Latest news with #MainePyaarKiya
Hindustan Times
12-05-2025
- Entertainment
- Hindustan Times
When Salman Khan opened up on why he didn't get married: ‘I can't afford…'
Bollywood superstar Salman Khan has been linked to several actors over the years, yet he remains unmarried. Back in 2018, during an appearance at a TiE Global Summit, he finally addressed the question, and his hilarious response is sure to leave you in splits. (Also Read: Salman Khan confirms film with Atlee is delayed, announces new actioner with Sanjay Dutt: Its action is on another level) Salman spoke about how his parents have been quietly involved in charity work for a long time, and how the work he and his siblings now do has simply been given a name: Being Human. He also mentioned how people often approached him asking for ₹2 lakh to get their daughters married, but he wouldn't even acknowledge such requests. Explaining further, he said his father's wedding cost only ₹180, and jokingly blamed filmmaker Sooraj Barjatya for making weddings into such grand affairs through films like Maine Pyaar Kiya and Hum Saath Saath Hain. He quipped, "Marriage has become such a big thing. You spend lakhs and lakhs and crores of money on getting somebody married. I can't afford that. That's the reason I am a single man." Salman's relationship with Aishwarya Rai in the late 1990s gained intense media attention. The two met on the sets of Hum Dil De Chuke Sanam and dated for a few years before their ugly breakup in 2002. He also dated Sangeeta Bijlani years ago, after meeting her during a TV advertisement shoot in their early careers. They were together for almost a decade and had even planned to marry before calling it off. Salman was later linked to Katrina Kaif, with whom he shared a close bond both on and off screen. Although they never publicly confirmed their relationship, it was widely speculated that they were together for several years before parting ways. Currently, the actor is rumoured to be dating Romanian actress and TV presenter Iulia Vantur. The two are often spotted together, and Iulia recently lent her voice to a song in his film Sikandar. Salman was last seen in Sikandar, which failed to meet audience expectations and underperformed at the box office, earning only ₹184.89 crore worldwide. At a promotional event for the film, Salman announced that he would next star in an action film alongside Sanjay Dutt. The title and other details are yet to be revealed. He also has Kick 2, produced by Sajid Nadiadwala, in the pipeline.
News18
11-05-2025
- Entertainment
- News18
Sajid Khan Feels Anyone Can Do A Film Now: ‘Hero Bahut Kam Bache Hai Apne Paas'
Last Updated: Sajid Khan lamented Bollywood's decline in true "heroes" like Amitabh Bachchan and Dharmendra, praising South Indian cinema for maintaining the hero concept. Sajid Khan is feeling a little nostalgic, and maybe a bit disappointed, about where Bollywood is heading these days. In a candid chat with Bharti Singh and Haarsh Limbachiyaa on their YouTube channel Bharti TV, Sajid opened up about how the idea of a 'hero" has pretty much faded from Hindi films. He said it like it is: 'Hero bahut kam bache hain apne paas. There are no heroes in today's time. There are leads." For him, the actors we used to admire, the ones who carried a certain weight, style, and responsibility on screen, have now been replaced by just actors doing lead roles. Sajid took us back to the days of Amitabh Bachchan, Dharmendra, Vinod Khanna, and Mithun Chakraborty. Those were the real Bollywood heroes, he believes. Now, things have changed to the point where 'Nowadays, anyone can do a film because the value of a hero has diminished." Sajid feels that down South, the idea of a hero still matters. Their heroes get grand entry scenes, big moments, and most importantly, they have to be morally clean in the story. That's still respected there. As he put it, 'The ones who used to be heroes are now just leads." And he made a great observation too: 'The term 'super-lead' doesn't exist, but the word 'superhero' does," pointing to the kind of aura true heroes used to have. Sajid Khan took a trip down memory lane as he spoke about how things have changed in the film industry. He pointed out that back in the day, actors didn't need six-pack abs or gym-built bodies to leave an impression. Stars like Vinod Khanna and Amitabh Bachchan, he said, weren't ripped — but their expressions, that fire in their eyes, did all the talking. He credited Salman Khan for kickstarting the gym craze in Bollywood after Maine Pyaar Kiya, calling it the point where having a sculpted body became the new norm. But Sajid made it clear that muscles alone don't define a hero. What really matters, he said, is the intensity in an actor's eyes. To explain further, Sajid talked about Ranbir Kapoor in Animal. Even without the bulked-up look, Sajid feels Ranbir would've made just as big an impact — because the emotion in his eyes was so strong. He also mentioned Sunny Deol in Gadar 2, saying that Sunny didn't have a gym body, but still looked powerful and believable on screen. ' First Published:
Time of India
11-05-2025
- Entertainment
- Time of India
Sajid Khan talks about fading Bollywood heroes vs. South Indian cinema continuing the legacy: "There are no heroes in today's time.."
Sajid Khan recently shared his thoughts on how the idea of a 'hero' in Bollywood is fading. In a recent podcast, he said that today's industry has more lead actors than real heroes. He reflected on how the definition of a hero has changed over the years. Classic Bollywood Hero Is Fading In a conversation on Bharti Singh and Haarsh Limbachiyaa, Sajid Khan quoted that the classic image of a Bollywood hero, once represented by legends like Amitabh Bachchan , Dharmendra, Vinod Khanna , and Mithun Chakraborty , has faded over time. Operation Sindoor Armed forces maintaining strong vigil after Pak ceasefire breach: MEA Behind the scenes of ceasefire: Calls from Pakistan, Washington Pakistan violates ceasefire: Loud explosions, sirens haunt J&K- what we know so far 'Hero bahut kam bache hain apne paas. There are no heroes in today's time. There are leads. 'The ones who used to be heroes are now just leads. Nowadays, anyone can do a film because the value of a hero has diminished.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Google Brain Co-Founder Andrew Ng, Recommends: Read These 5 Books And Turn Your Life Around Blinkist: Andrew Ng's Reading List Undo True Heroes Still Thrive in South Indian Cinema Sajid emphasized that the essence of a true hero is still alive in South Indian films. He noted that heroes in the South are portrayed with grandeur and are held to a moral standard, where their actions must align with societal values. He also pointed out that while there is no term like "super-lead," the word "superhero" still signifies the kind of stature heroes once held in cinema. Changing Hero Dynamics and Physical Fitness He reflected on how actors in earlier generations didn't rely on muscular physiques to leave an impact. He noted that stars like Vinod Khanna and Amitabh Bachchan conveyed intensity through their expressions, despite not having well-defined bodies. Sajid credited Salman Khan for popularizing the gym-toned look in Bollywood, especially after 'Maine Pyaar Kiya,' which sparked the six-pack trend. However, he emphasized that physical fitness alone doesn't define a hero; true intensity comes from an actor's eyes. Emotional Depth Over Physical Transformation Pointing to Ranbir Kapoor's physical transformation for Animal, Sajid said his performance would have been equally powerful without the muscle gain, thanks to the emotional depth in his eyes. He also referenced Sunny Deol 's role in 'Gadar 2', praising Deol's natural, strong presence. Despite not having a gym-toned body, Deol's 'desi body' made his action scenes feel convincing and impactful. Navina Bole Accuses Sajid Khan of Misconduct
Hindustan Times
10-05-2025
- Entertainment
- Hindustan Times
Sajid Khan says Bollywood only has lead actors, not heroes: ‘Hero ke mayne sirf South mein hain'
Filmmaker Sajid Khan, known for making films like Heyy Babyy, Housefull, Himmatwala, Hamshakals and more, recently appeared in a conversation with comedian Bharti Singh and her husband, writer Haarsh Limbachiyaa on their YouTube channel Bharti TV. During the chat, he spoke about how there are no longer 'heroes' in Bollywood—just lead actors. (Also Read: Exclusive| Sajid Khan: I have thought of ending my life many times in the last six years) While discussing the lifestyle of heroes in earlier times, Sajid said they lived a luxurious and fun life. He then explained why there are no real heroes in Bollywood today and said, "Hero nahi hai aaj ki date mein. Leads hain. Hero bhut kum hote hain. Jo pehle heroes the ab leads hain. Ab koi bhi picture kar sakta hai. Because hero ki mayne bhut kum hote hain. Hero ke mayne sirf South mein bacche hain. Tabhi unki entry dhamakedaar hoti hai. Isliye voh film mein kabhi kuch aisa step nahi utha sakte jo galat hoga society ke liye kyunki voh hero hai. That's why we haven't ever heard the word superlead, but superhero. Hero bhut kum bache hain humare pass (There are no heroes in today's time. There are leads. Heroes are very few. The ones who used to be heroes are now just leads. Nowadays, anyone can do a film because the value of a hero has diminished. The concept of a hero only really remains in the South. That's why their entry is so grand. That's also why they can never take a step in a film that would be wrong for society, because they are heroes. That's why we've never heard the term 'super-lead', only 'superhero'. We have very few real heroes left with us)." He further explained that actors like Amitabh Bachchan, Dharmendra, Jeetendra and Mithun Chakraborty were heroes, even when they occasionally played negative or offbeat characters. He called them true crowd-pullers. When Bharti mentioned how today's actors focus on gym workouts for a good physique, Sajid said, "Earlier heroes didn't need a good body. Vinod Khanna, Amitabh Bachchan didn't have a good physique, but the anger was in their eyes—the action was in the eyes, not in the thighs. Salman Khan brought the craze of bodybuilding to Bollywood. People were shocked to see his six-pack abs in Maine Pyaar Kiya's first poster. But he didn't become a hero because of the six-pack abs. Now it has become common. Now it's mandatory to have six-packs. Intensity should be in the eyes." He went on to give examples of actors like Ranbir Kapoor, who trained extensively to build a certain physique for Animal. However, he added that even if Ranbir hadn't done so, the film would still have been a hit because the anger needed for the role was in his eyes. He also cited Sunny Deol's physique in Gadar 2 as a 'desi body'—not gym-sculpted, but still powerful and convincing in action scenes. Sajid is a popular filmmaker and the brother of filmmaker-choreographer Farah Khan. He made his directorial debut with the 2006 film Darna Zaroori Hai, which featured Amitabh Bachchan, Suniel Shetty, Anil Kapoor and others. He then delivered three back-to-back hits with Heyy Babyy (2007), his first full-length film, Housefull and Housefull 2. However, his next two films—Himmatwala and Hamshakals—performed poorly at the box office. Since then, he has been away from direction. He was last seen as a participant in Salman Khan's reality show Bigg Boss 16.
NDTV
25-04-2025
- Entertainment
- NDTV
Andaz Apna Apna Was Made Without A Script. What Happened Next Is Bollywood History
Aaya hun, kuch toh leke jaunga... Mai toh kehta hu aap purush hi nahi hai... maha purush hain maha purush... Aaila! Ooi Ma! If you know, you know. And if you don't, well, your pop culture education is incomplete and frankly, your friends have been too kind. It's a rare alchemy when a film ceases to be simply a film and turns into a language, a shared secret code of one-liners and catchphrases, passed down through the years like family heirlooms. This week, the cult comedy Andaz Apna Apna (AAA) returns to cinemas. Let's take a stroll down memory lane and see what was really brewing behind the scenes. The story behind the iconic jodi of Amar-Prem, Karishma-Raveena, Teja, Gogo, and of course, Raabert (never Robert) is as wonderfully chaotic as the film itself. But somewhere between the madness and confusion, the magic happened. The film was produced by the late Vinay Sinha, who was the manager of the legendary actor Amjad Khan and also collaborated with him on several productions. Currently, the intellectual property rights and ownership of Andaz Apna Apna belong to his children-daughters Priti and Namrata Sinha, and son Amod Sinha - all independent producers in their own right. As with great affection they set off to bring the film back in cinemas, they share with me the interesting story of how this classic comedy was created more than three decades back. The year was 1990. Vinay Sinha took the plunge and launched his own film production house. The first order of business was securing a leading man for his film. Enter Salman Khan, who had skyrocketed to stardom after the blockbuster Maine Pyaar Kiya (1989). Sinha was close to Salman's father, the legendary screenwriter Salim Khan, and shared his ambitions with him. Salim Khan, or "Salim uncle" as Priti Sinha affectionately calls him, gave his blessing, saying, "You plan the film, Salman will do it. It was Salim uncle who made it happen." Recommended Who Is Lawyer C Sankaran Nair And Why His Story Needs To Be Told Urvashi Wants A Temple In Her Honour. What She Needs Is A Reality Check File photo of Vinay Sinha Around the same time, action flick Ghayal had turned into a massive hit, introducing a debutant director named Rajkumar Santoshi. Sinha, eager to get started, was introduced to Santoshi by actor Dharmendra, the producer of Ghayal. Santoshi was planning another action film with Sunny Deol, but Sinha, armed with delicious home-cooked food, charmed him into directing his film first. When Sinha mentioned that his younger brother was Aamir Khan's manager, it was the golden ticket. Aamir, fresh off the massive success of Dil (1990), was instantly intrigued by the idea-and didn't need much convincing to hop on board. Suddenly, it was a casting coup - Aamir and Salman, Bollywood's heartthrobs, in a movie directed by the industry's new golden boy, Rajkumar Santoshi. AAA was sizzling hot from the moment it was announced. Dharmendra gave the ceremonial clap, and a young Sachin Tendulkar turned up for the muhurat shot. The story, surprisingly, was born from Santoshi's fondness for the quirky world of Archie comics. Yes, the DNA of Amar and Prem, with their fluorescent fashion sense can be traced back to Riverdale but with desi twists. Along with writer Dilip Shukla, Rajkumar Santoshi envisioned a hilariously chaotic comedy brimming with quirky characters, wild plans, and enough one-liners to fuel decades of WhatsApp forwards. The premise was charmingly ridiculous: two lovable buffoons Amar (Aamir Khan) and Prem (Salman Khan) compete for the hand (and fortune) of a wealthy heiress, all while accidentally stumbling into a plot involving an evil mastermind, Teja with 'mark idhar hai' (Paresh Rawal, in double duty). Surprisingly, the breakout character of AAA turned out to be none other than Mogambo's delightfully deranged bhateeja (nephew), Crime Master Gogo, played with manic brilliance by Shakti Kapoor. From " Suno suno duniya ke logon, sabse bada hai Mister Gogo" and " Aankhen nikaal kar gotiyaan khelta hoon" to the immortal " Aaya hoon toh kuch toh lootkar lekar jaaonga", nearly every line he delivered turned into a punchline for the ages. But Shakti Kapoor wasn't even the first choice for this now iconic role. Santoshi initially wanted Tinu Anand to play Gogo. But when dates didn't align, fate handed the cape and boots to Shakti Kapoor. And that's not all. The film was also supposed to feature a side character named Zorambo, a hilarious riff on Mogambo from Mr. India. Played by Amrish Puri himself, Zorambo was written as Mogambo's mopey brother: a villain with zero enthusiasm. If Mogambo was all " Khush hua," Zorambo's trademark line was the exact opposite-" Zorambo... khush nahi hua." A man perpetually grumpy, Zorambo was basically a chronic rotlu. Now that would've been iconic, but the duration didn't permit that,t and Santoshi dropped the track from the script. And then there was Paresh Rawal in double dose. Long before Baburao Ganpatrao Apte in Hera Pheri, there was Teja. Rawal's comedic genius in AAA was a masterclass in deadpan hilarity. From "T eja main hoon, mark idhar ha i" to managing his dimwit sidekicks Bhalla and Raabert, Rawal's double act was pure gold. Without ever raising his voice, he proved that sometimes, playing it straight is the funniest move of all. For the music, director Rajkumar Santoshi tipped his hat to the golden era. A devoted O.P. Nayyar fan, he brought music composer Tushar Bhatia to infuse the soundtrack with a vintage vibe-think Ye Raat Aur Ye Doori and Elo Ji Sanam Hum Aa Gaye, songs that wouldn't feel out of place on a black-and-white vinyl record. True to the spirit of the film, the music was meant to be fun, cheeky, and just a little bit nostalgic. The film was planned to be made in one year. Namrata Sinha remembers, "Back then, there were no big studios. Just independent producers borrowing money from financiers at high interest. Since the film was planned to be completed in one year, my father obtained the budgets keeping this time frame in mind." Unfortunately, things went haywire right from the beginning. As Andaz Apna Apna was being filmed, the media was busy fueling the rivalry between its two stars, Aamir Khan and Salman Khan. While their on-screen chemistry as Amar and Prem was pure bromance, off-screen, things were less than harmonious. The two actors reportedly had a strained relationship, with Aamir later admitting on Karan Johar's talk show that he found Salman rude and inconsiderate during the shoot. Actor Shehzad Khan, who played Bhalla, revealed that Aamir-Salman clashes were mainly due to their different work ethics. Aamir, the punctual perfectionist, would show up at the Madh Island set by 7-7:30 am, while Salman, known for his more laid-back approach, often rolled in closer to 10 or 11 am. Shehzad, who was close to Salman, often had to step in as the peacemaker, trying to smooth over the tension between the two stars. Despite the off-screen friction Amar's overconfidence and Prem's general cluelessness as recipe for their on-screen chemistry was nothing short of electric. From their very first face-off on the bus-where the two characters try to outwit each other with fake stories of wealth, bravery, and importance-their chemistry is pure comedic gold even with humour that might sounds ridiculous on paper. Sample this: Prem- Ye Laal jacket aapne kahan se liya ? America se liya hoga? Amar- Nahin nahin maine New York se liya hai Prem- New york! achha achcha, maine socha America se liya Remember, Amar-Prem's harebrained plan to kidnap Ram Gopal Bajaj involving a moped, and a level of confidence only true fools can muster. Or the iconic scene where Amar and Prem spike each other's food with laxatives, leading to a game of revenge that ends in gastrointestinal disaster. Aamir's gleeful delivery of ' Mai khaoo laddu, tu khaye kebab, ab karata hu tujhe julaab ' is etched into the minds of every fan who's ever watched the film. It's childish, over-the-top, but utterly hilarious. "Aamir loved giving retakes. He was never satisfied. We joked that he could make the world record in retakes, while Salman's process was spontaneous," recalls Amod Sinha. During the making of the film, tensions weren't limited to the leading men. The two leading ladies, Raveena Tandon and Karisma Kapoor, who had just begun their careers, were reportedly not on speaking terms throughout the film's shoot. "Karisma aati thi toh Raveena chali jati thi. Bahut mushkil se woh film bani thi," Aamir Khan had said in an interview. Their conflicts simmered beneath the surface, and the leading stars did not want to shoot with each other. Remembering the making of the film, Raveena Tandon had said in an interview, "Aamir and Salman weren't talking to each other, Karisma and I weren't talking and neither were Salman and Raj ji. I don't know how that film got made." Producer Vinay Sinha's son, Amod Sinha, who also worked as an assistant director on AAA, saw the chaos unfold up close, told me, "It was the kind of film where most actors shared scenes-Aamir and Salman were together in almost every frame, so were Raveena and Karishma," he recalls. "So we needed everyone's 'combination dates', but once the schedule went off track, getting them all together again was nearly impossible. They were all busy actors." In fact, if you pay close attention, you'll notice Salman Khan's ever-evolving hairstyle. In some scenes, he's sporting the long locks of his Saajan era while in others, it's the shorter cut from Karan Arjun days. That's because what was meant to be a quick one-year shoot stretched across a span of years, thanks to financial hiccups and scheduling nightmares. As the delays piled up, director Rajkumar Santoshi shifted focus to Damini pushing AAA further down his priority list. Funds began to dry up, and the struggle was real. But through it all, producer Vinay Sinha remained undeterred. "I remember, despite everything-the delays, the money troubles-Dad always said, koi baat nahi... we'll finish this film," recalls his daughter, Priti Sinha. And thank God he did. Just when it felt like Andaz Apna Apna was slipping into the abyss of unfinished films with the cast scattered, interest fading, and hope wearing thin, it was Salman Khan who stepped in. Amod Sinha, son of producer Vinay Sinha, remembers the moment vividly. "Salman said, 'The producer has already suffered enough. He must be protected. We will complete this film." True to his word, Salman gave fresh dates, and reminded everyone of their commitment. "A lot of people had turned negative," Priti Sinha says, "but Salman stood by my father like a rock. No one talks about it, but without him, this film may never have seen the light of day. We'll forever be indebted to Salman Khan. That's the truth." The final schedule kicked off, and this one brought the laughs. It was during this leg that some of the film's most side-splitting scenes, including the iconic climax, finally made it to camera. But if you're imagining meticulously rehearsed scenes and colour-coded scripts, Amod Sinha sets the record straight, "There was no bound script. That just wasn't the norm back then. A lot of scenes were literally written on the sets." Much of the film's now-iconic dialogue was the result of on-the-spot inspiration. In fact, some of the best-loved scenes were simply the director's creative instructions and then the willingness to let the actors run wild. Take the moment when Prem (Salman) and Crime master Gogo face off. No script, no rehearsal-just two actors and a camera. Amod laughs, "We were all in shock when we saw what happened. And now it's one of the most celebrated moments of the film." The energy on set was infectious, sometimes too infectious. "Our cinematographer Ishwar Bidri would laugh so hard during takes, we had to stop rolling and wait for him to calm down," Amod chuckles. "And this wasn't once or twice. It happened a lot." Like Sholay, Andaz Apna Apna was an ensemble riot. The side characters, many of whom appeared for only a handful of scenes, went on to achieve a kind of cult status normally reserved for rockstars. Bhalla, Raabert, the lovelorn poet Anand Akela, and the stern Inspector Pandey, each brought their own delicious slice of absurdity. "And remember, there was even a naqli Shashi Tharoor," Priti Sinha chuckles, recalling the most bizarre testament to the film's enduring legacy that came decades later. A blurry screen grab from the bus scene began doing the rounds on social media. The image featured Amar (Aamir Khan), Prem (Salman Khan), and, sandwiched between them, a man with a distinctly Shashi Tharoor-like presence with tousled hair, arched brows, and an unmistakable air of Tharoorian charm. Cue the internet meltdown. "Is that... Shashi Tharoor in Andaz Apna Apna?" became the question that launched a thousand memes. The buzz was so intense that Shashi Tharoor himself had to step in and clarify: "This is not me." The man in question was found to be Indravardan Tailor, a junior artist who sadly passed away long before his moment of accidental internet fame and the film's resurrection as a cult classic. Still, it's a fitting tribute to Andaz Apna Apna's charm that even its background actors became headline-worthy decades later. Finally, a release date was announced, and AAA was all set to release in 1993. "In 1993 we announced the release date and did a bit of publicity. But suddenly Raj Kumar Santoshi decided that certain portions needed to be reshot. So there were reshoots despite already spending on the promotions." The final scene shot was the one where Raveena and Karisma were tied to a pillar. As the director called "pack-up," the crew began celebrating, but Rajkumar Santoshi had one last twist. "Raj ji told the actresses he wouldn't untie them unless they spoke to each other," recalls Amod Sinha, "everyone burst out laughing- and eventually, they had no choice but to talk it out." And finally, after years of chaos, clashes, and cinematic serendipity, Andaz Apna Apna was ready. The release date was set: November 4, 1994. It is often said that the film was released without publicity. Even Aamir Khan and Paresh Rawal have mentioned the same recently. As a school-going movie buff, I remember the silence. A major Aamir-Salman film is quietly slipping into theatres. Priti Sinha differs: "That's only partly true. You can't compare it to today's film promotions. Back in 1994, film promotions didn't come with hashtags and Insta Reels. It was just print, radio, and a few nascent satellite channels." When the release date was locked, producer Vinay Sinha realised the lead actors were tied up with other projects in different cities. But after four years and a budget that had ballooned four times its original plan, he refused to delay it any longer. Andaz Apna Apna would hit theatres, publicity or not. With two big stars and a celebrated director, too much was expected from the team, but Andaz Apna Apna didn't exactly set the box office on fire. In the film media and in general perception, AAA was quickly branded a flop. The label was echoed by the film media and even its own stars and the director. Even in a recent interview Aamir Khan remarked, "The film didn't even run for a week." But the producers disagree. Priti Sinha tells me, "It was not a flop as it is made out to be. It was a slow starter and was even declared tax-free in Maharashtra. Who knows it better than us? The reality is my dad earned profit from the film." But it wasn't until Andaaz Apna Apna found new life on cable TV and later overran the wild world of social media, that it truly flourished into a cult classic. A film that nobody really understood then went on to capture our pop culture one 'Aaila!' at a time. It wasn't a grand entrance, but it lingered. Somewhere between the laughs and the lunacy, it carved out a permanent home in our hearts. And now, years later, when we carelessly toss in a " Galti se mishtake ho gaya" or cheer a buddy with " Shabash mere cheetey shabash," or call someone a " maha purush" with a sly grin, we're not just quoting a film, we're acknowledging that Andaz Apna Apna became part of us, reminding us of the beautifully ridiculous things in life. And yes, the producers let slip that Andaz Apna Apna is gearing up for a full-blown cinematic franchise. "Soon there will be an announcement for AAA-2 as well as the other plans of the franchise," concludes Priti Sinha. Ulti ginti chalu karo, Raabert! (The Making Of is a fortnightly column by author and film expert Yasser Usman.) Share
