Latest news with #Moonwalk
New Indian Express
2 days ago
- Entertainment
- New Indian Express
Moonwalk Movie Review: An uplifting dance of dreams, friendship and identity
Vinod AK's direction, particularly in the latter hour, is assured and compelling. Capturing the spirit of the late 80s without descending into mere nostalgia, he balances humour, emotion and social commentary with a deft hand. He also extracts remarkable performances from a mostly newcomer cast. While Moonwalk is not quite that landmark film, it certainly announces a confident new voice in Malayalam cinema. The screenplay, co-written by Vinod, Mathew Varghis, and Sunil Gopalakrishnan, takes a familiar underdog narrative but fills it with sincerity and warmth. The familiar beats, including clashes with authority, family pressures, and the struggle for recognition, are handled with genuine heart. The camaraderie feels real, and the dance sequences are not just performances but expressions of identity and belonging. The film's pacing matches its theme. It does not rush to dazzle but takes time to build up the story, much like a dance routine easing into its most electrifying moves. And speaking of the big moves, Moonwalk's final act delivers. When the Moonwalkers finally get their moment to shine on stage, it is pure exhilaration. A thrilling payoff that offers an exuberant celebration of friendship, passion, identity, and triumph. Sreejit P Dazzlers' choreography reflects this journey, evolving from tentative steps to confident, sharp steps. Technically, the film impresses. Sabu Mohan's art direction and Ansar Shah's cinematography vividly evoke the late 80s Kerala landscape, from dusty streets to hand-painted signboards and vintage fashion. Prashant Pillai's music skillfully blends retro beats and soulful melodies, weaving through the narrative like a steady heartbeat. The editing by Deepu Joseph and Kiran Das keeps the tempo just right, never rushing or dragging, though the character establishment, while earnest, might feel a bit heavy-handed after a point during the first hour. What ultimately makes Moonwalk special is its heart. It is less about grand spectacle and more about the quiet courage to dance against the odds, to find your own rhythm in a world that may not always understand you. The bond between the boys, their dreams and their struggles all come together in a story that celebrates the joy of movement, friendship and self-expression. If you want a film that not only shows dance but makes you feel it, to move with it and to live it, this is worth your time. It is more than a dance film, it is an uplifting tribute to anyone who has dared to step into the spotlight, even when the world tells them not to, and dance anyway.
Time of India
2 days ago
- Entertainment
- Time of India
Moonwalk Movie Review: A Heartfelt Tribute to Dance, Friendship, and Michael Jackson
Story: Set in the 1980s in Thiruvananthapuram, the film chronicles the life of a group of youngsters learning break dance Review: Moonwalk is a film that stands out with its theme, performances and simplicity. It can even be called a slice-of-life film, focusing primarily on how dance transforms the lives of a few young men and their families. It also serves as a soulful tribute to Michael Jackson, the entertainer. A fresh cast adds to the experience and convinces the audience that they are truly witnessing a group of youngsters trying to learn breakdance—something they were inspired to pursue after watching a performance in their locality, a form of dance new and never seen before. The group consists of young men from all walks of life, representing different religions, castes, and financial backgrounds. Debutant director Vinod AK, who also co-wrote the film, clearly knew what needed to be on screen, without overdoing anything—be it the family moments, nostalgic elements, or the dancing (which, honestly, no one would have minded seeing more of). The novelty of breakdance as an art form at that time is effectively conveyed throughout the story. The film lingers on the lives of each of these aspiring dancers, and the audience gets to witness many raw, authentic moments within ordinary families. There is no whitewashing. Class differences are evident, even within this friend group that is solely focused on dance and romantic pursuits. We also see how each of these men makes personal style statements, finding ways to dress as they prefer within their means. The film captures how society views people who dress or style themselves differently from what is considered 'normal'—including the police, who harass them under the assumption that they are lawless. All of this is shown with nuance. The film features several key locations and important colleges in Thiruvananthapuram. Since it's set in an earlier time, the set design and costumes are convincingly done and even evoke nostalgia. While not all character arcs receive closure, Sura's arc does, and it offers a very satisfying conclusion—especially because his struggles will resonate with many, even years later. Though it's not a dance film through and through, it has enough merit to be considered one. The dance moves don't always pack the punch one might expect, but when they finally take the stage in the latter part of the film, the performances are deeply satisfying. Those scenes are purely about dance, and dance alone. One of the more off-putting aspects, however, is how often the film cuts to the audience during the dance competition—especially to a frankly irrelevant crowd. Each of the young actors—Anunath, Sujith Prabhakar, Rishi Kainikkara, Siddharth Babu, Manoj Moses R, Sibi Kuttappan, Prem Shankar S, and Appu Ashari—delivers a convincing performance. Prashant Pillai's music further elevates the film. One gripe with the film is how the local slang was overdone. Some dialogues, particularly during interactions among friends, felt repetitive and served little purpose. People in Trivandrum definitely don't use "Oo" and "Thanne" so frequently in every conversation.
The Hindu
3 days ago
- Entertainment
- The Hindu
Moonwalk movie review: A heartfelt tribute to the breakdancing subculture
Moonwalk (Malayalam) Starring: Anunath V.P., Sujith Prapanchan, Sreekanth Murali, Sanjana Doss, Meenakshi Raveendran, Rishi Kainikkara, Arjun Manilal Direction: Vinod A.K. Storyline: A group of youth take up breakdancing, but the ride ahead is filled with obstacles Runtime: 118 minutes Evoking a time period is a challenge of a lesser order as opposed to effectively transporting the audience to that period. A few carefully chosen props might be enough to pull off the former, while the latter involves the arduous task of authentically capturing the zeitgeist of that time and hitting all the right notes to make it believable for those who might have lived through those times. In Moonwalk, debutant filmmaker Vinod A.K. makes a bold attempt for the latter and lands stylishly on his toes, evoking the iconic dance move of the early 1990s. The world that he recreates is the early 1990s in the coastal and rural belts of Thiruvananthapuram or rather more specifically, the emergence of a breakdancing subculture among groups of youths during that period. Of course, there are the grainy VHS tape visuals, Walkman, STD booths, disco-inspired costumes, frizzy long hair, Michael Jackson fanhood and every other nostalgia-evoking material from those times, but all of these are woven organically into a straight-forward, simple plot that holds an emotional pull. Part of Moonwalk's zestful appeal rests with its fresh cast of young performers, many of whom were not probably born during the period in which the film is set. Yet, that does not come as a barrier for them in convincingly portraying the demeanour of the youths of that period. Prasanth Pillai's groovy disco-synth soundtrack which goes in step with Ansar Shah's cinematography sets the rhythm for the film quite early on, managing to hook the audience and carrying them along even through the mundane moments. He comes up with an era-evoking soundtrack that lends character, colour, and an irresistible energy to the film. The lack of a major, earth-shattering conflict in the lives of these youths can be held against the film, but they do go through enough experiences for their age, from picking up avoidable fights due to their hot-headedness to facing parental pressures owing to their chosen art and the staple physical makeovers that goes with it. The romances are fleeting affairs that fills the time between their dance practises and performances, but even these are imbued with some character like the personally chosen mix-tape that one of them gifts the other. Vinod A.K., who has written the screenplay with Mathew Varghese and Sunil Gopalakrishnan, also plays with some interesting juxtapositions between rural and urban youth as well as the class differences that comes into play during interactions between them as well as with the police force. The way some of the working class characters blend their new-found dance moves to their jobs is a delight. The film hits its high towards the end with a solo dance performance that really lifts it when it appeared to sag a bit. The character arc of the dancer also ends up as one of the highlights of the film. In a way, the character's struggles are reflective of the challenges in bringing the film to the theatres after it remained without any takers for some years. Moonwalk is a heartfelt tribute to a time period and to the breakdancing subculture that ruled the campuses and street venues during that time. Moonwalk is currently running in cinemas.
Indian Express
3 days ago
- Entertainment
- Indian Express
Moonwalk movie review: This tribute to Michael Jackson is yet another example of why Malayalam cinema soars while Bollywood struggles
Moonwalk movie review: Just imagine how cool it would have been if Varun Dhawan's character had appeared on screen carrying a ripe, juicy jackfruit on his head, heading home after burning up the dance floor in the climax of director Remo D'Souza's ABCD 2 (2015) or Street Dancer 3D (2020). You know, a jackfruit that could also be used to cook different dishes and would feed his character's entire impoverished family for a day or two. And since he's too poor to afford an autorickshaw or any other transport, he has no choice but to carry it on his head. The instance sounds relatable, right? Because this is something that has already happened or could happen in our lives at any moment. But, unfortunately, Bollywood films no longer offer this kind of relatability. Not just Varun, it's almost impossible to imagine any of the mainstream Hindi actors doing a role that requires them to perform such an ordinary action on screen, simply because it lacks the 'glitz and glam'. In the resolution of debutant filmmaker Vinod AK's Moonwalk, however, we see Sura (an impressive Sibi Kuttappan), in his signature Michael Jackson getup, happily carrying a jackfruit on his head and a plastic bag in one hand, walking home proudly after setting the a breakdance competition stage afire just a few days earlier with his extraordinary performance. It's also the unhesitating way in which filmmakers envision and execute such mundane, relatable scenes that make Malayalam cinema what it is today. And maybe, just maybe, a lesson Bollywood could learn from instead of dropping fresh stink bombs every week. At the same time, Moonwalk also serves as a reminder to prioritise theme, concept, story and script over the male lead's (almost nonexistent) star value. Although most members of the film's ensemble are newcomers — and some readers might feel that comparing them to established actors like Varun Dhawan is unfair — two points are worth highlighting here: these Bollywood stars didn't take on such characters even early on in their careers, and more importantly, director Vinod AK deliberately chose to prioritise his narrative over star power. He didn't even attempt to cast familiar faces or so-called stars who might have given the film broader reach, but would have un/knowingly compromised its soul by making the movie only about them. He trusted the script he co-authored with Mathew Varghis and Sunil Gopalakrishnan. Moonwalk's story is simple and straightforward. Set in 1987, it follows a group of late-teenage friends in Thiruvananthapuram whose lives are forever changed when they stumble upon the electrifying art of breakdance and its most iconic figure, Michael Jackson. Aspiring to become exceptional dancers, they begin practising with dedication. Although some personal dramas unfold, the gang, who call themselves the Moonwalkers, navigate these challenges and continue to push forward, defying the many limitations life has placed on them, particularly poverty. One of the most self-aware Malayalam films in recent times, Moonwalk doesn't try to be anything it's not. It is the result of Vinod AK's absolute conviction and trust in the material he has. Right from the beginning, he makes it clear that he isn't going to follow the typical Indian dance-drama narrative template and sets the tone of Moonwalk with precision and clarity. Despite the film being under two hours long, Vinod takes his time to establish the characters, their personalities and their surroundings, without rushing into anything. One of the best aspects is that the filmmakers don't try to oversell any of the characters or their circumstances. Almost all members of the Moonwalkers are given equal prominence, with just a few standing out as first among equals. Even as the story progresses, Moonwalk avoids unnecessary detours and senseless subplots. All the side stories, including a few romantic tracks, only add to the film's appeal, thanks to the magnificent way they've been handled. Despite the large ensemble cast, it never feels like Vinod and his team have overlooked certain characters or given undue prominence to others. The script ensures that every character has a proper identity and arc. Unlike certain 'tribute' films that repeatedly evoke the name or image of the honouree to capitalise on their legacy, Moonwalk makes no such attempts. In fact, Michael Jackson's name is rarely mentioned, and there are only a few direct references to him. Instead, the filmmakers keep MJ's spirit alive by showing the kids gradually mastering his moves, letting his influence subtly permeate the film. Even the dramatic and romantic elements scattered throughout the movie are thoughtfully and maturely handled, with nothing feeling absurd or amateurish. While the film focuses heavily on dance and the group's unity, Vinod ensures that the characters don't come across as people without other purposes or interests. They have families, love interests and ambitions. But that doesn't mean dance is merely a hobby for them; nor is it the air they breathe. It's simply what they love the most. Sabu Mohan's art direction, Ansar Shah's cinematography, and the editing by Deepu Joseph and Kiran Das deserve just as much praise as Vinod AK's direction. Sabu has not only convincingly recreated a bygone era but also avoided relying on clichéd props to establish the period. Instead, he adopts a more organic approach, supported beautifully by Dhanya Balakrishnan's exceptional work in costume design and the makeup by Saji Koratty and Santhosh Venpakal. Departing from the dance-dramas' typical visual style, where complex movements are often highlighted with rapid cuts, Ansar, Deepu and Kiran focus instead on showcasing the team spirit. To do this, the group dance sequences are mostly filmed using medium long shots, which helps establish their unity as a team. It also allows the audience to clearly map the group's progression from initially below-average skills to truly impressive performances by the end. Vinod's vision as a filmmaker becomes even more pronounced through the visual language he has employed and the subtle visual storytelling devices he used. Early in the film, we see the kids, who later come to be known as the Moonwalkers, mesmerised by the already established dance troupe, the Zoom Boys. In their first encounter, the Zoom Boys' team leader asks one of the boys for a light to ignite his cigarette. Arun (Sujith Prabhakar) offers his own cigarette, already half-smoked. Towards the end of the film, the tables turn. The Moonwalkers have become more prominent than the Zoom Boys, and in a mirrored moment, Jake (an extraordinary Anunath) asks the same Zoom Boys leader for a light. This time, the leader hands over his own half-smoked cigarette, in a subtle yet powerful visual metaphor. In another instance, when Sudheep (Premshankar S) decides to leave the Moonwalkers, he removes his white shoe and gives it to Sura, taking Sura's old chappal in exchange. Having only worn chappals his entire life, this is a moment of elation for Sura. At the same time, it beautifully illustrates how one person makes way for another, delicately and effectively conveyed through visuals alone. Amid all this, Moonwalk does not dissociate itself from its socio-political environment, unlike most mainstream films. At several points, the filmmakers insert moments that highlight how everyday casteism and classism operate, and how difficult it is for people like Sura and Anikkuttan (Appu Ashari) to rise above these obstacles and pursue their passion. The film also sheds light on the police's tendency to crush young dreams. In the Moonwalkers' case, this happens when the police forcibly cut off their long-grown hair bluntly, not giving two hoots about the hard work they put into it, and thus breaking their spirit. However, they rise again and push forward, underscoring that such systemic oppressions can never extinguish the spirit of art. Prashant Pillai's music and Sreejit P Dazzlers' choreography are the soul of Moonwalk, consistently hitting the mark. Among the performers, Rishi Kainikkara and Siddharth also leave a strong impression. Moonwalk movie cast: Anunath, Rishi Kainikkara, Siddharth B, Sujith Prabhakar Moonwalk movie director: Vinod AK Moonwalk movie rating: 3.5 stars Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at ... Read More
New Indian Express
3 days ago
- Entertainment
- New Indian Express
Director Vinod AK Interview: Moonwalk will be a joyful ride for young and old
Initially, the team planned to cast familiar faces in the lead roles, to leverage star value. Vinod recalls, 'There were talks with a few established actors.' But soon, they realised those actors would have to fit into their unique way of working. The film demanded several days of orientation and training, especially because the dance style belonged to a particular era and was very different from today's cinematic choreography. 'We understood that busy actors wouldn't be able to dedicate that much time to a film like this,' Vinod explains. Meanwhile, the team was scouting fresh faces as an alternative. After discussions with the production team, Vinod got approval to move forward with newcomers based on his conviction. 'After seeing the film, I can't imagine anyone else in place of those wonderful newcomers,' he reflects. Apart from the fresh talent, only Srikant Murali and Veenah Naair appear as familiar faces. Vinod also shares a glimpse of an alternate idea. 'Initially, I even had thoughts of casting Ishaan Khatter for the Hindi version, which would have been a completely different approach.' For Moonwalk's dance choreography, Vinod turned to Sreejith, whose ties to the 80s dance scene in Kochi brought a layer of authenticity. 'Over time, we kept interacting, and I found out that he was actually part of a dance team in Kochi during the same era that the film is set in. He also knew about the subtle differences in the dance styles between dancers from Trivandrum and Kochi at that time.' Moonwalk received a major boost when acclaimed filmmaker Lijo Jose Pellissery came on board as presenter. Vinod reveals, 'There were a few issues holding the project back, and Lijo offered to take responsibility for sorting them out. That was an unexpected and much-appreciated helping hand. It was also his initiative to bring Listin Stephen on board as a co-producer.' Lijo's involvement was far from symbolic. His guidance, drawn from years of experience, gave the team the confidence to push their creative boundaries. 'I have experience making ad films, but working on a full-length feature is different. You often go with your gut feeling about what will work for the audience. Getting reassurance from someone of his stature on those instincts was deeply valuable,' Vinod says. Music, a pivotal thread in the fabric of the film, brought Vinod together with composer Prashant Pillai. 'Prashant was the first person I brought in as one of the technicians. He sent me some samples of the ideas he had been working on, and that's how it all started,' Vinod recounts. As Moonwalk is about to reach audiences, Vinod's hope remains simple yet sincere. 'Just come and enjoy,' he signs off with a smile.
