Latest news with #Myre
Yahoo
4 days ago
- General
- Yahoo
Michigan Supreme Court won't hear out Oxford High School mass shooting civil cases
Michigan Supreme Court / Hall of Justice | Photo by Jon King The Michigan Supreme Court denied a request on Wednesday filed on behalf of the parents of the victims of the 2021 Oxford High School mass shooting to hear out legal arguments that the school and its employees failed to protect their kids. The denial marks a monumental blow to civil case efforts against Oxford Community Schools by the families of students who were killed, injured or now live with the impact of the killings. In their order, the justices said that the court was not persuaded that the issues being raised by the families and their attorneys should be reviewed by the state Supreme Court. Attorneys representing the families argued in lower courts that Michigan's Governmental Tort Liability Act has been unconstitutionally protecting Oxford Public Schools and its employees from civil liability for their 'grossly negligent' actions prior to the November 2021 shooting. In September, the Michigan Court of Appeals sided with Oxford Schools in maintaining its immunity and the attorneys representing the students' families sought to have the state's highest court hear their arguments. Without their day in court, Buck Myre, father of Tate Myre who was killed in the shooting at age 16, said during a news conference Wednesday the state of Michigan is telling families that it's okay if tragedies like what happened at Oxford High School happen again and again. 'It's our government saying nothing's going to change. We don't have to change, and we're willing to sacrifice kids as a gun statistic to keep doing what we're doing,' Myre said. 'I would never want anybody to walk in these shoes that we're walking in. That's why we want there to be change.' The government should not be immune from accountability, Myre said, and every effort should be made to analyze what the school did wrong and how the lives of his son, Hana St. Juliana, 14; Justin Shilling, 17, and Madisyn Baldwin, 17, could have been saved. Could a Michigan school shooting have been prevented? Soon after the tragedy at Oxford High School, the public became aware that on the day of the shooting, where the shooter, then a 15-year-old student at the school, drew pictures of the gun he had brought to school on an assignment, along with a bloodied figure and the words 'Blood everywhere,', 'The world is dead.' and 'Help me.' The shooter had several interactions in recent months with school employees about concerning behaviors like an apparent drop in mood and searching online for firearm ammunition during class. After a teacher saw what the shooter drew on his assignment, his parents were called to the school for a meeting with school staff who didn't make the parents take their son home for the day, nor did anyone at the school check his school bag for the gun. The shooter was sentenced to Michigan's highest criminal penalty, life in prison without the possibility of parole, in December of 2023. His parents were sentenced to 10-15 years in prison on four counts of involuntary manslaughter for their role in the killings in April 2024. Judges throw out Oxford school shooting families' case against school officials The reality is there have been more school shootings since Oxford and there are things the world could've learned from this tragedy if the courts would allow light to shine on that day back in 2021, Meghan Gregory, mother of Keegan Gregory who survived the Oxford High School shooting said during the Wednesday news conference. Those kids' lives matter, Gregory said, and so while Oxford Schools can hide behind immunity, the families whose lives are forever changed by the shooting will work to find a way for accountability to happen and the truth to be revealed. 'I think we're all still kind of just trying to process that they won't even listen to our case,' Gregory said. 'This was a mass casualty, this was a huge deal and the fact they don't seem to care is just, it's really disheartening.' SUBSCRIBE: GET THE MORNING HEADLINES DELIVERED TO YOUR INBOX
Yahoo
4 days ago
- General
- Yahoo
Michigan Supreme Court won't hear out Oxford High School mass shooting civil cases
Michigan Supreme Court / Hall of Justice | Photo by Jon King The Michigan Supreme Court denied a request on Wednesday filed on behalf of the parents of the victims of the 2021 Oxford High School mass shooting to hear out legal arguments that the school and its employees failed to protect their kids. The denial marks a monumental blow to civil case efforts against Oxford Community Schools by the families of students who were killed, injured or now live with the impact of the killings. In their order, the justices said that the court was not persuaded that the issues being raised by the families and their attorneys should be reviewed by the state Supreme Court. Attorneys representing the families argued in lower courts that Michigan's Governmental Tort Liability Act has been unconstitutionally protecting Oxford Public Schools and its employees from civil liability for their 'grossly negligent' actions prior to the November 2021 shooting. In September, the Michigan Court of Appeals sided with Oxford Schools in maintaining its immunity and the attorneys representing the students' families sought to have the state's highest court hear their arguments. Without their day in court, Buck Myre, father of Tate Myre who was killed in the shooting at age 16, said during a news conference Wednesday the state of Michigan is telling families that it's okay if tragedies like what happened at Oxford High School happen again and again. 'It's our government saying nothing's going to change. We don't have to change, and we're willing to sacrifice kids as a gun statistic to keep doing what we're doing,' Myre said. 'I would never want anybody to walk in these shoes that we're walking in. That's why we want there to be change.' The government should not be immune from accountability, Myre said, and every effort should be made to analyze what the school did wrong and how the lives of his son, Hana St. Juliana, 14; Justin Shilling, 17, and Madisyn Baldwin, 17, could have been saved. Could a Michigan school shooting have been prevented? Soon after the tragedy at Oxford High School, the public became aware that on the day of the shooting, where the shooter, then a 15-year-old student at the school, drew pictures of the gun he had brought to school on an assignment, along with a bloodied figure and the words 'Blood everywhere,', 'The world is dead.' and 'Help me.' The shooter had several interactions in recent months with school employees about concerning behaviors like an apparent drop in mood and searching online for firearm ammunition during class. After a teacher saw what the shooter drew on his assignment, his parents were called to the school for a meeting with school staff who didn't make the parents take their son home for the day, nor did anyone at the school check his school bag for the gun. The shooter was sentenced to Michigan's highest criminal penalty, life in prison without the possibility of parole, in December of 2023. His parents were sentenced to 10-15 years in prison on four counts of involuntary manslaughter for their role in the killings in April 2024. Judges throw out Oxford school shooting families' case against school officials The reality is there have been more school shootings since Oxford and there are things the world could've learned from this tragedy if the courts would allow light to shine on that day back in 2021, Meghan Gregory, mother of Keegan Gregory who survived the Oxford High School shooting said during the Wednesday news conference. Those kids' lives matter, Gregory said, and so while Oxford Schools can hide behind immunity, the families whose lives are forever changed by the shooting will work to find a way for accountability to happen and the truth to be revealed. 'I think we're all still kind of just trying to process that they won't even listen to our case,' Gregory said. 'This was a mass casualty, this was a huge deal and the fact they don't seem to care is just, it's really disheartening.' SUBSCRIBE: GET THE MORNING HEADLINES DELIVERED TO YOUR INBOX
Cision Canada
4 days ago
- Entertainment
- Cision Canada
Nadia Myre: Waves of Want Français
Presented in conjunction with the Gallery's new Skawennati solo exhibition OTTAWA, ON, May 28, 2025 /CNW/ - From May 30 to September 1, 2025, the National Gallery of Canada (NGC) presents Nadia Myre: Waves of Want, a solo exhibition that looks at the artistic and critical process of interdisciplinary artist Nadia Myre from over two decades, including new works recently created in France and in Scotland. Born in Montreal, Myre is a member of the Algonquin Kitigan Zibi Anishinabeg Nation. The artist—a 2014 Sobey Art Award winner—uses a wide range of media (film, sculpture installation, audio, drawing, beadwork, photography, poetry and leather works) to tell stories that span generations. "Nadia Myre is an internationally recognized artist, celebrated with multiple national arts awards over many years of active practice," said Jean-François Bélisle, Director & CEO, National Gallery of Canada. "Her works shape elegant and uneasy questions and reflections about coloniality and Indigenous sovereignty, and the materials that have shaped those experiences. The National Gallery of Canada is proud to present visitors with artistic experiences that reflect our ongoing challenges and opportunities as a society and as a culture." "Nadia Myre's artworks embody gestures of decolonization, both literally and figuratively, recording observations and injustice amidst the intersections of cultures, languages and identities. Enigmatic, thoughtful and perceptive, Myre mines personal and collective memory to craft decolonial narratives in unexpected ways," wrote Steven Loft, Vice-President, and Michelle LaVallee, Director, Indigenous Ways and Curatorial Initiatives, of Indigenous Ways and Decolonization at the NGC, in their introduction to the exhibition catalogue. Organized by the National Gallery of Canada and curated by Rachelle Dickenson, Associate Curator, from the Indigenous Ways and Decolonization Department at the NGC, with the artist and Gallery staff, Nadia Myre: Waves of Want brings together more than 60 works from various collections and sparks reflection and dialogue on how we navigate our histories through art, archive and language. Presented for the first time ever in Canada is Your Waves of Want Wash Over Us (2024), an almost 9-meter-long installation made of a series of tubular, curved ceramics forms affixed to the wall that Nadia Myre created in France. With this work, from which the title of the exhibition is inspired, Myre uses different forms of communication to convey the complicated relationships between colonialism and Indigenous nationhood, as well as between people. Among other key works on view is History in Two Parts (2000), a canoe made of birch bark and aluminum that the artist recently restored at the Gallery with artist Pinock aka Daniel Smith, also a member of the Kitigan Zibi Anishinabeg First Nation. A video she created shortly after the canoe, titled Portrait in Motion, is also on view in the last gallery of the exhibition. It is a portrait of Myre's rejection of the Western gaze to subvert romanticized notions of Indigenous people. Most of the art works on display in Nadia Myre: Waves of Want are drawn from the artist's personal collection. Other works on view are from the National Gallery of Canada's collection (5), the Eiteljorg Museum of American Indians and Western Art, Indianapolis, US and the Montreal Museum of Fine Arts. Catalogue A richly illustrated catalogue with essays accompanies the exhibition Nadia Myre: Waves of Want. The 176—pages softcover comprises essays by Guy Sioui Durand and Marie-Ève Beaupré and is available at the Boutique and online. Public programs A shared space, Giiwitaashkodeng | Kahwá:tsire—the Gathering of all Embers, is connecting the exhibitions Skawennati: Welcome to the Dreamhouse and Nadia Myre: Waves of Want, both presented at the same time. This gathering space is for coming together, learning and reflecting on both exhibitions. In Giiwitaashkodeng | Kahwá:tsire, visitors are invited to leave their reflections on the exhibitions as part of the community fire and create their own wallpaper designs and paper dolls inspired by the works of Skawennati and Nadia Myre. Additional learning activities planned include beading workshops with Ojibwe artist Amanda Fox, miniature birch bark canoe workshop with Algonquin artisan Pinock (Daniel Smith), special meet the artist tours, and ongoing tours with interpreters. Visit for more details. About the National Gallery of Canada Founded in 1880, the National Gallery of Canada is among the world's most respected art institutions. As a national museum, we exist to serve all Canadians, no matter where they live. We do this by sharing our collection, exhibitions and public programming widely. We create dynamic experiences that allow for new ways of seeing ourselves and each other through the visual arts, while centering Indigenous ways of knowing and being. Our mandate is to develop, preserve and present a collection for the learning and enjoyment of all—now and for generations to come. We are home to more than 90,000 works, including one of the finest collections of Indigenous and Canadian art, major works from the 14 th to the 21 st century and extensive library and archival holdings.
Yahoo
4 days ago
- Politics
- Yahoo
Nadia Myre: Waves of Want
Presented in conjunction with the Gallery's new Skawennati solo exhibition OTTAWA, ON, May 28, 2025 /CNW/ - From May 30 to September 1, 2025, the National Gallery of Canada (NGC) presents Nadia Myre: Waves of Want, a solo exhibition that looks at the artistic and critical process of interdisciplinary artist Nadia Myre from over two decades, including new works recently created in France and in Scotland. Born in Montreal, Myre is a member of the Algonquin Kitigan Zibi Anishinabeg Nation. The artist—a 2014 Sobey Art Award winner—uses a wide range of media (film, sculpture installation, audio, drawing, beadwork, photography, poetry and leather works) to tell stories that span generations. "Nadia Myre is an internationally recognized artist, celebrated with multiple national arts awards over many years of active practice," said Jean-François Bélisle, Director & CEO, National Gallery of Canada. "Her works shape elegant and uneasy questions and reflections about coloniality and Indigenous sovereignty, and the materials that have shaped those experiences. The National Gallery of Canada is proud to present visitors with artistic experiences that reflect our ongoing challenges and opportunities as a society and as a culture." "Nadia Myre's artworks embody gestures of decolonization, both literally and figuratively, recording observations and injustice amidst the intersections of cultures, languages and identities. Enigmatic, thoughtful and perceptive, Myre mines personal and collective memory to craft decolonial narratives in unexpected ways," wrote Steven Loft, Vice-President, and Michelle LaVallee, Director, Indigenous Ways and Curatorial Initiatives, of Indigenous Ways and Decolonization at the NGC, in their introduction to the exhibition catalogue. Organized by the National Gallery of Canada and curated by Rachelle Dickenson, Associate Curator, from the Indigenous Ways and Decolonization Department at the NGC, with the artist and Gallery staff, Nadia Myre: Waves of Want brings together more than 60 works from various collections and sparks reflection and dialogue on how we navigate our histories through art, archive and language. Presented for the first time ever in Canada is Your Waves of Want Wash Over Us (2024), an almost 9-meter-long installation made of a series of tubular, curved ceramics forms affixed to the wall that Nadia Myre created in France. With this work, from which the title of the exhibition is inspired, Myre uses different forms of communication to convey the complicated relationships between colonialism and Indigenous nationhood, as well as between people. Among other key works on view is History in Two Parts (2000), a canoe made of birch bark and aluminum that the artist recently restored at the Gallery with artist Pinock aka Daniel Smith, also a member of the Kitigan Zibi Anishinabeg First Nation. A video she created shortly after the canoe, titled Portrait in Motion, is also on view in the last gallery of the exhibition. It is a portrait of Myre's rejection of the Western gaze to subvert romanticized notions of Indigenous people. Most of the art works on display in Nadia Myre: Waves of Want are drawn from the artist's personal collection. Other works on view are from the National Gallery of Canada's collection (5), the Eiteljorg Museum of American Indians and Western Art, Indianapolis, US and the Montreal Museum of Fine Arts. Catalogue A richly illustrated catalogue with essays accompanies the exhibition Nadia Myre: Waves of Want. The 176—pages softcover comprises essays by Guy Sioui Durand and Marie-Ève Beaupré and is available at the Boutique and online. Public programs A shared space, Giiwitaashkodeng | Kahwá:tsire—the Gathering of all Embers, is connecting the exhibitions Skawennati: Welcome to the Dreamhouse and Nadia Myre: Waves of Want, both presented at the same time. This gathering space is for coming together, learning and reflecting on both exhibitions. In Giiwitaashkodeng | Kahwá:tsire, visitors are invited to leave their reflections on the exhibitions as part of the community fire and create their own wallpaper designs and paper dolls inspired by the works of Skawennati and Nadia Myre. Additional learning activities planned include beading workshops with Ojibwe artist Amanda Fox, miniature birch bark canoe workshop with Algonquin artisan Pinock (Daniel Smith), special meet the artist tours, and ongoing tours with interpreters. Visit for more details. About the National Gallery of Canada Founded in 1880, the National Gallery of Canada is among the world's most respected art institutions. As a national museum, we exist to serve all Canadians, no matter where they live. We do this by sharing our collection, exhibitions and public programming widely. We create dynamic experiences that allow for new ways of seeing ourselves and each other through the visual arts, while centering Indigenous ways of knowing and being. Our mandate is to develop, preserve and present a collection for the learning and enjoyment of all—now and for generations to come. We are home to more than 90,000 works, including one of the finest collections of Indigenous and Canadian art, major works from the 14th to the 21st century and extensive library and archival holdings. Ankosé – Everything is connected – Tout est relié SOURCE National Gallery of Canada View original content to download multimedia:
