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Your Everyday Cinema Companion: JMGO N1S 4K Delivers Premium Image Quality but at an Affordable Price
Your Everyday Cinema Companion: JMGO N1S 4K Delivers Premium Image Quality but at an Affordable Price

Yahoo

time03-04-2025

  • Yahoo

Your Everyday Cinema Companion: JMGO N1S 4K Delivers Premium Image Quality but at an Affordable Price

SHENZHEN, China, April 3, 2025 /PRNewswire/ -- JMGO, a pioneer in smart projector technology, is excited to announce the launch of the N1S 4K, a revolutionary 4K triple laser projector that shatters the price-performance barrier, making premium 4K projection attainable for more people. 4K Triple Laser Experience Meets Affordability"For years, consumers have faced trade-offs between price, performance, and portability in the projector market," said Forrest Li, CEO of JMGO. "With the N1S 4K, we've shattered those limitations. It's a statement that cutting-edge technology should be within reach of every household." JMGO's MALC™ 2.0 Triple Laser Optics The N1S 4K leverages JMGO's MALC™ 2.0 Triple Laser Optics to deliver 1,100 ISO lumens, a 1,600:1 FOFO contrast ratio or 1,000,000:1 Dynamic Contrast ratio, and 110% BT.2020 coverage with ΔE<1 accuracy—ensuring lifelike visuals with no compromise. Ultra-Portability and Google TV OS Integration Just 2kg/4.4lbs, the N1S 4K features an integrated gimbal design for effortless mobility. Adjust projections 127° vertically, transforming any space—living rooms, bedrooms, or backyards into a theater. Setting up the projector is a breeze—users only need to point the lens at the desired projection surface. As the angle changes, the Instant Gimbal-like Display Correction runs concurrently to ensure a sharp and focused image. The N1S 4K is equipped with the latest Google TV system, offering instant access to over 10,000 streaming apps and personalized content recommendations. Voice commands via Google Assistant simplify navigation, while built-in Google cast enables seamless casting from smartphones or tablets. Your Perfect Everyday Entertainment Companion The JMGO N1S 4K is more than just a projector—it's a versatile companion for every moment. Use it indoors in bedrooms, living rooms, or kitchens, or take it outdoors for weekend movie nights in the backyard. Unobtrusive and compact,it blends seamlessly into any environment, enhancing your experience without drawing attention. Pricing and Availability The JMGO N1S 4K is now available on Amazon in the US and Europe (Germany, France, Italy, Spain) at MSRP$1,299 (US) and MSRP€1,399 (Europe),and also JMGO global website with a limited−time launch price of just$999 / €999. About JMGO:Since 2011, JMGO has redefined home entertainment by merging advanced optical technology with user-centric design. From portable projectors to integrated ecosystems, JMGO empowers global audiences to experience imagination without limits. CONTACT: Lucas Xu, xulingwei@ View original content to download multimedia: SOURCE JMGO

Optics review – this crisis management comedy is smart, funny and grimly realistic
Optics review – this crisis management comedy is smart, funny and grimly realistic

The Guardian

time28-01-2025

  • Entertainment
  • The Guardian

Optics review – this crisis management comedy is smart, funny and grimly realistic

'Never let the truth get in the way of a good story' may be an old adage – but it's never been more relevant. When major corporations are bosom buddies with news outlets and world leaders, when celebrities are protected from bad PR at all costs, when product is more important than people – who knows what's real any more? Optics, the new series written by Jenna Owen and Vic Zerbst (also known as comedy duo Freudian Nip) and Charles Firth, couldn't be more timely. Following the sudden death of the big boss at crisis management PR firm Fritz & Randell, two young female employees, Greta Goldman (Zerbst) and Nicole Kidman (Owen – and yes, that is the character's name, in a gag that quickly wears thin) are given the top job in a move to shake up the company – or cover an impending PR disaster by a bit of diversity box-ticking. But their male colleagues, including shunned fortysomething company heir Ian Randell (Firth), lurk in the shadows. The women might be running the show on the surface, but 'board approval' is forever pending, and the men are clearly still pulling the strings. As two of them say in hushed tones: 'It's just optics with the girls – isn't everything?' In each of the first four episodes, upon which this review is based, Greta and Nicole take on a new client and challenge: a disgraced football player, a high-flying she-EO accused of workplace bullying, an airline with shoddy business practices (it's called Qualitus, probably not a nod to any real airline …), and an actor accused of sending creepy DMs with a cannibalistic air (also probably not a nod to any recent headlines). For their morally dubious clients, the pair must find ways to skate around the truth – or distort it entirely. Unlike the founders of the company, Greta and Nicole do seem to have some moral compass, and their discomfort is evident – but the show must go on. It's a smart script, with very funny, zippy one-liners that contain depressing nuggets of truth. An airline executive calls the company's flight statistics 'an aspirational goal, like a new year's resolution or a climate target'. When a woman is interviewed on the news regarding the lecherous actor, she is asked: 'He's the most famous star in Hollywood. Why should our viewers trust your word over his?' Owen and Zerbst are clearly familiar with this world of long sushi lunches, exclusive airline lounges and conspiratorial agreements; the often ridiculous conversations and scenes within the workplace gave me war flashbacks as someone who also once worked in PR. As Greta and Nicole, Zerbst and Owen embody the tech-savvy, super-online Gen Z-ers who are rapidly ascending the ranks in the corporate world. They bounce off one another effortlessly, with the kind of easy rapport and banter that will feel familiar to viewers of the same generation. Randell is a great foil for the duo, and the power struggle between him and the two women feels as pulled from the real world as some of the PR crises: they're whip-smart and he's bumbling and out of touch ('only wowsers and feminists hate fun,' he says early in the series), but he's the one with the family ties and the clients' respect. Firth plays the character well – a slightly sad and pathetic middle-aged man who's oblivious to the fact that he's had everything handed to him. Meanwhile, the women have to constantly prove themselves to their clients and colleagues – and the viewer comes to suspect that they're pawns in a bigger game. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion It makes for a fast-paced, intelligent show that reveals the duplicitous underbelly of public relations in Australia, and the way diversity often plays out in the corporate world: as lip service only. Some of the scenarios and characters border on caricature – but when modern life is becoming increasingly cartoonish, maybe that's not a problem. Optics premieres Wednesday 29 January at 8.30pm on ABC TV and ABC iview

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