Latest news with #Masoom
New Indian Express
3 days ago
- Health
- New Indian Express
CII Yi Bengaluru Masoom Conclave: Schools must move beyond teaching, become safe spaces
BENGALURU: With rising cases of child abuse being reported across schools and communities, a panel discussion titled 'On-the-Ground Realities' was held on Friday as part of the CII Yi Bengaluru Masoom Conclave to highlight how schools — which focus on teaching maths, science and grammar — must also become safe spaces where children are taught about consent, boundaries, and their right to speak up. Experts stressed that education should not only shape minds but also protect childhoods, especially at a time when more children are falling victim to abuse within the very spaces meant to nurture them. The discussion on 'Safeguarding Children: Voices from the frontline', brought together government officials, doctors, teachers, and child rights activists who all stressed the need to move beyond reacting to abuse after it happens. Instead, they called for stronger preventive systems built on awareness, early intervention, and open communication. Speakers said schools, parents, and society at large must work together to ensure that every child feels safe and heard. Dr Vijayalakshmi Deshmane, Padma Shri awardee and a surgical oncologist, shared personal stories of growing up in a slum in Kalaburagi, where many children silently suffered abuse. Bhavan D Pandya, Co-Chair at Masoom, Yi National, said the government is already working with NGOs like the Mukta Foundation and international organisations such as WeProtect to spread awareness and strengthen safety measures in schools. Speakers also raised concerns about new threats — including children's exposure to mobile phones, peer pressure, and the lack of emotional guidance — which are increasing their vulnerability.
India.com
23-05-2025
- Entertainment
- India.com
10 Bollywood Celebs Who Won Over Fans As Child Actors - Aamir Khan, Alia Bhatt To Ishaan Khatter Then And Now Striking Pics
photoDetails english 2904648 Updated:May 23, 2025, 07:00 AM IST 10 Bollywood Celebs Who Won Over Fans As Child Actors 1 / 11 10 Bollywood Celebs Who Won Over Fans As Child Actors: Some of the biggest names in Bollywood actually began their showbiz journeys from a very young age. Let's take a look at famous Bollywood celebrities like Alia Bhatt, Aamir Khan, Hrithik Roshan, Ishaan Khatter to Urmila Matondkar and Saiee M Manjrekar, who kick-started their careers as child artists and went on to win fans' hearts with their impressive acting chops. Urmila Matondkar - Masoom (1983) 2 / 11 Urmila Matondkar's journey in Bollywood began at a young age when she appeared as a child artist in the critically acclaimed film Masoom (1983). From Rangeela to Pyaar Tune Kya Kiya, Bhoot, and Kaun, she delivered memorable performances. Sana Saeed- Kuch Kuch Hota Hai (1997) 3 / 11 Sana played the role of Shah Rukh Khan's daughter Anjali in Kuch Kuch Hota Hai. Sana was seen in Karan Johar's 'Student Of The Year' and received much applause. She is a very active social media user and has millions of fans online. Saiee M Manjrekar - Kaksparsh (2012) 4 / 11 Promising actress Saiee M Manjrekar made her film debut with a brief appearance as Kushi Damle in the Marathi film Kaksparsh, released in 2012. In 2019, she made her full-fledged Bollywood debut with Dabangg 3, and since then, there has been no stopping for her! Kunal Kemmu - Sir (1993) 5 / 11 Kunal Kemmu, one of the most dynamic actors and directors of modern Indian cinema, made his film debut with Mahesh Bhatt's film, Sir, in 1993. After this, he went on to star as a child artist in films like Raja Hindustani, Zakhm, Hum Hain Rahi Pyar Ke, and others. Ishaan Khatter - Vaah! Life Ho Toh Aisi! (2005) 6 / 11 Ishaan Khatter made his first screen appearance as a child artist in Vaah! Life Ho To Aisi! in 2005. Besides this, his first commercial success as a male lead came with the romantic drama, Dhadak, in 2018. Aamir Khan - Yaadon Ki Baaraat (1973) 7 / 11 Aamir Khan's film journey began as a child in Yaadon Ki Baaraat (1973) and Madhosh (1974). From small appearances to now being one of Bollywood's biggest stars Mr Perfectionist's rise has been phenomenal. Alia Bhatt - Sangharsh (1999) 8 / 11 Alia Bhatt has repeatedly won hearts since her debut 'Student of the Year' to her latest release 'Jigra'. For the unversed, Alia began her career as a child artist in the 1999 film 'Sangharsh', and played the younger version of Preity Zinta's character. So far, the actress' graph has always seen an upward curve. Hrithik Roshan - Aasha (1980) 9 / 11 Hrithik first appeared on screen as a child actor in Aasha (1980) and Bhagwan Dada (1986). His debut as a lead actor came in Kaho Naa Pyaar Hai (2000) which was helmed by dad Rakesh Roshan. His impeccable acting, dancing skills and Greek god looks made Hrithik an overnight sensation. Fatima Sana Shaikh - Chachi 420 (1997) 10 / 11 Born in 1992, Fatima Sana Shaikh made an appearance as a child artist in the cult classic Chachi 420 in 1997, and later, she was also seen in One 2 Ka 4 in 2001. In 2016, Fatima played the bold Geeta Phogat in Dangal and established herself as a promising actress. Hansika Motwani - Koi Mil Gya (2003) 11 / 11 Having started her television career with the oh-so-famous Shaka Laka Boom Boom, Hansika Motwani appeared as one of the children named Priya Sharma in Koi Mil Gaya in 2003, a film that has the heart of every kid from the early 2000s!
Time of India
20-05-2025
- Entertainment
- Time of India
Masoom Minawala at Cannes: Six years and one mission to globalise Indian fashion
Masoom Minawala's sixth Cannes appearance is more than just a red carpet event; it's a mission to showcase Indian craftsmanship on a global stage. She strategically selects designers whose brands resonate with her values, blending modern silhouettes with traditional Indian elements. Her style evolution reflects a shift from self-expression to intentional storytelling, empowering others to embrace their heritage. For Masoom Minawala , Cannes isn't just a red carpet, it's a mission. Returning for her sixth consecutive year at the prestigious Cannes Film Festival , the global influencer, entrepreneur, and mother of two continues to champion Indian craftsmanship , bringing handwoven heritage to international eyes. We caught up with the digital powerhouse as she glided through another viral moment in an ensemble that fused tradition, storytelling, and style. In this exclusive interview, Masoom opens up about her evolving fashion philosophy, her unwavering support for Indian designers, and what it really takes to stay intentional on a global stage. Championing Indian Designers: You've been a vocal advocate for emerging Indian designers on international platforms. How do you select the designers you collaborate with for events like Cannes, and what impact have you seen from this exposure? Masoom: The designer's aesthetic definitely needs to align with mine, but more than that, I always ask myself- what does this brand stand for? Do their values speak to me? Because when you're wearing something on a global stage like Cannes, it's not just about the outfit- it's about the story behind it. The impact has been honestly heartwarming. We've seen real awareness and love grow for Indian brands across borders, and watching that turn into actual sales and support back home? That's the real win. Your Cannes outfits often blend traditional Indian attire with modern aesthetics. How do you approach this fusion, and what message do you aim to convey through these fashion choices? Masoom: I don't see it as fusion or sending a specific message- blending traditional and modern just feels like me. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Giao dịch Bitcoin và Ethereum - Không cần ví! IC Markets BẮT ĐẦU NGAY Undo It's how I dress in real life, and it naturally spills over into how I show up on red carpets too. There's no formula- it's just this effortless mix that reflects who I am. If that inspires someone to wear their culture proudly, that's the best kind of compliment. Over the years, how has your personal style evolved, and how does it reflect your journey as a fashion influencer on global stages like Cannes? Masoom: It's definitely become more intentional. In the early days, I dressed to express myself- but now, I dress with a deeper sense of purpose. Whether it's showcasing Indian craftsmanship or supporting young designers, my choices reflect who I am and what I stand for today. One step to a healthier you—join Times Health+ Yoga and feel the change
Pink Villa
19-05-2025
- Entertainment
- Pink Villa
'There's no worse torture...': Naseeruddin Shah recalls his realization that 'no amount of money' was worth agony of tirelessly working
Veteran actor Naseeruddin Shah is known for his honesty, and he recently opened up about the toll his hectic work schedule once took on him. Speaking candidly, Shah said, 'There's no worse torture in the world' than juggling three film shoots a day. In a brutally honest reflection, he revealed that there was a time in his career when he took on back-to-back films only for the money, a decision he now views with regret. Shah explained how the constant hopping from one film set to another left him exhausted. 'I was acting in several lovely movies just for money. And I realized no amount of money is worth this agony,' he admitted. According to the actor, the pressure wasn't just about delivering performances, it also involved wasting time in routines that felt pointless. He recalled how much of the day on set was often spent socializing, having breakfast, enjoying the surroundings, and indulging in gossip before actually getting to work. His wife, actor Ratna Pathak Shah, had a different experience. She shared on the Aadyam Theater YouTube podcast that she never had to endure the chaos of managing three shifts a day like her husband. She believed that doing fewer projects allowed her to stay true to her craft. Though she admitted most of her work wasn't of the highest quality, she emphasized that unless she gave her full effort, the result would never feel or sound right. Ratna also expressed that because she took on so few roles, she found it impossible to cut corners. She mentioned that while actors doing four shifts a day might be tempted to rush through roles, she felt a strong responsibility to give her best when a good project came her way after years. At the FICCI Flo Hyderabad summit, Ratna also reflected on her marriage, admitting that Naseeruddin's unwavering focus on his work had once left her feeling overshadowed. However, she had come to terms with it over time. She acknowledged his dedication and generosity, both as an actor and as a director, and appreciated the support he offered to others in bringing out their best performances. Married since 1982, Naseeruddin Shah and Ratna Pathak Shah continue to collaborate on stage, demonstrating their shared love for theatre, even if their professional approaches differ. Naseeruddin Shah has delivered powerful performances in several iconic films across genres. In Masoom (1983), he portrayed a father grappling with guilt and responsibility, while Sparsh (1980) showcased his sensitive portrayal of a visually impaired principal. He brought depth to A Wednesday! (2008) as a mysterious vigilante and delivered a chilling performance in Nishant (1975), a landmark parallel cinema film. His roles in Jaane Bhi Do Yaaro (1983), Iqbal (2005), Albert Pinto Ko Gussa Kyun Aata Hai (1980), and Pestonjee (1988) further reflect his range, making him one of Indian cinema's most respected and versatile actors.
Hans India
17-05-2025
- Entertainment
- Hans India
Masoom Minawala Reimagines Indian Fashion on the Cannes 2025 Red Carpet
In a moment that fused heritage with haute couture, Indian fashion ambassador Masoom Minawala captivated the red carpet at the Cannes Film Festival 2025. A beacon of elegance, resilience, and innovation, Masoom's presence wasn't just a personal statement—it was a cultural milestone. Draped in a sculptural ensemble by Kolkata-based Reik Studio, her look was the product of a deeply collaborative vision that honoured Indian craftsmanship while embracing a global aesthetic. The custom creation featured a tailored ivory silk jumpsuit, anchored by a dramatic, fluid cape. Architectural lines—reminiscent of 20th-century French couture—brought a refined edge to the silhouette, harmonizing softness with structure. But the true artistry lay in the detail: over 600 hours of hand embroidery, where micro pearls, enamel roses, and uncut shells were meticulously applied in an ivory-on-ivory palette. The result? A quiet shimmer and textured depth that whispered elegance, eschewing the need for loud embellishment. It was a reverent ode to slow fashion, where every stitch is a story and every motif, a memory. Masoom's look wasn't just a red-carpet moment—it was a statement. As a mother of two, entrepreneur, and one of India's most powerful fashion voices, she has consistently leveraged global platforms to uplift and spotlight Indian designers. Her Cannes appearance reaffirms her position not just as a fashion influencer, but as a cultural connector, reshaping how Indian fashion is perceived on the world stage. This wasn't just fashion; it was a vision. A celebration of legacy reimagined. A fusion of emotion and engineering. In her regal yet restrained silhouette, Masoom Minawala didn't just attend Cannes—she elevated it. As the spotlight fades and the cameras move on, one thing is clear: this is just the beginning. Masoom is not only joining the global fashion conversation—she's shaping it.
