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Jennifer Lawrence's latest film ‘Die My Love' secures $24 million global distribution deal
Jennifer Lawrence's latest film ‘Die My Love' secures $24 million global distribution deal

Perth Now

time2 days ago

  • Entertainment
  • Perth Now

Jennifer Lawrence's latest film ‘Die My Love' secures $24 million global distribution deal

Jennifer Lawrence's latest film 'Die My Love' has secured a $24 million global distribution deal. It marks the largest acquisition at this year's Cannes film market, with the multi-territory agreement struck by streaming service Mubi and includes North American rights to the feature, which also stars Robert Pattinson. According to Variety, it was also brokered by 193, a new sales company launched by Legendary and headed by industry veteran Patrick Wachsberger. The company brought 'Die My Love', directed by Lynn Ramsey, to Cannes as part of its inaugural slate. It premiered in competition at the festival and in a statement about the distribution deal struck on the back of its showing at the festival, Patrick said: 'Securing global sales on four high-profile films, one of which having already had a successful premiere, affirms the strength of our storytelling and the trust our global partners have placed in us. This is a fantastic start for our company and a signal of the compelling projects we will continue to deliver.' Sales for 'Die My Love' extended far beyond the Mubi deal, with rights sold in the Baltics, Hong Kong, Indonesia, Israel, Japan, the Middle East, Mongolia, the Philippines, Poland, Portugal, Scandinavia and Serbia, Croatia and Montenegro, among other territories. Also included in 193's Cannes slate was 'Scandalous!', a biographical romance depicting the relationship between Kim Novak and Sammy Davis Jr. The film marks the directorial debut of Colman Domingo and stars Sydney Sweeney and David Jonsson. It sold to distributors in Australia, New Zealand, Greece, Spain, the U.K. and others. 'The Surgeon', written and directed by oncologist-turned-filmmaker Roshan Sethi and starring Michelle Yeoh, also found buyers across multiple territories. Roshan reunites with Patrick and producer Basil Iwanyk following their previous collaboration on 'John Wick'. Distribution deals were confirmed for Australia and New Zealand, Israel, South Africa and the Philippines. Finally, the reimagining of the cult classic 'The Toxic Avenger', a dark comedy starring Peter Dinklage, Kevin Bacon and Elijah Wood, was picked up in several major territories. These include Germany and Austria, Japan, Italy and Britain.

Neon, Mubi, A24: The Buyers That Won Cannes 2025
Neon, Mubi, A24: The Buyers That Won Cannes 2025

Forbes

time6 days ago

  • Entertainment
  • Forbes

Neon, Mubi, A24: The Buyers That Won Cannes 2025

Cannes Film Festival 2025 The Cannes Film Festival is officially over and last night's list of winners is already giving us an overview of the next awards season. While some movies are still looking for a home, the biggest titles of this year's edition such as Die My Love, Sentimental Value, Palme d'Or's winner It Was Just An Accident, Sirat or The Mastermind, quickly became the most coveted titles on the Croisette and inside the Marché du Film. Over the years, Neon has become an incredibly powerful buyer and the possibility that they might get their 6th Palme d'Or in a row became a reality last night, when It Was Just An Accident, directed by Jafar Panahi, was announced by the President of the Jury, Juliette Binoche. After Anora, Anatomy of a Fall, Triangle of Sadness, Titane and Parasite -movies that all led a major awards season- Panahi's film as well as Joachim Trier's Sentimental Value, which won the Grand Prix at Cannes last night, are already some of the strongest contenders that Neon just added to an already impressive track record. On top of these two films, Neon also acquired the rights to Oliver Laxe's Sirat, winner of the Jury Prize last night, Kleber Mendonça Filho's The Secret Agent, who won the Best Director award, Julia Ducournau's Alpha, Michael Angelo Covino's Splitsville and Raoul Peck's Orwell: 2+2=5. However, the first big sale that everyone was talking about on the Croisette last week came from Mubi, which acquired the rights to Lynn Ramsay's Die My Love, starring Jennifer Lawrence and Robert Pattinson for $24 million. These past few years, Mubi led a strong awards season by acquiring some big titles during the Cannes Film Festival, like Coralie Fargeat's The Substance last year, and Magnus Von Horn's The Girl with the Needle. This year, the distributor also acquired the rights to the Palme d'Or winner for the distribution in Latin America, U.K., Ireland, Germany, Austria, Turkey and India. Mubi will also distribute Sirat in Italy, Turkey and India. Another big buy from Mubi was last night's second winner of the Jury Prize -a tie with Sirat- The Sound of Falling directed by Mascha Schilinski. On top of that, Mubi also acquired The History of Sound, directed by Oliver Hermanus and starring Paul Mescal and Josh O'Connor, and Kelly Reichardt's The Mastermind, also starring O'Connor. For now, A24 will distribute Ari Aster's Eddington, Spike Lee's Highest to Lowest, and Harry Lighton's debut feature Pillion, starring Alexander Skarsgard and Harry Melling, which won Best Screenplay in the Un Certain Regard competition. This article will be updated as additional sales are announced.

Summer blockbuster season is here
Summer blockbuster season is here

The Verge

time6 days ago

  • Entertainment
  • The Verge

Summer blockbuster season is here

Hi, friends! Welcome to Installer No. 84, your guide to the best and Verge -iest stuff in the world. (If you're new here, welcome, so psyched you found us, and also you can read all the old editions at the Installer homepage.) This week, I've been reading about Mubi and Around The Horn and millennial tech, moving all my journals to Diarly, trying out Matt D'Avella's workout routine, catching up on Clarkson's Farm, wishing desperately that Philly Justice was a real show, watching a lot of Helper Cars with my toddler, testing the Sony WH-1000XM6 headphones, dusting off my Fortnite skills, and enjoying this unbelievably deep dive into the first Star Wars movie. I also have for you a new blockbuster movie, an old-new blockbuster mobile game, a new season of one of my all-time favorite shows, a cheap set-top box worth a look, and much more. Shockingly busy week! Let's dig in. (As always, the best part of Installer is your ideas and tips. What are you playing / reading / listening to / watching / plugging into things / poking with a stick this week? Tell me everything: installer@ And if you know someone else who might enjoy Installer, tell them to subscribe here. Subscribers get every issue in their inbox, for free, a day before it hits the website.) The Drop Fortnite for iOS. It's back! I kind of can't believe it! I fell off the Fortnite wagon pretty hard over the last year or so, but this and my Backbone Pro are going to be very good friends going forward. Zero Build only for me, though, at least on mobile. Mission: Impossible – The Final Reckoning. I am a forever fan of the M:I series, and as silly as I find the whole 'AI is the bad guy' bit, I have had a good time watching every single movie in this series. I'll be in a humungous theater for this one ASAP. Puzzmo for iOS. Puzzmo's web app is great, so I haven't exactly been thirsting for a better mobile experience. And, as far as I can tell, the mobile app is just exactly the same thing as the web app. But, hey, I like the icon, and I like any reason to play more Really Bad Chess. The Onn Google TV 4K Plus. 'A weirdly named, super-cheap set-top box from Walmart' is not a great pitch. But for $30, you're not beating this thing's combination of Google TV, Dolby Vision, and 4K. Onn stuff has been pretty good in the past, so I suspect this one will be pretty compelling. NotebookLM for mobile. The Android and iOS versions are both fine and both useful for the same reason: you can send stuff to your notebooks via the share sheet. If you're a fan of the podcast-y Audio Overviews, they're also a great thing to have on the go. Rick and Morty season 8. We haven't had a new season of my favorite unhinged animation sci-fi show in a year and a half, and I am so very excited to get back to some intergalactic and cross-universe shenanigans. I've been debating doing a full rewatch of the whole show and might just have to do it after this season. The Virtual Stream Deck. This is so clever: Elgato is turning its collection of smart buttons from a lineup of gadgets to a full-on platform that you can either build into other hardware or just run on a screen. I can't recommend it enough — spend some time programming all your repetitive computer tasks into a Stream Deck system. Monster Train 2. I love the structure of this game: a deck-building game that is endlessly repeatable but also complex enough that you never quite play the same game twice. I somehow missed the first game in the series entirely, and I'm going to have to give that a whirl, too. Strava routes. Strava's an Installerverse favorite, and it got a bunch of new features this week. But, for my money, the biggest upgrade is the routing system, which generates the best route between two points; I love a good 'map me the run to this donut shop' feature. Screen share In all the time I've been covering and paying attention to tech, there have been very few companies as bizarre and intriguing as OpenAI. The company is doing impressive, culture-shaking work, but it also seems to have an endless supply of weird internal drama and a total inability to figure out, like, what in the world it's doing. Karen Hao has been covering the company longer than almost anybody, and she has firsthand knowledge of a lot of OpenAI's twists and turns. This week, she published a terrific book, called Empire of AI: Dreams and Nightmares in Sam Altman's OpenAI, which is about the company's history and its future. But the book is more than that, too. It's a really good look at what AI is doing to us as people, to our societies and our planets, and to the brains of the people building what they hope will make them rich or gods — or both. I've been a fan of Karen's work for a long time, so I asked her to share her homescreen with us. I figured she'd either have, like, 30 AI apps or none at all, and I wanted to know. Here's her homescreen, plus some info on the apps she uses and why: The phone: iPhone XR. The wallpaper: It's usually a photo of me and my husband laughing hysterically at an inside joke at our wedding. But you'll just have to imagine it because we're really big on privacy. Enjoy this orange gradient instead. Orange is the color of creativity, of fire, of the sunrise and sunset, of beginnings and transition. The apps: Messages, Google Calendar, Photos, Camera, Clock, Apple Notes, Contacts, Settings, FaceTime, Calculator, Weather, Reminders, App Store, Gmail, Proton Mail, Phone, Brave. I have a very boring homescreen! I try not to use too many apps. When I set up a phone, the first thing I do is delete as many of the default apps as possible. But probably the two notable apps to call out: a couple years ago, I switched completely to the Brave browser, which is the lion icon at the bottom right of the screen. It's based on Chrome, so you can keep all your plug-ins, but it blocks sites from tracking you to serve you targeted ads. It's a simple way to not give up so much of your data and preserve your privacy. Highly recommended. The second: under my Audio folder, I have a guitar-tuning app, GuitarTuna, for the rare moments I fiddle with my guitar at home. Music was a big part of my childhood, but I haven't made nearly enough time for it as an adult. I keep the app on my homescreen as an aspiration to pick it back up more seriously. I also asked Karen to share a few things that she's into right now. Here's what she sent back: The Empire podcast, cohosted by historian William Dalrymple and Anita Anand. Wicked cast tour videos on YouTube (yes, I sing along to every song). Late-night comedy YouTube. Crowdsourced Here's what the Installer community is into this week. I want to know what you're into right now, as well! Email installer@ or message me on Signal — @davidpierce.11 — with your recommendations for anything and everything, and we'll feature some of our favorites here every week. For even more great recommendations, check out the replies to this post on Threads and this post on Bluesky. 'YouTube has recently radicalized me to digital minimalism and decentralized tech. What started as deleting ALL social media from my iPhone and relegating the apps to my iPad is now firmly in the realm of buying old iPods from eBay and repairing them with modern parts. I have some replacement parts on the way from Elite Obsolete Electronics and with what I know now I should soon have a functional 6th gen iPod Classic that I can install RockBox on. I also picked up the ToAuto DS90 Soldering Station with the hopes of installing the USB-C mod in the near future.' — Nicholas 'I know it was in last week's Installer but I got the Sony WH-1000XM6s and they're incredible. The 'background listening' feature is such a clever spin on spatial audio, it really does sound like it's coming from a distance!' — Jamie 'What if you could add any plain old QR Code/barcode card to your Apple Wallet? Lucky for you, the greatest minds of our time have come together to solve this inconvenience. Try IntoWallet and get as blown away as I was when it just worked (also the level of customization and the price are great!).' — Teo 'I've REALLY enjoyed the Revelation Space series by Alastair Reynolds. For lovers of hard sci-fi space operas this is for you. Engaging, dark, wild ideas and concepts, plenty of real and imagined science and physics all weaved into interesting stories.' — Tyler 'I've personally managed to seriously build my meditation practice in the last two years using both Happier and Calm. I especially enjoy the meditations by teacher Jeff Warren, who strikes the right balance with his light and playful tone.' — Jeroen 'I've had the Casper Glow lamp since 2019 and it's still going strong! Love the interaction, twisting it and flipping it to control the light, and I even helped sell two (unsponsored) to an old roommate when he moved to his own place.' — SingYu 'Post Andor I've been reading through Star Wars: The Rise and Fall of the Galactic Empire.' — Allen 'Setup is (90%) finished! Rocking a Teenage Engineering case, HP G4 Dock, UGREEN USB Switcher, and a $60 standing desk from Facebook Marketplace.' — Jeremy Signing off The big Installer -y news of the week is that Mozilla is shutting down Pocket. Which, well, sucks. Pocket was a good and popular app that did good and useful things! I heard from a bunch of you who are now looking for a place to go post-Pocket. I only really have three recommendations: Instapaper: the OG of the read-later world and still the simplest and most straightforward app you'll find for the purpose. Brian, the developer, is good people, and I have high hopes for the longevity of the app. Matter: it's only for iOS and web, but it's the best-looking app in this space, and it's not even close. They're doing some nifty stuff with AI-enhanced reading, too. Readwise Reader: the power-user tool of choice, and my favorite of the bunch. It just has so many organizational features, great highlighting, and tons of integrations. It just does everything I need. It's also way too much for most people. I suppose I should give Wallabag an honorable mention, because you can host it yourself, but it's a much more involved project. If I were just moving over from Pocket and just wanted a nice place to read without a long list of other feature requests, I'd start with Instapaper. But all three are solid options, and they all make it pretty painless to import your old articles. Or just delete them all, start over, and feel the rare freedom of an almost-empty reading list. It's pretty nice.

American Pavilion Announces Full Programming Schedule for Cannes 2025
American Pavilion Announces Full Programming Schedule for Cannes 2025

Yahoo

time7 days ago

  • Entertainment
  • Yahoo

American Pavilion Announces Full Programming Schedule for Cannes 2025

The 2025 Cannes Film Festival gets underway this week, which means that the world's biggest filmmakers will be descending upon the Croisette to debut their latest works. It also means that the American Pavilion (AmPav) is rolling out a predictably robust lineup of educational programming aimed at providing an inside look at the film industry to students and seasoned veterans alike. Taking place at the Roger Ebert Conference Center from May 14-22, AmPav's series of conversations and panels will see the likes of Spike Lee, Michael Angelo Covino, and Vicky Krieps sitting down to share their words of wisdom with festival attendees. There will also be specialty programming such as California Day, a series of panels aimed at promoting film production in California; and House Party, a two-day summit aimed at elevating global perspectives in film. More from IndieWire With 'Left-Handed Girl,' Sean Baker's Longtime Producer Shih-Ching Tsou Is Ready 'to Come Back to the Director's Seat' Horror Movie Legend Veronica Cartwright Returns to Her Hitchcockian Roots with 'The Ruse' IndieWire will also debut its inaugural Future of Filmmaking Summit at AmPav, which will feature a keynote address by Richard Linklater, a a one-on-one conversation with Mubi head of global distribution Arianna Bocco, and panels about the future of international production and AI. 'We're excited to welcome such an extraordinary group of filmmakers, talent, and industry leaders to The American Pavilion,' AmPav founder and president Julie Sisk said in a statement. 'From icons like Spike Lee and Richard Linklater to visionary voices shaping the future of film, these conversations offer our members, students, and Emerging Filmmaker Showcase entrants a rare opportunity to engage with the people pushing cinema forward.' All events require both a festival pass and AmPav membership to attend. The full programming schedule, which remains subject to changes and additions, can be found below. WEDNESDAY, MAY 14 11:00 AM INDUSTRY IN FOCUS: PR PROS As the media landscape shifts, so does the art of film publicity. Seasoned publicists pull back the curtain on how they craft narratives, build buzz, and navigate press strategy, offering candid insight into a side of filmmaking that's as crucial as it is often misunderstood. Emma Griffiths / President / EG PR RJ Millard / President / Obscured Pictures Hilda Somarriba / Vice President / 42West Moderated by Sylvia Desrochers / EVP / MPRM Communications 1:00PM INDUSTRY IN FOCUS: MARKETING MAGICIANS In a shifting film landscape, smart marketing is essential. Industry experts share key strategies—from festival positioning and theatrical rollouts to digital campaigns and grassroots outreach—that can shape a film's success from start to finish. Karina Gechtman / VP International Marketing & Publicity / Anton Kenny Gravillis / Chief Creative Director / Gravillis Inc Julie La'Bassiere / Chief Strategy Officer / DDA Mounia Wissinger / SVP Global Marketing & Publicity / Protagonist Pictures Moderated by Stewart Clarke / SVP, Content, International / Deadline 6:00 PM Open to all American Pavilion members Presented by Savannah College of Art and Design (SCAD) THURSDAY, MAY 15 CALIFORNIA DAY AT THE AMERICAN PAVILION11:45 AM INDIEWIRE: FUTURE OF FILMMAKING The Future of International Distribution: MUBI in FocusComing off a successful year that began with the launch of 'The Substance' at the Cannes Film Festival, MUBI is riding high as the most promising international streaming entity with a global cinephile reach. The company recently hired veteran distribution executive Arianna Bocco, who ran acquisitions at IFC Films for nearly 20 years, as its SVP of Global Distribution. Bocco will share her insights on the increasing value of international territories in distribution strategy and how the landscape has changed. Arianna Bocco / SVP of Global Distribution / MUBI Moderated by Anne Thompson / Indiewire 12:30 PM FILMING IN CALIFORNIA – THE OPPORTUNITIES AND THE MISCONCEPTIONSThis conversation will unpack persistent myths about filming in California, while spotlighting success stories and underutilized opportunities throughout the state. Panelists will offer insights into California's robust incentives, infrastructure, and creative ecosystem—underscoring why it remains a premier destination for film and television production. Colleen Bell / Executive Director / California Film Commission Jeff Morris, Chief Marketing Officer, West Hollywood Travel + Tourism Board Janet Zaldua, CEO, Marina Del Rey Tourism Board Robert Bibeault, Chief Marketing Officer, Beverly Hills Conference & Visitors Bureau Michal Zebede / Writer, Producer, Director Moderated by Dana Harris / Editor-In-Chief / Indiewire 2:00 PM FILMMAKING ACROSS DECADES – INSIGHTS FROM SEASONED STORYTELLERSA conversation with experienced producers and filmmakers reflecting on their careers, lessons learned, and the evolving landscape of film production. Panelists will also share their perspectives on shooting in California and the value of sustaining a vibrant production community in the state. Jon Kilik / Independent Feature Film Producer Jonathan King / President / Closer Media Ray Maiello / Co-Founder / Radiant Media Studios Moderated by Aaron Couch / The Hollywood Reporter 6:00 PM Open to all American Pavilion members FRIDAY, MAY 16 11:00 AM INDIEWIRE: FUTURE OF FILMMAKING The Future of International ProductionAs production faces increasing budgetary challenges in the U.S., more and more projects are migrating abroad. We will hear from veteran producers and financiers about how to navigate the opportunities and challenges of international co-productions. Emily Korteweg / Producer / Splitsville Andrew Hevia / Head of North American Production / Fabula Caroline von Kuhn / Executive Director / Oxbelly Moderated by Dana Harris / Indiewire 12:30 PM INDUSTRY IN FOCUS: INDEPENDENT FILM FINANCE From tried-and-true methods to emerging models, industry leaders share what's working now, the challenges they're navigating, and new approaches shaping the future of film financing. Jonathan Bross / Managing Partner / Ashland Hill Media Finance Lia Buman / Principal, Co-Founder / Tango Grégoire Gensollen / COO / Tucker Tooley Entertainment Marc Iserlis / Head of Film / Republic James Pugh / Chief Operations Officer / Protagonist Pictures Moderated by Harris Tulchin / Producer, Attorney, Author / Harris Tulchin & Associates 2:00 PM INDUSTRY IN FOCUS: U.S. DISTRIBUTION Explore the evolving distribution landscape for independent films in the U.S.—from traditional theatrical releases to digital platforms, hybrid models, and new kinds of partnerships. Industry experts share what's working, how they've adapted, and how they're preparing for an unpredictable future. Howard Cohen / Co-President / Roadside Attractions Dr. Alicia Kozma / Director, Indiana University Cinema / Board of Directors, Art House Convergence Lisa Schwartz / Chief Distribution and Revenue Officer / Kino Lorber Scott Shooman / Head of IFC Entertainment Group Moderator TBA 4:00 PM WARTIME UKRAINIAN CINEMA, PROSPECTS AND CHALLENGES Presented in Partnership With the Ukrainian Pavilion This event will feature presentations, video materials, and discussions with Ukrainian and international film experts. Topics will include wartime co-productions, distribution analytics, institutional support, and the challenges of filming under fire. Speakers will share real-life experiences, present new projects, and explore opportunities for collaboration to support and promote Ukrainian cinema during the ongoing war. Enrico Vanucci / Deputy Head / Euroimage Fund Andriy Nohin / Head of NGO 'UKRKINOFEST' / CEO UnitedContentHUB Michel Plazanet / Deputy director of European and international affairs / CNC Pylyp Illienko / Chairman / Ukrainian Film Academy Akhtem Seitablaiev / Director, Producer, Actor, and Serviceman (AFU) Moderated by Andriy Khalpakhchi / President / Kyiv International Film Festival 'Molodist' 4:00 PM SNEAK PEEK OF:HANGING BY A WIRE — HOSTED BY EVERWONDER STUDIO & MINDHOUSE, AMERICAN PAVILION TERRACE Exclusive preview of 'Hanging By A Wire,' from acclaimed director Mohammed Ali Naqvi. This cinematic thrill ride tells the story of a daring rescue that captivated the world. Mo will share the behind-the-scenes process of transforming a real-life survival story into an edge-of-your-seat experience. SATURDAY, MAY 17 11:00 AM INDUSTRY IN FOCUS: BUILD YOUR AUDIENCE, OWN YOUR FUTURE As the independent film landscape evolves, more filmmakers are finding that taking charge of their audience engagement, and often their own distribution, is key to long-term success. This conversation explores real-world strategies for connecting with viewers and building a sustainable career in today's industry. Ted Hope / Producer / Double Hope Films Lela Meadow-Conner / CEO mamafilm / Co-Founder, The Popcorn List / President, Art House Convergence Richa Rudola / Filmmaker, Cow Heavy And Floral / Co-Founder, Meals About Motherhood Moderated by Sylvia Desrochers / EVP / MPRM Communications 12:30 PM INDUSTRY IN FOCUS: DOCUMENTARIES This annual conversation brings together acclaimed filmmakers and industry leaders to examine the current state of documentary storytelling—how these vital films are being developed, financed, and distributed, and how audiences are engaging with them in an increasingly uncertain landscape. Vanessa Hope / Director, Producer / Double Hope Films Jon Kamen / Chairman, CEO / RadicalMedia Catherine Quantsschnigg / Producer, Sales / Noah Media Group Joe Tufano / VP of Distribution / Submarine Entertainment Moderated by Matt Carey / Documentary Editor / Deadline, Doc Talk Podcast 1:30 PM INDUSTRY IN FOCUS: DEVELOPMENT TO PRODUCTION From first pitch to festival premiere, the path from development to production is anything but linear. In this candid conversation, seasoned producers and executives share how they build a slate, choose the right projects, and navigate the creative and strategic challenges of getting films made—and made well. Steven Adams / Manager, Producer / Alta Global Media Kara Durrett / President & Head of Film / Pinky Promise Ryan Heller / EVP Film & Documentary / Topic Studios Lizzie Shapiro / Producer at The Space Program Moderated by Mia Galuppo / The Hollywood Reporter 2:30 PM INDIEWIRE: FUTURE OF FILMMAKING Keynote Chat: Richard LinklaterModerated by Eric Kohn / Indiewire 3:30 PM HOUSE PARTY: GOLD HOUSE Fireside Chat: Lloyd Lee Choi & Nina Yang Bongiovi ​​A fireside chat about independent film, first-time feature directing, and producing projects with unique perspectives with Cannes 2025 Directors' Fortnight filmand producer Introduction by Christine Yi / VP / Gold House SUNDAY, MAY 18 11:00 AM INDIEWIRE: FUTURE OF FILMMAKING How to Survive and Thrive in the Age of AIThe acceleration of artificial intelligence in recent years has led to rampant fears across the entertainment industry, some more founded than others. However, AI isn't going away – and its progress relates to broader changes to the future of storytelling as a whole. On this panel, we'll hear from creatives and executives about how to make the most of a new era defined by dramatic technological change. Edward Saatchi / Founder and CEO / Fable Studios Kiira Benzing / Founder / Double Eye Studios Seth Piezas / NVIDIA/Prezense Liz Rosenthal / Venice Immersive Luc Jacquet / Filmmaker/CannesXR Jury President Paul Trillo / Partner / Asteria Film Co. Moderated by Eric Kohn / Indiewire 12:30 PM HOUSE PARTY: ARAB FILM & MEDIA INSTITUTE AFMI Presents Women Leading Change Through Storytelling Celebrate the contributions of trailblazing women filmmakers who boldly champion global voices through their dynamic work. Our panelists will share the barriers they have overcome, how they challenged industry norms, and what it takes to open doors for future generations of storytellers. Cherien Dabis / Director, Actress, and Screenwriter Nia DaCosta / Director and Screenwriter Iman Zawahry / Director / Film Programs Director at ISF Moderated by Hanna Flint / Film critic, Writer, and Author 2:00 PM HOUSE PARTY: THE IMPACT LOUNGE Reaching the Right Eyes: Finding and Growing Audiences for Impact Films How do you connect a meaningful film to the right audience? This panel explores innovative strategies—social media campaigns, membership guilds, direct-to-theater tech, and global platforms—that are reshaping impact film distribution. Learn from industry leaders how to build buzz and reach the people who want to see your film most. Jared Geesey / Chief Distribution Officer / Angel Studios Justine Barda / Founder and Director / Telescope Film Selina Ringel / Filmmaker and Actor / Two Hands Productions Owen Williams / Producer and Founder / Harpoon Media Moderated by Heather Mason / Founder / The Impact Lounge 3:00 PM IN CONVERSATION: MICHAEL ANGELO COVINO Acclaimed filmmaker Michael Angelo Covino joins us for an intimate conversation about his journey from indie shorts to Cannes success with 2019's 'The Climb' and this year's 'Splitsville.' From directing and acting to producing, we'll discuss his collaborative creative process and the bold, emotionally honest storytelling that defines his work. Moderated by Eric Kohn 4:00 PM HOUSE PARTY: EASTERSEALS Reimagining Hollywood: A New Lens on Disability A deep dive into the state of disability inclusion in entertainment—progress, wins, and the path ahead—focused on advancing authentic representation on and off screen. A collaborative effort between industry and community driving inclusive change. Nic Novicki / Actor, writer, producer / Founder of the Easterseals Disability Film Challenge Nancy Weintraub / Chief Advancement Officer / Easterseals Southern California Moderated by Keith Simanton / Managing Editor / IMDbPro MONDAY, MAY 19 11:00 AM HOUSE PARTY: GLOBAL STORYTELLING Stories grounded in cultural and geographic specificity often have the widest reach. This conversation explores how filmmakers create work that resonates globally by embracing their roots, along with the creative potential and challenges of telling culturally nuanced stories across borders. Ṣọpẹ́ Dìrísù / Actor / My Father's Shadow, Cannes Film Festival, Official Selection Richard Lorber / Chairman / Kino Lorber Fawzia Mirza / Writer, Director / The Queen of My Dreams Frida Torresblanco / Producer / Hangtime Pictures Moderated by Nancy Tartaglione / Deadline 12:30 PM HOUSE PARTY: WHY THESE STORIES MATTER – REPRESENTATION IN HOLLYWOOD Authentic, inclusive storytelling remains essential. This conversation looks at why representation in Hollywood still matters, the progress made, the challenges ahead, and how industry leaders can help shape a more equitable narrative landscape. Andria Wilson Mirza / Senior Consultant, Entertainment / GLAAD Heather Rae / Producer / Mountain Daughter Media Daphne Schmon / Founder & Executive Director / Breaking Through the Lens Moderator TBA 2:00 PM IN CONVERSATION: VICKY KRIEPS Acclaimed actress Vicky Krieps (Phantom Thread, Corsage) joins us to discuss her latest role in 'Love Me Tender,' premiering at Cannes 2025. Known for her nuanced performances and fearless role choices, Krieps will share insights into her artistic journey, the challenges of portraying complex characters, and her approach to storytelling across diverse cinematic landscapes. 6:00 PM Open to all American Pavilion members TUESDAY, MAY 20 12:00 PM INDIEWIRE'S 'SCREEN TALK' PODCAST IndieWire's weekly Screen Talk podcast has delved into the biggest questions facing the film industry for years. For this special live episode, join Screen Talk hosts Anne Thompson and Ryan Lattanzio,along with special guest NEON's CEO Tom Quinn, for a spirited discussion about festival buzz, awards season, and the future of cinema itself. Anne Thompson / IndieWire Ryan Lattanzio / IndieWire Tom Quinn / CEO / NEON 1:00 PM IN CONVERSATION: SPIKE LEE Join legendary filmmaker Spike Lee for a candid conversation about his storied career and 'Highest 2 Lowest,' his bold new film from A24 and Apple Original Films premiering at Cannes 2025. Moderated by Darrien Michele Gipson / Executive Director / SAGindie EMERGING FILMMAKER SHOWCASE 3:30-6:00 PM – LGBTQ+ Screenings Presented by Gold House 9:00 PM–1:00 AM Queer NightAn LGBTQ+ dance party open to all Festival and Marché badge holders WEDNESDAY, MAY 21 11:00 AM INDUSTRY IN FOCUS: SHORT FILMS Short films play a vital role in the film ecosystem—as creative calling cards, festival breakouts, and platforms for bold ideas. This conversation looks at how shorts can launch careers, build momentum, and offer unique opportunities for experimentation and storytelling. Joecar Hanna / Filmmaker, Talk Me / La Cinef, Cannes FF Sandra Lipski / Founder and Festival Director / Evolution Mallorca International Film Festival Joanne Moore, J.D. / Dean of the School of Film & Television / Loyola Marymount University Kaitlyn Mikayla / Filmmaker, Ragamuffin / Sundance Film Festival Moderated by Scott Macaulay / Co-Founder, Editor-In-Chief / Filmmaker Magazine 1:00 PM INDIEWIRE CRITICS' PANEL Join IndieWire's Chief Film Critic David Ehrlich and a panel of leading international film critics for a no-holds-barred conversation about the best and worst of Cannes 2025, the state of the film industry at large, and the realities of writing about it for a living. The conversation will be followed by an audience Q&A session. David Ehrlich / IndieWire Guilherme Jacobs / Omelete Robert Daniels / Sophie Monks Kaufman / Freelance EMERGING FILMMAKER SHOWCASE 3:00 PM-5:30 PM – Emerging Filmmaker Student ScreeningsPresented by Gold House 5:30 PM-7:30 PM Emerging Filmmaker Screenings Presented by Gold House Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now

Mubi Buys Jafar Panahi's ‘It Was Just an Accident' for Multiple Territories Including U.K. (EXCLUSIVE)
Mubi Buys Jafar Panahi's ‘It Was Just an Accident' for Multiple Territories Including U.K. (EXCLUSIVE)

Yahoo

time24-05-2025

  • Entertainment
  • Yahoo

Mubi Buys Jafar Panahi's ‘It Was Just an Accident' for Multiple Territories Including U.K. (EXCLUSIVE)

Further pursuing its acquisition spree at the Cannes Film Festival, Mubi has acquired Jafar Panahi's 'It Was Just an Accident' for multiple international territories. The expanding indie streamer, distributor, and producer has taken the latest film by the revered Iranian auteur for Latin America, U.K., Ireland, Germany, Austria, Turkey and India. More from Variety Lu Chuan on U.S.-China Tensions, New Projects 'Puffer Fish Girl' and 'You Are My Daughter,' Plus 'Qinghai-Tibet Plateau Wildlife Park' Doc (EXCLUSIVE) Iranian Director Saeed Roustayee on Making 'Woman and Child' With a Government Permit and Hijabs: I Wouldn't 'Have Been Able to Make a Film of This Scale Underground' Elle Fanning Declares 'Joachim Trier Summer' at Cannes Amid 'Sentimental Value' Raves, Says She's 'Grown in My Autonomy and Speaking Up' as an Actor The deal was negotiated between Muba and MK2 Films, who are handling international sales. The movie's premiere in competition at Cannes marked the Iranian auteur's big comeback to the festival after being released from prison and seven years after 'Three Faces.' It was greeted with a long standing ovation. After the roaring applause died down, Panahi made an emotional speech in which he paid homage to the filmmakers who are currently imprisoned in Iran, saying he felt some guilt upon being released from prison. 'I turned around and saw a very high wall. And behind this wall, all these other loved ones, all these people remained behind this wall,' he said. 'So I wondered how I could be happy, how I could feel free, if they were still inside.' 'It Was Just an Accident' centers around an outpouring of strong feelings by a group of former prisoners toward a torturous guard. 'When you spend eight hours a day blindfolded, seated in front of a wall, being interrogated by someone standing behind your back every day, you can't stop wondering what kind of conversation you can have with this man,' Panahi told Variety in one of his first interviews following his 14-year ban on making movies, speaking to the press and traveling. 'Arrested multiple times for so-called propaganda and locked up on two occasions (released only after he went on hunger strike), Panahi can't help making art, emerging fired up and ready to fight back' Variety critic Peter Debruge noted in his positive review. Panahi is is considered one of his country's greatest living film masters. In 2010, the auteur — known globally for prizewinning works such as 'The Circle,' 'Offside,' 'This is Not a Film,' 'Taxi' and most recently 'No Bears' — was banned from making movies, speaking to the press and traveling, though he surreptitiously kept making them anyway. The ban was lifted in April 2023, and now Iranian authorities allowed him to travel to Cannes to launch 'It Was Just an Accident.' Best of Variety All the Godzilla Movies Ranked Final Oscar Predictions: International Feature – United Kingdom to Win Its First Statuette With 'The Zone of Interest' 'Game of Thrones' Filming Locations in Northern Ireland to Open as Tourist Attractions

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