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Yahoo
18-05-2025
- Entertainment
- Yahoo
The 20 Best Cannes Dresses of All Time, According to Bazaar Editors
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." When people complain that red carpets have lost their pizzazz, you can be nearly certain they're not talking about Cannes. The annual film festival's parade of dresses is notoriously the most glamorous of the season. Idyllically located on the French Riviera, with enough space to accommodate swanning around in billowing gowns, Cannes recalls a bygone era of glitz and glamour. The festival's carpet also has a strict set of unspoken rules: No shorts. High heels only. Short skirts not preferred. And most recently, no nudity or voluminous trains. Some of the most iconic looks in Cannes history have broken the code though, like Madonna stripping down to a Jean Paul Gaultier cone bra in 1991, or Kristen Stewart taking off her Christian Louboutin stilettos to walk the carpet barefoot in 2018. But others—such as Princess Diana's icy-blue Catherine Walker gown in 1987, or Rihanna's strapless taffeta Dior Couture from 2017—perfectly encapsulate what people envision when they think of unadulterated elegance. The 20 best looks, according to Harper's Bazaar's editors, run the gamut from risk-taking to perfectly poised. But what they all have in common is an unapologetic air of opulence. See every single one her Blond Ambition tour in the '90s, Madonna would shed her pinstripe suit to reveal her Jean Paul Gaultier cone bra while performing 'Express Yourself.' When she went to Cannes in 1991 to promote Madonna: Truth or Dare, which documented the controversial tour, she re-created the moment in a sea of black tuxedos and adoring fans. She entered wearing a voluminous pink taffeta jacket by Gaultier, her hands visibly clutching it closed, only to quickly remove it two minutes later and reveal a white satin cone bra, high-waisted knickers, and garter belt. The Cannes red carpet has a strict set of rules—it's recommended you don't even wear a short skirt—but Madonna didn't make her name by following the rules. I love watching the B-roll from this moment: The entire time she's swanning down the carpet, you can see her trying to hide her red-lipped smirk, knowing what's to come. This look further cemented Madonna as a true superstar, unafraid to, well, express herself. —Tara Gonzalez, senior fashion editorFour years after Madonna, Sharon Stone also took a risk on the Cannes red carpet in an unbuttoned look for the premiere of Isaac Mizrahi documentary Unzipped. Her silver Valentino skirt was buttoned only once, revealing a pair of hand-beaded hot pants underneath. While still considered moderately scandalous, it was not nearly as contentious as Madonna's fit. Still, Stone set a new precedent, proving that Cannes looks don't have to be entirely serious to ooze the glamour the red carpet is famous for. —TGCinderella came to life when Priyanka Chopra wore a Georges Hobeika gown at the 2019 Cannes Film festival. From the slicked-back hairdo to the perfect diamond additions, I thought she looked flawless. —Alicia Banilivy, fashion and retail credits editorWhere were you when Natalie Portman made Cannes fashion history in this petaled Dior gown? You might recognize it as the famous Junon dress, which originally debuted in Christian Dior's Fall/Winter 1949–50 runway collection—but fear not, fashion preservationists. Portman actually wore a re-creation of the Junon dress, complete with an ivory strapless bodice, a skirt made up of petal-like tiers, and flecks of ocean-blue sequins and beads embroidered throughout. —Chelsey Sanchez, associate editorWhat makes the Cannes red carpet different from any other is that the location allows for the carpet itself to be huge—perfect for accommodating dresses that take up space. It also means you can really see the movement of each gown, and Lupita Nyong'o's Gucci dress from 2015 proves it. Alessandro Michele had just recently taken over at Gucci, and this was one of his first big Hollywood red-carpet moments. Nyong'o personified the celestial energy his looks would later become known for, twirling down the carpet like an otherworldly fairy in chiffon. —TGNo one does red-carpet cool quite like Rihanna. Even at an event like Cannes—which, while glamorous, can be viewed as a bit stuffy—she was able to bring her signature edge to the festival with a creamy white Dior ball gown, matching floor-length cape, and teeny micro-glasses. The look is the perfectly curated eclectic mix, pairing a traditional Dior dress silhouette and a sleek chignon with classically Rih accessories like chunky bangle bracelets and emerald-green earrings. —Bianca Betancourt, culture editorPam Anderson in a chic black leather corset and black pants was such a moment at Cannes in the early '90s. I love the silliness and rebelliousness of it all: her getting off a Barb Wire–branded sailboat and standing on a dock doing full S&M, bombshell fashion camp in the French Riviera. Parfaite! —Brooke Bobb, fashion news directorWhen Yseult attended the 77th annual Cannes Film Festival, she completely stole the show with a recreation of Dior's iconic 'New Look' silhouette from 1947. This wink to fashion history was particularly special here at Bazaar, given that the 'New Look' term was coined by former editor in chief Carmel Snow, and Yseult totally killed it. As she later said in an interview: 'I went through Dior's archives, and for this first collaboration, it was important to me to wear the house's most iconic cut. It turns out my stylist was doing his research, and that was the look he had in mind for me. We instantly knew this was the look for Cannes.' They were both right. –Joel Calfee, assistant editorLet it be known that Cameron Diaz did the transparent trend before it became a trend. She wore this sparkly one-shoulder Versace number to Cannes in 2002. While daring in its own right (Diaz appears to wear little else underneath, besides some black briefs, it's a piece I can easily imagine going viral today. I love how bold the playful checkered print is, as well as some of the more understated details, like the twisted draping converging into a high-hip cutout. —CSVintage fashion queen Kate Moss looked amazing in a black feathered 1950s Jean Dessès dress she wore to Cannes in 1998—long before wearing archival dresses on the red carpet was popular. —Nicole Fritton, executive fashion directorI was absolutely gobsmacked when I saw Gemma Chan in this custom Oscar de la Renta dress at Cannes in 2021. It just does such cool things to the idea of the red carpet 'naked' dress. I love the interplay of the gold flowers and the cutout parts, especially the giant bloom by her neck, and it fits her like a dream. —Izzy Grinspan, digital directorHer Royal Highness Diana's 1987 ice-blue draped custom Catherine Walker gown was inspired by the one worn by Grace Kelly in To Catch a Thief—an homage from one fashionably glamorous princess to another. —Miguel Enamorado, accessories directorThe Cannes red carpet isn't effortless. It is painstakingly considered. The amount of work that goes into each look is impossible to ignore. And yet, somehow, without fail, every time, Chloë Sevigny always looks like she just threw something amazing on and happened to stumble into a movie premiere. I love all her Cannes looks, but this Loewe wool coat with the oversize scalloped collar from the Fall 2019 collection will forever be stuck in my brain. I think it has to do with the sunglasses. They make this look so cool and so Chloë in a way no one else can pull off. While some celebrities look like fabulous fish out of water at Cannes, Sevigny always looks exactly like herself. —TGI've always been a Parker Posey superfan—she brings that kind of 'What's she going to do next?' energy to everything she touches, and this Cannes look is no exception. I still remember when these photos came out, and I'm just as charmed today by how fully committed she is to the look—from the sequins to the turban to the shades to the posing. She is a constant delight! —Leah Chernikoff, executive editorDaniel Roseberry's artful gown made Bella Hadid look as if she were breathing with lungs made of gold. It's one of those red-carpet moments that made waves outside the fashion community—I had non-fashion friends asking me about this look for weeks after. And it's not hard to understand why. The surrealism of Schiaparelli is a perfect fit for something as mythical as the Cannes red carpet. —TGHunter Schafer is truly in a league of her own when it comes to red carpet dressing, and when she and her stylist Dara get together, they're pretty much unstoppable. So, it should come as no surprise that Schafer's Cannes red-carpet debut was a memorable one. For the premiere of Kinds of Kindness, the actor wore a steel blue design from the Armani Privé Spring 2011 collection, which was composed of a silk organza that looked like liquefied metal. It was a remarkable fashion sight to behold. –JCThe Fifth Element star Milla Jovovich wore the only beaded loincloth ever in the Cannes carpet's history—at least to my knowledge. And the look by John Galliano puts every single 'naked' dress out there to shame. The intricate embellishments make this entirely different from the famous white cutout bodysuit she wore in the film, als0 designed by Galliano. But there's still a clear synergy with that look, and nothing feels more cinematic than her bringing the punk aesthetic of her character to the carpet. —TGA muse to many—including designer Yves Saint Laurent—Catherine Deneuve may as well have written the handbook on how to wear a classic wardrobe staple but make it glamorous. She looked so elegant in her sparkling short-sleeved YSL dress on the 1966 carpet. —Jaclyn Alexandra Cohen, senior fashion and accessories editorThis custom Roberto Cavalli chainmail dress worn by Naomi Campbell is the epitome of elegance and glamour to me. She always looks statuesque, but this look makes her even more so, as if she had been dipped in shimmering gold for all of us to admire. —TGThere never has been and never will be anything better than Tom Ford–era Gucci. This white cutout gown from the Fall 1996 collection was just such a jaw-drop moment—so effortless, yet so striking. Could cry! It's also one of the few times Hadid has been styled by Law Roach. A duo we can only hope returns. —Faith Brown, senior social media manager You Might Also Like 4 Investment-Worthy Skincare Finds From Sephora The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine
Yahoo
31-01-2025
- Entertainment
- Yahoo
Troye Sivan's Grindr Campaign Pays Tribute To Madonna's ‘Truth or Dare' & Supports LGBTQ Filmmaking
More than 30 years after Madonna: Truth or Dare, the documentary still has a hold on LGBTQ pop music and cinema. In Troye Sivan's new Grindr campaign Tap or Block, directed by Jake Wilson and produced by Juxtapose Studio's Charlie Wilson (no relation), the Australian gay pop-star and his Something to Give Each Other Tour dancers discuss hotel sex, open relationships, communication and more as they pay tribute to the 1991 Alek Kesheshian and Mark Aldo Miceli-helmed documentary. More from Deadline Kelley O'Hara On Executive Producing Her First Short Film 'Ripe!' and Keeping Teamwork Central After Her Professional Soccer Retirement 'A Mother Apart' Wins Top Prize At Inside Out 2SLGBTQ+ Film Festival Awards Bowen Yang Teases 'SNL50' Anniversary Special: "Still All In Lorne's Head" 'What was really fun about this idea is it came around really organically,' Charlie Wilson tells Deadline. 'Once we had Troye's interest and Grindr's interest, it seemed like such a natural segue from really hearing how proud Troye was about this tour and how close his relationship was with these dancers, and thinking about how Grindr is this boundary-pushing, sex-positive brand.' He credited Tristan Pineiro, Grindr's SVP Brand Marketing + Comms, with coming up with the concept, 'something reminiscent of Madonna's Truth or Dare, the iconic Barcelona scene where there's the gay kiss and how Troye's current relationship sort of mirrored that in an interesting way.' Pineiro said the documentary was 'a true awakening for so many of us,' adding, 'Seeing gay people in mainstream media, talking about sex and intimacy was unheard of. So, when this opportunity with Troye, one of the biggest gay global icons, came up, Madonna's impact was definitely something we wanted to pay homage to, while leaning into not only Troye's and his dancers' experiences, but the highly relatable behaviors and topics of discussion for our Grindr community.' Documenting her controversial 1990 Blond Ambition World Tour, Truth or Dare served as an intimate behind-the-scenes look at Madonna's relationships with her dancers, crew, friends and family, as well as then-boyfriend Warren Beatty. Juxtapose has put $25,000 from the campaign toward writer and actor Andrew Chappelle's (Broadway's Hamilton, The Tick, Blindspotting) upcoming short I'm Gonna Kill You, with matched funding from Google exec and film financier Kate Aitken. The short also received a $5,000 production grant last June when Chappelle won Inside Out 2SLGBTQ+ Film Festival's two-minute 'Pitch, Please!' competition. Filming begins in May. Chappelle describes I'm Gonna Kill You as 'a gay erotic thriller that's set in a post-apocalyptic,' specifically 'an all-gay colony of men, and it explores the perils of monogamy.' The short comes after last year's Ripe!, which Juxtapose co-founder Luke Anderson produced alongside college friend, NWSL pro Kelley O'Hara, after re-investing funds from Juxtapose's Dick's Sporting Goods campaign, starring Will Arnett and Kathryn Hahn. Directed by Tusk, Ripe! won Tribeca Film Festival's Best Narrative Short. Best of Deadline 'Bridgerton' Season 4: Everything We Know So Far 'Knives Out 3': Everything We Know About The Second Rian Johnson Sequel 2025 Awards Season Calendar: Dates For Oscars, Spirits, Grammys, Tonys, Guilds & More
