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Yahoo
13-05-2025
- Entertainment
- Yahoo
Southbox Entertainment, FinTech Pioneer & Entrepreneur Jon Gosier Join Psychological Thriller The Dutchman as Financing Partner
Critically Acclaimed Film Premiered at this year's SXSW Festival ATLANTA, May 12, 2025 /PRNewswire/ -- Atlanta-based film and television financing firm Southbox Entertainment has joined the upcoming psychological thriller The Dutchman as a financing partner, with its founder, Jon Gosier, stepping in as Executive Producer. A renowned tech entrepreneur and financier, Gosier is widely recognized for bridging the gap between Silicon Valley innovation and Hollywood storytelling, and this latest venture reinforces his growing impact on the entertainment industry. The Dutchman, directed and produced by Andre Gaines, is a gripping adaptation of Amiri Baraka's explosive 1964 Obie Award-winning play. Co-written by Gaines and Qasim Basir, the film features a standout cast including André Holland, Kate Mara, Zazie Beetz, Stephen McKinley Henderson, Aldis Hodge, and Lauren E. Banks. It made its world premiere at the 2025 SXSW Festival, earning widespread critical acclaim. The film tells the story of Clay, a successful Black businessman navigating an identity crisis, who encounters Lula, a mysterious white woman, in a psychologically charged encounter on a New York subway. The narrative is a haunting exploration of race, power, and societal tension—brought to life with urgent relevance for today's audiences. Jon Gosier, a former TED Fellow and one of TIME Magazine's 2015 Top Innovators, brings a rare blend of tech expertise, investment acumen, and creative sensibility to every project he touches. With his background in data science and venture capital, Gosier has become a pioneer in rethinking how films are financed, democratizing access to capital, and empowering underrepresented voices in entertainment. "Southbox was founded to be more than a checkbook—it's a strategic partner that sits at the intersection of tech, culture, and creativity," said Gosier. "By leading with early-stage equity and co-structuring deals, we unlock the potential for powerful, meaningful stories like The Dutchman to be fully realized." In 2023, Southbox announced an $80 million equity fund to support high-quality, socially resonant projects. This partnership with The Dutchman reflects that mission in action, as does the participation of FilmHedge, the debt financing platform Gosier also founded. "I'm thrilled to support Andre Gaines and this remarkable cast in bringing The Dutchman to the screen," added Gosier. "It's a daring and necessary story that exemplifies why Southbox exists—to fuel stories that challenge, inspire, and resonate." "Jon's pioneering approach to financing and his vision for elevating culturally significant work made him the ideal partner," said director/producer Andre Gaines. "We're honored to have Southbox on board and look forward to future collaborations." About Southbox Entertainment LLCSouthbox Entertainment is a film and television financing company based in Atlanta, Georgia. Founded by visionary tech investor and entrepreneur Jon Gosier, Southbox empowers storytellers through early-stage equity financing. As a sister company to FilmHedge, Southbox is helping redefine the future of entertainment finance—bridging Wall Street, Hollywood, and the innovation economy. Contact:Andrea Hoffman***@ Photo(s): Press release distributed by PRLog View original content: SOURCE Culture Shift Labs


New York Times
04-04-2025
- Entertainment
- New York Times
13 Off Broadway Shows to Tempt You in April
Theater in New York is nearing its seasonal crescendo, with stages Off Broadway and beyond teeming with activity. Of the many notable productions happening in April, here is a baker's dozen to tantalize you. The composer-lyricist Adam Gwon, best known for the chamber musical 'Ordinary Days' and more recently for the charming 'Macbeth' riff 'Scotland, PA,' sets his new musical in the 1990s in a conservative small town, where a gay high school teacher is helping a student to prepare for a statewide theater competition. With a cast of four that includes Elizabeth Stanley ('Jagged Little Pill'), Jonathan Silverstein directs for Keen Company — his swan-song production as artistic director of the theater, which commissioned this musical. (Through May 10, Theater Row) The Obie Award-winning director Jack Serio loves intimate, nontraditional venues — like the lofts where he staged his breakthrough production of 'Uncle Vanya' — and he has one for this new play by Ken Urban ('Nibbler'). With the audience at close range, arrayed around a living-room-like space, Ryan Spahn and Juan Castano play a married couple enduring a sexual dry spell, and Julia Chan plays the long-lost high school girlfriend whose reappearance rattles their relationship. (Through April 20, East Village Basement) A major production of any Caryl Churchill play becomes a reason for pilgrimage by the faithful. Now here is a program of four brief works by the 86-year-old playwright, a master of shape-shifting and the short form; three are from 2019, one from 2021. Her longtime interpreter James Macdonald, who staged Churchill's 'Top Girls' on Broadway, directs a large cast that includes the Tony Award winner Deirdre O'Connell and John Ellison Conlee. (Through May 11, Public Theater) The cleverly inventive, very funny playwrights Emma Horwitz ('Mary Gets Hers') and Bailey Williams ('Events,' 'Coach Coach') are also the performers of this comedy, which appeared in an earlier form at last year's Exponential Festival of experimental work. A co-production of New Georges, which incubated the show, and Rattlestick Theater, it is directed by Tara Elliott. (Through April 26, Here Arts Center) 'Derry Girls' fans, assemble. Saoirse-Monica Jackson, who starred as Erin on that hit TV series set in Northern Ireland, makes her New York theater debut with this backstage comedy by Ciara Elizabeth Smyth, directed in its world premiere by Nicola Murphy Dubey. In an ensemble cast that also includes Kate Burton, Jackson plays a member of the Dublin-based Irishtown Players, rehearsing a Broadway-bound show whose author has diluted an ingredient the actors are determined to strengthen: its Irishness. Part of the Origin 1st Irish Festival. (Through May 25, Irish Repertory Theater) The Broadway star Norm Lewis ('The Gershwins' Porgy and Bess') headlines this drama by Lonne Elder III, playing a widowed barber and former vaudevillian in 1950s Harlem, where he and his grown children live upstairs from the not exactly busy shop. The Negro Ensemble Company — which gave the show its first professional production in 1969, with Douglas Turner Ward in the lead — teams up with the Peccadillo Theater Company and Eric Falkenstein for this revival, directed by Clinton Turner Davis. (April 11-May 18, Theater at St. Clement's) The Obie-winning playwright-director Shayok Misha Chowdhury ('Public Obscenities') recruited his mother, Bulbul Chakraborty, a physicist and professor, to create and perform this new show with him. A co-production of the Bushwick Starr, Here and Ma-Yi Theater Company, it takes its title from what Merriam-Webster defines as 'a science dealing with the deformation and flow of matter.' Chakraborty studies sand. Her son studies her. This is a kind of memoir. (April 15-May 3, Bushwick Starr) There is a certain sort of effusively unhinged experimental theater that feels particular to downtown Manhattan. The collaborations between Robert Lyons (late of the scrappy, shuttered New Ohio Theater) and Daniel Irizarry are absolutely this brand of weird. Written by Lyons and directed by Irizarry, who also stars, their new show is set in academia, where a professor is losing his grip on reality and grad students are hallucinating a manifesto. Also, there will be rum. (April 18-May 4, La MaMa) Lincoln Center Theater's small, adventurous upstairs stage, LCT3, breaks its recent quiet with the world premiere of this dark comedy by Caitlin Saylor Stephens ('Modern Swimwear'), starring Elizabeth Marvel as a fashion photographer shooting a Vogue cover in Europe. Morgan Green directs. (April 19-June 1, Claire Tow Theater) Witchfinder General is a job title so absurdly dystopian that surely it must be made up, but there really was one in 17th-century England: Matthew Hopkins, who hunted down women he suspected of being witches. In Joanna Carrick's play, which she directs in the Brits Off Broadway festival, Hopkins's stepsister is a skeptic amid the religious panic he fans. Then the death of her babies tempts her toward the comfort of finding someone to blame. (April 24-May 11, 59E59 Theaters) Marisa Tomei and the dancer Ida Saki perform this new dance theater piece, which puts a contemporary female lens on the myth of Sisyphus. In this retelling — written, choreographed and directed by Celia Rowlson-Hall ('Smile 2') — Sisyphean labors come with being a woman in the world. (April 24-April 26, Baryshnikov Arts) James Joyce's mammoth 1922 novel, 'Ulysses,' had to battle its way to publication in the United States. Initially it was banned here as obscene — until a judge ruled, in 1933, that though its effect 'is somewhat emetic, nowhere does it tend to be an aphrodisiac.' Borrowing from period radio style, this 90-minute comic drama by Colin Murphy re-enacts and remixes that landmark free-speech fight. Conall Morrison directs this production, an import from Ireland. (April 30-June 1, Irish Arts Center) Anika Noni Rose (a Tony winner for 'Caroline, or Change') and Aisha Jackson ('Once Upon a One More Time') star as sisters from Ohio who follow their artistic ambitions to New York in this Encores! revival of the 1953 musical comedy classic. With music by Leonard Bernstein, lyrics by Betty Comden and Adolph Green, and a book by Joseph A. Fields and Jerome Chodorov, it's directed by Zhailon Levingston, who last year co-directed the much-acclaimed radical refresh 'Cats: The Jellicle Ball.' (April 30-May 11, New York City Center)