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Chicago Tribune
29-05-2025
- Entertainment
- Chicago Tribune
Dance for summer 2025: Our top 10 includes ‘Superbloom' at Botanic Gardens, tap and a super Joffrey premiere
This is a rare summer dance guide, in that most selections are surprisingly indoors! To be clear, there are a lot of chances to see dance if you want to, including all Chicago Dance Month has to offer — not to mention the ever-popular SummerDance lessons in Grant Park ( and the stalwart Dance in the Parks series ( at Chicago Park District locations all over the city. But more companies chose to extend their seasons into the warm months this year, including the Joffrey Ballet in a much-anticipated new ballet. That's just one of many air-conditioned options. A crash course: June is Chicago Dance Month, with multiple chances to see pop-up performances in all sorts of styles and learn a few moves. On Wednesday evenings, pre-fireworks dance lessons on Navy Pier include instruction in Bollywood, swing, footwork and hip hop. The Pier also has mini-performances on Saturdays from 4-5 p.m. And there are two chances to see a progressive dinner-styled outdoor dance show with companies tucked in nooks and crannies of Palmisano Park in Bridgeport. Different line-ups appear on June 17 and 24, so you may as well see both. For the love of tap: New York scooped up tap dancer Sterling Harris — unsurprising to those who have ever seen him dance — but he returns home often to continue working with M.A.D.D. Rhythms and Chicago Tap Theatre. The latter's final show of the year, 'For All We Know,' devised by Harris with original music by trombonist Emma Blau, is based on bell hooks' 'All About Love,' with tap dance as the vehicle for love and understanding. Joffrey ventures beyond the looking glass: If you thought Pea Town was wild, just wait. In what could very likely be their most ambitious production yet, the Joffrey Ballet is the first American company to tackle 'Alice's Adventures in Wonderland,' by Tony Award-winning choreographer Christopher Wheeldon (who also made Joffrey's 'Nutcracker'). All of Lewis Carroll's beloved characters are there: the Queen of Hearts, the Cheshire Cat and a tap-dancing Mad Hatter among them. Cerqua Rivera's greatest hits: The only non-negotiable for this ever-evolving contemporary troupe is their commitment to presenting dance with live, original music. For their latest concert series, artistic director Wilfredo Rivera revisits parts of his best work, 'American Catracho,' tapping into his personal story as an immigrant from Honduras. A newer piece is a variation on that theme, celebrating the Latin diaspora. Returning works by former Hubbard Street dancer Shannon Alvis and Ballet Hispanico's Michelle Manzanales complete the evening. Last call for Links Hall: As their final performance series, Links Hall fittingly presents one last showcase highlighting artists from the Co-MISSION program. Launched in 2017 as a reimagination of the long-running LinkUP program, the low-stakes residency grants artists space and time to let their imaginations run wild. For its final installment, those imaginations include several works exploring memory, ancestry and personal identities. On June 28, they'll host a send-off inviting Links lovers to celebrate its sunset. Something new — for the last four decades: Since 1983, Chicago's off-contract and freelance dancers have come together to create new dances (that's what it's called: New Dances), more recently as a joint project of Thodos Dance Chicago and DanceWorks Chicago. It's reliably good, and often a platform for emerging choreographers to get their feet wet with a top-shelf crop of performers. 'Superbloom' at the garden: Premiered as a one-night-only performance at the Harris Theater in 2023, The Seldoms brings back their high-definition, full-color ode to rare wildflower events — this time in a poetic locale. For the pre-show, a group of 30 dancers will give pop-up performances on the Botanic Garden's Esplanade — that part is free with garden admission. Dancing with the stars: Chicago Human Rhythm Project's landmark tap dance festival, Rhythm World, now 35 years young, gathers heavy hitters from across the globe for workshops and, lucky us, a few public performances. Opening night at the Jazz Showcase is a personal favorite, and this year, that includes a full 30-minute set from artistic director Jumaane Taylor in a rangy improvisation of swing and hard bop. Additional shows at the DuSable Museum and Studebaker Theater feature solos from legends Jimmy Payne Jr., Mr. Taps, Reggio the Hoofer and Dianne Walker, as well as second-generation favorites of the festival: Jason Janas, Christina Carminucci and Cartier Williams among them. Another treat: a new choreographed work from frequent flyer Sarah Savelli celebrating what would have been Canadian jazz master Oscar Peterson's 100th birthday. Not just a fundraiser: Sure, the primary objective of the annual Dance for Life gala is to raise funds for Chicago dancers with critical health needs. It's also an opportunity to catch a terrific all-Chicago line-up including the Joffrey Ballet, Giordano Dance Chicago, Deeply Rooted Dance Theatre, Chicago Tap All-Stars, Trinity Irish Dance Company and more. Among the more is Aerial Dance Chicago, in their first-ever appearance at Dance for Life, plus a heart-pounding, feel-good finale created by Hubbard Street's rehearsal director, Jonathan Alsberry. Biographies in motion: Four Chicago area women draw from their personal histories for BIOS Project, with danced stories of strength and resilience, composed by the women themselves: Silvita Diaz Brown, Jasmine Getz, Rachel Hutsell and Jenni Richards. It's a departure from suburban company Ballet 5:8's typical repertoire, which leans heavily on Biblical tales often told through full-length, narrative ballets by artistic director Julianna Rubio Slager — a sign of what's to come with more commissioned works on the docket for next season. .
Chicago Tribune
17-04-2025
- Entertainment
- Chicago Tribune
Links Hall, a longtime home for experimental dance, will close this summer
Links Hall, a Roscoe Village hub for experimental dance, plans to close its doors this summer, concluding all public programming in June. The decision comes after the arts nonprofit made an ambitious push to fill a funding gap which has hampered their ability to operate. According to a statement by the organization, it struggled 'to balance the cash needs to operate Links Hall and the funding reality after years of diminished foundation and governmental support.' Staff turnover and leadership changes, plus capacity challenges and blows incurred from the COVID pandemic contributed to the decision to close. Links Hall raised nearly half of a recent $350,000 fundraising goal, money its leaders said helped keep them 'financially and spiritually afloat this season,' according to a statement. 'We also received a series of funding rejections in December and January that we were counting on, so we ended up having to draw on the funds that we raised in the Lifeline campaign for general operations more than we had anticipated,' executive director SK Kerastas said. 'Most of that is spent.' Links Hall was founded by three dancers — Carol Bobrow, Bob Eisen and Charlie Vernon — who in 1978 rented a room with white walls and a wood floor above a bar near the intersection of Clark, Newport and Sheffield. In 2013, Links Hall moved into the former Viaduct Theatre with Constellation, owned and operated by music presenter Mike Reed, keeping the white room, wood floor and DIY aesthetic, while continually enhancing their technical capabilities. Kerastas said former Links Hall stewards, including Eisen, have expressed a mixture of sadness and disappointment in the decision. '(Eisen) shared it was a miracle that Links has lasted this long when every single one of its peers has closed—some many years ago and some more recently.' Hamlin Park Fieldhouse, the longtime home to Chicago Moving Company and a popular performance space for small dance companies closed last fall. So did Soham Dance Space. High Concept Labs, now in its 15 th year at Mana Contemporary in Pilsen, is presently avoiding the fate of its peers, aiming to raise $25,000 to bolster cash reserves after securing more than $85,000 in crowdfunding last year. Perhaps paradoxically, the Museum of Contemporary Art is leveling up, recommitting to a robust slate of live programming thanks to a recent $10 million anonymous gift. Kerastas said they considered every available option at a recent board retreat. Links Hall staff have taken periodic pay cuts. They explored a volunteer model or temporary hibernation. 'It doesn't get that much cheaper,' Kerastas said. 'We're at a point where the dial is just tipped too far in the wrong direction.' Apart from its use as a rental venue, Links Hall hosted artist residencies and mentoring programs, produced a slate of national and international artists over the years, and served as a bellwether for Chicago dance and performance art. An option that's remained on the table is to not fully dissolve the 501(c)3 organization, allowing someone else to potentially revive Links Hall in the future. Constellation, the music and performance venue that was their landlord, will remain open. According to a statement, Reed is interested in keeping some live performances in 'Studio A,' sometimes referred to as the 'White Space,' as an homage to Links Hall. The nature and timeline of such programming is not yet decided. 'There's a larger question about what this means for Chicago,' Kerastas said. 'There's this big wake up call, because this space going away leaves a really big, gaping hole for emerging artists and independent artists to experiment and present their work. I hope it's a wake up call for arts funders as well to be supporting folks who are in struggle and are needing support right now.'
