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Yahoo
6 days ago
- Entertainment
- Yahoo
Tom Cruise to Be Celebrated at MoMI with ‘Above and Beyond' Retrospective Festival
Patron saint of theaters Tom Cruise will be at the center of a well-deserved retrospective at the Museum of the Moving Image (MoMI). IndieWire can announce that starting June 20, 22 of Cruise's most iconic films will screen at the museum. Titled 'Tom Cruise, Above and Beyond,' the retrospective festival will 'capture the full range of Cruise's charismatic star performances from the 1980s to present,' as the description teases. 'Tom Cruise has been so central to our conception of Hollywood for so many decades that he's more than a movie star — he encourages us to ask: what is it that makes a movie star? Cruise's entire captivating career speaks to his legacy as a singular movie star, and all the contradictions— of mystery and emotional transparency, of relatability and untouchability, of strength and vulnerability— that entails.' From '80s classics such as 'Risky Business,' 'Top Gun,' 'Cocktail,' and 'The Color of Money' to '90s genre benders like 'The Firm,' 'Jerry Maguire,' and 'Interview with the Vampire,' and auteur works 'Eyes Wide Shut' and 'Magnolia' — not to mention Cruise's Oscar-nominated turn in 'Born on the Fourth of July' — Cruise's career is legendary. Festival highlights further include Ridley Scott's 'Legend,' Francis Ford Coppola's 'The Outsiders,' Barry Levinson's 'Rain Man,' Michael Mann's 'Collateral,' and Rob Reiner's 'A Few Good Men.' Both 'Top Gun' and 'Top Gun: Maverick' will screen, as well as 'Tropic Thunder;' Cruise has teased more respective franchise installments for both. More from IndieWire Cannes 2025 Films Sold So Far: Janus Films Acquires Hlynur Pálmason's 'The Love That Remains' Ana de Armas 'Hated' Singing in Ron Howard's 'Eden': 'I Would Rather Do 100 Stunts' The 'Tom Cruise, Above and Beyond' festival concludes August 17. But that's not all the Cruise programming this summer: The king of blockbusters will be back on the MoMI big screen for the annual 'See It Big: 70mm!' festival at the museum. Both 'Edge of Tomorrow' and 'Top Gun: Maverick' will be presented in 70mm. The weekly 'Summer Saturdays with Dolby Atmos,' presented by MUBI, additionally will showcase 'Top Gun.' Cruise's 'Mission: Impossible' franchise will also be celebrated with the 'Mission: Impossible — Story and Spectacle' exhibition; Cruise is both the producer and star of the film franchise, which concludes with 'Mission: Impossible – The Final Reckoning.' While Cruise's 'Mission: Impossible' career may be over (or, at least for now), the actor turned stuntman told The Hollywood Reporter that he has no plans to ever retire. 'I will never stop. I will never stop doing action, I will never stop doing drama, comedy films — I'm excited,' Cruise said when asked about his former statement that like Harrison Ford, he will keep acting into his 80s. Cruise also had one amendment: 'I actually said I'm going to make movies into my 80s; actually, I'm going to make them into my 100s.' He added, 'There's been so many levels of reward with the filmmakers that I've collaborated with, the crews, the people, the cultures that we've worked in. Everything that I've learned and continue to learn about storytelling, about life, about leadership, about character and every aspect of filmmaking. It's been exceptional, it really is exceptional. I feel very fortunate to be able to make the films that I make and I love it. I love just making movies.' Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
Los Angeles Times
14-05-2025
- Entertainment
- Los Angeles Times
30 must-read books for summer
Nothing says 'summer's here!' than reading near a body of water. And what qualifies as a beach read has evolved to include more than romances and thrillers. From histories on New York's 1960s art scene and the making of the film 'Sunset Boulevard' to biographies on James Baldwin, Clint Eastwood and Bruce Lee, to gripping memoirs from Miriam Toews and Molly Jong-Fast, there's something from every nonfiction genre. Meanwhile, our fiction picks include books with alternate timelines, ones that blur the boundaries between what's imagined and what's real and multiple dark academia novels. Here are 30 upcoming books — publishing between late May and September — recommended by regular Times critics. Everything Is Now: The 1960s New York Avant-Garde — Primal Happenings, Underground Movies, Radical Pop By J. HobermanVerso: 464 pages, $35(May 27) Hoberman, a veteran culture critic, takes an in-depth look at the '60s New York arts scene — including Beat poets, experimental filmmakers and guerrilla theater — and how its rebel spirit spread throughout the country and the world. The book is also a reminder of a time when art truly mattered and definitively shaped the culture at large in New York and beyond. — Chris Vognar Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness By Michael KoreskyBloomsbury: 320 pages, $30(June 3) Koresky, senior curator of film at New York's Museum of the Moving Image, brings his deep knowledge of Hays Code-era (1934-1968) cinema to this celebration of queer film culture. In setting out to erase gays and lesbians from screens, the Code only encouraged creators and performers to get creative in making their movies. In this reading delight, Koresky highlights the work and stories of those whose resistance kept queer filmmaking alive. — Lorraine Berry Flashlight By Susan ChoiFarrar, Straus & Giroux: 464 pages, $30(June 3) Choi's 2019 novel, 'Trust Exercise,' combined the messy, familiar territory of a high-school drama class with a first-person flashback forcing a #MeToo reckoning. 'Flashlight,' her new book, grew from a 2020 short story in the New Yorker, and shares that deliberate pruning. 'How much can you leave out?' Choi has said of the story, and her restraint makes this book about 10-year-old Louisa, who is found half-dead on a beach, and her missing father. What follows takes Louisa on a journey to untangle a lifetime of shifting identities affected by shifting borders in Asia and the United States. — Bethanne Patrick Meet Me at the Crossroads By Megan GiddingsAmistad: 320 pages, $29(June 3) Giddings deserves a wider reading audience: Her previous two novels have been lauded by critics for their combination of magical realism and modern social and political reality. Ayanna and Olivia are teenage twin sisters whose lives are changed by a mysterious worldwide event. Seven doors open, beckoning those who believe a better world exists through the portal. Giddings interrogates the meaning of faith in a heady novel about love and family. — L.B. The Sisterhood of Ravensbrück: How an Intrepid Band of Frenchwomen Resisted the Nazis in Hitler's All-Female Concentration Camp By Lynne OlsonRandom House: 384 pages, $35(June 3) Olson's book may be the most important history released this summer. Ravensbrück, located 50 miles north of Berlin, was a concentration camp built for women, where as many as 40,000 perished before the war's end. Among its prisoners were members of the French Resistance. At the camp, they refused to work and considered themselves guerrillas whose purpose was to sabotage Nazi efficiency. Their efforts continued after liberation. Olson's history of these women is a shot of inspiration for those resisting current fascism. — L.B. How to Lose Your Mother By Molly Jong-FastViking: 256 pages, $28(June 3) Jong-Fast's mother is writer Erica Jong, author of 'Fear of Flying' and many other novels and books of poetry. In 2023, Erica was diagnosed with dementia, and Molly suddenly realized that the clock was ticking; she had better get to know her remote mother before she truly disappeared. Already the author of several other memoirs, 'How to Lose Your Mother' is sure to be a revealing read on what it's like to be the daughter of a famous writer, and a writer yourself, and more importantly, what it's like to lose someone while they're still technically here. — Jessica Ferri So Far Gone By Jess WalterHarper: 272 pages, $30(June 10) We Americans love our literary losers, and who better to give us the latest version of a recluse with a heart of gold than Walter? The author of 'Beautiful Ruins' and 'The Cold Millions' deploys wry yet empathetic humor to create Rhys Kinnick, onetime journalist and current cabin dweller, who loathes the internet-obsessed world. But when Rhys discovers his beloved grandchildren are in the hands of a modern-day militia, he enlists his hostile best friend and his reluctant ex-girlfriend to help him rescue the kids. It's a gleeful, kooky and tender homage to Charles Portis' 'True Grit' with echoes of Tom Robbins and yes, Elinor Lipman too. — B.P. King of Ashes By S. A. CosbyFlatiron: 352 pages, $29(June 10) Cosby is a gifted novelist whose passionate writing about the modern South has garnered him much critical praise and the admiration of President Obama. His flawed heroes fight for the right things while living on the land soaked in the blood of the enslaved. In 'King of Ashes,' Cosby presents readers with another complex Black man, Roman Carruthers, who returns home to chaos and must put things right. A criminal gang's threats to his family sets Roman on a trail into a wilderness of betrayal and heartbreak. — L.B. The Scrapbook By Heather ClarkPantheon: 256 pages, $28(June 17) Clark, whose brilliant biography of Sylvia Plath, 'Red Comet,' was a Pulitzer finalist, uses her first novel to explore a highly literary and highly troubled relationship. Narrator Anna, fresh out of Harvard in the '90s, is falling hard for a young German man, Christoph. Questions linger, though: How much of her heart should she give to him? How anxious should she, as a Jew, be about dating a German man whose grandfather served in the Wehrmacht? The book is at once a rich historical novel and a philosophical study of how much influence past generations have on our affections. — Mark Athitakis The Möbius Book By Catherine Lacey Farrar, Straus & Giroux: 240 pages, $27(June 17) Lacey is always doing something mysterious with form, and I loved her previous books, 'The Book of X,' and especially, 'Pew.' Her latest novel is split down the middle, making it impossible to decide which half to begin with. Blending truth and fiction, the reader is in good hands no matter Lacey's subject. — J.F. Ecstasy By Ivy PochodaG.P. Putnam's Sons: 224 pages, $28(June 17) Did you watch 'Kaos,' the short-lived Netflix series from Charlie Covell that starred Jeff Goldblum as Zeus and Debi Mazar as Medusa? If not, I highly recommend it; if so, you'll be predispositioned to love L.A. Times Book Prize winner Ivy Pochoda's 'Ecstasy,' a departure from her previous writing mainly in terms of source material. While still set in 21st-century America, this one is based on Euripides' 'The Bacchae' — well, the one he might have written as a brilliant, fiercely feminist provocateur. Protagonist Lena escapes patriarchal entrapment by joining forces with a close friend, Hedy, and fleeing to a beachside encampment of 'feral' women. As delicious as Zeus' home-brewed nectar. — B.P. Memories That Smell Like Gasoline By David WojnarowiczNightboat Books(June 24) Nightboat Books is an extremely important publisher, and it crowdfunded the publication of this book by artist Wojnarowicz, who died in 1992. 'Memories That Smell like Gasoline' is a hybrid book of art and text that reflects Wojnarowicz's experience of the AIDS epidemic. I can't get enough of his work. Like 'Dear Jean Pierre,' published by Primary Information, I'm so glad that independent publishers are here to make sure Wojnarowicz's work, which feels like it could've been written yesterday, is never forgotten. — J.F. El Dorado Drive By Megan AbbottG.P. Putnam's Sons: 368 pages, $30(June 24) Abbott + women + pyramid scheme = winner, winner, chicken dinner. I'm using that Midwestern catchphrase because Detroit is where we find the three Bishop sisters, whose auto industry-generated family fortune has ground to a halt along with many of the region's assembly lines. Pam Bishop persuades siblings Harper and Debra to join the Wheel, a multilevel marketing scheme targeting women looking to get rich quick. As in many of Abbott's previous books, including 'Give Me Your Hand' and 'The Turnout,' tension ratchets up in direct proportion to the rules and secrecy involved in the group. Eventually, a murder puts things in high gear, and like the sisters, readers will need to ask how much is too much. — B.P. Clint: The Man and the Movies By Shawn LevyMariner Books: 560 pages, $38(July 1) Levy, whose previous book subjects include Fellini's 'La Dolce Vita' and Jerry Lewis, aims for a middle ground between previous Clint Eastwood biographers Richard Schickel (who heaped praise on the star) and Patrick McGilligan (who heaped scorn). Focusing largely on the work, which Eastwood continues as a director at age 94, Levy also explores the personas the subject has cultivated over the years, from tough guy to auteur. — C.V. Archive of Unknown Universes By Ruben Reyes Books: (July 1) El Salvador's prisons are being used as gulags by the current administration. In the 1980s, the United States played a horrific role in the country's brutal civil war. In this beautiful novel, Reyes, the son of two Salvadoran immigrants, crafts a love story that combines science fiction and history. Young lovers Ana and Luis travel back in time from 2018 to 1978 Havana. There, Neto and Rafael — revolutionaries and lovers — are separated by the Salvadoran conflict. Their fate as secret lovers and the outcome of the war hinge on what Ana and Luis will find. — L.B. Killing Stella By Marlen Haushofer New Directions: 80 pages, $15(July 1) Haushofer's 1963 novel, 'The Wall,' was reissued by New Directions in 2022 with an afterword by Claire-Louise Bennett. The book is one of the most disturbing novels I've ever read, and when New Directions announced it would be reissuing Haushofer's novella 'Killing Stella,' I promptly sat down in the park with the advance copy and read the whole thing. (Don't worry, it's slim at 80 pages). Though it's a breakneck confession rather than the slow-burn genius of 'The Wall,' 'Killing Stella' is a deeply unsettling book that asks us to look at our own complicity in violence against women. — J.F. The Strangers: Five Extraordinary Black Men and the Worlds That Made Them By Ekow EshunHarper: 400 pages, $35(July 8) In examining the lives of five men — Malcolm X, Frantz Fanon, Matthew Henson, Ira Aldridge and Justin Fashanu — Eshun, a British writer, curator and broadcaster, explores Black masculinity in the context of history: how it gets made and who gets to write and tell it. The topic seems particularly relevant right now as the U.S. government embarks on a misguided quest to erase Black history in the name of fighting DEI. — C.V. The Dance and the Fire Daniel Saldaña ParisCatapult: 256 pages, $27(July 27) As raging fires threaten Cuernavaca, Mexico, a young woman choreographs a dance based on the work of expressionist Mary Wigman. She has returned to the city at the same time as two friends from high school, with whom she once had a passionate love triangle. The three friends try to find their rhythm in the steps of the danse macabre she creates, even as old dance patterns of desire and friendship bring them closer to the encroaching flames. — L.B. Flashout By Alexis SoloskiFlatiron: 288 pages, $29(Aug. 5) Soloski's second novel is a dark academia thriller with an off-Broadway twist. In 1972, Allison, a New York college student, is seduced by an avant-garde theater troupe that seems to act as much like a cult as it does a company. Twenty-five years later, secrets from that era unravel in a SoCal arts school and her dark past catches up with her. Soloski, a culture reporter for the New York Times (whose 2023 debut, 'Here in the Dark,' is being adapted for TV), is gifted at revealing the subtle emotions that emerge when actors are on the stage or in the studio, while sustaining a sardonic, noir-like style. — M.A. The Hounding By Xenobe PurvisHenry Holt: 240 pages, $27(Aug. 5) The village of Little Nettlebed seems straight from Jane Austen, until its inhabitants start claiming that the five Mansfield sisters have more in common with Rachel Yoder's 'Nightbitch' than proper young Enlightenment ladies. In other words, they're straight-up bitches of the canine variety who can morph from belle to beast in the blink of an eye. What takes this novel past conceit to commentary lies in its exploration of interiority among all of the characters, not simply the suspected women, but those who observe, accuse and fear. When a community cannot explain misfortune, who suffers? Purvis makes a clever but careful case for combining the Gothic with the paranormal. — B.P. Putting Myself Together By Jamaica KincaidFarrar, Straus & Giroux: 336 pages, $30(Aug. 5) Kincaid is one of this country's finest living writers, if not this country's best living writer. Born in Antigua, Kincaid was sent to New York by her mother to work as a servant, and Kincaid never looked back, making herself into a writer. The author of five novels, a collection of short stories, numerous works of nonfiction on gardening and the astounding pseudo-memoir 'My Brother,' Kincaid is now publishing a collection of her essays from her early days at the New Yorker to the present. The subtitle says it all: 'Writing 1974 –.' We need that dash; we need Kincaid. — J.F. The Gossip Columnist's Daughter By Peter OrnerLittle, Brown: 448 pages, $29(Aug. 12) In 1963, Karyn Kupcinet, an aspiring actor and the daughter of prominent Chicago gossip columnist Irv Kupcinet, was found dead in Hollywood. In this novel, her killing (which remains unsolved) leaves questions lingering across decades. Orner imagines a family friend attempting to put the pieces together. And broken families are an Orner specialty: his 2011 novel, 'Love and Shame and Love,' worked similar terrain. So is artful prose, which he's displayed in a pair of excellent memoirs about his favorite writers. Playing to his strengths, he weaves old-school boldface-type journalism and the stubborn persistence of family secrets. — M.A. Ready for My Closeup: The Making of Sunset Boulevard and the Dark Side of the Hollywood Dream By David M. LubinGrand Central: 320 pages, $30(Aug. 12) Featuring an iconic, harrowing performance by Gloria Swanson as a fading Hollywood star, 'Sunset Boulevard' remains, 75 years after its release, one of the great movies about the movies. If anything, Lubin suggests in this history of the making of the film, that it's more relevant today as social media stokes an 'obsession with youth and beauty, our dread of old age, and our fear of becoming irrelevant.' It's also a rare example, he shows, of creative egos working in sync, from director Billy Wilder to screenwriter Charles Brackett to stars Swanson and William Holden, ironically making a great Hollywood film by exposing the flaws of that world. — M.A. Fonseca By Jessica Francis KanePenguin Press: 272 pages, $28(Aug. 12) Penelope Fitzgerald is one of my favorite writers, so when I heard that Kane was writing a historical novel about Fitzgerald's real trip to Mexico in 1952 to see about a potential inheritance from a silver mine, I stopped everything I was doing and requested a copy. Fitzgerald was a late-blooming novelist who supported her whole family, including her troubled husband, and won the Booker Prize in 1979 for 'Offshore' — a novel about a family who, like Fitzgerald's own, lived on a houseboat on the Thames in London. I'm looking forward to discovering Kane's work through the life of a writer I deeply admire. — J.F. Baldwin: A Love Story By Nicholas BoggsFarrar, Straus & Giroux: 720 pages, $35(Aug. 19) Boggs' hefty new biography of James Baldwin — the first in three decades — looks at one of the 20th century's greatest American writers through the lens of his romantic relationships. It's an ingenious approach. Baldwin's writing about race and American society was always entwined with love stories, from his pathbreaking 1956 LGBTQ+ novel 'Giovanni's Room' to his late classic, 1974's 'If Beale Street Could Talk.' The biography is strengthened by Boggs' discovery of previously unpublished writings in Baldwin's papers, shaping a book that explores how Baldwin 'forced readers to confront the connections between white supremacy, masculinity, and sexuality.' — M.A. Hatchet Girls By Joe R. LansdaleMulholland Books: 288 pages, $30(Aug. 19) Lansdale, the genre bard of East Texas, brings the deeply flawed and deeply human crime-fighting duo Hap and Leonard back for a 14th time. This case involves the Hatchet Girls, a cult that follows a bloodthirsty leader intent on giving polite society hell. There also appears to be a wild hog hopped up on meth. Lansdale is a mordantly funny chronicler of Lone Star misdeeds who knows how to keep a plot furiously turning. — C.V. A Truce That Is Not Peace By Miriam ToewsBloomsbury: 192 pages, $27(Aug. 26) Toews' life has been transformed by the suicides of her sister and father, as well as her own struggles with depression. So when the 'Women Talking' novelist was asked during a conference, 'Why do you write?' her answers were inevitably death-struck and complicated. In this lyrical memoir, Toews explores her writing career with storytelling that is at once propulsive and recursive, using her work as evidence of both her success and her inability to escape her past. It's bracing, candid reading. As Toews writes: 'Literature is not compassion; it's war.' — M.A. Katabasis By R. F. KuangHarper Voyager: 560 pages, $32(Aug. 26) Dark academia remains a hot genre; R. F. Kuang ('Yellowface') takes it to a new level in her sixth novel. Two graduate students, Alice and Peter, must travel to hell in order to save their professor's soul, and yes, there's a bit of will-they-or-won't-they romance. However, the emphasis is less on any ultimate hookup than on how the distinct pressures of the ivory tower can torment and even destroy its inhabitants. Alice has clinical depression, maybe other comorbidities, and those are exacerbated not just by her workload, but by her department's longstanding and long-internalized misogyny that even the strongest magick can't fix. — B.P. We the People: A History of the U.S. Constitution By Jill LeporeLiveright: 768 pages, $40(Sept. 16) The Harvard history professor and New Yorker writer follows up her 2018 U.S. history overview, 'These Truths,' with a close look at the Constitution, arguing that it should be treated as a living thing, forever adapting to the times, rather than a fixed text never (or very rarely) to be changed. This seems like a really good time for a close look at Constitutional intention and interpretation. — C.V. Water Mirror Echo: Bruce Lee and the Making of Asian America By Jeff ChangMariner: 560 pages, $35(Sept. 23) Chang, a hip-hop scholar ('Can't Stop Won't Stop') and activist, places his subject in the context of Asian American identity and pride. Tracing Lee's journey from youth in Hong Kong to his rise to Western stardom to his death at the age of 32, Chang reveals both the global icon and the complex human being who helped put martial arts on the American map. — C.V.
BBC News
02-04-2025
- Entertainment
- BBC News
Deal's Museum of the Moving Image reopens with new exhibits
A museum of moving images in Kent will reopen this weekend with new Museum of the Moving Image (Momi) in Deal will reopen for the summer season with additional new exhibitions about World War One in film and media, and Peeping and Projecting looking at peephole new exhibitions will include stills from the film The Battle of the Somme which are thought to have been shot in Jocelyn Marsh, curator of Momi, says visitors to the museum are "always taken aback" by the exhibitions. Prof Marsh said: "Cinema wasn't a virgin birth. It had many ancestors. The primary one was the Magic Lantern but there were also shadow puppets, the silhouette and even photographs."The Battle of the Somme, which is featured in the new exhibition, was the first film to recreate on screen dead bodies of British soldiers, a scene which proved controversial in 1916 when it was Marsh added: "Virtually every British adult saw it. There is a suggestion that these were [filmed] in practise trenches some of which were here outside Deal."You can't set up an 80lb (36kg) camera on a tripod and shoot the trenches for real because you would be dead within seconds."An existing display of film posters at the museum which advertises the Ealing Studios output was recently added to by the daughter of artist S John revealed that he had lived in Deal's Water Street for 40 years and his paint-stained apron and brushes are on loan to the museum, alongside posters from some of the studio's most well-know museum was opened in April 2018 by Prof Marsh and David Francis, who helped create the original Momi in London.
Associated Press
26-03-2025
- Entertainment
- Associated Press
Lone Wolves Will Have NY Premiere at the Marvels of Media Film Festival on Friday, March 28 at 6:00 P.m.
The comedy feature Lone Wolves will screen at the prestigious Marvels of Media Film Festival on Friday, March 28 at 6:00 PM in the Redstone Theatre at the Museum of the Moving Image. Lone Wolves is an Indie Feature directed by the Emmy and Peabody award winning filmmaker, Ryan Cunningham and starring and co-written by Kennedy Center award winner and Austin Film Festival Top 25 Screenwriters to Watch, Matt Foss, and Tony Nominee, Cora Vander Broek about a single, pragmatic forty-something who recruits the eclectic guy she didn't go to prom with back in high school to be her D-I-Y sperm donor, but learns that he's Autistic and navigating some significant mental health issues, turning her carefully planned hopes upside down in one crazy weekend in Toledo, Ohio. The film was inspired by the experiences of Gen X women foregoing expensive IVF treatments and sperm banks in search of more affordable and safe ways to find volunteer sperm donors and take their fertility journeys into their own hands. These stories struck a chord with co-writer and lead Actress, Cora Vander Broek; Director, Ryan Cunningham; and Producer, Heidi-Marie Ferren, who all had their own connection to that journey, along with Matt's experience as an adult living with Autism. Excited about Lone Wolves' potential to explore fertility and aging from a nuanced and comedic angle they crafted a story that also dives into friendship and shared anxieties over belonging and acceptance. Foss stated that, 'As a person with Autism, I was particularly thrilled to also tell a story around neurodiversity and those Gen X'ers discovering how their brains worked when they grew up in a system and time without the tools or interest in investigating who and how they were.' So, with a diverse, female-led team of first-time filmmakers who grew up loving 90's era, grassroots features shot on shoestring budgets, the team embarked on making a passion project of their own with an ambitiously small budget and homegrown resources. Their budget was a mere twenty thousand dollars in an indie film market of projects that average at least ten to fifty times that number. 'We feel this model honors the true meaning of 'independent' film, " says co-writer and lead actress, Cora Vander Broek, 'There's nothing like creating and collaborating with like-minded artists you trust. There was so much love in the room that it made working within our constraints less of a burden and more of an enticing challenge that galvanized the process.' The Marvels of Media Film Festival is part of the Museum of the Moving Image's initiative to promote and expand the accessibility efforts for autistic visitors through the creation of the MoMi Visual Story Guide, a sensory relief space in the Media Lab. This year's festival was organized by MoMI's Associate Curator of Public Programs Tiffany Joy Butler, MoMI's Director of Education Leonardo Santana-Zubieta, Access Consultant Miranda Lee, Tour Consultant Sachar Mathias, and MoMI Intern Alex Poppe, with the Marvels of Media Steering Committee: filmmaker and playwright Jackson Tucker-Meyer, President and Founder of Strokes of Genius, Inc. Rosa Martínez, and Film Event Accessibility Consultant and Producer Yaara Kedem. Lone Wolves is honored to be a part of the Marvels of Media Film Festival programming and their commitment to highlighting and supporting neurodivergent stories, filmmakers and viewing experiences. Contact Information: Lone Wolves Feature Film Heidi-Marie Ferren
