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India Today
3 days ago
- Entertainment
- India Today
Ajay Devgn, Kajol and mansplaining in full view: It wasn't his question to answer
A woman is asked a question. A man interrupts and answers on her behalf. It's a common scene - in households, at workplaces, at public events. However, the incident we are highlighting happened last week at the trailer launch of the Hindi film 'Maa'.Kajol, who headlines the film, was present on stage, standing with Ajay Devgn, her husband, when a journalist asked her a question about motherhood, and the need to make the film industry more supportive for new mothers. The 50-year-old is now a mother of two - a daughter, Nysa, and a son, fact, the journalist, a woman, was careful to recall that Kajol worked on 'My Name Is Khan' when her daughter was just a year old - probably expecting the actor to answer from her personal experience. And then, it happened. Ajay took his mic, said "sorry to interrupt", when he had not even let Kajol complete her sentence, and started to mansplain. What else can you call it?'Mansplain', a word added to the Oxford English Dictionary in 2018, refers to a situation where a man explains a topic a woman is often more familiar with or is better suited to address, such as issues related to womanhood or female experiences. Like in this case, a question about being a mother, and the changes the industry should be introducing for new was just one year old when you shot 'My Name Is Khan'. And now, we are talking about new moms who want an eight-hour shift in the workplace, in the industry, the film industry. What do you think of it, as a mother? Is it right? And people reacting to it, it is not going down well with people. What do you think about this?," the journalist asked."I love the fact that you can work less...." - the eight words Kajol spoke before Ajay "interrupted", and started to explain."I am sorry to interrupt. It's not that it's not going down well with people. Most of the honest filmmakers will not have a problem with this. Apart from just mothers who are working for eight hours, there are people who have usually started working for eight-nine hours in a shift. It's person to person, and most of the industry does understand this (sic)," he said. What he said is not the point of discussion here. What might have compelled him to speak is. The question mentioned producers, and he might have thought that, as the producer of the film, he was in a better position to take that question. However, the point still stands. The question was NOT addressed to him. Neither could he have answered it in the capacity of a 'new mother' or simply as a working woman in the answer, whether important or futile, took away the one thing that the question sought - personal experience, emotional insight, the very connection and authenticity only Kajol could have brought idea is not to understand when to speak, but to know when not to. One can always contribute to a woman's response or statement, without denying her the right to speak in the first place. But taking over the space - claiming the spotlight and leaving the woman merely standing, listening, feeling sidelined, silenced, and reduced to an awkward sigh - is what unfolds in an environment driven by inequality of Ajay did at that event - right in front of cameras and journalists - is no different from what many men routinely do in workplaces: cutting a woman off, speaking over her, or declaring, 'What she means is...' without letting her finish. Classic mansplaining, in full is more about conditioning, you see. The fact that a widely popular, fairly respected man, known across the country, could do it and get away with it speaks more about how mansplaining has been I figure now that not many would have even realised that it was a classic case of mansplaining when the video first appeared. Nobody to question, because it doesn't look like a larger problem. And that's precisely what is the a woman's agency, her right to speak about herself, motherhood - a role that she will always be playing in her life, demanding industry changes as a woman - all of that were Kajol's to discuss, to opined if you ask me, the stage totally belonged to Kajol. Even from a promotional or a business point, Kajol is the biggest name in 'Maa'. The spotlight was hers. What Ajay had to do there was simple - extending a supportive smile, a helping hand, and the loudest clap to tell the world that a husband was proud of his I am not saying he is not proud of his wife or that they don't share an equal relationship. This is not even a criticism of Devgn. This is more to highlight the very normalisation of mansplaining, by even the most aware people in the world, the leaders of the industry, if you urge, as a man, to sometimes 'simplify' what a woman is saying, because he thinks he knows better, or that he's helping her with a better articulation of her thought - all of that is wrong and counter-productive, even. Let her be her own anchor. Let her have her moment - whether of dismissal or appreciation - let it be hers to own. Especially, if you have no business in explaining what she, by every means, should and is more familiar with. Mansplaining comes from a deep-rooted sense of superiority. It's the product of centuries of gender bias - where men are seen as default authorities and women as passive listeners. You have to look at it as not just ignorance, but as entitlement. It comes from that quiet satisfaction of assuming she couldn't possibly know more - simply because she's a is a conditioning that is wired early - when girls are asked to listen, discouraged to lead in families. When they are taught that male voices matter more, men will decide for them - their present, their future, their place in the mansplaining and calling it out is breaking that chain of misogyny. It's not just resistance, it's a rebellion, honestly. One dialogue, one objection, one man at a Watch IN THIS STORY#Ajay Devgn#Kajol Devgan
News18
25-05-2025
- Entertainment
- News18
How Rich Is Karan Johar At 53? Filmmaker's Lavish Life Will Leave You Speechless
Published By : Bhaswati Sengupta Trending Desk Happy Birthday Karan Johar: KJo debuted as a director with Kuch Kuch Hota Hai in 1998 and has delivered hits like Kabhi Khushi Kabhie Gham, My Name Is Khan among others. Happy Birthday Karan Johar: Fondly known as KJo, Karan Johar turns 53 today, May 25. He has worn many hats over the years as a director, screenwriter, producer, costume designer, actor and TV host. He made a smashing debut as a director with Kuch Kuch Hota Hai in 1998 and since then, he hasn't looked back. From Kabhi Khushi Kabhie Gham to Rocky Aur Rani Kii Prem Kahaani, the director-producer has given Bollywood some of its biggest and most loved films. Besides directing, he has also produced several hits under his banner, Dharma Productions. On his birthday, let's take a look at some of his best movies, net worth, and luxurious bungalows and cars. Karan Johar's Top Movies Kuch Kuch Hota Hai (1998): Karan made his debut as a director with Kuch Kuch Hota Hai, a film that still holds a special place in many hearts. Starring Shah Rukh Khan, Kajol and Rani Mukerji, the story revolves around a love triangle between college friends Rahul, Anjali and Tina. The movie was a massive hit and even won big at the Filmfare Awards as it bagged eight trophies including Best Film, Best Director and all the acting awards. Kabhie Khushi Kabhie Gham (2001): It is one of those movies that people still love to watch again and again. Karan Johar directorial was released in 2001, starring Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan, Kajol, Hrithik Roshan, Kareena Kapoor. Rani Mukerji makes a special appearance in the film. This family drama is full of emotions, fun moments and some unforgettable songs. No wonder this film is still a favourite for many. Kal Ho Naa Ho (2003): Another emotional rollercoaster from KJo's world, this time as a writer and producer. Directed by Nikhil Advani, the film stars Shah Rukh Khan, Saif Ali Khan and Preity Zinta. It is about love and friendship with a twist that still hits hard. The story follows Naina who falls for Aman but he has a secret that changes everything. My Name Is Khan (2010): One of the most standout films in Karan's career. Starring Shah Rukh Khan and Kajol, the story follows Rizvan Khan, a man with autis who sets out on a powerful journey across US to deliver a simple message that he is not a terrorist. The film explores love, identity and faith in a way that touched hearts around the world. Agneepath (2012): Produced by Karan, Agneepath is a powerful remake of the 1990 classic. It stars Hrithik Roshan as Vijay, a man on a mission to take revenge for his father's death and Sanjay Dutt as the terrifying Kancha Cheena. Rishi Kapoor played a dark underworld figure while Priyanka Chopra as female lead, playing Kaali. The film is intense and full of action that keeps you on the edge every single time. Ye Jawani Hai Deewani (2013): Yeh Jawaani Hai Deewani is one of those fun, feel-good films that never gets old. Directed by Ayan Mukerji and produced by Karan, it stars Ranbir Kapoor, Deepika Padukone, Kalki Koechlin and Aditya Roy Kapur. The story follows four old classmates who reconnect during a trekking trip. Even after more than a decade, the film continues to be a favourite, whether it is for the songs, the dialogues or the characters' unforgettable journey. Shershaah (2021): The film tells the story of Captain Vikram Batra, a brave soldier who gave his life during the Kargil War. Sidharth Malhotra plays both Vikram and his twin brother, while Kiara Advani plays his girlfriend, Dimple Cheema. The film shows Vikram's courage, love and dedication to his country. Rocky Aur Rani Kii Prem Kahaani (2023): In this film, Karan is back to what he does best – big love stories full of emotions. Ranveer Singh plays Rocky and Alia Bhatt is Rani. The two opposites who fall in love and decide to live with each other's families before getting married. The film also stars Dharmendra, Jaya Bachchan and Shabana Azmi along with Tota Roy Chowdhury and Churni Ganguly. It is full-on entertainment in KJo's style. Karan Johar's Net Worth Karan's net worth is reportedly around Rs 1,740 crore. Most of his income comes from his film production company, Dharma Productions. Besides that, he invests in other production houses and hosts several TV shows. Karan also owns a luxurious bungalow on Carter Road, Mumbai, and a beautiful house in Malabar Hills worth about Rs 20 crore. He has a collection of luxury cars, including BMW 745, BMW 760 and Mercedes S Class. First Published:
India Today
22-05-2025
- Entertainment
- India Today
KJo recalls meeting Leonardo DiCaprio, Martin Scorcese: My knees started rattling
Filmmaker Karan Johar recalled meeting legends Leonardo DiCaprio and Martin Scorsese during the promotions of 'Shutter Island'. Speaking at the 78th Cannes Film Festival, he credited Shah Rukh Khan for making the memorable encounter happen at his suite in to The Hollywood Reporter India, filmmaker Karan Johar fondly recalled his first and only meeting with cinematic legends Leonardo DiCaprio and Martin Scorsese. 'My first and only meeting with him was in Shah Rukh Khan's suite in Berlin. Scorsese and Leonardo DiCaprio walked in, and my knees started rattling a little bit. They were there for Shutter Island (2010),' he continued, 'Scorsese was speaking to Shah Rukh about archiving Indian cinema. I was just watching them, and in my head, I remember thinking, 'Will there ever come a day when I have a conversation with him about cinema?' I was just sitting there like a fan of a filmmaker. 'My Name Is Khan' (2010) was the opening night film at that festival. We even invited him to the screening, and he said he would try to attend.' Fast forward to 2025, and Johar is now associated with Martin Scorsese on an official project. His production house, Dharma Productions, has backed 'Homebound', a film that proudly features Scorsese's name as executive producer - a dream Johar never imagined would come true. Directed by Neeraj Ghaywan, the film received a nine-minute standing ovation at the ongoing 78th Cannes Film Festival on about this career-defining moment, Johar said, 'I have a feature film helmed by Neeraj Ghaywan, and that is the most important part for me. But at the same time, Dharma has produced a film that has a Martin Scorsese credit in it.'Reflecting on how surreal the experience has been, he added, 'Even in my wildest dreams, if someone had told me this, I would've thought, 'What are you smoking? That's never going to happen.' And yet, it has. I can now die and go to heaven or hell, or wherever I'm accepted. I have a film with Martin Scorsese's name alongside mine.'Unable to contain his excitement, Johar concluded, 'I'm very elated. I don't know how to act cool about this. I'm sorry. I'm just really, really excited.''Homebound', starring Ishaan Khatter, Janhvi Kapoor, and Vishal Jethwa, is the only Indian feature film selected for Cannes this year. It premiered in the prestigious Un Certain Regard section, which spotlights distinctive and powerful storytelling. Martin Scorsese serves as the film's executive Reel
NDTV
08-05-2025
- Entertainment
- NDTV
Karan Johar On Being Labelled As "Career Destroyer": " Maine Bas Apna Kaam Kiya"
New Delhi: Filmmaker Karan Johar has responded to long-standing accusations of sabotaging careers in the film industry. In a recent podcast with Raj Shamani, he addressed the "career destroyer" label, calling the allegations "unfair". "People say iska iska career destroy kiya. Maine kisi ka kuch nahi kiya. Maine bas apna kaam kiya," he said, expressing frustration over the criticism. Karan also spoke about the backlash he faces for supporting star kids, saying that people often ignore the outsiders he has launched. He gave the example of actor Adarsh Gourav, whose debut film, My Name Is Khan, was produced by Dharma Productions. "I have worked with all kinds of actors. I can list several actors and other talents who did their first films with us - many of whom were complete outsiders," he said, adding, "I've launched around 50 actors and 25 directors, many of whom come from non-film backgrounds. Yet, no one ever talks about that." He also questioned the lack of attention given to actors like Lakshya Lalwani and Raghav Juyal, who featured in Dharma's recent film Kill. "If I launch an outsider, it goes unnoticed. But if it's a star kid, it becomes a headline," he added. On the work front, Karan Johar' s next production Homebound will premiere at the 2025 Cannes Film Festival in the Un Certain Regard section. Directed by Neeraj Ghaywan and co-written by Ghaywan and Sumit Roy, the film stars Ishaan Khatter, Janhvi Kapoor and Vishal Jethwa. Martin Scorsese is on board as the executive producer. The Cannes Film Festival will be held from May 13 to 24, 2025.
Hindustan Times
07-05-2025
- Entertainment
- Hindustan Times
'Awaaz ladkiyon jaisi hai': Karan Johar recalls receiving mean comments on his voice; did voice exercises for 2 years
By HT Entertainment Desk | Written by Ananya Das May 07, 2025 03:56 PM IST Filmmaker Karan Johar has opened up about being made fun of for his body, the way he walked, and his voice, among other aspects of his personality, during his childhood and youth. In an interview with Raj Shamani, Karan shared how several people would make fun of him, but his parents--late Yash Johar and Hiroo Johar were his "safe space". Karan revealed his father would encourage him to dance his heart out and even suggested that he become an actor. (Also Read | Suhana is 'terrific', Aryan a 'rare personality' who works 20 hours: Karan Johar defends star kids amid nepotism debate) Karan Johar spoke about being treated differently throughout his youth. Karan spoke about how he took classes for over two years to bring about a change in his voice. The director said, 'But I always combated the world and what they thought of me. I remember I went to a public speaking class. There, those who were teaching me, they stopped me after class and told, 'Duniya mein samaaj mein aapko bahut problem hoga kyuki aapki jo awaaz hai woh ladkiyon jaisi hai. Usme aap baritone laao. Uske liye hum aapko voice exercises denge (You'll face problems in life and society because your voice is like that of a girl. We will give you voice exercises)'.' Karan says today he wouldn't ask a person to change The director said he lied to his father about his classes because he was ashamed of it. "Toh do saal tak main gaya woh class karne taaki main apne awaaz mein baritone lein aaun (I went there to do class for two years so that I can bring baritone in my voice) to sound like a man. I did the classes for two to three years. I told my father that I was doing computer classes because I was very shy to tell him, I'm going to do this. I was feeling ashamed. After three years, I had a baritone voice. Not only did they teach me baritone, they also taught me how to walk, how to become more masculine. Today main kabhi yeh advice kisi ko na doon (I won't give this advice to anyone). I'll say, 'Be yourself. If you are walking a certain way, do that. If you are talking like this, then continue. Don't change yourself for anyone'." About Karan's films Karan made his directorial debut with the romantic comedy-drama Kuch Kuch Hota Hai (1998). After this, he directed films such as Kabhi Khushi Kabhie Gham (2001), Kabhi Alvida Naa Kehna (2006), My Name Is Khan (2010), Student of the Year (2012), Bombay Talkies (2013), and Ae Dil Hai Mushkil (2016). His last film as a director was Rocky Aur Rani Kii Prem Kahaani (2023).
