kell (Julianne Moore). Early on, it's also evident that at the heart of the 5-episode storyline lies a wardrobe so stylish it deserves its own subplot. It's essentially a vibrant explosion of Lilly Pulitzer—bold, colorful, and unapologetically preppy. According to Alcock, the wardrobe choices were purposefully showcased that way to tell every character's story. 'If look closely, you can notice that there's such a journey within each character, within the costumes that they're wearing and the colors that they're wearing,' she tells Town & Country. 'Simone goes from heels to flats, and it's symbolic of her being more grounded.' With summer just around the corner, it couldn't be a better time to emulate the ensembles. From Moore's glam style to Alcock's perfectly preppy aesthetic, here are the best outfits from Sirens—and how to get each look just in time for the upcoming season. STREAM ON NETFLIX NOW Alcock kicked off episode 1 wearing a punchy pink dress from the Lilly Pulitzer x Goop collection. While the pretty little frock is no longer available, there is no shortage of similar versions on the Lilly Pulitzer website. Pair with sea-inspired jewelry and white accessories to complete the look.$118.00 at Lilly Pulitzer$225.00 at at Moore mastered summer whites throughout the series, but especially in episode 1. The pairing of an ivory satin halterneck dress with satin bias-cut pants made her look oh-so-elegant and sophisticated. And those green chandelier earrings? The perfect pop.$745.00 at at at Another Lilly Pulitzer winner on Alcock. This is also sadly past season, but the Lilly Pulitzer site has a lot of similar options, including this lovely blue and white midi:$198.00 at No preppy wardrobe is complete without a collegiate-inspired crewneck. Even if you're not a Yale alumni, this vintage sweatshirt makes for a fabulous wardrobe addition.$99.50 at Didn't I tell you Moore was the master of summer whites in the series? In episode 2, she wore this gorgeous sweeping one-shoulder gown with gold feather drop earrings. I find similar options to get the look below:$378.00 at at The things you do for family, right? Fahy's character was forced to ditch her dark wardrobe in favor of Lilly Pulitzer—and unsurprisingly, she looked fabulous. Her shift dress with cut-out details is sold out, but I found a very similar version below. Pair with lavender ballet flats (Fahy appeared to wear Christian Louboutin) with a matching headband to nail the look.$228.00 at at at Fahy rocked another cheerful Lilly design with a lemon rattan bag in a later scene. Shop similar pieces below:$228.00 at at The chicest incognito look, courtesy of Alcock. Her character wore what looks to be Miu Miu glasses (they're still available!) with a straw hat. Guaranteed both of these accessories will be in heavy rotation this summer.333.00 at at There's a lot of prep to unpack in this scene, starting with Alcock. Here, she wore a yellow Lilly Pulitzer shirt with white shorts, and paired the outfit with cap-toe espadrilles by Castañer. (Good news, the blouse and shoes are still available!) Then, there's Ethan (Glenn Howerton) who looked like the ultimate prep-master in a plaid button down, white pants, and brown tassel loafers. He threw a lilac cable-knit sweater over his shoulders to complete the look. You can simply copy the outfit with our favorite Polo Ralph Lauren sweater. And finally, there's Fahy in the yellow patterned maxi dress. That is now-sold-out Rodebjer, but Lilly Pulitzer has a very similar option.$88.50 at at at at at Ah, the power of a breezy maxi. You can dress it down for beach and pool days with a swimsuit, floppy hat, and flip flops. Or, you can dress it up with heels and killer accessories. This dress, such as the one Alcock wore, will be the most versatile piece you own for summer.$49.90 at The combination of a Breton top with jeans just never fails. For summer, consider a pale brown version like Fahy's.$128.00 at at For those of you who have summer weddings or fancy soirees on your agenda, take note: A strapless marigold gown with statement accessories makes for an oh-so-glam ensemble.$2795.00 at at Or if you prefer softer shades, Alcock's satin blue dress is another fabulous formal option.$297.50 at You Might Also Like 12 Weekend Getaway Spas For Every Type of Occasion 13 Beauty Tools to Up Your At-Home Facial Game
Cosmopolitan
5 days ago
- Entertainment
- Cosmopolitan
Sirens Lilly Pulitzer Dresses Explained
if you need me I'll be out here decking myself out in pink and green due to being obsessed with Sirens. Pretty much everyone on the show—other than Michaela—wears Lilly Pulitzer, to the point where you might be why. And apparently creator Molly Smith Metzler was simply trying to be true to life. "Quite simply, I spent a summer in Martha's Vineyard and I've since spent some summers in Nantucket," she told Variety. "My best friend has a house there, and it's for real. Lilly Pulitzer is for real. They all have it on in Nantucket. Then there's the Nantucket reds, the salmon color pants. The first time you see it, you're like, 'Where am I?' It's so bright. It's sort of like, if you've been there, you're in on the joke, you know the pants to buy. It also takes a certain status to put on a dress like the one Simone has one when we meet her." "It's ridiculous," she added. "I love Lilly, I have some Lilly, but it's a little ridiculous. There's something so saturated and bright about it. We're so fortunate Carolyn Duncan, our costume designer, took that and just ran with it – most of the stuff on the show that looks like Lilly Pulitzer is actually custom." As for the lockets that all the "sirens" on the show wear, it's not that deep. Smith Metzler explains that people of Nantucket are into "basket necklaces" and they're essentially a status symbol that made its way into the show. "So, the locket — no, there's no drugs, but the lockets are a real thing in Nantucket Island," she said. "It's something you can only buy in Nantucket, they're called basket necklaces, and they usually have ivory from Wales in them. But they're very expensive, they're handmade, and everyone in Nantucket and Martha's Vineyard is wearing them. It's a status symbol. You're not in the club if you don't have one. Carolyn Duncan made that happen, made all of them happen. It's a great symbol of having arrived. You have the key, you have the necklace, but it's a little culty. It's a little like wearing a cross, like a religion. You know something that everyone else doesn't." On that note, Simone's signature pink dress is sold out, but there's this if you're in the mood to channel your inner siren this summer.
USA Today
23-05-2025
- Entertainment
- USA Today
'Sirens': Unpacking that shocking finale with stars Meghann Fahy, Milly Alcock
'Sirens': Unpacking that shocking finale with stars Meghann Fahy, Milly Alcock Show Caption Hide Caption Meghann Fahy calls 'Sirens' co-star Kevin Bacon the 'coolest guy ever' Meghann Fahy chats with USA TODAY's Ralphie Aversa about working with Kevin Bacon on Netflix's limited series "Sirens" and more. Spoiler alert: This story discusses details of Netflix's new limited series 'Sirens.' So if you haven't binged all five episodes yet, put on some Lilly Pulitzer and push play on Episode 1. If you've been called to Netflix's new limited series 'Sirens,' you might be wondering about that shocking ending. The five-episode 'Sirens' (now streaming) introduces viewers to the elite world of Michaela Kell, (Julianne Moore), a woman who regrets swapping her career for the security of being old-money Peter Kell's (Kevin Bacon) wife. 'When you're a Mrs. Somebody, your life gets huge,' Michaela says, 'and you get very tiny.' Nonetheless, Michaela's fabulous life, practically ripped from the pages of Architectural Digest seems ideal to Simone (Milly Alcock), Michaela's devoted assistant, who's desperate to escape her traumatic upbringing and a father who neglected her after her mother's death by suicide. Alcock, 25, says her character is similar to a swan. 'Beautiful above water, but underneath it's frantically kicking to kind of stay afloat,' she says. 'She's got no safety net. She's really struggling.' Simone's sister Devon (Meghann Fahy) dropped out of college, sacrificing her own future, to raise Simone after their mom died. Devon is now tasked with taking care of their ailing father (Bill Camp), who's been diagnosed with early-onset dementia. Overwhelmed and fed up with Simone's behavior, Devon heads to the Kell estate hoping to bring her sister home to help. But Simone has other plans, and a boyfriend, the Kells' neighbor Ethan (Glenn Howerton). 'We see Devon feel that frustration in certain moments, and then feel guilty about feeling it,' Fahy, 35, says. 'It's that cycle that she's been in by herself, because her sister has just not been around and hasn't seen the dad in over a decade. So there's a little bit of resentment I think there too, that she's had to shoulder it entirely on her own.' Simone's world is rocked in the finale when Michaela fires her for sharing a kiss with Peter, which he initiated. In that moment, Simone is 'losing everything,' Alcock says. ''Everything that I've built and worked for has fallen apart.' I think that she is dying.' Desperate to stay, Simone informs Peter that Michaela is keeping a photo of their kiss in her vault, which is the final straw for Peter. He tells Michaela their marriage is over during an elaborate Labor Day weekend party at their home, and Simone swoops in to replace Michaela as Peter's date, because Peter thinks he's in love with her. In the last minutes of the finale, Devon expresses her disbelief that her sister could betray Michaela in such a way. 'If it doesn't serve you, let it go,' Simone tells Devon coldly, regarding Michaela. Simone's thinking, says Alcock, that 'she's gone through so much pain that surely she deserves a bit of peace.' For Devon, it's harder to be so self-serving. 'I want to go home and take care of Dad,' Devon says. 'Dropping out of college to take care of you is the best thing I've ever done. I don't think you understand how proud I am of myself that I did that. You didn't serve me, and I didn't let you go. But now I have to.' 'That is one of my favorite scenes in the series,' says Fahy. 'It's a really special moment, because when we meet Devon, she's pretty self-loathing in a lot of ways, and she's got some pretty bad habits, self-destructive habits, and I don't think that she has given herself any credit for all of the things that she's accomplished in her life. So I think for her to arrive at a place where she's able to give that grace to herself in that moment is really, really lovely to see.' And while Devon heads back to Buffalo, Alcock predicts Simone would be happy enough with Peter and swiftly make plans to solidify her place as the new Mrs. Kell, Peter's latest and hopefully his last love. 'I think that Simone gets pregnant very quickly,' Alcock says. 'She's smart enough to know that she's not going to sign a pre-nup, or she's going to make some edits to the pre-nup. She's clever. 'This is a story of survival for her, ultimately,' Alcock adds, 'which is why her behavior is very drastic and dramatic and unforgiving, and she doesn't compromise for other people. I think that she's got her hands in a few pots in his finances, in his estates, and I think that she lives happily ever after for as long as that may be, or it can be with someone like Mr. Kell.' While the show has been advertised as a limited series, Alcock says she's game for a second season, if creator Molly Smith Metzler, who adapted her 2011 play "Elemeno Pea," is interested. 'She has to write it,' Alcock says, 'otherwise no.'
Refinery29
22-05-2025
- Entertainment
- Refinery29
From 'Perfect Housewife' Shift Dresses To A 'Rock ‘n' Roll' Gown, The Fashion In Sirens Is Full Of Easter Eggs
Mild spoilers for Sirens, premiering on May 22, ahead. In Netflix's new steamy thriller Sirens, on the lavish grounds of Cliff House — located on an exclusive, unnamed island in the vein of Martha's Vineyard — the decadent dress code is more than just an etiquette guideline. 'What is this place and why does everyone look like an Easter egg?!' exclaims Devon (Meghann Fahy) to her estranged younger sister Simone (Milly Alcock), an assistant to the palatial beach estate's doyenne, Michaela Kell (Julianne Moore) — or 'Kiki' to the anointed. Surrounded by floral-clad Stepford-type denizens, a disheveled Devon, out of place in all black, pleads for help from Simone, who, in contrast, is wearing brash pink. Their father, Bruce (Bill Camp), has dementia, but Simone refuses to leave her formidable boss and the lap of luxury. Devon surmises that her baby sister has been seduced by a cult led by the enigmatic Michaela. A suspenseful push and pull of women's relationships, money, and power ensues — and the luxurious wardrobes by costume designer Caroline Duncan offer figurative Easter eggs leading to the climactic finale. Devon's Subversive Black Outfit Arriving at Cliff House after a night in jail and a grueling 17-hour journey from Buffalo – including bus, ferry, and on-foot travel — Devon hasn't changed out of her all-black outfit: a black tank top, a Babaton mini skirt, and Thursday combat boots. 'When we meet Devon, she's at a low point,' says Duncan. 'She's got alcohol and sexual impulsivity issues, and we wanted to put her in something where we could see the scabs and dirt on her skin, but also show that she's emboldened by showing her skin. Part of her addiction comes from that confidence.' On the ferry, Devon visually — and spiritually — clashes with the posh summering crowd in pastel outfits straight out of Lilly Pulitzer and Vineyard Vines campaigns. But things are about to change, and the mint-green lace trim that Duncan added to Devon's camisole alludes to Michaela's meticulously manicured enclave and the intrigue to come. 'Planting that little seed of her journey,' says Duncan. Michaela's Otherworldly Neutrals Devon becomes convinced that Michaela, who's planning an extravagant Labor Day fundraiser gala for her rare bird preservation charity, is a cult leader. Adding to the vibe, the philanthropist — in a billowing white halter tunic and flowy pants — wields a fowl-topped baton to lead her devotées in an invocation of her sign-off mantra: 'Hey, hey.' 'Our intent was to always have the audience questioning what the mythos surrounding her, and the lore of her, was,' says Duncan, who custom-made most of Moore's other costumes. 'I wanted her to feel like she was always floating and above the fracas of the real world.' Taking inspiration from '70s-era Lee Radziwill and Italian brand Alberta Ferretti's ethereal silhouettes, Duncan made Michaela's halter ensemble with vintage silk from a distributor also used by Halston, a brand whose silky garments were worn by the likes of Liza Minnelli and Bianca Jagger. Later, the de facto empress of the island presides over her disciples in a luminous one-shoulder caftan gown by The Row. Duncan imagined that the ambitious lawyer-turned-billionaire-trophy-wife made her mark on the impressionable island community by formulating a color-coded wardrobe 'rulebook.' But, in the ultimate flex, Michaela's own distinctive palette of neutrals is an ongoing, eye-catching exception. 'Everyone else around Michaela is in this flutter of beautiful color, and she's this visual pause,' says Duncan. 'Which, of course, means that she's the person you're looking at, at all times, in the room.' Michaela's alabaster layers also boldly counter Devon's rebellious, grungey style as the two face off over Simone's allegiance toward the end of episode one. 'Everybody else in between them is in a powder puff of color, but the two are the binaries of the show,' says Duncan. Simone's Try-Hard Pinks and Commanding Blues Simone regularly barks orders at the Cliff House staff through a megaphone. Her bright pink mod-style dress with a precious white trim, from a Goop x Lilly Pulitzer collaboration, amplifies her relentless determination to fulfill Michaela's directives. 'Simone's got to be obnoxious,' says Duncan. 'It's like the dial is just turned up way too high. She's vibrating far too brightly, and she's trying way too hard to fit in. So everything about her feels extra, and she is in a hotter color than everyone else in that world.' As Simone's character evolves, she transitions to cooler shades of blue, starting with a custom sleeveless Pulitzer-referential dress. 'Blue very much felt like a moment; a marker for Simone feeling more in control,' says Duncan, who also made an exquisitely draped, silvery-blue asymmetrical gown for Simone for a jaw-dropping moment later in the season. 'She starts to feel a little bit bolder and a step wiser,' says Duncan, 'Her need for this perfection, and her desire to match Michaela's level of perfection, starts to wane.' Devon's Red Statement Dress After her initial showdown with Michaela, Devon is briefly banished to a luxury hotel on the island — on the Kell family tab. Taking advantage of her new expense account to finally change out of her two-day-old outfit, she buys a bold crimson Francesca Miranda dress, featuring the Colombia-based designer's pata de cabra technique of slinky, draped strips of fabric. 'It felt like Devon would love that dress, because it's exoskeletal and it moves and it's bold,' says Duncan, who worked with the label to customize the dress with monochrome red lining. 'It moves so beautifully, and the color is so defiant. We're not a world of primary colors in Sirens.' As the signature color of Devon's hometown team, the Buffalo Bills, red also indicates Devon's humble roots — something Simone disavows by cryptically saying she's from 'upstate.' Devon's Michaela-Approved Outfits In an effort to 'extract' Simone, Devon decides to infiltrate the presumed cult and ingratiates herself with Michaela by agreeing to dress the part. She changes into a Michaela-approved sleeveless shift dress with a vintage Lilly Pulitzer print, delicate cut-outs at the neckline, and fabric-covered buttons. Michaela's dress choice conveys her control and manipulation of Devon at Cliff House, with Duncan referring to the look as a 'cage dress.' 'There's a lot of intention to that. Michaela is putting her in a dress that feels very '60s,' continues Duncan. 'To Devon, that image of a 'perfect housewife' is her nightmare version of femininity.' Devon even devises her own chant, as she dons a padded lilac Jennifer Behr headband and matching ballet flats by Christian Louboutin. 'Fuck you, Michaela,' she mutters. 'Fuck you, Michaela.' But, nearly overnight, Devon eases into her second Cliff House-coded outfit: a yellow-and-blue shift dress with a seashell print, Castaner sandals, and an adorable lemon-shaped straw bag. 'As we get further and further into our story, she is tempted by the siren call of this world,' says Duncan. Devon's Goddess Gala Gown Ahead of the opulent Labor Day gala, Devon luxuriates in her own Pretty Woman -esque shopping montage — cheered on by Michaela's free-spending society cronies: The Fates -like Lisa, Astrid, and Cloe (Erin Neufer, Emily Borromeo, and Jen Lyon, respectively). 'I look like Beetlejuice,' opines Devon, drowning in a voluminous yellow Carolina Herrera dress covered in ruffles and giant black polka dots. She also nixes a feather-blanketed Marchesa gown and oversized hat by Rachel Trevor Morgan and a jarringly bright yellow column gown with a colossal bow at the back by Alexia María with custom Lacrasia gloves. But Devon falls under the spell of an ombrê purple goddess dress with a plunging neckline, finished off with a golden laurel tiara. 'She would need to feel incredibly powerful and beautiful,' says Duncan, who custom-designed the 'painterly' gown with elements that would express, and appeal to, Devon. 'This deep plunge and very, very minimalist bust, with more of a rock 'n' roll element pulled through it,' continues Duncan. 'Even though it's quite a feminine and Grecian silhouette, it's also got an edge to it that keeps it in Devon's world.' Micaela's Majestic Jewel Tones As Simone's traumatic past and Michaela's true intentions come to the fore, the latter's neutrals transition into jewel tones — like a sleeveless emerald green dress with a flowing train by Maria Cornejo. 'We're bringing Simone and Michaela's color palettes closer together,' says Duncan, explaining how the draped and twisted details of Michaela's green dress mirror a sapphire gown that Simone tries on in her boss' walk-in closet. Michaela readies for the high-stakes gala in a resplendent strapless marigold gown accessorized with a stunning Solange statement necklace and earrings set. 'She's the queen of this society. She's the leader,' says Duncan. 'She's a goddess.'
