Latest news with #Lubunyu
eNCA
10-05-2025
- Entertainment
- eNCA
Venda film wins big at Cannes Film Festival
JOHANNESBURG - A Limpopo film has won the Best African Film at the Cannes Film Festival. 'Lubunyu, a Village Under Terror' tells of the harsh realities of gender-based violence and femicide. The movie was shot in the heart of Venda by Tshwane University of Technology alumnus Murena Emmanuel Netshitangani.
News24
10-05-2025
- Entertainment
- News24
‘It validates our traditions, language, and voices' – Filmmaker Murena Netshitangani on Cannes win
Murena Netshitangani draws from a haunting childhood memory to create a powerful narrative that addresses gender-based violence while intertwining Venda's cultural heritage. Lubunyu won Best African Film at Cannes, showcasing the international resonance of authentic Venda storytelling and local perspectives. The director and executive director plans to continue spotlighting Venda culture with upcoming dramas and documentaries, proving the rich storytelling potential of Limpopo's heritage. Limpopo-born filmmaker Murena Emmanuel Netshitangani has placed South African cinema in the spotlight with his award-winning film, Lubunyu. The film recently won the Best African Film Award at the World Film Festival in Cannes. Set in the heart of Venda, Lubunyu is a narrative that blends mythology, folklore, and the harsh realities of gender-based violence while exploring universal themes of justice and identity. The title, which translates to 'The Naked Intruder', is deeply personal to Netshitangani, inspired by a traumatic childhood experience. Through his highly authentic storytelling, he sheds light on pressing social issues and propels Venda onto the global cinematic stage. In the following Q&A with News24, Netshitangani shares insights into his inspiration, the challenges of making Lubunyu, and his plans for showcasing Venda culture to the world. View this post on Instagram A post shared by Murena Emmanuel Netshitangani (@dir_murena) What inspired you to create Lubunyu, and why did you choose this story? The title Lubunyu translates as 'The Naked Intruder', a name rooted in personal memory and cultural history. The inspiration for the film came from a haunting real-life experience during my childhood in Ha-Khakhu, a village in Venda, Limpopo. There was a mysterious figure known as Lubunyu who was notorious for terrorising the women of the area. One night, he entered our house with the intention of attacking my sisters. I happened to be awake and asked my sister, Tshifaro, to accompany me to the kitchen to fetch water, where we met him: a dark, frightening and naked man. We screamed, he pushed my sister aside and jumped over me as he fled. The memory stayed with me, and as I grew older, I began to see parallels between that terrifying night and the ongoing crisis of gender-based violence in our country. Women continue to face rape, abuse and trafficking. I felt a deep responsibility to revisit this traumatic memory and transform it into a powerful narrative – one that not only confronts the darkness but also challenges systems of justice and silence in rural communities. Lubunya is not just a story; it's a call for awareness, accountability and change. How did filming in Ha-Khakhu Makuleni shape the storytelling and cultural authenticity of the film? Filming in Ha-Khakhu Makuleni grounded Lubunyu in lived experience. The textures, language, and communal rhythms of the village gave the film an authenticity you simply can't replicate on a set. Local elders and residents were involved in shaping ceremonial scenes and dialogue, which helped reflect the Venda people's true spiritual and cultural ethos. The film explores themes like justice, deception, and identity. How did you approach capturing these elements on screen? The creative process behind Lubunya was both enriching and challenging. In shaping the narrative, I immersed myself in films with similar tones and themes to better understand the cinematic language that would best serve this story. I also worked closely with Venda cultural experts to ensure authenticity and respect in the portrayal of our traditions. I'm particularly grateful for the invaluable wisdom and guidance I received from Vho-Thovhele Thifhindulwi Khakhu, Musanda Vho-Takalani Khakhu and Musanda Vho-Madzikule Netshiavha. Their contributions were fundamental to grounding the story in its cultural context. Technically, I relied heavily on symbolism, contrast in lighting, and character framing. For instance, scenes involving the King were shot with wider frames to emphasise his isolation, while close-ups on Ndanganeni used shadows and tight compositions to reflect his hidden motives. Justice is shown not as a courtroom outcome, but as a communal reckoning which we visualised through the emotional weight of the 'rock's' return. Winning at Cannes is a historic moment. How did it feel to receive such recognition? It was surreal. For a story rooted in a small Venda village to echo so powerfully across global stages was overwhelming and affirming. This win isn't just personal; it's collective. It validates our traditions, our language, and our voices as worthy of the world's attention. Lubunyu competed against exceptional films like My Father's Shadow. What made it stand out? It stands out as a powerful and haunting allegory deeply rooted in indigenous South African folklore, yet resonating with universal themes of justice, identity and the perils of misplaced trust. While many films at the World Film Festival in Cannes focus on polished urban narratives or globalised perspectives, Lubunyu boldly explores the tension between tradition and transformation within a rural Venda setting a perspective rarely represented on international platforms. The film combines myth, horror and political drama to question moral leadership in postcolonial societies, with a uniquely African gothic tone that evokes the unease of colonial residue clashing with sacred indigenous knowledge. The character of Ndanganeni/Lubunyu is symbolic of how evil often hides in plain sight, protected by power and perception. Visually and narratively, Lubunyu blends oral storytelling traditions with contemporary cinematic techniques, using symbolism, silence and natural landscapes to heighten suspense and create a visceral experience. This film doesn't just tell a story; it reflects the fears, rituals and justice systems of a community under pressure. In doing so, it offers Cannes audiences a rare and authentic cinematic insight into the moral dilemmas faced in the rural heart of Southern Africa. What does this win mean for Venda storytelling and its place in global cinema? I believe it will open doors. Our stories, told on our terms, have global resonance. This win tells young storytellers from Limpopo that their heritage isn't a limitation, it's a cinematic gift. Venda cinema now has a place at the table, and we plan to stay there. What does Lubunyu represent to you and the Venda community? It's a reckoning, a way to confront the past, the myths we inherit, and the pain we often hide. For the Venda community, it's a mirror and a megaphone. It reflects who we are, what we've endured, and how we can reclaim our narratives without fear or apology. Can we expect more projects that showcase Venda culture? Absolutely. Lubunyu is just the beginning. I'm developing a follow-up drama exploring Venda initiation rites through the eyes of a young woman resisting tradition and modernity. We're also researching a documentary on sacred groves and water spirits around Lake Fundudzi. The soil is rich with stories; we just have to tell them. What advice do you have for aspiring filmmakers, particularly those from rural areas? My advice is simple but powerful: tell the stories that only you can tell. Don't chase trends, chase truth. As a filmmaker, authenticity is your greatest asset. Root your work in your lived experience, your culture, your language and your perspective. That's what makes you stand out in a global sea of sameness. Second, embrace the uncomfortable. Bold, meaningful stories often live in the shadows, in the places people are afraid to look or talk about. Lubunyu reflects that risk. We explored issues such as Gender-Based Violence, community justice and the distortion of identity – topics that are deeply relevant but often silenced. Don't be afraid to be that voice. Also, learn to work with what you have. Our journey wasn't paved with endless budgets or high-end equipment. It was built on ingenuity, passion and a community that believed in the vision. Your limitations can actually sharpen your creativity. Finally, study the craft and honour the process. Watch films from around the world, read scripts and understand the rhythms of editing, lighting, sound and performance. Film is a language, speak it fluently. Never underestimate the value of collaboration. Surround yourself with people who will challenge and inspire you. Recognition doesn't come from chasing the spotlight; it comes from building stories that shine a light where it's needed most. Global eyes are turning to Africa, make sure they see you.
The Citizen
08-05-2025
- Entertainment
- The Citizen
Venda-born Murena Netshitangani makes history at Cannes
LIMPOPO – The Premier, Dr Phophi Ramathuba, has extended heartfelt congratulations to filmmaker Murena Emmanuel Netshitangani for making history by winning the Best African Film award at the 78th Annual Cannes Film Festival in France. His acclaimed Tshivenda film, Lubunyu, captivated the international jury and brought global recognition to the rural roots of Venda. Hailing from Makuleni village, Ha-Khakhu, near the mystical Lake Fundudzi in the Vhembe district, Netshitangani's victory stands as a proud moment not only for Limpopo but for the entire South African film industry. Competing against major film-producing nations, including Nigeria, his triumph marks a shift in the representation of African stories on the world stage. The premier praised the achievement: 'This is a defining moment for the creative sector of Limpopo and South Africa. Murena Emmanuel Netshitangani has demonstrated that dreams nurtured in the quiet villages of Venda can echo across the world's grandest stages. We are immensely proud of him for carrying the heart of Venda, and indeed the spirit of Limpopo, to the world'. Set against the backdrop of a village gripped by fear, Lubunyu – taglined 'A Village Under Terror'- aligned with the 2025 Cannes theme of confronting gender-based violence and femicide. Its cultural authenticity and bold narrative were credited for its standout success. The premier also acknowledged the ongoing support of the Department of Arts and Culture and the Limpopo Arts and Culture Council for their efforts in nurturing talent across the province. She added that the soon-to-be-completed Limpopo Provincial Theatre would provide local artists a platform to develop and showcase their work without leaving their communities. Murena and his team are expected to return to South Africa later this week, bringing home not only the prestigious award but also renewed hope for rural creatives across the nation. Provincial Government celebrates this landmark achievement and commends Murena Netshitangani and his production team for uplifting the province and the country through the power of film, the premier concluded. At Caxton, we employ humans to generate daily fresh news, not AI intervention. Happy reading!
News24
05-05-2025
- Entertainment
- News24
'The heart of Venda culture': Limpopo filmmaker wins big at Cannes Film Festival
Murena Emmanuel Netshitangani has won the prestigious Best African Film Award at the 78th Cannes Film Festival for his film Lubunyu. Lubunyu, filmed in Ha-Khakhu Makuleni, Limpopo, explores themes of justice, tradition, and identity, earning its place as a standout in African storytelling. The Tshwane University of Technology (TUT) alumnus said he was proud to showcase Venda culture on the world stage, marking a defining moment for South African cinema. Limpopo filmmaker Murena Emmanuel Netshitangani has achieved a groundbreaking milestone by winning the Best African Film Award at the 78th annual Cannes Film Festival in France for his film Lubunyu. Adding to the accolades, the film has also been selected for screening at the prestigious World Film Festival, cementing its position as one of the most significant contributions to African cinema in recent years. Shot entirely in Ha-Khakhu Makuleni, Limpopo, Lubunyu—translated as The Naked Intruder —is a masterful blend of true events and fictionalised storytelling. The film captures the essence of a community grappling with tradition and modernity, delving into themes of justice, deception, and identity. Its stellar cast includes notable South African actors such as Tshamano Sebe, Macdonald Ndou, Elsie Rasalanavho, and Hangwani Ramakuwela. Following his win, Netshitangani, a proud TUT alumnus, took to Facebook to celebrate: "From the timeless mountains of Khakhu Makuleni, a name shall now echo across the world," he wrote. What once was a patient waiting game has blossomed into a triumph we bask in the glory of history: the second professional Venda film ever made. Who could have foreseen that it would all lead to this singular moment in time?" "We celebrate a monumental achievement—a boy from Venda, armed with nothing but a dream and a relentless spirit, has carried the heart of Venda culture onto the grand stage of the world." About the film: Inspired by real events, the story unfolds with cinematic brilliance, blending cultural authenticity with fictional twists to deliver a gripping narrative. After his father's death, King Madadzhe assumes the throne and ushers in a bold era of change. He makes the controversial decision to abolish the long-standing symbol of justice in the village, a massive rock once used to execute judgment on rapists and murderers. Though his aim is progress, the decision meets fierce opposition from villagers who view the rock as a vital instrument of law and order. As the King strives to bridge the growing divide with his people, terror strikes. A mysterious presence, known only as Lubunyu, begins targeting women in the village, pushing the community further into chaos and magnifying distrust in its young ruler. Just as tensions peak, a fugitive named Ndanganeni arrives and is unknowingly appointed as the King's servant. Hidden from view is that Ndanganeni is the true Lubunyu, exploiting his close proximity to the King to continue his reign of terror undetected. The stakes rise dramatically when the King's own mother falls victim to Lubunyu. Fuelled by guilt and a thirst for justice, the King initiates a rigorous manhunt for the attacker. Misguided by Ndanganeni's manipulations, the villagers wrongly accuse and capture an innocent man, Mr Muofhe. Facing immense pressure from his people, the King desperately reinstates the infamous rock to satisfy their calls for justice, all while the real threat lurks right by his side. After the film was selected for the festival, the director and executive producer took the news to his Instagram account. He said the recognition belonged to everyone who believed in the story from the beginning, "those who saw the vision, felt its pulse, and carried it forward with your energy, prayers, and unwavering support." "Our journey has always been about more than just cinema. It's been about reclaiming identity, honouring our roots, and telling stories that resonate deeply with who we are as Africans. Being acknowledged on such a global stage is proof that our voices matter and that our narratives deserve to be heard across oceans and borders."
The Herald
04-05-2025
- Entertainment
- The Herald
Limpopo filmmaker wins best African film award at Cannes Film Festival
Limpopo filmmaker Murena Emmanuel Netshitangani has won best African film award at the 78th annual Cannes Film Festival in France for his film Lubunyu . The film has also been selected for screening at the World Film Festival in Cannes. Filmed at Ha-Khakhu Makuleni in Limpopo, Lubunyu , which translates as 'the naked intruder', is based on a true story with fictionalised elements. It delves into the heart of a village torn between tradition and change, exploring themes of justice, deception and identity. The film features a star-studded cast, including Tshamano Sebe, Macdonald Ndou, Elsie Rasalanavho, Hangwani Ramakuwela, Nokukhanya Luthuli, Azwidohwi Tshirangwana and Murendeni Ramunenyiwa. It competed with some of the best African movies, such as the Nigerian film My Father's Shadow . After his win, the 34-year-old TUT alumnus took to Facebook to celebrate the victory. 'From the timeless mountains of Khakhu Makuleni, a name shall now echo across the world,' he said. 'What once was a patient waiting game has blossomed into a triumph — we bask in the glory of history: the second professional Venda film ever made. Who could have foreseen that it would all lead to this singular moment in time? We celebrate a monumental achievement — a boy from Venda, armed with nothing but a dream and a relentless spirit, has carried the heart of Venda culture onto the grand stage of the world.' Limpopo premier Phophi Ramathuba congratulated Ṋetshiṱangani on his achievement. 'This is a defining moment for the creative sector of Limpopo and South Africa. Ṋetshiṱangani has demonstrated that dreams nurtured in the quiet villages of Venḓa can echo across the world's grandest stages. We are immensely proud of him for carrying the heart of Venda, and indeed the spirit of Limpopo, to the world,' Ramathuba said.
