18 hours ago
Monkey business and rock-solid brothers – readers' best photographs
'Gingko leaves and a roche moutonnée glacial rock formation. This image documents my good fortune to stop and gaze upon wonders both ancient and beautiful.' Photograph: Manfred Hauben
'Moai statues in the quarry that were never transported to the platforms.' Photograph: Daniel Alvarez
'A duck coming in to land in front of the Peacock Tower bird hide at the London Wetland Centre.' Photograph: Chris Watkins
'Hill Street Blues … a little bit of New York on Dock Road, with Everton's new stadium in the background.' Photograph: Graham Pink
'A viola in the snow in the plant box outside our flat.' Photograph: Inge Kersten
'Tango lessons in the rain at the Scoop outdoor amphitheatre.' Photograph: Don Blandford
'I took this photo at sunrise from my hotel terrace with not another soul in sight. It was the perfect way to see the town before any tourists arrived.' Photograph: Jonathan Sankey
'A bundle of Egyptian goslings having a rest in Dagnam Park' Photograph: Ursula Armstrong
'Descending from the old Navarino Castle, I came across the cavernous cave reputed to be the tomb of the mythical king Nestor. The view out looks down on to an almost perfect horseshoe bay called Voidokilia Beach.' Photograph: Jan G Bek
'I was walking through the Design District and noticed the shadow of the balcony of this interesting building.' Photograph: Colin Page
'Two Japanese macaques groom each other after a long soak in a hot spring at Jigokudani Monkey Park.' Photograph: Greg Hill
'The little observer by the seaside.' Photograph: Pingtian Zhou
'View of Mount Etna in Sicily erupting on the horizon, seen from the neighbouring island.' Photograph: Harry Truman
'The Tri Brata (Three Brothers) rock formation off the coast of Kamchatka in eastern Russia.' Photograph: Anastasia Klimchynskaya
'I was taking photographs of comfrey plants, which are very popular with bees. It wasn't until later that I realised I had captured a bee in flight. What a lovely surprise!'
Photograph: Jill Setterington
