Latest news with #Mr.&Mrs.Mahi
News18
2 days ago
- Entertainment
- News18
News18 Afternoon Digest: PM Modi Defines New India's Stand In Stern Anti-Terror Message To Pakistan & Other Top Stories
Last Updated: We are also covering: Updates on Ankita Bhandari Murder Case and Virat Kohli Sledges Musheer Khan During PBKS-RCB Match. In today's News18 afternoon digest, we bring to you the latest updates on PM Modi Defines New India's Stand In Stern Anti-Terror Message To Pakistan, Rajnath Singh Recalls 1971, Says Op Sindoor Just A Warm-Up and other top stories. 'Pran Jaye Par…': PM Modi Defines New India's Stand In Stern Anti-Terror Message To Pakistan 'Pran Jaye Par Vachan Na Jaye' – Prime Minister Narendra Modi quoted this famous line of Lord Ram in Bihar on Friday to say he had also fulfilled his promise made on April 24 in Bihar that India will smash the terrorist headquarters in Pakistan and reduce them to dust. Read More 'Could've Split Pakistan Into 4 Parts': Rajnath Singh Recalls 1971, Says Op Sindoor Just A Warm-Up Defence Minister Rajnath Singh said that India possessed the capability to have fragmented Pakistan into four separate entities during the 1971 war, asserting that the actual outcome was merely a 'warm-up" of India's military prowess. Read More Musheer Khan made his IPL debut for Punjab Kings on Thursday (May 29). The right-handed batter from Mumbai, who is the younger brother of Indian Test player Sarfaraz Khan, came out to bat at No. 8 for the Shreyas Iyer-led side against Royal Challengers Bengaluru in the IPL 2025 Qualifier 1 match played at Maharaja Yadavindra Singh International Cricket Stadium in Mullanpur, Chandigarh. Read More Janhvi Kapoor 'Likes' Reel Claiming Madhuri Won Award For 'Vulgar Step' While Sridevi 'Ignored' Janhvi Kapoor has found herself at the centre of an unexpected controversy online. The Mr. & Mrs. Mahi actress recently liked an Instagram reel that compared her late mother, legendary actress Sridevi, to Bollywood icon Madhuri Dixit, and social media users have been quick to react. Read More
News18
2 days ago
- Entertainment
- News18
Janhvi Kapoor ‘Likes' Reel Claiming Madhuri Won Award For ‘Vulgar Step' While Sridevi ‘Ignored'
Last Updated: Janhvi Kapoor 'likes' viral reel shading Madhuri Dixit while praising Sridevi. Reddit reacts with jabs about 'algorithm likes' and accidental support. Janhvi Kapoor has found herself at the centre of an unexpected controversy online. The Mr. & Mrs. Mahi actress recently liked an Instagram reel that compared her late mother, legendary actress Sridevi, to Bollywood icon Madhuri Dixit and social media users have been quick to react. The viral reel splits the screen between two performances. On one side, Madhuri Dixit's iconic dance sequence Dhak Dhak Karne Laga from the film Beta plays, with overlaid text alleging she won the Filmfare Best Actress award for a 'vulgar step" and 'doing nothing." On the other side, Sridevi is shown in Khuda Gawah, portraying a dual role. The text claims she was 'ignored" for delivering a 'landmark performance" that carried the film. Janhvi's like on the post hasn't gone unnoticed. A screenshot showing her Instagram handle among those who liked the reel is now going viral, particularly on Reddit, where fans and critics alike are debating the implications. View this post on Instagram A post shared by Old Bollywood (@magical_cinema1990) Many online users are accusing her of indirectly shading Madhuri while trying to boost her late mother's legacy. 'Even she will come up with the algorithm story now," one Reddit user wrote, referring to the recent controversy involving Virat Kohli and Tamannaah Bhatia, who claimed their Instagram accounts 'accidentally liked" a reel featuring Avneet Kaur and Deepika Padukone, respectively. Another comment read, 'Wait for her to join the Kohli-Tamannaah gang of accidental like posts." A third added, 'Yes, Madhuri's Beta was a hit, and she performed brilliantly. But acting-wise too, she earned that award. It wasn't just a dance number." Others took a more sarcastic tone, with one user joking, 'Another victim of the algorithm pandemic… hoping Instagram comes with a vaccine soon." Janhvi Kapoor has not issued a statement addressing the viral post or whether the like was intentional. However, with screenshots continuing to circulate and Reddit threads filling up with speculation, it's clear the internet isn't buying the 'accidental like" excuse just yet. First Published:
Time of India
4 days ago
- Entertainment
- Time of India
‘Bhool Chuk Maaf' becomes the 5th biggest hit of Rajkummar Rao's career, surpassing ‘Mr. & Mrs. Mahi'
continues to prove his versatility and bankability at the box office. His latest film, Bhool Chuk Maaf, co-starring , has struck a chord with audiences, becoming the fifth biggest hit of his career within just six days of its release. Tired of too many ads? go ad free now EXCLUSIVE: Rajkummar Rao & Wamiqa Gabbi On Bhool Chuk Maaf, Stree 2 Pressure & Modern Love Struggles The romantic comedy-drama, directed by Karan Sharma, opened to a decent Rs 7 crore on its first Friday. Positive word-of-mouth and favorable reviews helped the film gain momentum over the weekend, with collections rising to Rs 9.5 crore on Saturday and peaking at Rs 11.5 crore on Sunday. While the usual weekday drop followed, Bhool Chuk Maaf managed to hold steady with Rs 4.5 crore on Monday and Rs 4.79 crore on Tuesday, taking its five day India net total to Rs 37.29 crore. In doing so, the film has overtaken the lifetime collection of Mr. & Mrs. Mahi, which earned Rs 36.34 crore. The cricket-based romantic drama, released last year, marked Rajkummar's second collaboration with . Though it opened to fair numbers, it couldn't maintain a strong hold at the box office. Bhool Chuk Maaf, however, has managed to sustain better, buoyed by its lighthearted narrative, relatable humor, and the fresh pairing of Rajkummar Rao and Wamiqa Gabbi. With this, Bhool Chuk Maaf now stands as the fifth highest-grossing film of Rajkummar's career. Topping his box office chart remains Stree 2, which shattered records earlier this year by collecting a staggering Rs 597.99 crore. Its predecessor, Stree (Rs 129.83 crore), holds second place, followed by (Rs 48.07 crore) and Vicky Vidya Ka Woh Wala Video (Rs 42.09 crore). The film's success reinforces Rajkummar Rao's consistent ability to draw audiences, especially when paired with strong content. It's also a significant milestone for Wamiqa Gabbi, who has been making steady inroads into mainstream Bollywood after impressing audiences with her OTT performances. As Bhool Chuk Maaf inches closer to the Rs 40 crore mark, it will be interesting to see how it fares in its second week which sees the release of 's Karata Kid. The Hindi version of the film has been dubbed by and his son Yug Devgn.
Pink Villa
6 days ago
- Entertainment
- Pink Villa
Janhvi Kapoor VS Kriti Sanon Fashion Face-off: Who pulled off white and red saree with retro touch better?
In the pursuit of following trends, celebrities often find themselves donning similar outfits. This followed suit when two starlets ended up twinning in retro Bollywood glamor. Janhvi Kapoor and Kriti Sanon wore old-school floral, white sarees with similar motifs, carrying the same outfit theme but different styles. We are here to dissect both looks and figure out who embodied the desi retro-chic drape, the best! Janhvi Kapoor From sultry bodycon dresses to traditional saree looks, Janhvi Kapoor does her fashion assignments with utmost authenticity. The same goes for her retro glam avatar in a white saree, adorned with floral motifs. The Ulajh actress exuded a heart-stirring charm in a breezy saree. The white, airy drape featured daisy-shaped, orange flowers with black dots at the center, creating the perfect vintage fashion vibe. Kapoor paired this dreamy six-yard drape with a simple yet alluring blouse. Complementing the orange flowers and border of the saree, the blouse featured a solid orange color hue. The bodice followed a sweetheart neckline and straps. The back of the blouse boasted a cutesy bow, aligning with the old-charm vibe of the fit. The Mr. & Mrs. Mahi actress minimally accessorized her fit with pearls. She wore large, pearl tops, framed with rhinestones. The diva further added strings of pearls as a bracelet, looking all poised and demure. Kapoor's makeup for this look was on point as she flaunted a bold, winged eyeliner with soft mauve lipstick and bindi. She styled her hair with an old-world charm, in a half-up, half-down hairdo with her front strands side-swept and framing her face gorgeously. Kriti Sanon Whether it be her trendy airport looks or ethnic sways, Kriti Sanon knows how to pull off any fashion genre like a true style maven. Her vintage saree flair by the brand RAW Mango was no exception as she looked every inch ravishing in the desi allure. The billowy georgette saree featured scarlet red roses with central gold motifs, balancing sophistication with regality. It also boasted thin red and gold straps on the borders. Sanon paired her gorgeous drape with a simple red blouse, matching the flower motifs of the saree. The satin bodice featured a deep V-neckline and elbow-length sleeves, keeping up with the traditional allure of the look. The Crew actress lavishly accessorized her six-yard elegance with a ruby-studded golden choker. The luxe piece followed a traditional jewelry theme, adorned with soulful gold dangles. She skipped any earrings and kept it regally subtle. The fashionista slipped on two chunky golden bangles, completing her look with old-world grandeur. Kriti Sanon's makeup for the look was enchanting as she flaunted kohl-rimmed eyes, blushed-up cheeks, and nude pink lips. She topped up her glam with a simple bindi. The actress center-parted her hair, tossing it in loose, wavy strands to create a bewitching look. The bottom line While Janhvi took a complete retro route with her floral white saree, Kriti brought a royal sophistication to her flair with lavish golden jewelry. Though both actresses followed the same vintage vibe, each of them stood out with their style, personality, and panache.
Pink Villa
25-05-2025
- Entertainment
- Pink Villa
Bhool Chuk Maaf's Theatrical Gamble Pays Off: An organic win for content and cinema amid OTT disruption
In an unexpected turn of events, Bhool Chuk Maaf became one of the most talked-about Hindi film releases of the month—not just for its content but for the dramatic developments surrounding its release strategy. Initially scheduled to hit cinemas nationwide, the film's producer made a last-minute decision to pull it from theatrical release just a day before its premiere, opting instead for a direct-to-digital debut on Amazon Prime Video. The move sparked immediate backlash from the country's largest multiplex chain, PVR INOX, which responded by taking legal action and securing a restraining order to prevent the film's OTT release. The controversy sent ripples across the industry, reigniting the long-standing debate around theatrical windows and the growing push from certain production houses for shorter or simultaneous OTT releases. Insiders revealed that PVR INOX had insisted on a four-week exclusive theatrical window, while Maddock Films—producers of Bhool Chuk Maaf —preferred a significantly shorter commitment, reportedly requesting only a single-show arrangement in the week of 6th June, when two major films are scheduled to release. Ultimately, a two-week theatrical window was agreed upon, and the film was theatrically released on 23rd May with a digital premiere now set for 6th June. Against the odds, Bhool Chuk Maaf opened strong, registering ₹7 crore on day one—exceeding trade expectations and outperforming two of Rajkummar Rao 's other recent releases, Mr. & Mrs. Mahi and Vicky Vidya Ka Woh Wala Video. This opening is particularly noteworthy considering the uncertainty surrounding the film's release and the relatively low promotional window. While a few critics have pointed out that the film benefited from lower ticket prices, this doesn't detract from the fact that audiences showed up in numbers. Industry professionals on the ground have backed these figures with firsthand observations. Pawan Agrawal of DD Cinemas noted that Bhool Chuk Maaf delivered better collections across his 40 screens compared to Vicky Vidya, even with standard pricing. Ashutosh Agrawal of Starworld echoed a similar sentiment, confirming improved traction for Bhool Chuk Maaf at his venues. In West Bengal, distributor and exhibitor Satadeep Saha also reported stronger occupancies for the film than its comparably placed competitor, calling the performance 'decent' despite the film's limited window and prior confusion. Anecdotal evidence from exhibitors around the country suggests that the film has struck a chord with audiences, particularly among family viewers and younger audiences who are currently on summer break due to school and college closures. Even in smaller centres like Navada in Bihar, it managed decent collections on day 1. According to trade sources it might score Rs 9 crore on Saturday taking its two day total to Rs 16 crore. This surprise success forces the industry to reevaluate assumptions about theatrical windows and audience behavior. It clearly demonstrates that audiences are not rigid about the length of a theatrical run if the content justifies the outing. In fact, the film's success underscores the importance of strong storytelling and relevant themes over release strategies. Despite being pulled back just before release—a move that usually signals internal lack of confidence or market mismatch— Bhool Chuk Maaf managed to capture public interest and draw footfalls. Moreover, the film's success reignites the discussion around dynamic pricing, especially for medium-to-small budget films. Discounted or flexible pricing could be a viable strategy to attract audiences who might otherwise choose to wait for a digital release. With more viewers becoming cost-conscious and OTT platforms offering new content every week, the challenge for cinemas is to create compelling reasons for viewers to make the trip. Value-driven pricing, strategic release timing, and family-friendly themes could be the key drivers for such films. In the larger scheme of things, Bhool Chuk Maaf serves as a litmus test for the theatrical business post-pandemic. It demonstrates that with the right mix of content and strategy—even amid controversy—a film can not only survive but thrive. It challenges the binary view of 'theatre vs. OTT' and shows that the two can coexist if producers and exhibitors find middle ground. The industry must take note: audience behavior is evolving, and flexibility, not rigidity, will be the currency of success moving forward. Ultimately, Bhool Chuk Maaf is not just a film that defied box office expectations—it's a case study in navigating a fractured exhibition landscape. It validates that compelling cinema still draws crowds, even in the face of platform wars, pricing debates, and truncated windows. For now, it's a win for the theatrical model, for Maddock Films, and most importantly, for the audience who chose to show up.
