Latest news with #Lim
Business Times
13 hours ago
- Entertainment
- Business Times
No bricklayers, only robots: Singapore's first 3D-printed house
[SINGAPORE] Most architects don't live inside their experiments. Lim Koon Park does. In the lush district of Bukit Timah, he's built a home that rewrites the rules of construction – layer by printed layer. QR3D, the first 3D-printed house in the country, is not just a technical first. It's a working, breathing home designed around light, air, and lived experience. Four levels. Seven bedrooms. A 6-metre-high concrete oculus at its heart. And no bricklayers in sight. For Lim, founder of the acclaimed architecture practice Park + Associates, QR3D is both a milestone and a meditation. 'We weren't interested in doing a technological demo,' he says, seated at his custom-made steel dining table. 'It had to be liveable. It had to feel like a real home.' The striated texture of concrete proudly reveals its 3D-printed origins. PHOTO: DEREK SWALWELL & JOVIAN LIM Built on a 3,531-square-foot plot, the 6,130-square-foot residence is both elemental and expressive – a home where light and shadow fold into daily life, and every surface bears the quiet trace of its 3D-printed origins. The entire structure pivots around a dramatic cylindrical void – an oculus that rises from the dining room floor to a skylight above. This centrepiece – referred to in the family as 'the cone' – doesn't just dramatise the architecture. It also performs. Hidden within its striated 3D-printed walls is a passive ventilator typically found in factories, drawing hot air upward and out. 'The cone defines the way the house is configured,' Lim explains. 'Every room has a reminder of it. The space-making elements curve around it, responding to it. It's not decorative. It's spatial.' A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up The 6-metre tall 'cone' isn't just a skylight – it's a structural centrepiece around which the entire house radiates. PHOTO: DEREK SWALWELL & JOVIAN LIM Because of the cone too, the rooms, corridors and stairwells don't flow in straight lines. They fracture and converge, tilt and realign, like the overlapping planes of a Cubist painting by Braque or Picasso. Space feels broken up and reassembled from multiple angles, never offering a single fixed perspective. Each child – Lim has four – has a room with its own personality: one with a loft, another with generous light, another with a secluded nook. The master bedroom sits behind a narrow window, modestly lit, because, as Lim says, 'we never opened the curtains anyway'. At the base of the cone, the dining area is celebrated as the heart of the home. 'We love food,' he smiles. 'And this was the space where everyone comes together.' Because of the cone, the corridors and stairwells seem to fragment and splinter like Cubist paintings. PHOTO: DEREK SWALWELL & JOVIAN LIM A house sculpted by code QR3D is 90 to 95 per cent 3D-printed – a remarkable feat given Singapore's conservative building landscape. Built as a semi-detached residence, the project partnered with local concrete printing specialist CES_InnovFab to split construction between on-site printing and off-site prefabrication. While some walls were layered outdoors under weather-controlled canopies, others were printed in a factory and trucked in. 'Certain inclines were a challenge,' Lim says. 'Concrete wants to slump. So we printed individual blocks – almost like bricks – and assembled them on site.' Other challenges bordered on the theatrical: limited nozzle access near party walls, power fluctuations interrupting the print flow, and humidity sabotaging consistency. In one case, a precast wall panel cracked during hoisting. 'We didn't anticipate the lifting forces,' he says. 'So we developed a hook system to distribute the load. You live and learn.' The textured wall surfaces add a subtle richness. PHOTO: DEREK SWALWELL & JOVIAN LIM Lim is quick to note that while most of the vertical surfaces were printed, the structural slabs and columns remained conventional. The columns, for instance, were shaped using printed molds, then filled with rebar cages and cast concrete. 'We're not printing structure – yet,' he says. 'It's still reinforced concrete inside. But one day, maybe.' He is certainly thinking long-term: 'If I can make 3D-printing work with what I design, then it has a chance of going to the mainstream construction industry.' For an architect with more than two decades in practice, QR3D also marked a return to first principles. Lim didn't design a house to initially fit the printer. He sketched out the house by hand – unusual for him – and only later adapted it for printing: 'I didn't want the technology to lead. It should be a value-add – not a limitation.' The living room is tastefully furnished with statement pieces, including Le Corbusier armchairs. PHOTO: DEREK SWALWELL & JOVIAN LIM Although this house took longer to complete than expected and didn't result in dramatic cost savings – at least not yet – Lim sees it as a pilot project for 3D-printed houses. 'After two or three more houses, it'll get faster. Once you amortize the machine cost and the team gains experience, the savings become real.' The biggest efficiencies come in the elimination of trades. 'You don't need to cut grooves for power points anymore,' he says. 'You just insert a foam block during printing and pop it out later.' No carpenters, no plasterers, no bricklayers. 'It's cleaner. It's faster. It's just the computer and a guy who programmes it.' Bedroom windows are deliberately made small to reduce heat gain. PHOTO: DEREK SWALWELL & JOVIAN LIM Sustainable, sensible, striking Despite its technological ambition, QR3D isn't showy. There's no polished chrome or futuristic gimmickry. Instead, the house embraces a quiet material honesty. The striated concrete surfaces – each layer of the print visible like tree rings – are left unpainted. That commitment to honesty extends to sustainability. Bedroom windows are small to reduce heat gain. A heat pump water heater cools the upper floor as a byproduct. And floors throughout are laid in a mix of engineered timber, large-format tile, and – in the powder room – repurposed marble fragments scavenged from a stone supplier's scrap pile. The home doesn't rely on elaborate smart systems either. 'It's minimal,' Lim shrugs. 'We don't need fancy automation. It's about living comfortably, not responding to every trend.' The space feels broken up and reassembled from multiple angles, never offering a single fixed perspective. PHOTO: DEREK SWALWELL & JOVIAN LIM If QR3D feels unusually human for a house built by robots, that may be the point. Lim isn't content with technology for its own sake. With QR3D, he set out to prove that 3D printing could serve mainstream architecture, solve real-world problems, and still produce beautiful, meaningful homes. 'It's still early,' he says. 'But I hope 3D-printing becomes a genuine value-engineering option – and not a novelty exercise.'
The Star
18 hours ago
- Entertainment
- The Star
QuickCheck: Was the narrator of the Dark Souls video game a Malaysian?
IN THE hit video game Dark Souls, the player is a cursed undead, resurrected only to endure an endless cycle of death and rebirth. Their perilous journey leads them through a crumbling land of forgotten gods, all in pursuit of a primordial truth that could either rekindle the world or plunge it into eternal darkness. Is it true that the narrator of the opening sequence to Dark Souls was actually a Malaysian? Verdict: TRUE Pik-Sen Lim, born in Penang, Malaysia, was the one who provided the chilling voiceover that welcomes players into the world of Dark Souls. Not only that, she was also a narrator for its third instalment, Dark Souls 3. She had already built a noteworthy acting portfolio long before her involvement in the gaming industry. Best known for her role as Chung Su-Lee in the British sitcom Mind Your Language (1977–1979), she showcased sharp comedic timing opposite stars like Barry Evans. Penangite Pik-Sen Lim, from Mind Your Language fame, was the narrator for the opening sequence of Dark Souls. Beyond that, she appeared in various television productions, including Doctor Who ("The Mind of Evil", 1971), Sorry I'm Single (1967), and The Professionals (1978-1993). More recently she appeared in Johnny English Reborn in 2011. Her film credits spanned dramas and comedies alike, demonstrating her profound versatility as an actor. Her path to voicing Dark Souls' introduction stemmed from her wide-ranging vocal abilities and stage experience. Many fans of the franchise still praise Lim's contributions as an integral part of the game's grimly beautiful aesthetic. After rising in prominence through television, film, and theatre, Lim ventured into voice acting, including other noteworthy gaming appearances. Her capacity to adapt her voice to nuanced characters left an indelible mark on the Dark Souls brand. Her role remains a memorable part of gaming culture, with fans reiterating that her narration set the foreboding stage for the punishing adventure ahead. Lim passed away at the ripe old age of 80 on June 9 this year. References: 1. news/nation/2025/06/13/penang- born-actress-lim-pik-sen-from- 039mind-your-language039- passes-away-at-80?utm_medium= socmed&utm_campaign=TG 2. nm0510586/?ref_=nv_sr_srsg_0_ tt_6_nm_2_in_0_q_Pik%2520Sen% 2520Lim
The Sun
20 hours ago
- Entertainment
- The Sun
Con men camaraderie
TRUTH is, few expect a Cantonese-Mandarin comedy-thriller about scam syndicates to deliver more than some noise, loud acting and a recycled plot. But Money Game$ surprises in the best way. Directed by Matt Lai and backed by a powerhouse cast including Jack Lim, Eric Tsang and Bobby Au-Yeung, this rollercoaster dives into the flashy, fast-paced world of financial fraud with tongue firmly in cheek and just enough heart to keep audiences watching. This co-production between Malaysia and Hong Kong is very much a local gem, not because it breaks new ground, but because it knows exactly what it wants to do, entertain. And entertain it does, with a chaotic mix of action, brainy schemes, slapstick humour and some truly questionable bromance energy that feels right at home. Lam (Lim) leads the Anti-Fraud Society with sharp instincts and a calm demeanor. – PR Plotting the perfect scam Money Game$ follows the Anti-Fraud Society, led by Zeng Miao Zhu (Lim), who uncovers a shady new racket after cracking a major fraud case. He dispatches his elite team to infiltrate a scam operation run by the Tang Gang. Their mission: pretend to be the faces of the operation, attract investors and gather evidence from the inside. That is about as much as can be said without venturing into spoiler territory, but what unfolds is a tightly packed mix of chaos, deception and corporate cat-and-mouse antics. The film blends high-stakes tension with zany humour in a way that is entertaining if not exactly groundbreaking. What really sells it is the energetic direction and the cast's comedic timing. Message in the madness While the storyline dips into the absurd, the underlying message is surprisingly sharp. The film explores the rise of money games, online fraud and get-rich-quick schemes, all deeply relevant in a Malaysian context. It is a cautionary tale wrapped in ridiculous wigs, over-the-top disguises and a surprisingly sincere take on morality. For viewers who have been bombarded with scam texts and 'investment opportunities' on social media, the film strikes a familiar chord. It does not preach, but it does poke fun at both the scammers and the people who fall for them. Somehow, it balances satire with substance, making the audience laugh while also nudging them to think twice about too-good-to-be-true deals. Multitasking while you watch This is not a film that demands full attention. Money Game$ might be the perfect movie to have on while folding laundry, prepping for dinner or scrolling through social media. It is fast-paced enough to keep the energy going, but forgiving enough that missing a few minutes would not leave viewers lost. That is not a dig, it is a compliment. Not every film needs to be cinematic art. Some are simply meant to keep the mood light, the laughs rolling and the in-laws entertained. Money Game$ excels in that category, offering enough style and spectacle to fill a living room, without asking too much in return. The brotherhood... and the bromance A core element of the film is the team dynamic and let us just say, the chemistry between the Anti-Fraud Society's elite squad is both endearing and a little too affectionate. From slow-motion emotional hugs to prolonged eye contact that borders on romantic, the brotherhood moments occasionally teeter into 'wait, are they...?' territory. Still, it is all in good fun. The exaggerated camaraderie is played for laughs and the most part, it works. Viewers might raise an eyebrow now and then, but they will likely be laughing while they do. It is a style of humour that toes the line between genuine affection and over-the-top bromance and Money Game$ walks it with confidence (and maybe a bit of glitter). Performances that keep it going Lim anchors the film as the calm and composed Miao Zhu, while the others bring chaotic energy as the undercover squad. Tsang and Au-Yeung, two Hong Kong legends, elevate every scene they are in, adding a layer of nostalgic charm and comedic weight that balances the newer faces. The dialogue jumps between Cantonese and Mandarin smoothly, with just enough local flair and verbal slapstick to keep things light. Even the side characters contribute moments that range from hilarious to oddly touching. Local effort worth applauding What makes Money Game$ stand out is not its originality, but its effort. The production value is solid, with flashy sets, decent fight choreography and slick editing. It does not feel cheap, a welcome change from the lower-budget look of many regional comedy flicks. The film may not be perfect, but it tries and in the age of cookie-cutter blockbusters, that counts for something. It also helps that the runtime is a tight 100 minutes, just long enough to deliver the goods without overstaying its welcome. There are moments where the pacing wobbles or a joke lands a little flat, but overall, the film maintains momentum all the way through. Unexpectedly entertaining scam Money Game$ is a fun, fast and surprisingly sharp Malaysian flick that blends comedy, crime and commentary into an easy-to-watch, laugh-filled ride. Approach it with the mindset of 'eh, give it a try', and chances are it will leave a better impression than expected. Maybe even a few chuckles and a reminder not to trust random DMs offering crypto investments.
New Straits Times
21 hours ago
- Business
- New Straits Times
Lim: Asean Fujian Convention to bolster regional ties, economic cooperation
KUALA LUMPUR: The Asean Fujian Convention 2025 is designed to strengthen regional networks and foster deeper economic collaboration, said Tan Sri Dr Lim Hock San, president of the Federation of Asean Fujian Associations. Lim warmly invites delegates to participate in this significant gathering, scheduled for August 28 at the Shangri-La Hotel, Kuala Lumpur. He shared that the convention will unite participants from across Asean, China and beyond to advance regional cooperation, expand cross-border business opportunities and celebrate the rich cultural heritage of the Hokkien community. By attracting regional and international delegates, the convention is set to boost Malaysia's tourism and services sectors, promote local enterprises and reinforce the country's leadership as host of the Asean Summit 2025. Key highlights include the Asean Potential Development Forum, featuring opening remarks by Tan Sri Dr Johari Abdul, Speaker of the House, and closing remarks by Human Resources Minister Steven Sim Chee Keong. The convention will also see the opening of the Hokkien Museum at Wisma Fujian, Pudu, Kuala Lumpur, followed by a gala dinner and Asean Fujian Entrepreneurship Awards, recognising exceptional entrepreneurial contributions across Asean. Deputy Prime Minister Datuk Seri Fadillah Yusof will deliver the opening address and serve as guest of honour at the event on August 28. This significant event will bring together delegates and participants from across Asean, China, and other international regions, with the aim of making a substantial impact to enhance regional cooperation, promote cross-border business opportunities, and celebrate the shared cultural heritage of the Hokkien community. The convention is expected to deliver wide-ranging benefits for the community and the nation. It will play a pivotal role in revitalising Malaysia's tourism and service sectors by drawing international participation and attention. The convention will ignite investment flows and business partnerships within the Hokkien community across Asean, China, and beyond – putting local enterprises in the spotlight and connecting homegrown products to regional and global markets. At the same time, it will fuel Malaysia's economic momentum by reinforcing its role as Asean Summit Host 2025 and advancing national goals – deeper economic integration and stronger diplomatic and trade ties across Southeast Asia. Reports show Asean is actively pursuing intra-regional trade, investment harmonisation, and diversified markets to combat global economic uncertainty and tariffs. "This convention is more than a cultural celebration; it's a platform to build sustainable business ties, deepen regional bonds, and honour Hokkien entrepreneurial spirit," said Lim. "We look forward to welcoming all delegates and partners to an enlightening and impactful event."
Straits Times
a day ago
- Straits Times
‘There's no shame in having your story corrected'
Mr Peter H.L. Lim with a mock Page 1 of The Straits Times that his colleagues gave him when he left the group. Peter H.L. Lim, 86 Portrait Mr Peter H.L. Lim dreamed of becoming a fighter pilot as a youth, but when he was found to be short-sighted, that path was closed. Instead, he joined The Straits Times as a cub reporter in 1957. In 1978, he became editor-in-chief of the Times Organisation, overseeing The Straits Times as well as sister publications like The Sunday Times, Berita Harian and the Fanfare entertainment magazine. He focused on improving quality and raising staff skills, with conditions and salaries for journalists notably improving. He describes the early 1980s as a 'golden age' for journalists. In January 1987, he handed over the editor-in-chief role to Mr Cheong Yip Seng and became editor of The New Paper (TNP), a new afternoon tabloid launched on July 26, 1988. He led TNP for two years. Now 86, Mr Lim's career reflects a significant period of growth and transformation in Singapore's newspaper landscape. Recollections 'Journalism was very challenging during my time because information was difficult to get. There were many people who wanted to resign because they were fed up. I had to persuade them to stay. Sometimes they stayed because of their faith in me, but only sometimes was that the case. Their inherent strength was that many journalists were very motivated and willing to continue doing their part. They felt they had a larger purpose, contributing to the changes and advances in Singapore. They were underpaid for a long time, but they were thrilled to be the first to break the news, excited about getting a scoop, whatever their pay. Top stories Swipe. Select. Stay informed. Singapore HSA intensifies crackdown on vapes; young suspected Kpod peddlers nabbed in Bishan, Yishun Singapore Man charged over distributing nearly 3 tonnes of vapes in one day in Bishan, Ubi Avenue 3 Singapore Public healthcare institutions to record all Kpod cases, confiscate vapes: MOH, HSA Singapore Man allegedly attacks woman with knife at Kallang Wave Mall, to be charged with attempted murder Singapore Singapore boosts support for Timor-Leste as it prepares to join Asean Singapore UN aviation and maritime agencies pledge to collaborate to boost safety, tackle challenges Singapore High Court dismisses appeal of drink driver who killed one after treating Tampines road like racetrack Singapore 18 years' jail for woman who hacked adoptive father to death after tussle over Sengkang flat Getting your byline, getting a scoop amid the competition were big things. One of the things we started during my time was the 'What it should have been' feature in the paper to ensure accuracy. It was also to show fellow journalists that there's no shame in having your story corrected, and that was how it was born. Journalism today is much better than it was then. Now, information is transmitted far more easily from the Government to the public. I think we're much better off today because of that than we ever were. For a long time, I didn't imagine that Singapore would come so far. There were so many challenges, the natural resources were limited. There were so many external problems. But I'm glad it happened because of the benefits it will have for future generations. This is my country, my home. And for many, this will always be home. One area where more can be done is how we relate to people. There was a time when sociology as an intellectual discipline was spoken of with disdain by some of our top political leaders. It was dismissed by them as a 'soft' pursuit. But the realisation has grown that an understanding of social problems – meaning real people's real-life problems – is as crucial as... well, as any and everything else. I wish I had done more to help promote such understanding in my time in the newsroom. Looking ahead, I hope Singapore develops more to allow people to have more empathy and to feel more for other people's feelings. Given a chance, would I be a journalist again? No. I wanted to be a fighter pilot, flying the latest fighter aircraft.'
