logo
#

Latest news with #NIOD

Dutch Municipalities Criticize Human Rights Violations in Gaza
Dutch Municipalities Criticize Human Rights Violations in Gaza

Leaders

time16-05-2025

  • Politics
  • Leaders

Dutch Municipalities Criticize Human Rights Violations in Gaza

Several Dutch municipalities have supported Amsterdam Mayor Femke Halsema who urged the government to hold Israel to account over its war in Gaza, according to Dutch News. Amsterdam City 'It is not without reason that the NIOD and many independent human rights organizations speak of genocidal violence. We must leave the political difference of opinion behind us,' Halsema said to the Amsterdam city council earlier this week. Halsema noted that when it comes to human rights there can be no double standards. 'That means that Hamas must be prosecuted, that means antisemitism must always and everywhere be fought. And it also means that the international community, Europe and the Netherlands must stand side by side with innocent Palestinians and Gazans who are being killed,' she added. Furthermore, the mayor said that she would take a step and send a letter to the Dutch government urging ministers to take actions against the ongoing war in Gaza. Utrecht city Importantly, Utrecht city council adopted a suggestion last week advising politicians to 'use the right words', stating that the council itself had been so hesitant regarding the use of the word 'genocide' in any contexts related to Gaza. Normally, it is not up to the municipality to speak out about international politics, but the terrible situation in Gaza and the violation of the ceasefire by Israel touches the hearts of our residents,' Utrecht Mayor Sharon Dijksma said. Katwijk Municipality Meanwhile, the group Christen voor Israël organized an event in the seaside resort of Katwijk to mark the creation of the state 77 years ago. However, a group of counter demonstrators gathered outside the church and there were several clashes, and the police arrested some of the demonstrators. Leiden City Leiden Mayor Peter Heijkoop said it was time for the government to take a firmer position. 'Israel has the right to defend itself,' he told Nieuwsuur. 'But that right has limits. In the counter-reaction from the state of Israel, proportionality and humanity are now hard to find. And by bombing civilian targets and refusing emergency aid, the state of Israel is completely overstepping the boundaries.' Related Topics: Spanish PM Calls Israel 'Genocidal State', Ambassador Summoned for Reprimand Macron Accuses Israel of Committing 'Shameful and Disgraceful' Actions in Gaza Palestinian VP Discusses Gaza War with Qatari PM Short link : Post Views: 103

‘In plain sight': How The Hague museum was secret hideout from Nazi forced labour
‘In plain sight': How The Hague museum was secret hideout from Nazi forced labour

The Guardian

time13-03-2025

  • General
  • The Guardian

‘In plain sight': How The Hague museum was secret hideout from Nazi forced labour

The 13-year-old boy answered the doorbell. 'Tell your dad I'm here,' said a man, who stored his bicycle and then disappeared upstairs. It was 1944, and right under the noses of Nazi command, people were hiding in the attic of The Hague's Mauritshuis museum from forced labour conscription – Arbeitseinsatz – under which hundreds of thousands of citizens from the Nazi-occupied Netherlands were conscripted to work in Germany. The memories of 93-year-old Menno de Groot – a Dutch-Canadian who was that young boy – form an extraordinary part of a book and an exhibition of the secret history of the Dutch museum during the second world war. 'He must have gone all the way to the attic,' de Groot tells his granddaughter Kella Flach in a video for the exhibition, referring to the man who he assumed had arrived to go into hiding. 'I don't know how many were up there. I have no idea how they lived up there, how they got there.' The chance find of a logbook by de Groot's father, Mense de Groot, an administrator who from 1942 lived in the Mauritshuis museum with his wife and children, including Menno, inspired researchers to examine the museum's history. 'People were hiding in November 1944 because of the Arbeitseinsatz, but hiding in the Mauritshuis was hiding in plain sight,' Quentin Buvelot, a researcher and curator, said. 'It was a house in the storm.' Sign up to Headlines Europe A digest of the morning's main headlines from the Europe edition emailed direct to you every week day after newsletter promotion Art from the museum, including Johannes Vermeer's Girl With a Pearl Earring, was first hidden in a bomb-proof bunker underneath the building and later stored in locations around the Netherlands. The German-born museum director Wilhelm Martin played a careful role, allowing the Nazis five propaganda exhibitions while also quietly resisting. A newly discovered note on Martin's retirement in 1953 revealed he was involved in supporting people who had gone undercover on Assendelftstraat and in the museum. 'Martin doesn't say how many, but he says that on a daily basis, 36 loaves of bread were delivered … And we also found [an expenses claim] for a first-class carriage to Maastricht, where he went with the Girl With a Pearl Earring under his arm on 11 May 1942,' said Buvelot. Secret concerts were also held in the museum's basement between 1942 and 1944, according to Frank van Vree, an author and researcher at the NIOD institute for War, Holocaust and Genocide Studies. 'They were held to support musicians who were cornered by their resistance to German measures, especially compulsory membership of the Nazi Kultuurkamer,' he said. 'People who refused to become members were out of work.' Mense de Groot, who was hired to work at the museum when the janitor retired, also worked for the resistance. 'He usually got Trouw, an underground newspaper,' Menno de Groot says in the exhibition. 'And my dad, he copied them, made more copies. 'Menno, are you ready? I've got 25 here.' I folded them up small, then I put them under my shirt and went to where people were living and distributed them.' Life under occupation was a series of difficult choices, according to Eelke Muller, a historian and NIOD specialist in looted art. 'There was little knowledge [before this research] about how culture could be a political instrument for resistance from the Netherlands but also a strong ideological instrument for the occupier,' she said. 'Every museum, every civil servant in times of war was confronted with huge dilemmas: do you choose principled resistance, enthusiastically get behind Nazi ideas, or are you somewhere in the middle?' Raymund Schütz, a historian and researcher at The Hague city archives, said while important archives are only partially open due to privacy concerns, oral history still reveals surprising stories. 'This was the political centre of the city, the spider in the web of the occupying authorities,' he said. 'But sometimes the lion's den is a good place to hide.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store