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A Cultural Triumph In Karachi: Mauj Theatre's Ramayana Blends Tradition, Technology, And Tolerance
A Cultural Triumph In Karachi: Mauj Theatre's Ramayana Blends Tradition, Technology, And Tolerance

News18

time17-07-2025

  • Entertainment
  • News18

A Cultural Triumph In Karachi: Mauj Theatre's Ramayana Blends Tradition, Technology, And Tolerance

Last Updated: By staging the Ramayana, Mauj has reclaimed a forgotten cultural symbiosis and boldly challenged the notion that Pakistani identity is divorced from Indic civilisational heritage In an extraordinary fusion of classical heritage, cutting-edge technology, and cross-cultural dialogue, Karachi-based Mauj Theatre Group has made history by staging the Hindu epic Ramayana at the Karachi Arts Council from July 11 to 13, 2025. Directed by Yogeshwar Karera and produced by Rana Kazmi, this visually stunning and emotionally resonant performance not only pushed the boundaries of South Asian theatre—it also rekindled crucial conversations around shared heritage, pluralism, and religious harmony in the subcontinent. At a time when cross-border narratives are often marred by hostility and polarisation, Mauj's courageous decision to adapt the Ramayana—a cornerstone of Hindu tradition—has emerged as a profound act of cultural diplomacy and collective healing. Composed by sage Valmiki thousands of years ago, the Ramayana is more than just a Hindu scripture—it is a civilisational epic revered across South and Southeast Asia. Its themes of dharma (duty), exile, sacrifice, and the triumph of good over evil echo across religious boundaries, including Buddhist, Jain, Sikh, and Sufi Islamic traditions. Though often seen through a religious lens, the Ramayana is fundamentally a universal tale of human struggle, ethical conflict, and moral resolution. Director Yogeshwar Karera aptly noted, 'To me, bringing the Ramayana to life on stage is not just a performance—it's a statement that Pakistani society is more pluralistic, tolerant, and inclusive than it is often portrayed to be." This production carries added significance in Karachi, a city once known for its vibrant Hindu-Muslim coexistence before the trauma of Partition. By staging the Ramayana, Mauj has reclaimed a forgotten cultural symbiosis and boldly challenged the notion that Pakistani identity is divorced from Indic civilisational heritage. Even Allama Iqbal, Pakistan's national poet, acknowledged the ethical grandeur of Lord Rama, referring to him as 'Imam-ul-Hind"—a moral exemplar for all South Asians, irrespective of religious identity. AI Meets Epic: A Visual Feast for the Digital Age One of the most captivating elements of Mauj's Ramayana was its pioneering integration of artificial intelligence to create a deeply immersive experience. AI-generated visuals—from golden palaces and floating mountains to enchanted forests and flying chariots—transported the audience into the world of ancient mythology through futuristic storytelling tools. Combining interactive projections, digital scenography, dynamic lighting, and live music, the team crafted a performance that felt both timeless and modern. Critic Omair Alavi lauded the show as 'a top-class production that balances digital sophistication with deep emotional storytelling". The cast brought the epic's characters to life with grace and depth: Aamir Ali as Raja Dashrath Waqas Akhtar as Laxman Jibran Khan as Hanuman Sana Toaha as Rani Kaikeyi Ali Sher as Abhimantri Rana Kazmi in a powerful gender-reversal role as Sita Adding to the magic was Monica Ahmed, whose live vocals imbued the performance with spiritual resonance. Producer Rana Kazmi described it as 'a living, breathing tapestry of sound, visuals, and sentiment". Bridging Faiths Through the Power of Art In a Muslim-majority country where staging a Hindu epic could be viewed as controversial, Mauj's Ramayana was met not with resistance but with overwhelming public appreciation. The production defied stereotypes and offered a profound affirmation of cultural coexistence. Yogeshwar Karera, confident in the people's understanding, remarked, 'I never feared backlash because I believe in the intelligence and heart of the people." His belief was validated by standing ovations, viral praise, and endorsements across religious lines. One post on X captured the moment perfectly: 'In Karachi—a city of lost diversity—Pakistani artists brought the Ramayana to life. Enhanced by AI, this was not just theatre; it was a prayer for unity in a fragmented region." Equally significant is how the play redefined patriotism. Rather than viewing the Ramayana as an 'Indian" or 'foreign" text, Mauj presented it as part of a shared subcontinental heritage that predates the India-Pakistan divide. In their hands, the Ramayana became a symbol of cultural continuity and unity, not conflict. From Karachi to the World: A Growing Cultural Movement This wasn't Mauj's first encounter with the Ramayana. An earlier version was staged in November 2024 at The Second Floor (T2F) in Karachi. But the July 2025 production—with upgraded technology, greater visibility, and wider acclaim—marked a major artistic leap. Co-hosted by SOVAPA (School of Visual and Performing Arts), the play's Instagram highlights drew widespread attention and admiration. As of now, cultural institutions across Pakistan are showing interest in hosting the production, sparking talks of a national tour. A Vision for the Subcontinent's Shared Future In a region long divided by political disputes and historical trauma, Mauj Theatre's Ramayana stands as a shining example of unity through culture. It is a gentle but powerful reminder that art can bridge even the deepest divides, reviving empathy, dialogue, and mutual respect across borders. As the curtain fell to thunderous applause on July 13, audiences in Karachi knew they had witnessed something truly historic. More than just a play, it was a reaffirmation of South Asia's composite identity, told through the eyes of today's artists and powered by the tools of tomorrow. 'Where There is Dharma, There is Victory' By staging the Ramayana with integrity, innovation, and inclusivity, Mauj Theatre has not only elevated Pakistani theatre to new heights but has also helped reopen a vital cultural dialogue between India and Pakistan. In an era of deepening division, Lord Rama—embodiment of truth, compassion, and justice—can serve as a shared symbol of peace for the entire Indian subcontinent. As a writer and cultural worker, I offer one sincere suggestion: the Government of India should consider inviting Mauj Theatre to perform this Ramayana on Indian soil, perhaps during Dussehra festivities or on the occasion of Ram Navami. Such an invitation would not only recognise the artistic excellence of our Pakistani counterparts but also celebrate our common cultural heritage, our shared language, and the moral figure of Ram, who remains an ideal for billions across borders. top videos View all Let this artistic gesture become a bridge of understanding, reminding us that long before lines were drawn on maps, our stories were always woven. Shariq Adeeb Ansari is the national working president of the All India Pasmanda Muslim Mahaz. Views expressed in the above piece are personal and solely those of the author. They do not necessarily reflect News18's views. tags : ai pakistan Ramayana view comments Location : New Delhi, India, India First Published: July 17, 2025, 19:15 IST News opinion Opinion | A Cultural Triumph In Karachi: Mauj Theatre's Ramayana Blends Tradition, Technology, And Tolerance Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Pakistan gets a taste of Ramayana, Karachi stage show ‘resonates with millions'
Pakistan gets a taste of Ramayana, Karachi stage show ‘resonates with millions'

First Post

time15-07-2025

  • Entertainment
  • First Post

Pakistan gets a taste of Ramayana, Karachi stage show ‘resonates with millions'

A Pakistani theatre troupe has drawn widespread praise for bringing the Ramayana, a classic Hindu epic of good versus evil, to the stage in Karachi, offering a unique cultural performance that blends tradition with modern technology. read more A Pakistani theatre group is getting applauds for staging an adaptation of the Ramayana, the iconic tale of good versus evil from Hindu mythology, in Karachi, Pakistan's financial and movie capital. The group, called Mauj, performed the Ramayana at the Karachi Arts Council over the weekend, earning praise for blending traditional storytelling with modern AI enhancements. Director Yoheshwar Karera said he never feared backlash for staging the epic and believes it shows a more tolerant side of Pakistani society. 'Bringing the Ramayana to life on stage is a visual delight and proves our society is more open-minded than people think,' he said. STORY CONTINUES BELOW THIS AD The play performed in the Islamic radical nation has been well received and seen as something unique, with critics praising both the production quality and the cast's performances. Art and film critic Omair Alavi said he was impressed by the heartfelt storytelling, vibrant lighting, live music, colourful costumes, and striking stage designs that added to the show's splendour. 'The narrative is top-class, as the Ramayana is a story that resonates with millions worldwide,' he noted. Producer Rana Kazmi, who portrays Sita, said she was fascinated by the idea of transforming the ancient epic into a vivid, engaging experience for today's audiences.

Pakistani drama group stages Ramayana in Karachi
Pakistani drama group stages Ramayana in Karachi

India Today

time14-07-2025

  • Entertainment
  • India Today

Pakistani drama group stages Ramayana in Karachi

A drama group based in Karachi, Pakistan, is garnering significant attention by presenting an adaptation of the 'Ramayana'. Staged by the theatre group Mauj at the Karachi Arts Council, the performance uses artificial intelligence enhancements to bring the Indian epic to director, Yoheshwar Karera, expressed satisfaction with the reception of the play, highlighting its role in portraying Pakistani society as more tolerant than typically perceived. The production has not only been a visual delight but also an emblem of cultural harmony. 'To me, bringing the Ramayana to life on stage is a visual treat and shows the Pakistani society is more tolerant than it is often given credit for," he told official Instagram page of School Of Visual & Performing Arts shared the photos from the play. "Highlights of the theatre play Ramayana, presented by @ in collaboration with SOVAPA, directed by @ The play will run till 13th July 2025, 8 PM at @acpkhiofficial," read the caption. Karera added that critics have largely praised the efforts of the group, noting the compelling execution of the play and the performers' convincing adaptation has been praised for its sincerity in storytelling and use of dynamic lighting, live music, and colourful costumes. Art and film critic Omair Alavi commended the narrative as 'top class', saying the 'Ramayana' is a story that resonates with millions globally. This sentiment reflects the cultural depth and artistic ambition of the production. The innovative use of technology has added a fresh dimension to the timeless tale, making it accessible to modern audiences. Producer Rana Kazmi, who plays the role of Sita, expressed her fascination with transforming the epic into an immersive experience. Her performance, along with the ensemble cast, has been a key factor in the production's adaptation marks a significant cultural event in Karachi. The use of AI and technological innovations has further enriched the performance, offering audiences a modern twist on a classic tale. As the play continues to draw audiences, it underscores the role of theatre in fostering dialogue and appreciation among varied cultural and religious backgrounds. The Karachi Arts Council's support plays a pivotal role in this ongoing cultural narrative. The continued interest in the play highlights the importance of such platforms in promoting cultural dialogue and understanding.- Ends

Pak drama group stages adaptation of ‘Ramayana'
Pak drama group stages adaptation of ‘Ramayana'

The Print

time14-07-2025

  • Entertainment
  • The Print

Pak drama group stages adaptation of ‘Ramayana'

Director Yoheshwar Karera said he never felt that staging the 'Ramayana' would lead to people disliking him or facing any threats. Drama group 'Mauj', staging the 'Ramayana' at the Karachi Arts Council over the weekend, has won appreciation for their efforts to bring the epic to life by using AI enhancements. Karachi, Jul 13 (PTI) A Pakistani drama group is making waves by staging an adaptation of the 'Ramayana', a powerful legend of good versus evil deeply rooted in Hindu mythology, in Karachi city of Pakistan's Sindh province. 'To me, bringing the Ramayana to life on stage is a visual treat and shows the Pakistani society is more tolerant than it is often given credit for,' he said. Karera said the drama had been well received, with many critics appreciating the efforts put into the production and the actors' performance. Art and film critic Omair Alavi said he was impressed by the sincerity in the storytelling, and the dynamic lighting, live music, colourful costumes, and evocative designs all added to the grandeur of the show. 'The narrative is top class as the Ramayana is a story that resonates with millions around the world.' Producer Rana Kazmi, who plays the part of Sita, said she was intrigued by the idea of bringing the ancient tale as a living, breathing experience for audiences. PTI CORR PY PY PY This report is auto-generated from PTI news service. ThePrint holds no responsibility for its content.

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