Latest news with #Ludacris
Yahoo
6 hours ago
- Entertainment
- Yahoo
Big Tigger Revives ‘Rap City' Freestyle Booth With Ludacris, Kevin Hart At 2025 BET Awards
In one of the most nostalgic and high-energy moments of the BET Awards 2025, Big Tigger resurrected the iconic Rap City: Tha Basement freestyle booth for a special tribute performance that brought the crowd to its feet and the culture full circle. Opening the set with his signature voice and presence, Big Tigger stepped back into the booth and kicked off the session with a stanza calling for the classic show's return. 'Holler at me when you ready to bring back the booth,' he rhymed atop an instrumental served up by the legendary DJ Kid Capri on the 1's and 2's. Tigga's stanza doubled as a rallying call that set the stage for a showcase of lyrical fire and hip-hop heritage. First up was Southern rap titan Ludacris, who reminded everyone of his lyrical dominance with crisp wordplay and charismatic delivery. He dropped bar after bar, with witty one-liners like 'Bow to the master punk, Luda Bruce Leroy,' amid nods to both New York and streaming star Kai Cenat. Luda also gave props to a former Leader of the New School, rhyming, 'Cuz I flip modes when I bust rhymes for my conglomerate.' The surprise of the night came when Kid Capri teased the audience with, 'Somebody special that's gonna come up from Philly.' That 'somebody' turned out to be none other than Kevin Hart's rapping alter ego, Chocolate Droppa, making a dramatic entrance in a hoodie and durag. Rhyming over the gritty beat, Droppa unleashed a playful and braggadocious set filled with punchlines. 'Eat my food whenever I want/ Smoking big boy blunts,' he rhymed, hilariously struggling to find his footing atop the beat. However, the moment was in good humor and served as one of the more memorable moments of the night. With the return of the booth, the BET Awards not only honored a golden era of hip-hop but proved that the mic still holds power in 2025. Watch Big Tigger, Ludacris, Kevin Hart freestyle at the BET Awards 2025 below. More from 'The Real Husbands Of Hollywood' Reunite At 2025 BET Awards 2025 BET Awards Delivers '106 & Park' Reunion With Original Hosts And Nostalgic Performances Lil Wayne To Perform At 2025 BET Awards
Associated Press
02-06-2025
- Entertainment
- Associated Press
Sports Illustrated Stadium to Host Inaugural Concert Series This October With Country Superstar Jason Aldean, Hip-Hop Icon Ludacris and More Over Two-Consecutive Nights
First-Ever 'Sports Illustrated Stadium Concert Series' General Public On Sale this Friday, June 6 at 10am NEW YORK CITY, NEW YORK / ACCESS Newswire / June 2, 2025 / Sports Illustrated Stadium, one of the New York metropolitan region's fastest-growing sports and entertainment destinations, today announced the inaugural 'Sports Illustrated Stadium Concert Series' to be held over two nights on October 10-11, 2025. This landmark moment launches the venue's first major music series and kicks off a growing calendar of world-class concerts and special events at the 25,000+ seat stadium through 2025 and Illustrated Stadium Concert Series logo The inaugural Sports illustrated Stadium Concert Series will take place Oct. 10-11, 2025, the venue's first major music series and headlined by country music superstar Jason Aldean and Hip-Hop icon Ludacris Star-Studded Lineup Over Two Nights The Sports Illustrated Stadium Concert Series spans two individually ticketed nights of top-tier, live performances across country, rap, hip-hop, and R&B, allowing fans to attend one or both events based on their musical preference. On Friday, October 10, legendary country music star Jason Aldean - three-time Academy of Country Music (ACM) Entertainer of the Year, multiple Country Music Association Award winner and ACM Artist of the Decade - will kick off the weekend, headlining a night of southern country tunes. Aldean will be joined by Warner Records' artist Warren Zeiders and rising stars Chase McDaniel, Lauren Gottshall, along with Aldean's country music pioneer and longtime touring partner, Dee Jay Silver. Saturday, October 11, will celebrate the undeniable influence and legacy of hip-hop, rap and R&B, featuring headliner, music and film icon Ludacris -- a three-time Grammy Award winner and recipient of honors including MTV Best Rap Video Award, Hollywood Film Award, Screen Actors Guild Award, Critics' Choice Award and a star on the Hollywood Walk of Fame. He'll be joined by a powerhouse lineup of platinum-selling artists who helped define a generation of music, including Grammy Award, eight-time Billboard Award, American Music Award-winning singer, composer, actress and Hollywood Walk of Fame recipient, Ashanti, along with Flo Rida, Rick Ross and Fat Joe. This high-octane night promises once-in-a-lifetime moments, hosted by Grammy Award winner, INK. 'The inaugural Sports Illustrated Stadium Concert Series highlights our vision of making this venue a premier destination for world-class sports, concerts and cultural experiences in the New York metropolitan area,' said David Lane, CEO of Sports Illustrated Tickets and concert promotion head. 'With an iconic lineup and unmatched energy, this is just the beginning. We are confident Sports Illustrated Stadium will set a new standard for live entertainment in this region, and we look forward to creating cherished memories for fans here for years to come.' Tickets - Presale and On Sale Presales for both nights will begin June 3 at 10am, with general public tickets and a limited number of parking passes on sale starting June 6 from 10am at Tickets are also available for purchase at the Sports Illustrated Stadium Box Office on Tuesdays, Wednesdays and Thursdays from 10am to 5pm ET and on New York Red Bulls match days two hours before kickoff. Ticket prices start at $43. Sports Illustrated Stadium offers a true VIP experience through its unique hospitality tickets, including the VIP Pit with premium open bar and food at Crossbar, Audi Club access (all-inclusive food, soft drinks, and cash bar) for seats in sections 108/111 (first 8 rows) and Club SI access (buffet and open bar) for sections 109/110 - all with limited availability. For fans looking for an elevated concert experience, a limited number of premium suites are available for purchase. For suite sales, please contact: [email protected] or call (973) 776 - 8479. Personalized Fan Experience In addition to the extraordinary musical lineup, attendees will be able to enjoy other activations at the stadium, including creating their own personalized Sports Illustrated Fan Cover to commemorate the night. Fans will also have the opportunity to engage in Sports Illustrated 'Faces in the Crowd,' a live photo capture experience that transforms real-time fan reactions into personalized SI Fan Covers and commemorative Concert Series tickets. During show breaks, SI Fandom will feature interactive jumbotron light shows, trivia, augmented reality, and more for the ultimate fan experience. Getting to Sports Illustrated Stadium Sports Illustrated Stadium is located at 600 Cape May St. in Harrison, N.J. Conveniently situated just across the Passaic River from Newark Penn Station and approximately seven miles west of Lower Manhattan, the stadium is easily accessible via public transportation, with the PATH train to Harrison Station offering a short walk to the venue, making it an ideal location for sports fans and music lovers traveling from any part of the New York metropolitan area. ### ABOUT THE SPORTS ILLUSTRATED STADIUM CONCERT SERIES The Sports Illustrated Stadium Concert Series is a new landmark live music experience held at Sports Illustrated Stadium - one of the New York metropolitan area's premier destinations for concerts and cultural events. This marks the venue's first major music series and kicks off a growing calendar of world-class concerts and special events at the 25,000+ seat stadium through 2025 and beyond. Backed by the legacy of Sports Illustrated, the series brings together global artists in a uniquely immersive venue built for fan-first energy, exceptional acoustics, and timeless memories. ABOUT SPORTS ILLUSTRATED STADIUM Sports Illustrated Stadium, one of the New York metropolitan region's fastest-growing sports and entertainment destinations, is the home of the New York Red Bulls of Major League Soccer and Gotham FC of National Women's Soccer League. Renowned for its distinctive architecture and exceptional acoustics, the stadium itself features a dynamic, curving roof that envelops the entire seating area in an elegant metal shell, creating a powerful architectural statement while enhancing the sight and listening experience for guests. This design not only provides protection from the elements but also amplifies stage and crowd noise, contributing to an electrifying atmosphere during any event. ABOUT SPORTS ILLUSTRATED TICKETS Sports Illustrated Tickets is a fan-first primary and secondary ticketing marketplace, offering access to more than $2.5 billion in inventory and over 50 million tickets to sports, concerts, and theater events worldwide. A proud member of the NFL Ticket Network, Sports Illustrated Tickets is your trusted source for unforgettable live experiences - featuring the same seats, better prices, and a 100% refund guarantee if an event is canceled for any reason. Its primary ticketing platform, Box Office, is an innovative event management and blockchain-based solution that supports both free and paid events of any size. Box Office delivers NFT ticketing alongside traditional tickets, giving event organizers powerful tools and fans a seamless, secure entry experience at the biggest events around the globe. For more information, visit ABOUT NVRDUL EVENTS & TRISTAR PRODUCTION GROUP As the exclusive booking services provider for Sports Illustrated Tickets and production services provider for the Sports Illustrated Stadium Concert Series, NVRDUL Events and its production partner, Tristar Production Group, comprise a full-service event and production company with a solid commitment to creating the very best fan experiences for sports, music and other live events worldwide. ### Press Contacts: Laura Kepus Berk Communications for Sports Illustrated Tickets [email protected] (804) 310-4995 Matt Ciesluk Sports Illustrated Tickets [email protected] (704) 258-3896 Carri Hyde NVRDUL [email protected] (817) 504-5987 SOURCE: Sports Illustrated Tickets press release
CNN
25-05-2025
- Entertainment
- CNN
Music video nights are the pinnacle of friendship
A night spent watching music videos is a most sacred ritual. It begins, for me and my loved ones, when the night feels like it's ending. It's late, we're drowsy and conversation is dwindling. Someone turns on YouTube and starts playing the music video to a song they love. We perk up. Chappell Roan's 'My Kink is Karma' kicks us off. Inspired, my friend requests a video of Kelly Clarkson covering the same song. Then I request a Kelly Clarkson single that appeared in 'The Princess Diaries 2.' And down the rabbit hole we go, spending hours singing and dancing along to music videos we haven't seen in years. The night ends somewhere around Ludacris' 'Pimpin' All Over the World.' Stumbling into a music video marathon with friends is the ultimate bonding activity: It's a nostalgia trip. A musical catharsis. A pop culture crash course. A 'gay pastime.' And, thank goodness, mostly free! But for its simple charms, it can provoke some remarkably deep revelations — exchanging memories surrounding the videos is how we learn each other's lore. 'You're saying something about your inner life, your story,' said Clay Routledge, a psychologist who studies nostalgia at the Archbridge Institute think tank. 'You don't normally think that watching music videos might do that.' Lakyn Carlton, a stylist and social media personality, perhaps said it best: 'Watching music videos is a perfectly valid and, in fact, validly perfect party activity.' Some of my fondest memories revolve around music videos: Watching Duran Duran's 'Rio' with my mom to better understand her teenage crush on Nick Rhodes. Returning home late with my college roommates, falling asleep to Shakira and Ciara. Waking up early before middle school with VH1's 'Jump Start,' trying to learn the words to the Rihanna and Taylor Swift songs my classmates were singing. Filming our own videos as kids with our parents' bulky handheld cameras. 'Music is a powerful source of nostalgia, and we all have soundtracks to our lives,' Routledge said. 'So when we hear old music, with memories attached to it, it does bring us back. It helps us make good contact with nostalgic memories.' The ritual of music video marathons began for most in 1981, with the birth of MTV, where you could reliably catch instant classics like Michael Jackson's 'Thriller,' indie breakthroughs like the Talking Heads' 'Burning Down the House' and Dire Straits' meta 'Money for Nothing,' imagining a conversation between people who jealously fantasize about living like the artists they watch on (where else?) MTV. 'Many a life-altering youth experience revolved around an MTV soundtrack,' Jamie Allen wrote for CNN in 2001, 20 years after the network launched. The music on MTV was kaleidoscopic, even if it took the network several years to integrate videos from genres pioneered by Black artists. And it 'managed to bring together people' whose tastes may never have overlapped on the radio, Syracuse University now-trustee professor Robert Thompson told CNN in 2001. When MTV pivoted to reality programming full-time, music videos moved to YouTube, where many of them have since racked up billions of views, even if they premiered on cable. And that's where many younger Millennials and Gen Z music lovers first fell in love with the artform. 'People might think pop culture is kind of superficial, but oftentimes, it tells the story of a time — the story of a time we were a part of and connected to,' Routledge said. Nostalgia, Routledge said, very often turns contagious. Once someone starts dreamily revisiting a teenage episode of their lives, even if the disclosure is inspired by Britney Spears' airplane-set 'Toxic' video, it opens the door to get to know them better — and for the rest of the attendees of a music video night to share their own stories. 'People kind of think of nostalgia as this personal experience, but so much of nostalgia is an exchange with other people,' Routledge said. ''I remember where I was, here's my story' — there's self-disclosure there. We're building the closeness of our relationships because we're revealing more about our personal lives.' Victoria Arguelles, a content strategist at an ad agency, recently moved back to her hometown of Miami. But she treasures the nights in New York when she and her friends would meet up for 'Frigay,' their name for the standing appointment of watching older music videos before hitting the town. 'It unlocked a ton of memories,' she said of the weekly tradition. Whether spinning in circles to Madonna's 'Ray of Light' or shocking themselves by discovering the moves to Lady Gaga's 'Judas' still lived in their bodies, Arguelles and her friends strengthened their bonds through song and dance. They'd often continue the music video marathon once they returned home from the bar, sometimes into the early morning. 'Everyone had different memories attached, but we all somehow knew the same choreography,' Arguelles said. 'So our friend group was very much the meme of 'gay people love to get together and watch music videos for hours,' because we do!' My first music video request is always Lady Gaga's 'Telephone,' because every time it plays, I'm suddenly 12 again, lying on my stomach on the carpet of my friend Katie's living room, noodling around on her laptop when we first watch the video that blows our minds. We were hanging out in between school and rehearsal, in the time of our lives before we rebuilt our identities as teenagers. We were energized by Gaga's anarchic vision of a Bonnie-and-Clyde romance with Beyoncé. Watching the 'Telephone' video's near-nudity, f-bombs and lesbian love affair felt like a portal to a more adult world. Most of my friends have similar stories about music videos stirring something in them, or symbolizing a time in their lives they never thought they'd miss. And without music video nights, we wouldn't have such a convenient occasion on which to share those stories. So I asked my friends about some of their most treasured nights spent with music videos. Logan remembered discovering Billie Eilish from her college apartment couch. Elly said she and her friends still turn pretty much every girls' night into a music video marathon, touching everything from A$AP Rocky to early 2010s J-pop to OK Go's perfectly synchronized romps. Hellen recently revisited Vanessa Hudgens' videos that used to play during Disney Channel commercial breaks and filmed herself relearning the choreography. Lexi carefully curates hers with Janet Jackson, Mandy Moore and Mariah Carey, comparing her playlists to a 'karaoke night but for free' and with 'no limit on how much time you have.' More than a few of my friends told me they started the music video nights with the intention of venturing out late, but they ended up staying in and singing together instead. There's an emphasis on videos that are 10, 20, even 40 years older on music video nights mostly because they're part of the pop cultural language we share with our friends, but also because artists just aren't cranking out classic videos like they used to. Still, there's Sabrina Carpenter's gory, sapphic video for her hit 'Taste,' and Chappell Roan's clips have a scrappy DIY charm. And of course, video queen Gaga has wormed her way back into my rotation with 'Abracadabra.' That video feels like it's nostalgic, too, for the era of Gaga's career when dark, dance-y videos for 'Telephone,' 'Bad Romance' and 'Alejandro' were viral hits. So when 'Abracadabra' comes on now, it takes me back to that time. 'There are a lot of things that we do on the surface that just seem kind of fun or superficial or not really that meaningful,' Routledge said. But popular cultural artifacts, including the music videos we obsessed over as kids, give us a 'reason to talk about something.' 'You end up sharing what you were feeling at the time,' Routledge said. 'It's going beyond the superficial conversation to sharing things. And nostalgia helps us do that, because, in a way, that makes us feel connected to these memories. And then you're revealing something, right?'
CNN
25-05-2025
- Entertainment
- CNN
Music video nights are the pinnacle of friendship
A night spent watching music videos is a most sacred ritual. It begins, for me and my loved ones, when the night feels like it's ending. It's late, we're drowsy and conversation is dwindling. Someone turns on YouTube and starts playing the music video to a song they love. We perk up. Chappell Roan's 'My Kink is Karma' kicks us off. Inspired, my friend requests a video of Kelly Clarkson covering the same song. Then I request a Kelly Clarkson single that appeared in 'The Princess Diaries 2.' And down the rabbit hole we go, spending hours singing and dancing along to music videos we haven't seen in years. The night ends somewhere around Ludacris' 'Pimpin' All Over the World.' Stumbling into a music video marathon with friends is the ultimate bonding activity: It's a nostalgia trip. A musical catharsis. A pop culture crash course. A 'gay pastime.' And, thank goodness, mostly free! But for its simple charms, it can provoke some remarkably deep revelations — exchanging memories surrounding the videos is how we learn each other's lore. 'You're saying something about your inner life, your story,' said Clay Routledge, a psychologist who studies nostalgia at the Archbridge Institute think tank. 'You don't normally think that watching music videos might do that.' Lakyn Carlton, a stylist and social media personality, perhaps said it best: 'Watching music videos is a perfectly valid and, in fact, validly perfect party activity.' Some of my fondest memories revolve around music videos: Watching Duran Duran's 'Rio' with my mom to better understand her teenage crush on Nick Rhodes. Returning home late with my college roommates, falling asleep to Shakira and Ciara. Waking up early before middle school with VH1's 'Jump Start,' trying to learn the words to the Rihanna and Taylor Swift songs my classmates were singing. Filming our own videos as kids with our parents' bulky handheld cameras. 'Music is a powerful source of nostalgia, and we all have soundtracks to our lives,' Routledge said. 'So when we hear old music, with memories attached to it, it does bring us back. It helps us make good contact with nostalgic memories.' The ritual of music video marathons began for most in 1981, with the birth of MTV, where you could reliably catch instant classics like Michael Jackson's 'Thriller,' indie breakthroughs like the Talking Heads' 'Burning Down the House' and Dire Straits' meta 'Money for Nothing,' imagining a conversation between people who jealously fantasize about living like the artists they watch on (where else?) MTV. 'Many a life-altering youth experience revolved around an MTV soundtrack,' Jamie Allen wrote for CNN in 2001, 20 years after the network launched. The music on MTV was kaleidoscopic, even if it took the network several years to integrate videos from genres pioneered by Black artists. And it 'managed to bring together people' whose tastes may never have overlapped on the radio, Syracuse University now-trustee professor Robert Thompson told CNN in 2001. When MTV pivoted to reality programming full-time, music videos moved to YouTube, where many of them have since racked up billions of views, even if they premiered on cable. And that's where many younger Millennials and Gen Z music lovers first fell in love with the artform. 'People might think pop culture is kind of superficial, but oftentimes, it tells the story of a time — the story of a time we were a part of and connected to,' Routledge said. Nostalgia, Routledge said, very often turns contagious. Once someone starts dreamily revisiting a teenage episode of their lives, even if the disclosure is inspired by Britney Spears' airplane-set 'Toxic' video, it opens the door to get to know them better — and for the rest of the attendees of a music video night to share their own stories. 'People kind of think of nostalgia as this personal experience, but so much of nostalgia is an exchange with other people,' Routledge said. ''I remember where I was, here's my story' — there's self-disclosure there. We're building the closeness of our relationships because we're revealing more about our personal lives.' Victoria Arguelles, a content strategist at an ad agency, recently moved back to her hometown of Miami. But she treasures the nights in New York when she and her friends would meet up for 'Frigay,' their name for the standing appointment of watching older music videos before hitting the town. 'It unlocked a ton of memories,' she said of the weekly tradition. Whether spinning in circles to Madonna's 'Ray of Light' or shocking themselves by discovering the moves to Lady Gaga's 'Judas' still lived in their bodies, Arguelles and her friends strengthened their bonds through song and dance. They'd often continue the music video marathon once they returned home from the bar, sometimes into the early morning. 'Everyone had different memories attached, but we all somehow knew the same choreography,' Arguelles said. 'So our friend group was very much the meme of 'gay people love to get together and watch music videos for hours,' because we do!' My first music video request is always Lady Gaga's 'Telephone,' because every time it plays, I'm suddenly 12 again, lying on my stomach on the carpet of my friend Katie's living room, noodling around on her laptop when we first watch the video that blows our minds. We were hanging out in between school and rehearsal, in the time of our lives before we rebuilt our identities as teenagers. We were energized by Gaga's anarchic vision of a Bonnie-and-Clyde romance with Beyoncé. Watching the 'Telephone' video's near-nudity, f-bombs and lesbian love affair felt like a portal to a more adult world. Most of my friends have similar stories about music videos stirring something in them, or symbolizing a time in their lives they never thought they'd miss. And without music video nights, we wouldn't have such a convenient occasion on which to share those stories. So I asked my friends about some of their most treasured nights spent with music videos. Logan remembered discovering Billie Eilish from her college apartment couch. Elly said she and her friends still turn pretty much every girls' night into a music video marathon, touching everything from A$AP Rocky to early 2010s J-pop to OK Go's perfectly synchronized romps. Hellen recently revisited Vanessa Hudgens' videos that used to play during Disney Channel commercial breaks and filmed herself relearning the choreography. Lexi carefully curates hers with Janet Jackson, Mandy Moore and Mariah Carey, comparing her playlists to a 'karaoke night but for free' and with 'no limit on how much time you have.' More than a few of my friends told me they started the music video nights with the intention of venturing out late, but they ended up staying in and singing together instead. There's an emphasis on videos that are 10, 20, even 40 years older on music video nights mostly because they're part of the pop cultural language we share with our friends, but also because artists just aren't cranking out classic videos like they used to. Still, there's Sabrina Carpenter's gory, sapphic video for her hit 'Taste,' and Chappell Roan's clips have a scrappy DIY charm. And of course, video queen Gaga has wormed her way back into my rotation with 'Abracadabra.' That video feels like it's nostalgic, too, for the era of Gaga's career when dark, dance-y videos for 'Telephone,' 'Bad Romance' and 'Alejandro' were viral hits. So when 'Abracadabra' comes on now, it takes me back to that time. 'There are a lot of things that we do on the surface that just seem kind of fun or superficial or not really that meaningful,' Routledge said. But popular cultural artifacts, including the music videos we obsessed over as kids, give us a 'reason to talk about something.' 'You end up sharing what you were feeling at the time,' Routledge said. 'It's going beyond the superficial conversation to sharing things. And nostalgia helps us do that, because, in a way, that makes us feel connected to these memories. And then you're revealing something, right?'
Associated Press
13-05-2025
- Sport
- Associated Press
Giannis Antetokounmpo Teams Up with Huggies® to Launch New Little Movers® Diapers with HuggFit 360°
Basketball superstar and father stars in adorable campaign alongside his daughter to introduce new slip-on diaper from Huggies CHICAGO, May 13, 2025 /PRNewswire/ -- Huggies® has joined forces with basketball superstar and dad of four, Giannis Antetokounmpo, to show off his biggest moves with his tiniest teammate, his daughter, Eva. To help introduce the new Huggies® Little Movers® HuggFit 360° slip-on diaper, Giannis will star in an exciting multi-channel campaign that celebrates protection for babies who are ready to move, groove, and conquer the world—just like Giannis on the basketball court. With a flexible waistband designed to move with baby during play, new Huggies Little Movers HuggFit 360° offers double the stretch of Huggies Little Movers open diapers and are designed to provide an extra secure fit for up to 100% blowout and leakproof protection. The campaign kicks off with a cinematic ad spot featuring Giannis and his 19-month-old daughter on the basketball court. As Giannis ties his double laces, he checks Eva's Huggies Little Movers® Diaper with Double Grip Strips™, signaling they're ready for action. Set to the beat of Ludacris' 'Stand Up,' the ad showcases Giannis' smooth strides on the court alongside Eva's adorable, wobbly attempts to mimic him. This heartwarming moment highlights the campaign's idea: 'Double the stretch* for when your little double starts to move like you do' 'Partnering with Huggies is a natural fit because they truly understand what it means to be a parent,' said Antetokounmpo. 'Especially with Eva on the move 24/7, and now a newborn, we count on Huggies expert protection every single day. Family has always come first for me, so knowing Huggies is a brand we can trust and shares our same values makes all the difference.' The Antetokounmpo Family and Huggies brand also have a shared mission to help families in need. With nearly 1 in 2 U.S. families with young children experiencing diaper need**, Giannis and his wife, Mariah, are longtime supporters of the Milwaukee Diaper Mission, a member of National Diaper Bank Network. To celebrate the partnership, Huggies is proud to donate $100,000 worth of diapers to Milwaukee Diaper Bank, in addition to its ongoing commitment to National Diaper Bank Network which supports local diaper banks across the country. As founding sponsors of Diaper Bank Network, Huggies has donated over 270 million diapers and wipes since 2011. To learn more about the new Little Movers Diapers with HuggFit 360°, visit or follow @Huggies on TikTok, Facebook and Instagram. About Huggies Brand For more than 40 years, Huggies has been helping parents provide their babies with love, care, and reassurance. From developing innovative, everyday products for babies to partnering with NICU nurses to create special diapers and wipes for the most fragile babies, Huggies is dedicated to helping ensure all babies get the care they need to thrive. Huggies is proud to be the founding sponsor of the National Diaper Bank Network, a national nonprofit dedicated to helping individuals, children and families access the basic necessities they require to thrive and reach their full potential including clean, dry diapers. Huggies is also the national sponsor of nonprofit Hand to Hold, which provides personalized support before, during, and after NICU stays and infant loss. For more information on product offerings or our community efforts, please visit About Kimberly-Clark Kimberly-Clark (NYSE: KMB) and its trusted brands are an indispensable part of life for people in more than 175 countries. Fueled by ingenuity, creativity, and an understanding of people's most essential needs, we create products that help individuals experience more of what's important to them. Our portfolio of brands, including Huggies, Kleenex, Scott, Kotex, Cottonelle, Poise, Depend, Andrex, Pull-Ups, Goodnites, Intimus, Plenitud, Sweety, Softex, Viva and WypAll, hold No. 1 or No. 2 share positions in approximately 70 countries. We use sustainable practices that support a healthy planet, build strong communities, and ensure our business thrives for decades to come. We are proud to be recognized as one of the World's Most Ethical Companies® by Ethisphere for the seventh year in a row and one of Fortune's Most Innovative Companies in America in 2024. To keep up with the latest news and to learn more about the company's more than 150-year history of innovation, visit the Kimberly-Clark website. *vs Little Movers open diapers **National Diaper Bank, The NDBN Diaper Check 2023, June 15, 2023 Media Contacts [email protected] [email protected] View original content to download multimedia: SOURCE Huggies
