Latest news with #NamakHalaal
Time of India
5 hours ago
- Entertainment
- Time of India
Amitabh Bachchan once revealed that Smita Patil had a bad dream about him just one day before his near-fatal accident during ‘Coolie': ‘Around 2 am I received call…'
Back in 1982, while shooting for Manmohan Desai 's hit film 'Coolie' in Bangalore, Amitabh Bachchan suffered a near-fatal accident during an action scene. The injury was so serious that it took him several months to fully recover. Years later, the megastar revealed a surprising story about actress Smita Patil that happened just a day before this life-changing incident. A late-night call from Smita Patil In 2015, speaking at the launch of the book 'Smita Patil: A Brief Incandescence', Bachchan recalled an unusual phone call he received in the middle of the night. 'I was in Bangalore shooting for 'Coolie' once. Late into the night at around 2 am I received call in my hotel room. The receptionist informed me that it was Smita Patil on the line. I was shocked as I had never spoken or talked to her at such a time. Thinking that it would be important one, I answered,' Big B said. Smita had a bad dream about Amitabh During that unexpected conversation, Smita asked about his wellbeing. 'Smita asked me if I was alright and in good health. I answered yes and she said that she just had a bad dream about me and that's the reason behind calling up so late in the night. The next day I had my accident,' he said. Films they shared the screen in Smita Patil and Amitabh Bachchan worked together in several films, creating memorable on-screen moments. Some of these include 'Namak Halaal' and 'Shakti'. Smita Patil's untimely and tragic passing Smita Patil passed away on 13 December 1986 due to complications from childbirth. Her career may have been short, but her talent and presence left a lasting mark on Indian cinema.
Time of India
6 days ago
- Entertainment
- Time of India
Wednesday Season 2: Twitterati ask if Jenna Ortega copied Amitabh Bachchan's choreography from 'Namak Halaal' song Ke Pag Ghunghroo Bandh Meera
Wednesday Addams is back, and fans are celebrating a 'woeful' Wednesday with the release of Season 2. As fans around the globe tune in to catch Part 1 of the second season, some desi fans came up with a rather creative way to celebrate the series' return after a three-year wait. Tired of too many ads? go ad free now Who Did It Better? A video doing the rounds on social media brought back 's hit dance choreography from Season 1. Interestingly, the clip features Jenna as Wednesday, pulling off a similar choreography to 's dance moves in the classic Hindi film Namak Halaal. Social media was abuzz with comparisons, as fans on Twitter drew striking parallels between a dance sequences. Wednesday Addams | Dance Scene | Netflix While Ortega's dance routine became a trend, eagle-eyed fans noticed similarities to Bachchan's iconic performance in the hit song Ke Pag Ghunghroo Bandh Meera, sung by for the 1982 film. It's impossible to miss the quirky hand gestures and erratic footwork, between the two dance-offs. Namak Halaal - Ke Pag Ghunghroo Bandh Meera - Kishore Kumar - Chorus The video was shared with the caption, "Bachchan did it before." About Ke Pag Ghunghroo Bandh Meera Amitabh Bachchan's Ke Pag Ghunghroo Bandh Meera remains one of his iconic dance numbers in Hindi cinema. Wednesday Season 2 Twitter Reviews Meanwhile, Wednesday is back for another season and fans and critics alike have been praising Part 1 which comprises of 4 episodes. The series opened to an impressive 80% score on Rotten Tomatoes. Taking to Twitter, some reviewed the show saying, "season 2 of wednesday is so much darker than season 1 this is the type of horror/darkness i want in this show." Another said, "The second season of #Wednesday could have disappointed... After watching the first two episodes, it is clear it won't! It's fabulous!!!!!" Still another chimed in, "Wednesday season 2 spoilers Ep 1 was so good, I'm already hooked in, I can't wait to see where this goes."
India.com
15-06-2025
- Entertainment
- India.com
This actress once dreamt of Amitabh Bachchan's accident, next day Big B got hospitalised due to..., her name was…
Amitabh Bachchan's near-fatal accident during the filming of his blockbuster movie Coolie remains one of the most discussed events in cinematic history. Currently, a fresh narrative regarding Amitabh Bachchan's Coolie mishap is gaining traction. Years back, on the birthday of Late Smita Patil, Amitabh Bachchan remembered how she had a sense of foreboding before his life-threatening accident. Amitabh Bachchan was filming Coolie in Bangalore when Smita Patil unexpectedly rang him at 2 am. When Smita Patil Called Big B The actor recalled and said, 'I was in Bangalore filming for Coolie.' Deep in the night, at approximately 2 am, I got a call in my hotel room. The receptionist told me that Smita Patil was on the phone. I was stunned since I had never conversed or communicated with her during that period. Believing it would be significant, I replied.' Big B further said, 'Smita inquired whether I was okay and in good health.' I replied affirmatively, and she mentioned that she had a troubling dream about me, which was why she called so late at night. 'The following day, I encountered my mishap,' The Incident That Shook the Entire Industry The following day, on July 26, 1982, Amitabh Bachchan suffered significant injuries while filming a combat sequence with actor Puneet Issar. In the scene, Puneet Issar was meant to hit Amitabh Bachchan in the stomach, but as Big B miscalculated his leap, he fell onto a table. As a result of this accident, his condition turned critical. He was promptly taken to Breach Candy Hospital, where he had multiple surgeries. Supporters nationwide offered prayers for his healing. Amitabh Bachchan's injury was so severe that he was pronounced clinically dead for several minutes before being placed on a ventilator. Reports indicate that former Prime Minister Late Rajiv Gandhi called off a visit to the United States to stay with him. At that time, Amitabh Bachchan was given 60 bottles of blood from 200 donors, and one donor tested positive for the Hepatitis B virus. Bachchan healed from the accident but learned in 2000 that the virus had caused cirrhosis of the liver, harming roughly 75% of his liver. Bachchan later shared his experience to promote awareness of the Hepatitis B vaccine. Despite the severe injury, the legendary actor made an impressive recovery and returned to filming on 7 January 1983. More About Smita Patil Smita Patil, often regarded as one of greatest and finest actresses in the history of Indian cinema, appeared in over 80 films in her short career. During this period, she featured with Amitabh Bachchan in notable films like Namak Halaal, Sharaabi, Shakti, Ghulaami and Pet Pyaar Aur Paap. Smita Patil tragically died at 31 due to childbirth complications.
Time of India
09-06-2025
- Entertainment
- Time of India
Why Bollywood keeps naming films after old songs: Ae Dil Hai Mushkil, Hai Jawaani toh Ishq Hona Hai to Om Shanti Om
In today's Bollywood, nostalgia is more than just a sentiment—it's a marketing strategy. With increasing frequency, filmmakers are borrowing from the past to craft film titles that instantly spark recognition. Tired of too many ads? go ad free now Song lyrics, cultural phrases, and classic film references are being repurposed to emotionally hook audiences before the first trailer even drops. As one industry insider quipped, 'Nostalgia sells faster than popcorn at a multiplex.' Titles That Echo Familiar Tunes It's no coincidence that many recent titles sound eerily familiar—they often are. Take Jawaani Jaaneman (2020), for example. Its name is lifted straight from the foot-tapping 1982 disco hit from Namak Halaal, a song still embedded in Bollywood's collective memory. Similarly, Zara Hatke Zara Bachke borrows from a lyric in the iconic Bombay Meri Jaan, tapping into Mumbai's cultural soul. This trend has deep roots. Titles like Yeh Jawaani Hai Deewani and Jab Tak Hai Jaan were themselves drawn from classic Bollywood songs. But in the past decade, this practice has gained renewed momentum—anchored in the belief that a familiar title creates an emotional shortcut to audience interest. Does Nostalgia Translate to Box Office Success? Not always. Jawaani Jaaneman, despite the catchy title, failed to click with audiences—earning Rs 39.1 crore on a budget of Rs 34 crore and landing as a box office disappointment. In contrast, Zara Hatke Zara Bachke became a sleeper hit, grossing Rs 115.9 crore on a Rs 40 crore budget, proving that while nostalgia may attract attention, it's the film itself that must deliver. Filmmakers are aware of this. Veteran director said in an interview with India Today that using a line from a popular song or poem is an easy way to connect—but it must organically suit the story. Tired of too many ads? go ad free now Talking to the same news portal, lyricist Swanand Kirkire, however, has been more critical, calling the trend a 'marketing gimmick' that substitutes buzz for depth. Borrowed Lyrics, Fresh Films Some upcoming and recent films reflect this nostalgia-driven titling more clearly than ever: Hai Jawaani Toh Ishq Hona Hai (2025) – The title, from the 1999 hit song Sona Sona (Biwi No. 1), returns in a 2025 remake of a 2003 film, betting on youthful exuberance and song familiarity to reconnect with today's audience. Saiyaara (2025) – Named after the poignant track from Ek Tha Tiger (2012), the film taps into the song's emotional depth to signal a romantic, introspective tone. Haseen Dillruba (2021) – This Netflix thriller uses a phrase from Namak Halaal's Jawani Janeman, suggesting classic romance, even as the film delivers a modern, darker narrative. De De Pyaar De (2019) – Borrowed from Sharaabi's (1984) beloved track, this film combined nostalgic familiarity with a fresh plot about age-gap romance, helping it achieve commercial success (Rs 143 crore worldwide). Aankhon Ki Gustakhiyan (2025) – Though inspired by a Ruskin Bond short story, the title leans on the romantic lyric from Hum Dil De Chuke Sanam (1999), priming audiences for a love story rich in emotion. Param Sundari (2025) – A clever double play, this film uses both a trending song title from Mimi (2021) and the character names (Param and Sundari), ensuring a culturally resonant hook. Teri Baaton Mein Aisa Uljha Jiya (2024): The title is borrowed from the hook line of 'Teri Baaton'—a 2004 chartbuster by Raghav Mathur. The film modernizes the phrase in a futuristic love story, using the emotional recall of the original to attract both older fans and Gen Z listeners. Om Shanti Om (2007): The title comes from the retro classic song 'Om Shanti Om' sung by Kishore Kumar in the 1980 film Karz. Farah Khan's reincarnation drama not only paid homage to 70s Bollywood but also revived the melodramatic style of that era with a modern twist. Ae Dil Hai Mushkil (2016): Inspired by the famous line from the Mukesh song 'Ae Dil Hai Mushkil Jeena Yahan' from CID (1956), Karan Johar's film explored modern heartbreak and unrequited love—an emotional theme that resonates across generations. The Nostalgia Trade-Off While nostalgia-based titles do offer instant recall, their overuse raises concerns about creative stagnation. As one trade analyst points out, 'It's the business of feelings—packaged to look familiar, sound familiar, and feel safe.' But safe doesn't always sell. If the story behind the nostalgic title fails to resonate, the familiarity quickly turns into disappointment. In essence, these titles act as emotional triggers—a kind of cinematic shorthand meant to lure viewers. But the ultimate success of a film still depends on its substance. Nostalgia might open the door, but it's the storytelling that invites audiences to stay.
Indian Express
22-05-2025
- Entertainment
- Indian Express
Amitabh Bachchan stopped Smita Patil from eating on the floor with lightmen, said ‘it makes us look bad': ‘Aap jao van mein'
Smita Patil was one of the most acclaimed actors of her generation but her untimely demise in 1986 left her fans shocked. Until then, Smita had appeared in films like Mirch Masala, Manthan, Bhoomika, Arth, and had also shared screen space with Amitabh Bachchan in films like Namak Halaal and Shakti. In a recent interview, Smita's son Prateik shared an anecdote from the set of Ramesh Sippy's Shakti when Amitabh called Smita to have a chat with her after he saw her having lunch with the lightmen on the set while sitting on the floor. In a chat shared on Varinder Chawla's YouTube channel, Prateik shared that during Shakti, which also starred Dilip Kumar and Rakhee, Smita would carry a huge lunch box from her home. During the lunch hours, she would sit on the floor, sit with all the light men and have lunch with them. 'Such a big superstar… Smita Patil, she was sitting on the floor with all the lightmen,' he said. During one of these lunch hours, Amitabh Bachchan happened to walk by and saw Smita sitting on the floor. He called her to the side and told her that her friendliness with everyone would make the others look bad, but she continued to do what she was doing. He shared, 'Amitabh Bachchan walked by and he called her to the side. He said 'listen, you are screwing it up for people like us. Tum baithte ho neeche aise sab ke sath toh hum kharab dikhte hain kyunki hum nahi karenge toh hum kharab dikhenge. Humko bhi karna padega abhi. Hum bure lag rahe hain aapki vajah se (You sit on the floor so it makes others look. Now we will also have to do it. We are looking bad because of you.)' And she was bindaas, she was like 'Aap jao van mein, main kha rahi hu (You go to your van, I'll eat like this.)'' ALSO READ | 'Don't dub Kannada movies in Hindi, don't release them pan-India': Sonu Nigam tells BJP MP Tejasvi Surya days after Bengaluru language row Smita and Amitabh shared a great professional equation. A few years ago, Amitabh shared in his blog that Smita was very 'uncomfortable' during the shoot of Namak Halaal because 'she just could not understand why she was asked to do what she was asked to do in the film.' He added, 'But she did it with a lot of personal persuasion from me and it came out fine. She was gentle and frail but stronger than anything you could ever encounter in a woman…truly a gift we lost we never should have.'
