Latest news with #NightAlwaysComes'
Tom's Guide
18-07-2025
- Entertainment
- Tom's Guide
Netflix drops intense trailer for new crime thriller movie with ‘Fantastic Four's' Vanessa Kirby — and it's already on my watchlist
This summer is set to be a big one for Vanessa Kirby. She's due on the big screen next week as part of Marvel's new 'Fantastic Four' reboot, and then next month, she's headlining a buzzy new crime thriller movie on Netflix. Premiering on the world's most popular streaming service on August 15, the film in question is called 'Night Always Comes.' The movie is described as 'a propulsive odyssey of survival' by Netflix, and now that we have a trailer, it's very quickly become one of my most anticipated new releases of the summer. The trailer is a mere two minutes long, but it gives us a pretty detailed look at the movie. We see Kirby playing Lynette, a desperate but resourceful woman given a single night to scrounge up $25,000 to keep her family from being evicted, and her entire world falling apart. With the clock ticking, Lynette is forced to go to extreme lengths to get the money needed to secure her future. Based on Willy Vlautin's 2021 novel of the same name, and directed by Benjamin Caron, 'Night Always Comes' also stars Jennifer Jason Leigh, Zack Gottsagen, Stephan James, Julia Fox, Eli Roth, Randall Park and Michael Kelly. I'm especially excited to see Gottsagen appear in the cast list after his excellent performance in 2019's 'The Peanut Butter Falcon.' Alongside this intense first trailer, Netflix has also released a Tudum blog post giving us more details about the upcoming crime thriller movie. This includes an official logline: Get instant access to breaking news, the hottest reviews, great deals and helpful tips. "'Night Always Comes' follows Lynette (Kirby), a woman who risks everything to secure the house that represents a future for her family. On a dangerous odyssey through a single night, Lynette is forced to confront her dark past in order to finally break free.' The Netflix original flick has been written by Sarah Conradt, who penned last year's underrated thriller 'Mothers' Instinct' starring Anne Hathaway and Jessica Chastain, and it represents a reunion for Kirby and Caron, who previously collaborated on the popular 'The Crown' series. 'What drew me to the film was its exploration of survival and sacrifice and the idea of quiet heroism,' said Caron. 'It asks the question, 'Who gets to feel safe, and at what cost?'' Filmed and set in Portland, Oregon, the movie takes place over a single night, which should give the thriller a real sense of momentum and add to the intensity as the clock is always ticking. Plus, Kirby received an Oscar nomination for her last Netflix project, 'Pieces of a Woman,' and is also producing in this one, so I'm pretty confident in the final result. On Kirby's performance, Caron said, 'Vanessa brings a beautifully wild energy to Lynette, making the character unpredictable and deeply, deeply human. Together, we worked on creating a character who is simply not just reacting to the world, but desperately trying to wrest control of her future, even as she teeters on the edge of self-destruction.' Between its hooky premise, best-selling source material, and strong cast list, it definitely seems like 'Night Always Comes' has all the ingredients to be a Netflix hit next month, and it could be the streaming service's best shot this year of picking up some major award nominations. As noted, 'Night Always Comes' arrives on Netflix on August 15, and I'm ready to add it to my watchlist right now. If the basic setup doesn't sell you on this movie, then the gripping new trailer is sure to tip you over the edge. I've got a feeling this one could be among Netflix's best originals of the year. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
Yahoo
17-07-2025
- Entertainment
- Yahoo
‘Shari & Lamb Chop' Review: Shari Lewis and Her Most Famous Puppet Get the Star Treatment They Deserve
It's fitting that Shari Lewis, the iconic ventriloquist and puppeteer at the center of Lisa D'Apolito's winning documentary 'Shari & Lamb Chop,' never seemed to get too hung up on religion (at one point in the film, Lewis tells us that she thinks the best religious ceremony is life itself). Another person, someone more compelled by providence or divine fate or what-have-you, would likely have been been far more preoccupied with the origin story behind how they met their most famous partner, their felt-y little soulmate. For Lewis, it was thus: she was a young entertainer, appearing on an episode of 'Captain Kangaroo' in 1956, when someone commented on how heavy and unwieldy her ventriloquist dummies were for a relatively diminutive gal like her. She looked around, found a lamb puppet she (by her own, very amusing words) 'didn't know,' and the rest is history. Lewis wasn't very sentimental, but she was open-hearted, and dwelling on how she and Lamb Chop came to be wasn't exactly her thing. That suits D'Apolito's doc, which covers the majority of Lewis' life and work in less than 90 minutes, little time to dwell. More from IndieWire 'Night Always Comes' Trailer: Vanessa Kirby Tries to Save Her Family Home Over the Course of One Crime-Fueled Night Why 'I Know What You Did Last Summer' Director Jennifer Kaytin Robinson Looked to Spielberg and 'Jaws' for Inspiration But don't let that slim running time fool you: D'Apolito covers a staggering amount of ground here, much of that possible because of Lewis' special brand of candor. A straight-shooting Type-A overachiever who could do just about anything in the performing arts realm, Lewis is undoubtedly best known for her work with Lamb Chop, the wee lamb puppet with whom she shares the title of the film. Despite that seemingly blasé way the pair first met, the documentary is willing to get a bit more touchy-feely than Lewis herself, making a sterling argument that the duo were really just two pieces of one entity. That's not to say that Lewis herself didn't make that determination many times throughout her life, but again, each interview (and D'Apolito surely had a treasure trove of archival footage to raid for this) that focuses on the topic is relatively straightforward about it. That Lewis and Lamb Chop (and Hush Puppy and Charlie Horse) were part of one, greater whole is a given. Funnily enough, that attitude makes that relationship all the more special. (Still, when Lewis tells us that she went 'looking for God' in her puppets, and only found it when Lamb Chop arrived, it's one of the most touching and incredibly self-aware moments of any doc this year.) Told mostly in linear fashion (and a bit breakneck because of it), Lewis' early days alone would make for a neat feature. The daughter of a magician and a pianist, creativity was in young Shari Hurwitz's blood, but as she explains in an older interview, ventriloquism proved to be the 'most natural thing' she did. That natural proclivity led Lewis to do nothing less than forever change the face of children's television, a point made early and often throughout the doc. It's certainly not wrong. As well-known as Lewis (who passed away in 1998 at the age of 65) is for her work with Lamb Chop and friends — and, depending on your generation, either the hit '60s series 'The Shari Lewis Show' or the beloved '90s joint 'Lamb Chop's Play-Along' — D'Apolito's doc makes it clear how very much she accomplished with and without the puppets. And D'Apolito and editor Andrea Lewis (no relation) inject lots of Shari Lewis into the film, by way of a variety of archival interviews (a later one is also used as voiceover throughout the film), though these moments often leave us hungry to see more sequences of Lewis actually performing. Those are the real stunners, and a series of cleverly deployed talking head interviews (including Lewis' daughter Mallory, her sister Barbara, her assistant Mary Lou, plus starry admirers like David Copperfield and Sarah Sherman) help contextualize the full breadth of Lewis' incredible talent. Fellow puppeteer Megan Piphus Peace especially stands out, particularly when she explains just how remarkable Lewis' ability to puppet two of her creations at the same time, while also performing as herself. And who really was Shari Lewis? As the documentary chugs along through the messier moments of Lewis' life (mostly in the late '60s, after 'The Shari Lewis Show' was canceled, and then later into the '80s, when her marriage to Jeremy Tarcher was failing), we get many glimpses, but fewer answers. 'The Queen of Reinvention,' as Mallory Lewis termed her mother, tried a little bit of everything before coming back into the fold with 'Play-Along,' much of it bizarre to look back on. (Footage showing everything from Lewis and Lamb Chop appearing on 'Playboy After Dark' to Lewis dancing, quite well, with a life-sized Fred Astaire puppet must be seen to be believed.) Things picked back up in the '90s with the creation of 'Play-Along,' which most everyone believes is Lewis' real legacy and her greatest achievement. As she grew older, Lewis became even more work-focused and pinpoint-precise, laser-focused on delivering the best possible show for her best and most lasting audience: kids. Those kids? They're likely to find this documentary especially compelling, offering a new way into Shari Lewis and Lamb Chop, one that somehow delivers the facts with the kind of showmanship only Lewis could offer. Grade: B 'Shari & Lamb Chop' will be released by Kino Lorber in select theaters on Friday, July 18. Want to stay up to date on IndieWire's film and critical thoughts? to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers. Best of IndieWire The 25 Best Alfred Hitchcock Movies, Ranked Every IndieWire TV Review from 2020, Ranked by Grade from Best to Worst Solve the daily Crossword
