Latest news with #Limelight
Daily Mirror
2 days ago
- Entertainment
- Daily Mirror
DJ Fat Tony's wedding day details unveiled as he officially ties the knot
Davina McCall, Kelly Osbourne and Claire Sweeney were among stars cheering on DJ Fat Tony and Stavros Agapiou as they got married on Saturday - with Boy George acting as Master of Ceremonies Details of DJ Fat Tony and Stavros Agapiou's lavish wedding have been revealed now the couple have officially tied-the-knot. The couple swapped vows in front of friends, family and A List stars on Saturday. Night club DJ Tony, whose real name is Tony Marnach, 58, and creative director Stavros, 32, held a ceremony at Limelight nightclub in London's Shaftesbury Avenue - a venue where Tony's track-spinning career began back in the 1980s. The wedding was presided over by Boy George, who served as Master of Ceremonies. Among the star guests were Davina McCall, Kelly Osbourne, Neneh Cherry, Patsy Palmer, Claire Sweeney and David Furnish. The grooms wore custom Dior suits, and the wedding guests were ferried by taxis to a nearby hotel for a lavish reception and after party. The couple have also posed for photographs with HELLO! magazine - to whom they gave an interview. During their marriage chat, Tony explained exactly why he picked the nightclub venue as the location for his big day. He told the outlet: "So much went on in that building that was a big part of my life and we really wanted it to be a full circle thing. We wanted to celebrate our love with the people we love around us." Further details are set to be shared via the magazine on 9 June. Ahead of the wedding, a number of celebrities took to social media to share their excitement about the big day. Brookside icon Claire Sweeney was one such star - taking to Instagram to share snaps of herself posing in a shimmering summer dress. The 47-year-old soap star posed in a dress by Eliza Jane Howell Evening Wear. The gown shimmered with sequins and included a floral design, and she beamed as she posed for photos, which she shared online. Posing with her son Jaxon, 13, whom she shares with her ex Daniel Reilly, the star wrote: "Ready for the wedding of the year @dj_fattony_ @stavrosagapiou." Others from the worlds of fashion, music and reality shows were expected to join the ceremony. A list icon Kate Moss and former The Only Way Is Essex star Gemma Collins were tipped to be taking on roles of bridesmaid at the wedding, while other reports suggested Claire too would be in the role of a bridesmaid. The Daily Mail claimed: "The event is said to be taking place at a church in West London, with the likes of David and Victoria Beckham and David Furnish mingling alongside Alison Hammond and Jedward, while Tony previously revealed that he wanted Boy George as his best man." And a source told The Sun: "Tony is one of the most popular people on the London celebrity circuit and his wedding is going to be packed full of stars. "No one had Kate, Gemma and Claire in a bridal party on their bingo cards this year, though. It's going to be incredible to see them lining up together." They added: "Tony and Stavros have put a lot of thought into their big day, and it's going to be one to remember. As for having Kylie singing at their evening do, it's iconic." The couple also marked their wedding day with a social media post. The professional DJ shared a slide with the words "Love Wins" written alongside the names Tony and Stavros as well as the date. He added in a caption: "Here we stand at the beginning ………. The happiest chapter of my life."
Hindustan Times
3 days ago
- Entertainment
- Hindustan Times
Review: Soumitra Chatterjee and his World by Sanghamitra Chakraborty
A few weeks before the release of Apur Sansar (The World of Apu, 1959), directed by Satyajit Ray, Charlie Chaplin's Limelight was re-released in Calcutta (now Kolkata). A large hoarding in the city displayed the film's poster. The actor Soumitra Chatterjee, who was making his silver screen debut with Ray's film, would 'admire this larger-than-life poster as he passed the area' on his way to work, writes journalist Sanghamitra Chakraborty. 'One evening… unmindfully looking up to get a glimpse of the Limelight poster… he got the shock of his life.' Chaplin's face had been replaced by his own. 'It was a poster of Apur Sansar.' This remarkable debut launched Chatterjee into a career that would make him one of the most important actors of the 20th century. Chakraborty's deeply researched biography, Soumitra Chatterjee and his World, explores all these different aspects of his life and career. Through in-depth interviews with his family, friends and colleagues, archival research (including Chatterjee's personal journals) and an analysis of his work, Chakraborty creates a compelling portrait of a complicated human being. Instead of slipping into the morass of a hagiography, which is common with celebrity biographies in India, Chakraborty explores even the less-than-complimentary aspects of her subject's life, such as his extramarital affairs and some dubious career decisions. However, she does this with a sort of empathy that does not in any way diminish Chatterjee, instead revealing him to be only too human. Though Chatterjee has been the subject of several biographies already, it is perhaps safe to say that this book is by far the most detailed and engaging one yet. Future biographers or anyone commenting on Bengali cinema, will have to take it into serious account. Soumitra Chatterjee and his World is divided into 10 parts, each exploring different aspects of its subject's life, such as his family and early years outside Calcutta, his college and university education, his early days in theatre (under the tutelage of the notable thespian Sisir Kumar Bhaduri), his Coffee House friends and literary pursuits, his committed leftist politics and his relationship with this wife Deepa, a talented badminton player. A significant portion is, obviously, dedicated to his relationship with Ray. The author writes several accounts of how Chatterjee prepared for the different roles he played in Ray's films, such as a hot-headed taxi driver (Abhijan, 1962), an aspiring 19th-century writer (Charulata, 1964), a beleaguered village priest (Ashani Sanket, 1973) or a sharp private investigator (Sonar Kella, 1974 and Joy Baba Felunath, 1979). These chapters also bring out the differences between the two men. The book is full of anecdotes that might surprise even the most devoted cinephile. For instance, writing about why Chatterjee did not collaborate with Ritwik Ghatak, one of the most celebrated art house Bengali film directors in the 1960s, Chakraborty describes an incident when the actor and the director came to fisticuffs. Quoting from an interview of Chatterjee, Chakraborty describes a public meeting where Ghatak and Chatterjee were guests. Quite characteristically, Ghatak turned up inebriated and started abusing Ray. 'I did not get provoked since I did not hold a brief to defend Ray,' says Chatterjee. 'Maybe he got frustrated at my nonchalance and he threw a swear word at me.' Flying into a rage, Chatterjee held Ghatak by the collar and landed a blow on his face. From the vantage point of half a century, it is somewhat amusing to witness, through Chakraborty's narration, two revered figures of Bengali cinema engaging in such behaviour. Such incidents remain with the reader long after the book has been put away. Chakraborty also analyses Chatterjee's work with filmmakers like Tapan Sinha, Asit Sen, Ajoy Kar, Tarun Majumdar, Dinen Gupta and Saroj De, locating it within the specific context of Bengali cinema. The sharp writing provides context to the cinema of the 1930s-40s, which Chatterjee watched while growing up, as well as his contemporary films. She also relates Chatterjee's complex relationship to Bengali cinema's reigning heartthrob, Uttam Kumar. While Chatterjee was a self-proclaimed Uttam Kumar fan, there was also considerable rivalry between the two, especially during a period of labour unrest in the industry in the late 1960s, when they found themselves in opposing camps. Some of this owes a debt to film scholar Sharmistha Gooptu's history of the Bengali film industry, Bengali Cinema: An Other Nation (2011). Though Chakraborty quotes from Gooptu, the book under review would have benefitted from more engaged editing, which would have ensured more rigorous citations. The book could have also included Chatterjee's family tree, bringing out his exact relation with such illustrious figures as poet and film critic Sourindra Mohan Mukhopadhyay, singer Suchitra Mitra or the freedom activist Jatindranath Mukherjee, better known as Bagha Jatin. Perhaps, these will be addressed in the next edition. Much of the writing on Indian cinema, both scholarly and popular, has focused on Bollywood. Besides Gooptu's groundbreaking work, there is very little scholarship on Bengali popular cinema. Film scholars and historians writing on Bengali cinema have focused mostly on Ray or his art house contemporaries, Mrinal Sen and Ritwik Ghatak, or more recently, Rituparno Ghosh. Sayandeb Chowdhury's Uttam Kumar: A Life in Cinema and Maitreyee B Chowdhury's Uttam Kumar and Suchitra Sen: Bengali Cinema's First Couple are rare exceptions. Chakraborty's book, therefore, explores new ground. It will hopefully be an inspiration to more scholars and writers to examine the history of a remarkable film culture. Uttaran Das Gupta is an independent writer and journalist.
Malaysian Reserve
14-05-2025
- Business
- Malaysian Reserve
ASPEN ONE STRENGTHENS COMMITMENT TO ART PROGRAMMING
Aspen One to further invest in art programming across the entirety of its portfolio, including the expansion of the long-standing Art in Unexpected Places program ASPEN, Colo., May 14, 2025 /PRNewswire/ — Arts and culture are interwoven into the fabric of Aspen One and its world-class portfolio of brands—Aspen Snowmass, The Little Nell, Limelight, and Aspen Collection. For decades, it has been part of the company's ethos to support the arts and artists across its businesses and in the communities they serve. Expanding on that tradition, Aspen One is proud to announce that it is renewing and strengthening its commitment to the arts. First, the long-standing Art in Unexpected Places (ArtUP) program will receive new energy and funding, with an expansion of the program to include additional support of emerging artists and new partnerships with a range of art organizations. For 20 years, ArtUP has exhibited the works of contemporary artists across Aspen Snowmass in unique ways. The program is grounded in the belief that artistic works should be accessible and universal— and true to contemporary art's spirit of spontaneity. In addition, the company will also embark on a comprehensive review and refresh of art displayed across the entirety of the Aspen One enterprise— from art within each individual hotel property to on-mountain installations, and more. This work will also aim to include partnerships with select community and national art organizations, along with a new art rotation program within the Limelight hotels, The Little Nell, and all club properties within the Aspen One portfolio. 'Art is such an integral part of who we are, as a company and as a community,' said Dave Tanner, President and CEO of Aspen One. 'Reexamining our art program, and expanding the artists and organizations we work with, will only support our larger goals driven by the Aspen Idea, continuing the legacy of Aspen as a vibrant global hub of arts and culture.' Guests will see new art in rotation beginning this summer, and news related to future partnerships and exhibits will be shared on a rolling basis. About Aspen OneAspen One renews the mind, body, and spirit with a portfolio that redefines luxury, adventure, and leisure. With world-class and innovative brands and businesses, including Aspen Skiing Company, Aspen Hospitality, and Aspen Ventures, Aspen One propels the expansion of the Aspen ethos globally. Whether it's Aspen Skiing Company providing unforgettable experiences at the confluence of nature, culture, and recreation across its four legendary mountains—Aspen Mountain, Snowmass, Aspen Highlands, and Buttermilk; or Aspen Hospitality elevating guest experiences in unforgettable ways by developing, owning, and operating a growing set of luxury and upper-scale hotels, private clubs, and branded residential properties in prime locations under The Nell and Limelight brands; Aspen One is deeply committed to providing unparalleled service, creative programming, community engagement, and unique opportunities for exploration. The company's commitment to innovation is central to its evolution, including Aspen Ventures' amplification of the Aspen brand globally through new business lines that embody its values and heritage such as Aspen Collection. For more than 75 years, the Aspen brand and community has pointed its compass toward new paths, people, and possibilities—and today, as Aspen One, the future is limitless. The company is a leader in sustainability and advocacy, with a legacy of modeling leading-edge solutions and changing policy locally and globally. As a collection of brands driven by tightly held core values, Aspen One aims to inspire a better world. For more information, visit
Yahoo
14-05-2025
- Business
- Yahoo
ASPEN ONE STRENGTHENS COMMITMENT TO ART PROGRAMMING
Aspen One to further invest in art programming across the entirety of its portfolio, including the expansion of the long-standing Art in Unexpected Places program ASPEN, Colo., May 14, 2025 /PRNewswire/ -- Arts and culture are interwoven into the fabric of Aspen One and its world-class portfolio of brands—Aspen Snowmass, The Little Nell, Limelight, and Aspen Collection. For decades, it has been part of the company's ethos to support the arts and artists across its businesses and in the communities they serve. Expanding on that tradition, Aspen One is proud to announce that it is renewing and strengthening its commitment to the arts. First, the long-standing Art in Unexpected Places (ArtUP) program will receive new energy and funding, with an expansion of the program to include additional support of emerging artists and new partnerships with a range of art organizations. For 20 years, ArtUP has exhibited the works of contemporary artists across Aspen Snowmass in unique ways. The program is grounded in the belief that artistic works should be accessible and universal— and true to contemporary art's spirit of spontaneity. In addition, the company will also embark on a comprehensive review and refresh of art displayed across the entirety of the Aspen One enterprise— from art within each individual hotel property to on-mountain installations, and more. This work will also aim to include partnerships with select community and national art organizations, along with a new art rotation program within the Limelight hotels, The Little Nell, and all club properties within the Aspen One portfolio. "Art is such an integral part of who we are, as a company and as a community," said Dave Tanner, President and CEO of Aspen One. "Reexamining our art program, and expanding the artists and organizations we work with, will only support our larger goals driven by the Aspen Idea, continuing the legacy of Aspen as a vibrant global hub of arts and culture." Guests will see new art in rotation beginning this summer, and news related to future partnerships and exhibits will be shared on a rolling basis. About Aspen OneAspen One renews the mind, body, and spirit with a portfolio that redefines luxury, adventure, and leisure. With world-class and innovative brands and businesses, including Aspen Skiing Company, Aspen Hospitality, and Aspen Ventures, Aspen One propels the expansion of the Aspen ethos globally. Whether it's Aspen Skiing Company providing unforgettable experiences at the confluence of nature, culture, and recreation across its four legendary mountains—Aspen Mountain, Snowmass, Aspen Highlands, and Buttermilk; or Aspen Hospitality elevating guest experiences in unforgettable ways by developing, owning, and operating a growing set of luxury and upper-scale hotels, private clubs, and branded residential properties in prime locations under The Nell and Limelight brands; Aspen One is deeply committed to providing unparalleled service, creative programming, community engagement, and unique opportunities for exploration. The company's commitment to innovation is central to its evolution, including Aspen Ventures' amplification of the Aspen brand globally through new business lines that embody its values and heritage such as Aspen Collection. For more than 75 years, the Aspen brand and community has pointed its compass toward new paths, people, and possibilities—and today, as Aspen One, the future is limitless. The company is a leader in sustainability and advocacy, with a legacy of modeling leading-edge solutions and changing policy locally and globally. As a collection of brands driven by tightly held core values, Aspen One aims to inspire a better world. For more information, visit View original content to download multimedia: SOURCE Aspen One Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Scoop
13-05-2025
- Entertainment
- Scoop
Tune-Yards Share New Single Ahead Of New Album 'Better Dreaming'
Tune-Yards, the dynamic duo of Merrill Garbus and Nate Brenner, have released their new single 'How Big Is The Rainbow', the final offering prior to the release of their upcoming album, Better Dreaming, out this Friday 16 May. The track is accompanied by a music video featuring comedian and actress, Star Amerasu, and directed by Dominic Mercurio. On the new track, Merrill shares 'The title lyric came out in a flash, and felt more sincere than I've ever been lyrically, maybe. But in this day and age, there is no room for subtlety when it comes to advocating for every single human being, for our trans family especially. And SHIT, how big IS the fucking rainbow?! It feels like the time to prove it to each other, to show each other how big it can be.' 'How Big Is The Rainbow' follows pre-release singles 'Limelight' and 'Heartbreak'. Distraction, depression, and heartbreak reign supreme in 2025. 'Making art in this day and age for me is a battle for focus; we're in an age of interruption,' says Garbus of Tune-Yards' sixth album Better Dreaming. Proudly waving an anti-fascist, liberation, freak flag, Better Dreaming contains some of Tune-Yards smoothest, funkiest, and most direct pop music to date, and yes, you can dance to it. And when you do dance to it, be prepared to sweat out something that's been long stuck inside, and pretty deep down. The songs of Better Dreaming came to Garbus and Brenner with unusual ease. They asked themselves what would happen if they simply let the songs come out, following any trail they wished - first thought, best thought style. There was a strong desire to move, to make music that would enter the ear and immediately loosen up the joints, get the whole body wiggling. After covid-isolation, and time away from touring and live shows, the desire to be moved by music was undeniable. The insane experience of growing an actual human being influenced this as well. The rhythms throughout the record carry a certain freshness, with deep pockets full of subtle idiosyncrasies that stem from Tune-Yards' return to making an album primarily as a duo. All but one of these songs are built around Garbus' drum looping and rhythm building, as they were on some of the early albums like Bird-Brains and W H O K I L L – no full kit drummer here, and the songs love it. Better Dreaming is ferocious in its invocation of self-love, of collective action, of dance floor liberation, ego-death deliverance, and a future we could all thrive in. When diving into the present darkness of the world, Tune-Yards asks themselves how much literal energy and joy can be conjured and pumped through the music. In its life-affirming art-pop of the apocalypse, Better Dreaming comes true. Better Dreaming is out on 16 May on all digital platforms, CD, standard black vinyl and clear blue wave vinyl (indie retail only). For more information, and to pre-order, head HERE.
