Latest news with #MyGeneration
Yahoo
3 days ago
- Entertainment
- Yahoo
Bob Dylan, 83, Sends Hilarious 80th Birthday Message to Fellow Rock Legend
When iconic guitarist for The Who, Pete Townshend, turned 83 this week, there was another legendary rocker waiting to welcome him to his ninth decade on the planet: 83-year-old Bob Dylan. Dylan took to X to wish his fellow Grammy winner a happy birthday on Monday, May 19, writing, "Happy birthday Pete. Who's the new boss? Is he like the old boss? Have you met him yet? Say hello to Roger.' As fans the world over know, Dylan's message was a witty reference to the iconic Who song 'Won't Get Fooled Again" — written by Townshend — which features Roger Daltrey singing the lyrics, 'Meet the new boss, same as the old boss.' Music lovers knew exactly what Dylan was talking about, with one person quoting "The Seeker," a song by The Who that name-checks the "Like a Rolling Stone" singer: "I asked Bobby Dylan, I asked the Beatles, I asked Timothy Leary, but he could not help me either." Another fan shared a pic of Townshend and Dylan posing from what appeared to be the '80s writing: "Fashion icons." Townshend and Dylan have praised each other's talents over the years, with Townshend even crediting Dylan for helping to inspire the classic Who song "My Generation." '(He) definitely created a new style of writing," Townshend said, per Far Out Magazine. "Dylan was the one who I think got the message across to The Beatles. (That) was that you can write songs about subjects other than falling in love.'
Daily Mirror
28-05-2025
- Entertainment
- Daily Mirror
The Who star makes cryptic comment about 'the end' after farewell tour unveiling
The Who guitarist Pete Townshend, the mastermind behind anthems My Generation and Substitute, shows no signs of slowing down after marking his milestone 80th birthday Legendary The Who guitarist Pete Townshend, who wrote the 1960s rock anthem I Hope I Die Before I Get Old, has just turned 80 – but says he feels like a new man. Or at least part of him does. 'That song wasn't a state of mind – it was a threat!' he laughs. 'I don't feel old – I just got a new knee.' And Townshend reveals that although he's not planning to retire just yet, he admits that The Who's days of going on the road are numbered. After 58 years since first touring America, one of the greatest – and loudest bands in rock history – has announced its farewell US tour, aptly titled, The Song Is Over, this summer. 'Whether it's the end of The Who…?' Townsend muses, before adding, 'It's certainly the end of touring in America. I asked Roger if it's the end of touring Europe, and he said. 'We'll have to wait and see'.' Speaking to My Cultural Life on Radio 4, Townsend reflects on the dark times in his life that created his wild man of rock persona, trashing guitars on stage and wrecking hotel rooms, but says even at 80, he has an edge. 'I feel like a diamond with a flaw. I am a dangerous f***er,' he reveals. 'I was a proponent of rock and roll as a philosophy. But when I started exploring my inner darkness on stage, my stage persona – smashing guitars and turning it all up – I was very detached and I didn't enjoy doing it.' He also acknowledges now that after years of a long-running feud with his 81-year-old bandmate Roger Daltry, the balance of power between them has shifted. 'Roger has said in the past that we would go on touring until we drop dead – but the needle has shifted,' he says. 'It was always me who said that, 'I reserve the right to stop,' and I have stopped twice – once for 11 years when I worked with Faber and Faber as a book editor. 'So I always thought I was holding the cards – but I think Roger holds the cards now." Although Daltry founded the band in 1964 when the pair met at Ealing Art College, Townsend wrote the rock group's huge teenage anthems including My Generation, Substitute and I Can See For Miles. He admits his co-founder thinks he's pretentious when he says The Who was an art project for him as much as a pop band. 'What was difficult was the other three members didn't (feel that way),' says the father-of-three. 'If Roger and I were sitting together and I was doing an interview now about My Cultural Life, he would spend most of his time laughing.' While Townsend planned to be an artist, it was Daltry who asked him to join The Detours – which became The Who. 'Roger sees it as his band to this day – he started it. He had been expelled and came back and asked me to be in his band. 'And that's true, and I'm grateful, but for me, the beginning of my life as a musician and an artist was when I wrote the first song I Can't Explain.' While the band played pubs and weddings, Townsend kept his hobby a secret. 'I wasn't serious about being in a band,' he admits. 'Roger was lead guitarist – but he wasn't a particularly good player. I was gawky and had a big nose and just strummed. 'But we had a good looking lead singer who the girls liked and we became quite successful. ' The young, confused Townsend was so sure he didn't want to be in a band, he even forecast its demise. 'I wrote myself a manifesto – 'The Who are a band who are chopping away at their own legs'. Then one day I'm driving home in my mum's yellow van and heard my song, I Can't Explain, come on the radio, and I thought, 'My manifesto! I don't want to be in a rock band. No – this is not what I want to do for the rest of my life. But wow – people are listening to this'.' By now Daltry was lead vocalist and the line-up included drummer Keith Moon and bassist John Entwistle, and along with guitarist Townsend, released their 1969 rock opera album Tommy to huge critical and commercial acclaim. But a decade later, in true rock and roll style, Keith Moon died, aged 31, in 1978 from an accidental overdose of the prescription drug Hemineverin, prescribed to combat alcoholism. Then in 2002, bass player John Entwistle's dodgy ticker gave out after the 57-year-old took cocaine in a Las Vegas hotel room. 'The Who is a clumsy machine because we've been missing two members for a long time,' says Townsend. '(Roger and I) are very dependent on each other. We're getting old and we have different needs. 'But if Roger wanted to perform MY music, if I can put it as bluntly as this, I would be honoured. It's not about there being an argument between – we're just accepting our current situation. And he adds, 'We've never agreed on very much, but that's not to suggest there's a war on, because there isn't.' Age has finally mellowed the old enmity between him and Daltry, but Townsend says the abuse he suffered as a child created a dark side to his personality. He was officially cautioned for accessing a website containing images of child abuse in 1999, which he explained was for his autobiography. Born into a musical family right at the end of the war, Townsend first went out on the road with his musician parents aged just 13 months old. 'They were in very popular swing dance bands,' he recalls. 'My first memories are passing out beer bottles to band players on the tour bus. 'When The Who first started touring in the UK, I knew my way to all of the gigs because I'd done it so many times with my dad.' But his happy childhood came to a sudden end when his mother went on tour and sent him to live with his grandmother in Margate. 'Why my mother sent me to my grandmother who had abandoned her when she was seven, I don't know, but I left my friends and school behind in Acton,' he says sadly. 'It was just horrible and I don't remember a lot of it – I kind of black it out. She was nuts and abusive and cruel and surrounded by extremely pervy men all the time who interfered with me. It was a really shitty time and in the end somebody reported my grandmother for abusive behaviour. 'My parents saved me – they got back together and eventually I had two brothers,' he says about returning to his home in Acton, West London. 'As far as I was concerned, that was when my childhood began.' Despite his father being a musician, Townsend says he didn't encourage his son to join a band at school. 'My father didn't think I had any musicality,' he admits. 'My mum was very encouraging. When our band started, she lugged our kit around, helped us get gigs.' The rock legend has been open about his lifelong battle with depression and substance abuse, but he has been sober for 40 years now. 'I sometimes wonder if my parents knew I was damaged – I've done all of the things that people do who have fallen into addiction and bad behaviour,' he speculates. And explains how his 1965 hit My Generation was about him pushing back against his dad. 'I drew the line with My Generation,' he explains. 'Dad's music was his generation – love and romance after the war. We didn't have that reason for being – we needed to reinvent ourselves. Rock and roll was our generation. I was overthrowing my dad's big band generation.' The Who created some of the most powerful moments in rock and roll history especially when they performed at Woodstock in 1969 – and the hair-raising refrain of Tommy's Feel Me See Me Touch Me played out across the half a million festival goers as the sun rose in the sky. They went on to sell-out stadiums around the world, but Townsend felt that by the late 1970s, they'd begun to lose themselves. 'The band had turned into a prog rock outfit. I felt we have to reconnect with our roots – and I wrote Quadrophenia about the Marquee and Shepherd's Bush – where we'd grown up.' Again, Townsend's creative philosophy behind the 1979 rock concept album which tells the story of a young mod Jimmy set in 1965 was lost on his bandmates. 'The other guys didn't identify themselves with Jimmy at all. They didn't care about the manifesto that was buried in the middle of it.' It was the first album Townsend had total control over, but tensions between him and Daltry boiled over. 'It led to the only incident in which Roger and I have actually had a physical fight,' he admits. 'I'd been working all night on stage tapes and was late for rehearsal and we had an argument and I behaved badly and he knocked me out. 'But when I finished it, I thought, 'Wow, you know, they've let me do this'.' Like Tommy, Quadrophenia was adapted for film, and recently has been staged as a mod ballet. Townsend adds, 'Jimmy being vulnerable expressed the universality of what teen boys seem to go through. So it has new relevance.' The 80-year-old has as much creative energy today as he did 60 years ago, but he says it's time to do new things. 'I'm proud The Who have been able to create a form of music that lasted, and I'm not disowning my past, but I'm driven by the need to be creative. The idea that I could retire and go sailing and stop writing feels like a waste of time. 'I might have five, or 10 or 15 years if I'm really lucky at being able to work with music and art. Nothing is off the map now – I might even do some dancing when I get my other knee done!'
Perth Now
19-05-2025
- Entertainment
- Perth Now
Zak Starkey breaks silence on latest firing from The Who, claims he was told to 'lie' about exit
Zak Starkey has claimed The Who asked him to "lie" about his exit from the band. The 'My Generation' rockers - Roger Daltrey and Pete Townshend - have let their longtime drummer go weeks after he was fired and rehired. The 59-year-old musician was believed to have been fired from the group after almost 30 years playing live with frontman Roger and guitarist Pete in the wake of a disagreement over his performance at a show at the Royal Albert Hall for the Teenage Cancer Trust charity in March. However, he was reinstated in a matter of days with Townshend saying in a statement: "There have been some communication issues, personal and private on all sides, that needed to be dealt with, and these have been aired happily." On Sunday (18.05.25), Pete confirmed that Zak will not be joining the pair for their final tour of North America. He penned on Instagram on Sunday (18.05.25): 'After many years of great work on drums from Zak the time has come for a change. A poignant time. Zak has lots of new projects in hand and I wish him the best." Announcing Zak's replacement, he continued: "Scott Devours, who has worked with Roger's solo band, will join The Who for our final shows. Please welcome him.' Now, Zak has had his say and claimed he was fired two weeks after being "reinstated", and allegedly told to make up that he was leaving the legendary band due to his other work commitments. In a lengthy caption, he wrote: 'I was fired two weeks after reinstatement and asked to make a statement saying I had quit the who to pursue my other musical [endeavours]. 'This would be a lie.' Zak - who is the son of Beatles drummer Sir Ringo Starr - insists he would never "quit" The Who. He continued: 'I love the who and would never had quit. So I didn't make the statement ….quitting the who would also have let down the countless amazing people who stood up for me (thank you all a million times over and more) thru the weeks of mayhem of me going 'in an out an in an out an in an out like a bleedin squeezebox." On his other projects, Zak said: "To clarify 'other projects' yes I do have other projects and always have. (sic)" He went on to list the acts he's worked with, including Johnny Marr, Oasis, The Lightning Seeds, Mike Scott, and his supergroup Mantra Of The Cosmos. Zak insisted Roger and Pete never had a "problem" with him working with other bands. He said: 'None of this has ever interfered with The Who and was never a problem for them. "The lie is or would have been that I quit the who- I didn't. I love the who and everyone in it.' The Who have since reacted in a statement on social media, which reads: 'The Who are heading for retirement, whereas Zak is 20yrs younger and has a great future with his new band and other exciting projects. 'He needs to devote all his energy into making it all a success. We both wish him all the luck in the world. (sic)" The Who will embark on 'The Song Is Over North America Farewell Tour', which kicks off on August 16 at Amerant Bank Arena in Florida, and is due to wrap on September 28 at the MGM Grand Garden Arena in Las Vegas.
Daily Record
13-05-2025
- Entertainment
- Daily Record
Fans just discovering how the The Who came up with their iconic name
The Who are one of the most iconic bands in rock history, but they were originally called something very different - and the story of how they came up with their name is a classic rock 'n' roll tale Before they were smashing guitars, filling stadiums, and pioneering the rock opera, The Who were simply four London lads with a completely different name. Their journey to becoming one of the most recognisable names in rock history wasn't just by chance - it involved sketchy club gigs, a name conflict, and a brainstorming session that could have had a very different outcome. As fans continue to discover how they came to be known by their iconic name - and what they were initially called - here's a little about how the band was formed. The tale starts in Acton, West London, where a young Roger Daltrey already felt like an outsider. He didn't quite fit in at Acton County Grammar School, and after being expelled at 15, he found himself working on a construction site. In 1959, Daltrey established The Detours, a functioning band that performed at weddings and corporate events, with Daltrey handling both the music and finances. He then noticed a local lad named John Entwistle strolling down the street with a bass guitar slung over his shoulder, and invited him to join the band. Entwistle, in turn, introduced a guitarist he knew from school: Pete Townshend, reports the Express. The band's early sound was influenced by instrumental covers from The Shadows and The Ventures, with a touch of traditional jazz thrown in, and the line-up evolved over time. The group was still known as The Detours when they discovered in early 1964 that another band, namely Johnny Devlin and the Detours, already had dibs on the name. Pete Townshend recounted how he and his flatmate Richard Barnes spent an entire night brainstorming new monikers, aiming for a theme of comedic stage introductions; suggestions like No One and The Group were considered. Townshend was quite taken with The Hair, but it was Barnes who had a preference for The Who. The band unveiled their new identity with their 1965 release 'I Can't Explain'. The single broke into the UK top ten and marked the beginning of a succession of hits that would come to characterise the era: 'Substitute', 'My Generation', 'Pictures of Lily', leading up to the landmark concept album Tommy in 1969. In 1965, none other than Paul McCartney deemed them "the most exciting thing around," while John Lennon expressed his admiration for 'Pinball Wizard' by incorporating its acoustic guitar style into 'Polythene Pam'. When Jimi Hendrix landed in London in '66, he specifically requested Pete Townshend's amplifier setup, whilst bands like Pink Floyd, Queen, and The Ramones have acknowledged The Who as an influential force in their early days.
Yahoo
12-05-2025
- Entertainment
- Yahoo
Pete Townshend would have been 'happier' without The Who
Pete Townshend thinks he would have been "happier" without The Who. The 79-year-old musician - who co-founded the band in 1964 - has always felt the group were "beneath" him and he believes he'd have preferred to have followed his love of art instead. He told The Daily Mail newspaper's Weekend magazine: "I always feel I wish I'd left before the band got famous and been an artist. I think I would have been happier... "I was deeply into a college course about how art was going to have a revolutionary function. So I felt The Who were a bit silly, maybe a bit beneath me, I'm afraid." Asked how he sees things now, he said: "I feel the same. I think they feel beneath me." And Pete admitted bandmate Roger Daltrey is unimpressed by his stance. He said: "Roger and I have conversations about this. Sometimes he thinks I should be more grateful... "I should have left, I think. That's OK. I don't regret feeling that. It's just that there was a life I could have had that I missed." The 'My Generation' hitmaker never expected The Who to be around for more than a year. He said: "I expected The Who to self-destruct in six months. That's why I threw myself into performing in a bloody manner. I hurt myself on the stage. I smashed guitars I could only just afford. But my personal manifesto was absolute, 'This is a brief moment in music history. It won't turn into...' Well, what it turned into." The 'Pinball Wizard' rocker has moments of feeling he is a "genius" when he's on stage, but admitted performing live "does nothing" for him. He said: "I'll keep going as long as I feel it. We'll be on the stage and I'll be thinking, 'What the **** am I doing here?' "Then the first few tricky bars of 'Baba O'Riley' will begin and I'll think, 'I'm a f****** genius. I should be here, because this is my music.' "People say I get well paid for doing a job I like. I do get well paid but I don't like it. I don't like being on the road. I don't like being on stage. It does nothing for me. It makes me insincere." The guitarist noted there are some perks to his job. He said: "The money is great."
