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‘If I were Orlando Pirates coach, I'd let it loose,' says Pirates coach lookalike, actor Mbulelo Grootboom
‘If I were Orlando Pirates coach, I'd let it loose,' says Pirates coach lookalike, actor Mbulelo Grootboom

The Citizen

time26-06-2025

  • Entertainment
  • The Citizen

‘If I were Orlando Pirates coach, I'd let it loose,' says Pirates coach lookalike, actor Mbulelo Grootboom

One of the jokes that gained traction after Ouaddou's appointment was that he resembles actor Mbulelo Grootboom. Some people have said that new Orlando Pirats coach Abdeslam Ouaddou and actor Mbulelo Grootboom lookalike. Pictures: @Nemza007 (X) and Mbulelo Grootboom (Facebook) Soon after the dust settled on Orlando Pirates hiring Moroccan coach Abdeslam Ouaddou—rather than the widely expected Rhulani Mokwena—social media users began trolling Ouaddou for being relatively unknown in South Africa. One of the jokes that gained traction after Ouaddou's appointment was that he resembles South African actor Mbulelo Grootboom. 'The comparison between me and the Orlando Pirates coach is really hilarious,' a giggling Grootboom tells The Citizen. The actor, whom many would know from TV shows such as Gqeberha: The Empire, said he has also found the joke quite humbling. 'Because now I'm the meme or the laughing stock of the country, which I know is a joke. I find that really humbling and honouring that people are laughing because of me. I love it,' he said, admitting that there are some similarities between the two. '…our facial structures because of the cheekbones and all of that, other than that, the guy doesn't really look like me. But I understand, I see why people would think he looks like me.' ALSO READ: Pirates announce surprise new head coach! I'd let Pirates loose Grootboom, an ardent Kaizer Chiefs supporter, says if he were the Pirates coach, he'd sabotage the club. 'I know 'hate' is a strong word, but Pirates, I hate Pirates because of the rivalry between Kaizer Chiefs and Pirates.' 'If I were the Orlando Pirates coach, I'd let it loose because I'm a diehard fan of Kaizer Chiefs. Even though at some point I stopped watching South African soccer because Kaizer Chiefs kept on losing, and I was tired of getting my heart broken because of Kaizer Chiefs,' says Grootboom. To shield himself from further heartbreak from the Chiefs' consistently disappointing performances, he avoids watching their games. ALSO READ: From heartbreak to triumph: Amanda Seome's journey to starring in Shaka iLembe's Ndwandwe clan Grootboom on Niggies Grootboom is part of the cast of the Afrikaans drama Niggies, which airs on KykNET, playing the role of Samuel. 'Bing part of Niggies was really amazing. Working with a stellar cast, the actors who were there are people who I've wanted to work with and some I've worked with before. The work that they put in, the artistry, the craft is off the charts,' he said. He said he also enjoyed working with show director Jaco Bouwer, whom he's previously worked with in theatre. Niggies explores the real-life story of the 1966 kidnapping and murder of young Issie Fourie and Petro Nel in the quiet town of Odendaalsrus. The case remained unsolved for 18 years. 'Also, dealing with a true-life event for me as an actor, it requires you, of which I like, to be as honest and authentic as possible. So you can't leave any stone unturned because you're talking about real people's lives, you can't cut corners,' he shared. He speaks Afrikaans on the show, which has pushed him as an actor. 'I learnt a lot from that because when I do a project, I always want to learn something of it.' ALSO READ: Malik Yoba talks Kings of Joburg, his first African film experience, and more Grootboom the diverse actor He has demonstrated his versatility throughout his career through the various roles he has taken on. Being able to be part of a Xhosa TV show like Gqeberha and also dabble in a different market that a show like Niggies speaks to, shows his skill. 'There are more actors than jobs in South Africa, so you, as an actor, being able to be versatile like this, sets you apart from the other actors,' he says. He says he gets immersed in his characters, hence he prefers not to call himself an actor because that's akin to pretending. 'I hate when people say we're pretending. I don't pretend; I need to be in it, my heart and soul.' He is not pedantic about being seen as an on-camera actor or a thespian in the theatre, although he admits that when he was young, he'd be more excited about being on stage. 'They are different mediums, but the approach for me is still the same. The theatre is obviously live, whatever mistakes you make in theatre, you must improvise-that's the exciting part of theatre,' he says. 'But then, television, there's a camera, you can cut…but television or camera is more nuanced, it's more immediate, as theatre, but the camera is more nuanced because the camera is here, and you can't lie to the camera. The camera will always pick up if you're not honest about what you're doing.' He admits a love for both mediums. He spoke to The Citizen while filming the eTV show Kelders Van Geheime, a Xhosa and Afrikaans drama. 'I'm at a point in my career now where I'm playing father roles, which I appreciate,' says Grootboom, who plays the role of a father with two sons on the show. NOW READ: Hungani and Stephanie confirm divorce, request privacy, grace, and compassion

Diving deep into trauma: Beer Adriaanse unpacks his gripping role in 'Niggies'
Diving deep into trauma: Beer Adriaanse unpacks his gripping role in 'Niggies'

IOL News

time27-05-2025

  • Entertainment
  • IOL News

Diving deep into trauma: Beer Adriaanse unpacks his gripping role in 'Niggies'

Beer Adriaanse as Andre in the riveting Afrikaans drama, 'Niggies'. Image: Supplied Beer Adriaanse, one of the 'Niggies' lead stars, has been celebrating some major milestones recently. This week marks the 40th birthday of the Silwerskerm winner, a celebration that coincides with the conclusion of the debut season of the captivating kykNET series. The show has garnered a nationwide following since its premiere in March. The inaugural season of the Afrikaans show, which sees Adriaanse play Andre, a man who goes to extraordinary lengths as he seeks vengeance over the kidnapping and murder of his younger brother (portrayed by Janru Steenkamp), dropped its final episode on Tuesday, May 20. And while the actor has been earning legions of fans for his work on productions such as "Hotel" and 'Fynskrif', what makes this role even more special for him is that it's his first foray out of comedy. Beer Adriaanse in a scene from 'Niggies'. Image: Supplied 'I've mostly been in comedy projects or at least portrayed characters that lean towards comic relief, so this was virgin territory for me,' he admitted during an interview with 'Independent Media Lifestyle.' 'Niggies' is inspired by the harrowing case of cousins Issie Fourie and Petro Nel who were raped and shot dead in 1966 in an abandoned mine building outside Odendaalsrus in the Free State. This was after they disappeared after leaving to swim at the municipal pool. The series is directed by South African Film and Television Awards (Saftas) winner Jaco Bouwer, and the rest of the cast includes Carel Nel, Jacques Bessenger, Erica Wessels, Tinarie van Wyk Loots, Jane de Wet and Albert Pretorius. Apart from 'being moved' by the story, Adriaanse admitted that it was also the show's stars which drew him to this production. 'The cast are some of my favourite actors in the world, and I could feel that everyone on the team felt like we were trying to make something meaningful, which is usually what tips me over into joining a project.' As he attempted to step out of his comedy comfort zone, Adriaanse said that he understood the responsibility which came with such a role, due to the dark and sensitive themes which it explores. 'I've never been this deep into a true story and underestimated the weight and responsibility that brings to the process. I've also never had to play a father and found the young talent, and playing off of them, very refreshing. To see them grapple with the themes, just like I was, was very moving.' He was also excited to flex his acting muscles and slip into the skin of a character from previous decades. 'To be honest, the chance to play in the 60's was also an opportunity that doesn't come along often - it being very' expensive to recreate prior eras in South Africa " - so that also sweetened the deal. He added that other themes which drew him to 'Niggies' was 'the concept of the communal and familial confrontation of major trauma and how its end reverberates through time.' 'It's such a universal theme, especially in South Africa, where violence is always so palpable and near.' Adriaanse described his character as 'the worst example of youth interrupted.' 'Andre embodies the jovial boy he was, who would've grown into the much-loved life of the party but who must now struggle through not only the shame of that day but also the traumas of his country's violent nature as a policeman.' Beer Adriaanse in 'Niggies'. Image: Supplied. On the similarities and differences he shares with his character, he explained: 'From reading the texts and especially the 16-year-old Andre's storyline, I immediately understood his shame, that feeling of having disappointed someone, or even worse, having ruined their lives and not knowing how to fix it.' 'We're similar in that if something like this had to happen to me, I would've also not been able to let it go. "Like Andre, I also prefer to acknowledge the darkness in the world. It helps me to know it's there, but unlike him, I then actively seek out the light and choose to confide in other people, while he keeps it all in until it explodes.' He also believes that 'Niggies' has been such a hit because people from all walks of life are able to relate to it. 'I think that most people in South Africa carry so much more trauma than we think, that almost everybody can relate to Andre.' 'Even if you haven't felt violence yourself, you at least know someone who has. My best guess is that people see their own struggles mirrored in his desperate juggling act between holding it together or diving headfirst into the abyss.'

Horror of 1966 Free State murders rendered in remarkable forensic detail
Horror of 1966 Free State murders rendered in remarkable forensic detail

Daily Maverick

time04-05-2025

  • Entertainment
  • Daily Maverick

Horror of 1966 Free State murders rendered in remarkable forensic detail

True-crime series Niggies tells the story of the rape and murder of two 12-year-olds in 1966 Free State. It's excellent, if harrowing, viewing. The nine-part true-crime series Niggies (Cousins) is a gripping South African stand-out addition to this popular genre. The disappearance of six-year-old Joshlin Smith was the real-time backdrop for the release on 25 March on DStv Streaming (scheduled for later on Showmax) of Niggies, set in the northern Free State goldfields in 1966. The media frenzy, the fear that rippled through the community and the hunting down of suspects in Free State's Odendaalsrus is redolent of events in the Middelpos informal settlement in Diazville, Saldanha Bay, when Joshlin vanished. Two cousins, Issie Fourie and Petro Nel, both 12, disappeared after leaving to swim at the municipal pool. Later, after a massive search by police and residents, the girls were found in an abandoned building, bound, each with a shot to the back of the head. Police confirmed both girls had been violently raped. The horror Though 58 years separate the Smith and Fourie-Nel cases, they captured national attention because of the horror of these stories. The National Party, with HF Verwoerd as its leader, won a comprehensive victory in 1966, strengthening the power of the ruling party. It gained a two-thirds majority in Parliament. District Six in Cape Town was declared 'white' and in September, Communist Party member and messenger Dimitri Tsafendas assassinated Verwoerd. Niggies unpicks, in remarkable forensic detail, the impact of the tragedy of the girls' rape and murder. Lives were shattered while the case remained unsolved for 18 years. What makes Niggies – directed by the multi-award-winning innovator Jaco Bouwer – truly remarkable is the depth of the research that went into making it. Willem van der Merwe is the grandson of Gustaff and Maks Fouché, relatives of the victims and one of the families that was drawn into the triangle of intrigue, speculation and rumour. Van der Merwe hit the mother lode when he discovered old rolls of film in 2020. Several reels of 8mm film had been stored in an old school suitcase (which, it turned out, had belonged to Issie, one of the murdered cousins). Van der Merwe is the son of Poppie, daughter of Gustaff and Maks, who was six when the murders took place. The film was shot by Issie's father, Dries (Jacques Bessenger), and kept safe by his son André (played by Beer Adriaanse as the older André and stunning newcomer Janru Steenkamp as the teenager). Stellar performances Wolflight Pictures with Roelof Storm, Willem van der Merwe and Gideon Lombard produced the series, which is the first television series script by celebrated writers Saartjie Botha and Philip Rademeyer. It is edge-of-the-seat viewing. Issie's mother, Marie Fourie (Tinarie van Wyk Loots), blamed André for leaving the two girls alone at the pool to cycle around town that afternoon. André later became a police officer, vowing to catch his sister's killer/s. He died in 2010. The footage he stashed, which Van der Merwe found, delivered a goldmine of images and footage of the stunned families, and included the bloody crime scene and the sombre public funeral. Two characters helplessly drawn in by circumstance are live-in domestic worker Sophie (Peggy Tunyiswa) and farm hand Samuel Ndungane (Mbulelo Grootboom).Their portrayals are searing, as the actors are required to embody the silent burden of individuals whose own lives are in deep turmoil and plagued by poverty and loss. Prior to the cousins' decision to swim, we see Sophie serving the three families who have gathered at the large Nel home, a centrifugal point for relatives and friends. The world outside Van Wyk Loots renders a wounded and helpless Marie, who grew up in an orphanage and has just fled violence on the mines in Zambia. Her anxious and absent husband, Dries, is still en route. Marie relentlessly orders Sophie around as she quietly busies herself with chores while it dawns on all that the girls have vanished. In an early episode, a distressed child, Nthabiseng (Ropa Tatiana), sits with Sophie as she hangs up the family's laundry. The little girl is her daughter, too young to be separated from her mother but about to be sent 'back home' to live with family. The wonderful Grootboom perfectly captures Samuel's bewilderment when he is first suspected of the heinous crimes, alongside Gustaff Fouché (played with solemnity and dignity by Albert Pretorius). Fouché is targeted by other family members who regard him as 'lower class'. It is a strong writing and directional decision to insert, as a simmering subplot, Sophie, who must console and feed these families while dealing with her own longing and grief. It provides unspoken depth to the tragedy and its retelling. This is a large, accomplished ensemble cast who come to sombre life in cinematographer Chris Lotz's gorgeous Free State 1960 Kodachrome palette. Episode seven will be broadcast on 6 May on kykNET. You can binge previous episodes on DStv Stream. The show is in Afrikaans with excellent English subtitles. DM This story first appeared in our weekly Daily Maverick 168 newspaper, which is available countrywide for R35.

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