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Irish Times
15 hours ago
- Irish Times
Instruments painted black to highlight battle by Artane Band abuse survivors to change its name and uniform
An installation of musical instruments painted black is on show in Dublin city centre as part of renewed efforts by survivors of abuse to have the Artane Band change its name and uniform. A number of the instruments in the window display at 20/21 South William Street were provided by former members of what was then the Artane Boys Band, part of St Joseph's Industrial School, north Dublin, until the latter's closure in 1969. Campaigners led by Independent city councillor Mannix Flynn have been calling for years for the band to change its name and uniform, which remains the same as it was when it was part of the industrial school. The band, now known as the Artane Band with the inclusion of female members after the school's closure, continues to play regularly at GAA matches in Croke Park, including at All-Ireland finals. READ MORE Cllr Flynn said this was 'deeply traumatising', 'distressing' and 'triggering' for victims of historical physical and sexual abuse at the school. The politician, playwright and artist, who suffered abuse in industrial schools in the 1960s including Artane, said a change in the band's name and uniform should have happened years ago and it was 'shocking' that it continued. He created the installation, which includes a marching band drum, trumpets, trombones, French horn and other instruments as well as a copy of the A Tour of Ireland with the Artane Boys Band vinyl record. It also displays footballs and hurleys painted black set against a backdrop of GAA banners and flags. A website – Nobody Could Hear The Music – accompanies the installation. Four years ago, the Lord Mayor of Dublin withdrew as patron of the Artane School of Music and Artane Band after councillors voted in favour of a motion brought by Cllr Flynn to end the authority's patronage. In 2023, Dublin City Council voted unanimously in favour of changing the band's name and uniform because of its links with the former industrial school. Aosdána , Ireland's national academy for creative artists, has also supported the campaign. In April last year, its members passed a motion calling for the change of name and uniform 'in recognition of the pain it causes to survivors of abuse and the legacy it continues to carry'. Cllr Flynn has written to the GAA, RTÉ and sponsors of the band urging them to dissociate from it until the name and uniform are changed. In a letter to RTÉ director general Kevin Bakhurst , Cllr Flynn said 'the images of the Artane Band in its uniform and with its insignia are very traumatising to those who were locked up in residential institutions, particularly those who were in the Artane Industrial School where the band was formed and indeed those who were in the band itself'. He said that 'many people who watch the big GAA games have no idea of the origins of the Artane Band or the horrors inflicted on the children in the Artane industrial school'. Cllr Flynn stressed they were not asking to close down the band. 'We are simply calling for the name and uniform to be changed, so we don't have to keep this terrible wound open,' he said. In a letter to GAA president Jarlath Burns , Cllr Flynn called on the association 'to suspend the band in its present form from performing in any of its grounds, including Croke Park'. When contacted about the issue, an RTÉ spokesperson said: 'This is a matter for the GAA. RTÉ has no further comment.' The GAA and the Artane School of Music, which operates the band, did not respond to requests for comment.
Irish Daily Mirror
11-05-2025
- Politics
- Irish Daily Mirror
Dublin beset by criminality and lawlessness since Covid pandemic
The local park was on fire when I went for a walk the other night around my neighbourhood in Dublin's Liberties. On Pimlico Green, a wooden park bench was in flames. It was set alight by a burning bin placed underneath it. Two gardai were standing with a group of young fellas, who were heckling and jeering the officers, fearless. Passers-by continued about their business. This kind of scene is a normal part of life for those of us in the capital now. On Thomas Street, speeding scooters, stolen DubBikes, drunks collapsed on paths, physical fights, and rubbish upturned are all regular sights. Local politician Mannix Flynn calls it the 'high street of misery' and reckons crime has gone out of control because there is no enforcement, no consequences. Staff in supermarkets in the area wear bodycams due to aggressive shoplifting that is a familiar drama to local shoppers. Last year, a group of French tourists leaving a visit to the world-famous Guinness Storehouse were set upon by a gang in hoodies chasing after them with hammers. The tourists hid out in the nearby Arthur's pub and locked the doors. That same evening, someone cracked my car window with a rock, as I drove past the 16th century St Catherine's Park. Bring back Lugs Brannigan, I thought, the legendary Liberties lawman. Welcome to Dublin's inner-city, post-pandemic. It wasn't always like this. I have lived all over Dublin 8 for most of my adult life, because I love it here – and don't get me wrong, I still love it. Overall, the people who live here are the best you could find. But I have never seen the kind of general lawlessness we live in now. It's the same story in the north-inner city, with sports shop owner Paul Gallagher remarking this week: 'There's a lawlessness… the justice system is not fit for purpose. Criminals are being arrested and are back out again a few hours later. They've become brazen. If action isn't taken, it's going to become a no-go area.' Mr Gallagher was referring to the fallout from the Dublin riots in November 2023, when post-pandemic crime reached its height. His Asics store was looted in the chaos and carnage. The night the city burned was the most violent riot in modern history and came as a sharp shock to those who hadn't realised how bad things had got. But it started in the lockdowns of Covid, where the inner-city became like an empty playground for the few still rattling around, like Stephen King's The Stand. Rules keeping people indoors meant fewer gardai on the street, and more opportunity to behave how you liked, unchecked. So what exactly is going on? What legacy has the pandemic left, five years on? And how do we bring Dublin back to being a fair city, instead of a dirty old town? Vincent Jennings, CEO of the Convenience Stores and Newsagents Association, describes the rise post-Covid as 'an acceleration of anti-social behaviour'. He said: 'It accelerated because there haven't been consequences. We haven't had a safe environment for staff or customers for a long time.' All too often, he says, shoplifters or public order offenders are not apprehended, not prosecuted. He added: 'All the laws are there, they're just not being used.' The CSNA is pushing for an assault against a shop worker to be a specific crime. Mr Jennings said: 'In the pandemic, our members were lauded for acting in an incredibly difficult situation. 'We went into work and provided essential service. So surely we should be provided with a level of safety from the State.' Donall O'Keefe of the Licensed Vintners Association, which looks after pubs in the capital, says bar owners are very worried about public order incidents. 'We need 1,000 extra gardai, more residents living in the city, a reimagining of O'Connell Street. 'A lot of security issues that might happen won't happen, if people see gardai. 'We had a survey last summer in which 96% of members expressed concerns about public order and safety in the city.' Criminologist Trina O Connor reckons it's a cumulative effect from first austerity and then housing crisis and the pandemic on top of it. She added: 'In lockdowns, young people in their formative years were socially isolated and many became groomed into different behaviours online. 'They were vulnerable to 'criminal drift' which is when you have someone who had adverse child experiences – known as ACEs – such as addiction, depression, violence or poverty in the home – who gets dragged into crime.' The 'broken windows' theory is very important in this case, she says. It states that visible signs of unchecked disorder and misbehaviour, such as broken windows, encourage further criminal activity. Psychotherapist and author Stella O'Malley reckons it runs a lot deeper. She says the lengthy Covid lockdowns broke the social contract and left a lasting impact. She said: 'We've lost a great deal of respect for authority in recent years, and the Covid lockdowns marked a turning point. 'That was when the social contract fractured for many. People were told to stay home, to skip funerals, to die alone. They doubt whether the government is truly acting in their best interests. 'And when trust breaks down, so does obedience. The lack of consequences may be part of the problem – but trust is at the heart of it. We lost it. And we haven't got it back.'
