Latest news with #MichaelC.RockefellerWing
New York Post
03-06-2025
- Entertainment
- New York Post
The Met's new wing honors a vanished Rockefeller — who may have been kidnapped and eaten by cannibals
Dissatisfied at being remembered merely as oil barons, real estate tycoons, political bellwethers, and lavish philanthropists, at some point the Rockefellers began to specialize in dramatic exits. Politician Nelson, at least as Johnny Carson would tell it, died doing what he loved best: his aide and alleged mistress Megan Marshack. But it was Nelson's son, Michael Rockefeller, whose tragic ending added 'eaten by cannibals' to the family lore. Advertisement 7 Young Michael Rockefeller died on an expedition to New Guinea in 1961. It's unknown if he drowned or was captured and consumed by tribesmen. ASSOCIATED PRESS His story has again captured the imagination of New York with the reopening of the Michael C. Rockefeller Wing of the Metropolitan Museum of Art after a refresh that took four years and $70 million. First opened in 1982, the 40,000-square-foot wing now displays 1,726 artifacts — including the collections of the former Museum of Primitive Art — with the latest scholarship and technology. Advertisement 'We have the finest surveys of art from these three areas of the world – sub-Saharan Africa, Oceania, and the ancient Americas in a U.S. museum,' Alisa LaGamma, the curator in charge of the wing, told The Post. The wing also houses more than 400 items Michael collected on his travels — though whether or not it contains pieces created by the very tribe that might have brought about his death is still open for debate. In March 1961, Michael — a newly minted Harvard history and economics cum laude and the son of the Governor of New York at the time — joined the Harvard-Peabody Expedition to New Guinea. Its mission was to study the Ndani people of the Baliem Valley in the remote western portion of the island. But the 23-year-old Rockefeller had an ulterior motive: The stripling anthropologist was on an adventure to trade fish hooks, axes and pouches of tobacco for great masterpieces of tribal art. 7 His story has again captured the imagination of New York with the reopening of the Michael C. Rockefeller Wing of the Metropolitan Museum of Art after a refresh that took four years and $70 million. AFP via Getty Images Advertisement The art would be sent back home to his father's innovative Museum of Primitive Art — a groundbreaking effort to extol the fetishes, tools and handicrafts of Africa, the Americas, Asia and Oceania in a townhouse mansion at 15 West 54th Street. At a time when these objects of cultures were rotting in museum ethnography cabinets, the new home would place them at eye level with Western fine art. In September 1961, the young Rockefeller returned to New Guinea accompanied by Dutch anthropologist René Wassing. This time he would venture deep into the jungle swamps of South Papua inhabited by the Asmat people, famed for their well-endowed bisj pole woodcarvings — and for their cannibalistic headhunting. On November 19, 1961, while sailing the coast of Asmat, their boat overturned. Wassing could not swim, but shore within sight, Rockefeller decided he could make it with an improvised floatation device. He was never seen again. 7 The 40,000-square-foot wing now displays 1,726 artifacts. AFP via Getty Images Advertisement Of course, the official explanation for Michael's disappearance was drowning, and, in 1964, a Westchester County judge declared the descendent of John D. Rockfeller legally dead. 'All the evidence, based on the strong offshore currents, the high seasonal tides, and the turbulent outgoing waters, as well as the calculations that Michael was approximately 10 miles from shore when he began to swim, supports the prevailing theory that he drowned before he was able to reach land,' Michael's twin sister Mary Rockefeller Morgan writes in her 2014 book, 'When Grief Calls Forth the Healing: A Memoir of Losing a Twin.' But the stewpot was the better story. Almost immediately after Michael's disappearance, rumors spread that he was alive and had gone native — or that his skull had been found in the clutches of headshrinkers. In 1962, missionaries claimed to have met villagers who confessed to his killing in the village of Otsjanep. 7 Michael travelled to New Guinea shortly after graduating from Harvard. This is supposedly the last picture of him ever taken. AP 7 Michael's father, Nelson (sitting down), was the governor of New York at the time. His immediate family also included mother Mary Todhunter Clark, twin sister Mary and brothers Rodman and Steven. Getty Images 'It was cocktail party lore all through the 60s, 70s and 80s,' publicist R. Couri Hay, whose family had a house near the Rockefeller's retreat in Maine at the time, told The Post. 'I was a kid but I still remember. Nobody could believe it. It became kind of a funny threat. My father would say that if I wasn't good he would send me away to be eaten by cannibals like Michael Rockefeller.' In 1977, the documentary filmmaker Lorne Blair wrote in an article in the girlie mag Oui, claiming that he had found the man who had consumed Michael. Advertisement A slippery private sleuth named Frank Monte told anyone who would listen that he found Michael's skull and was paid royally by the Rockefeller family for it. National Lampoon had a heckle. Leonard Nimoy hosted a TV special in 1978 called 'In Search of Michael Rockefeller.' Dozens of books, podcasts, documentaries and magazine articles have tried to prove the cannibal theory. Novels, short stories, rock songs and even an off-Broadway show have mined the incident for subject matter. 7 Journalist Carl Hoffman makes the best-researched argument that Michael was indeed likely killed and ceremonially eaten by three Asmat tribesmen in his 2014 book 'Savage Harvest.' 7 Michael is pictured on a small motorboat in New Guinea in 1961. The photo was brought back by a companion on his Harvard expedition. AP Advertisement Journalist Carl Hoffman makes the best-researched argument that Michael was indeed likely killed and ceremonially eaten by three Asmat tribesmen in his 2014 book 'Savage Harvest.' 'In a perverse way,' he writes, 'it seemed to level the playing field that this scion of American power could have been not just killed but consumed, cooked and digested and shat out by his opposite — wild men who had nothing, no power, no money, no influence.'
Int'l Business Times
30-05-2025
- Entertainment
- Int'l Business Times
New York's Met Museum Sheds New Light On African Art Collection
From a delicate 13th-century clay figure to self-portraits by photographer Samuel Fosso, New York's Metropolitan Museum reopens its African art collection on Saturday, exploring the "complexity" of the past and looking to the present. After a four-year renovation with a $70 million price tag, the reopening of the Michael C. Rockefeller Wing comes amid heated debate over the representation of cultural diversity in Western museums and the return of works to their countries of origin. The reopening should be "an opportunity to recognize that the achievements of artists in this part of the world (sub-Saharan Africa) are equal to those of other major world traditions," Alisa LaGamma, the Met's curator for African art, told AFP. In a spacious gallery bathed in light, visitors are greeted by a monumental Dogon sculpture -- "a heroic figure, likely a priest," LaGamma explained. Next to it sits a clay sculpture of a curled body from the ancient city of Djenne-Djenno, in present-day Mali, which is believed to be one of the oldest pieces in the collection, dating back to the 13th century. The exhibit does not present the works of sub-Saharan Africa as a single unit, but in chapters to better distinguish between the various cultures. "We don't want people to oversimplify their understanding of an incredibly complex history," LaGamma said. "There are over 170 different cultures represented among the 500 works of African art on display," she pointed out. "That gives you a sense of how many different stories there are to tell in this presentation." The museum wing, which also displays arts of Oceania and the "ancient Americas" -- prior to European colonization -- opened in 1982 after former Republican vice president and philanthropist Nelson Rockefeller donated his monumental collection. It is named for his son. "This is a collection that was formed essentially following independence in a lot of what were new nations across sub-Saharan Africa," LaGamma said. "It doesn't have necessarily the heavy weight of a collection that was formed under colonialism," she said, hinting at the pressure faced by many museums to respond to questions about the origins of works on display. A third of the works shown here were newly acquired. The museum was thus able to benefit from a donation of thousands of photographs from the renowned Arthur Walther collection. Among the vast trove of pieces donated is a 2008 series of self-portraits entitled "African Spirits" by Fosso, a Cameroonian-Nigerian photographer. Among Africa's leading photographers, Fosso poses as major figures in African independence and civil rights struggles, from Congolese independence leader and first prime minister Patrice Lumumba, to Nelson Mandela and Malcolm X. Through around a dozen films directed by Ethiopian-American artist Sosena Solomon, visitors can also explore iconic cultural sites across the continent, like Tsodilo rock paintings in Botswana, the rock-hewn churches of Lalibela and Tigray in Ethiopia, and the tombs of Buganda kings at Kasubi in Uganda. "In an art museum like this, it is important that rock paintings should be reflected," said Phillip Segadika, chief curator for archeology and monuments at Botswana's national museum, in residence at the Met to participate in the project. "It tells us that what we are seeing today, whether it's in European art, medieval art, whatever -- it has a history, it also has an antiquity." A work by Ghanaian artist El Anatsui on display at the Metropolitan Museum in New York AFP Photographs by Samuel Fosso on display at the Metropolitan Museum in New York AFP A 13th-century sculpture from the Niger Delta in present-day Mali, on display at the Metropolitan Museum in New York City AFP
France 24
30-05-2025
- General
- France 24
New York's Met museum sheds new light on African art collection
After a four-year renovation with a $70 million price tag, the reopening of the Michael C. Rockefeller Wing comes amid heated debate over the representation of cultural diversity in Western museums and the return of works to their countries of origin. The reopening should be "an opportunity to recognize that the achievements of artists in this part of the world (sub-Saharan Africa) are equal to those of other major world traditions," Alisa LaGamma, the Met's curator for African art, told AFP. In a spacious gallery bathed in light, visitors are greeted by a monumental Dogon sculpture -- "a heroic figure, likely a priest," LaGamma explained. Next to it sits a clay sculpture of a curled body from the ancient city of Djenne-Djenno, in present-day Mali, which is believed to be one of the oldest pieces in the collection, dating back to the 13th century. 'Complex history' The exhibit does not present the works of sub-Saharan Africa as a single unit, but in chapters to better distinguish between the various cultures. "We don't want people to oversimplify their understanding of an incredibly complex history," LaGamma said. "There are over 170 different cultures represented among the 500 works of African art on display," she pointed out. "That gives you a sense of how many different stories there are to tell in this presentation." The museum wing, which also displays arts of Oceania and the "ancient Americas" -- prior to European colonization -- opened in 1982 after former Republican vice president and philanthropist Nelson Rockefeller donated his monumental collection. It is named for his son. "This is a collection that was formed essentially following independence in a lot of what were new nations across sub-Saharan Africa," LaGamma said. "It doesn't have necessarily the heavy weight of a collection that was formed under colonialism," she said, hinting at the pressure faced by many museums to respond to questions about the origins of works on display. 'African Spirits' A third of the works shown here were newly acquired. The museum was thus able to benefit from a donation of thousands of photographs from the renowned Arthur Walther collection. Among the vast trove of pieces donated is a 2008 series of self-portraits entitled "African Spirits" by Fosso, a Cameroonian-Nigerian photographer. Among Africa's leading photographers, Fosso poses as major figures in African independence and civil rights struggles, from Congolese independence leader and first prime minister Patrice Lumumba, to Nelson Mandela and Malcolm X. Through around a dozen films directed by Ethiopian-American artist Sosena Solomon, visitors can also explore iconic cultural sites across the continent, like Tsodilo rock paintings in Botswana, the rock-hewn churches of Lalibela and Tigray in Ethiopia, and the tombs of Buganda kings at Kasubi in Uganda. "In an art museum like this, it is important that rock paintings should be reflected," said Phillip Segadika, chief curator for archeology and monuments at Botswana's national museum, in residence at the Met to participate in the project. "It tells us that what we are seeing today, whether it's in European art, medieval art, whatever -- it has a history, it also has an antiquity."
Yahoo
30-05-2025
- Politics
- Yahoo
New York's Met museum sheds new light on African art collection
From a delicate 13th-century clay figure to self-portraits by photographer Samuel Fosso, New York's Metropolitan Museum reopens its African art collection on Saturday, exploring the "complexity" of the past and looking to the present. After a four-year renovation with a $70 million price tag, the reopening of the Michael C. Rockefeller Wing comes amid heated debate over the representation of cultural diversity in Western museums and the return of works to their countries of origin. The reopening should be "an opportunity to recognize that the achievements of artists in this part of the world (sub-Saharan Africa) are equal to those of other major world traditions," Alisa LaGamma, the Met's curator for African art, told AFP. In a spacious gallery bathed in light, visitors are greeted by a monumental Dogon sculpture -- "a heroic figure, likely a priest," LaGamma explained. Next to it sits a clay sculpture of a curled body from the ancient city of Djenne-Djenno, in present-day Mali, which is believed to be one of the oldest pieces in the collection, dating back to the 13th century. - 'Complex history' - The exhibit does not present the works of sub-Saharan Africa as a single unit, but in chapters to better distinguish between the various cultures. "We don't want people to oversimplify their understanding of an incredibly complex history," LaGamma said. "There are over 170 different cultures represented among the 500 works of African art on display," she pointed out. "That gives you a sense of how many different stories there are to tell in this presentation." The museum wing, which also displays arts of Oceania and the "ancient Americas" -- prior to European colonization -- opened in 1982 after former Republican vice president and philanthropist Nelson Rockefeller donated his monumental collection. It is named for his son. "This is a collection that was formed essentially following independence in a lot of what were new nations across sub-Saharan Africa," LaGamma said. "It doesn't have necessarily the heavy weight of a collection that was formed under colonialism," she said, hinting at the pressure faced by many museums to respond to questions about the origins of works on display. - 'African Spirits' - A third of the works shown here were newly acquired. The museum was thus able to benefit from a donation of thousands of photographs from the renowned Arthur Walther collection. Among the vast trove of pieces donated is a 2008 series of self-portraits entitled "African Spirits" by Fosso, a Cameroonian-Nigerian photographer. Among Africa's leading photographers, Fosso poses as major figures in African independence and civil rights struggles, from Congolese independence leader and first prime minister Patrice Lumumba, to Nelson Mandela and Malcolm X. Through around a dozen films directed by Ethiopian-American artist Sosena Solomon, visitors can also explore iconic cultural sites across the continent, like Tsodilo rock paintings in Botswana, the rock-hewn churches of Lalibela and Tigray in Ethiopia, and the tombs of Buganda kings at Kasubi in Uganda. "In an art museum like this, it is important that rock paintings should be reflected," said Phillip Segadika, chief curator for archeology and monuments at Botswana's national museum, in residence at the Met to participate in the project. "It tells us that what we are seeing today, whether it's in European art, medieval art, whatever -- it has a history, it also has an antiquity." arb/gl/nl/sla
