Latest news with #NaziPropaganda
The Guardian
5 days ago
- Entertainment
- The Guardian
Goebbels and the Führer review – austere satire shows fears of Nazi high command
In an appropriate spirit of cynicism and bleakness, German director Joachim Lang has made a film about the private life of Nazi propagandist Joseph Goebbels, the Hexenmeister or chief sorcerer of lies, and his always strained relationship with Hitler. Robert Stadlober plays the preening and self-pitying Goebbels and Fritz Karl is a careworn Hitler. Franziska Weisz plays Goebbels's wife Magda, who at first resented his infidelities with showbusiness starlets but for the sake of the Fatherland submitted to the public image of a good Nazi wife and mother of six adorable children – whom Joseph and Magda finally murdered in the bunker before killing themselves. In its subversive, austerely satirical way, the film feels almost like a B-side to Oliver Hirschbiegel's Downfall from 2004, and Lang has perhaps even inhaled, just a little, the numberless internet parody memes that Downfall inspired, with English subtitles reinterpreting Hitler's impotent rage. Lang's film shows us the fears and misgivings that quite senior Nazis had until late in the war, and is perhaps also in the spirit of The Zone of Interest; that is, the Martin Amis novel, whose knowing, ironised dialogue and drama was mostly excised by Jonathan Glazer for his film version. Goebbels and the Führer is a project which has apparently arisen from two of Lang's previous films. The first, on which he is credited as a writer, was a documentary-drama about the hideous antisemitic propaganda film Jud Süss. The second, which he directed, was about the German screen actor Heinrich George, who acted in the preposterous and delusional propaganda film Kolberg, released in 1945, about German forces' heroic defence against Napoleonic soldiers (Goebbels, incredibly, assigned legions of soldiers as extras to the latter). Both films are mentioned here, and Lang's script sharply reminds us that Jud Süss was embarrassingly praised by the young Michelangelo Antonioni at the time. Lang's new drama is a movie showing Goebbels's work as a propagandist was never done. In addition, behind the theatrical display of ecstatic loyalty, the German public, and many of the high command, were in fact just as nervous about war before Munich as the British and French. The same people were very glad to hear of appeasement, very glad to hear of the Molotov-Ribbentrop pact and aghast to hear of the Soviet invasion and the unwinnable two-front war that Hitler had embraced. It was Goebbels's job to soothe their fears, to create a subhuman identity for Germany's enemies with repeated lies and provide a comforting illusion of imminent victory in which he, Hitler and everyone came to believe. The film shrewdly mixes real archive footage with dramatic dialogue scenes, in which Lang has added genuine language from historical documents. Lang also cleverly shows us what looked like a slip of the tongue in a Goebbels speech, in which he stumbled over a single crucial word, promising Germany the '… exter – exclusion … ' of Jews. The film suggests that this was a deliberate feint on Goebbels's part, preparing Germany to accept, subconsciously, the idea that extermination must follow the milder idea of exclusion. Perhaps there can be nothing totally new to say on film about Hitler and nazism, but Lang is interesting on the hidden disbelief and fear that existed among the leaders. Yet the film cannot quite bring itself to show us that grotesque inversion of Goebbels's Aryan-family sentimentality: the murder of his children. Goebbels and the Führer is in UK cinemas from 6 June.
Times
20-05-2025
- Entertainment
- Times
Marie Najer obituary: Black German child actress in Nazi films
When Joseph Goebbels, the German propaganda minister, needed a black child to act in Nazi films, he personally excused 12-year-old Marie Najer from her Hamburg school for 14 days. 'Now I'll be a real movie star,' she thought. She arrived alone in Berlin to play a servant girl in Josef von Báky's Münchhausen (1943). 'We had very nice costumes with a huge duster, like a fan, and we had to fan the ladies with fresh air. So we were basically the idiots,' she told Jermain Raffington in a video interview. At that age she did not consider herself part of Nazi propaganda. 'I just thought, 'How nice, that we're being integrated into the films',' she said. 'I did not realise what this was actually about.
Daily Mail
13-05-2025
- Politics
- Daily Mail
Gary Lineker DELETES pro-Palestine video featuring a rat emoji after critics draw parallels with Nazi propaganda and BBC are urged to SACK him
Gary Lineker has deleted a pro-Palestine video he shared online featuring a rat emoji after facing a backlash over parallels with Nazi propaganda. The BBC has also faced calls to fire the ex-England captain, 64, who is stepping down from presenting Match Of The Day this summer but is still due to front the corporation's coverage of next year's World Cup. The ex-footballer, a vocal critic of Israel's war in Gaza, earlier shared to his 'Stories' reel footage originating with the pro-Palestine group Palestine Lobby. The cartoon image of a rat was seen on screen throughout, above the video in which Canadian-Palestinian lawyer Diana Buttu attacks Israel 's war in Gaza. Disgusted users on X shared his post to on the social media platform, formerly known as Twitter - and a former BBC Director of Television demanded action from the corporation over the 'utterly grim' content he said 'echoes Nazi propaganda'. Screenshots of Lineker's shared video were immediately flagged as posts which 'may violate X's rules against Hateful Conduct'. Images of rats and other vermin were regularly used as tropes by Nazi Germany to depict Jewish people, as many of Lineker's critics today have pointed out. There has been no comment yet from Lineker nor his representatives in response to today's criticism, while BBC sources highlighted how his post had now been deleted - having remained on his Instagram profile page this morning. The Match Of The Day presenter and former England football captain posted a reel originating with the pro-Palestine group Palestine Lobby The BBC is facing mounting calls for Gary Lineker to go in response to the new controversy Jewish groups have been among those condemning his post and calling for the BBC to end any association with him, with charity Campaign Against Antisemitism posting on X: 'Nothing to see here. Just Gary Lineker's Instagram account sharing an anti-Israel video misrepresenting Zionism, complete with a rat emoji.' A CAA spokesperson later told MailOnline: 'Gary Lineker really has the worst luck when it comes to campaigning for his causes without aligning himself with extremists and antisemites. 'Not only does this video deliberately misrepresent Zionism - the belief that Jews have the same right to self-determination as everyone else - but it adds a rat emoji in doing so. 'Why is it that Gary Lineker keeps sharing content on social media that seems to cater to Jew-haters? Perhaps Mr Lineker is not as naive as he would like us to believe. 'As the BBC's highest-paid presenter and owner of a major media enterprise, maybe he knows exactly what he's doing. We will be submitting a complaint to the BBC over this latest post. 'However, we all know that, no matter how appalling Mr Lineker's output, the BBC will perform all sorts of mental gymnastics to look the other way. When it comes to Jews, it seems that our national broadcaster believes that the usual standards simply don't apply.' Danny Cohen, former Director of BBC Television, this afternoon said: 'Gary Lineker appears to have shared content about the Jewish State which echoes Nazi propaganda. This is utterly grim. 'The BBC's Director General Tim Davie has a simple question to answer: does he tolerate the BBC's flagship presenters sharing content that has historically been used as an anti-Semitic slur?' A spokesperson for the Board of Deputies of British Jews said: 'The BBC has allowed the situation with Gary Lineker to continue for far too long. 'He has caused great offence with this video – particularly with his egregious use of a rat emoji to illustrate Zionists. 'The BBC should ask him to leave now rather than allowing him to dictate his own terms.' MailOnline has contacted Lineker's representatives for comment, with one agency working on his behalf saying it was for the other one to respond. There were also requests for comment from the BBC and the group Palestine Lobby that initially posted the video reel. The BBC responded by highlighting the corporation's 'Editorial Guidelines' document, posted online, covering employees' 'Personal Use of Social Media, which had been updated in 2023 - suggesting he had not broken the rules. Lineker himself said in February last year at a Broadcasting Press Guild event: 'I know the guidelines really well. I was partly involved in drawing them up. 'I know the guidelines inside out. Obviously the new guidelines actually now allow you much more freedom to tweet. We're allowed opinions and other stuff.' The charity Campaign Against Antisemitism has been among critics of the latest video shared - while many other X users have also been condemning Lineker's post A backlash has been continuing today against both Lineker and his BBC employers following his sharing of the video last night amid a 'Stories' compilation reel also including extracts from sporting talks on his The Rest Is Football podcast. One poster wrote on X: 'Hidden in insta stories @GaryLineker displays exactly what he is - complete with the rat picture. @ BBC that you choose to accept his behaviour, and keep him on your payroll, is as disgusting as it is shameful.' Barrister Simon Myerson KC, who chairs the Leeds Jewish Representative Council, wondered whether Lineker would 'have the guts to explain this to Emily Damari', one of the hostages captured by Hamas in their terror attacks targeting Israel on October 7 2023. Mr Myerson added: 'I reckon not. Big man behind a keyboard mind.' Former BBC journalist Sean McGinty posted: 'The boss of the BBC, Two-tier Tim Davie, is sitting on his hands again. Is he too scared or too dim to understand what @GaryLineker is saying here? 'This antisemitic post (note the rat) on Linekar's Instagram cannot be defended. Yet he has demanded to stay to present the World Cup next year and the BBC have agreed. 'I love what the BBC once was (for all its faults) and it pains me greatly to watch it being vandalised to the point of destruction by these people for their own financial gains.' Clint Matthews wrote: 'Nothing to see here. Just @GaryLineker proudly showing his antisemitic roots.' Labour Against Antisemitism activist Emma Picken said, '@GaryLineker is an antisemite. Gross', while another poster described the video's use of a rat emoji as 'straight up Nazi rhetoric'. Author Alex Hearn accused the presenter of 'sharing classic Nazi representations of Jews as rats', adding: 'The content Gary Lineker is sharing is so toxic that just explaining it can get a "hateful conduct" label on X. Too extreme for X, but okay for the BBC.' Lineker, who played for Tottenham Hotspur, Everton and Barcelona, has previously faced controversy for his political interventions which critics claim are breaches of the BBC's impartiality rules. In January last year he said he received threats after he retweeted and later deleted a post on social media calling for Israel to be banned from international sporting events, including football. Later, speaking to news site Zeteo, he said: 'There is a lot of heavy lobbying on people to be quiet so I understand why most people refrain but I'm getting on a bit now, I'm fairly secure and I can't be silent about what's happening. 'I think it's just so, so utterly awful and now they're talking about, "Oh, it looks like it's happening, going into Rafah", where they've sent everybody down there. 'So I don't see how you can be - it's not antisemitic to say that what Israel is doing is wrong. I just can't see how everybody doesn't see it that way now. 'But whatever the cause, whatever started it - we all know that the history of this area of the world goes way before October 7. But it's truly dreadful what's happening. And I cry on a regular basis when I see certain images on social media.' Lineker also told the Broadcasting Press Guild event in February last year: 'We have been getting a lot more leeway now, which is a good thing. I am always sensible.' He also claimed that he now rarely used X as it had become 'increasingly toxic'. He told the gathering of journalists that people should step away from the platform to save their mental health. He said: 'It's always been a bit of a cesspit but it has become increasingly toxic and you can't have nuanced conversations on there anymore and debates. 'So I have kind of stepped away from that side of things.' He also said the BBC 'love' him being on the social media platform to 'promote their shows'. While his Instagram post has prompted this latest controversy, his recent contributions on X have been dominated by promotions for episodes from his Goalhanger podcast firm including The Rest Is Football that he presents.
News.com.au
12-05-2025
- Politics
- News.com.au
Nazi files found in champagne crates in Argentine court basement
A hoard of World War II-era Nazi propaganda and membership documents has been unearthed in the basement of Argentina's Supreme Court, where it has lain, stashed in champagne crates, since 1941. Seven crates containing postcards, photographs, Nazi propaganda, notebooks and party membership documents were found by staff in the process of moving non-digitized archive material, the court said Monday of the "discovery of global significance." A staffer who peeped into one of the crates found material "intended to consolidate and propagate Adolf Hitler's ideology in Argentina," said a court statement. The rest of the boxes were opened last Friday in the presence of the chief rabbi of the Argentine Israelite Mutual Association (AMIA) and officials of the Buenos Aires Holocaust Museum. Argentina has the largest Jewish community in Latin America, but was also the preferred destination for several top Nazis who fled Germany after the wartime genocide of six million European Jews. "Given the historical relevance of the find and the potential crucial information it could contain to clarify events related to the Holocaust, the president of the Supreme Court, Horacio Rosatti, ordered an exhaustive survey of all the material found," the court said. "The main objective is to... determine if the material contains crucial information about the Holocaust and if any clues found can shed light on aspects still unknown, such as the route of Nazi money at a global level," it added. The crates, sent from the German diplomatic mission in Japan to the embassy in Buenos Aires, arrived in Argentina in June 1941 on a Japanese cargo ship. German diplomats in Argentina claimed they contained personal effects, but the shipment was held up by customs and became the subject of a probe by a special commission on "anti-Argentine activities." A judge later ordered the seizure of the materials, and the matter ended up before the Supreme Court, which took possession of the crates. After World War II, Argentina became a haven for Nazis -- thousands of whom are believed to have fled there, according to the Simon Wiesenthal Center, a Jewish rights group. They included top war criminals such as Adolf Eichmann -- considered a key architect of Hitler's plan to exterminate Europe's Jews. He was captured in Buenos Aires in 1960 and sent to Israel where he was tried and executed. Nazi doctor Josef Mengele, too, hid away in Argentina before fleeing to Paraguay and later Brazil, where he died. Argentina's Jewish population was the target of a bombing in 1994 of the AMIA center that killed 85 people and injured 300, just two years after the bombing of the Israeli embassy in Buenos Aires claimed 29 lives.
Times
09-05-2025
- Entertainment
- Times
Riefenstahl — a devastating, five-star portrait of Hitler's propagandist
★★★★★It's not often that films get better on a second viewing, but this dense, challenging and intellectually rigorous documentary about 'Hitler's favourite film-maker' Leni Riefenstahl is one of those exceptions. I gave it a four-star rave when I saw it last year at the heady, buzzy Venice Film Festival. But a subsequent, and more composed, encounter reveals even greater depths and bolder ambition from the German writer-director Andres Veiel. He has delivered an expansive work about the woman behind the Nazi blockbusters Triumph of the Will and Olympia, and someone who was counted as, according to the diaries of Joseph Goebbels, a 'friend' of Hitler and his propaganda minister. It's a disturbing film that knits together previous Riefenstahl profiles (including TV interviews, newsreel
