Latest news with #P1000
Yahoo
8 hours ago
- Automotive
- Yahoo
Lithium in Australia: the future of the ‘white gold' rush
The global lithium market is undergoing a period of flux. Following years of solid growth, prices have plummeted from their 2022 peak amid slowing demand for electric vehicles (EVs) and an oversupply from global producers. Overall, the cost of lithium hydroxide fell by around three quarters between 2023 and 2024, and has continued to fall in 2025. Australia, the world's largest producer of lithium ore (accounting for 46% of the global total in 2024), felt this decline more sharply than most, forcing several mining operations to pause amid deteriorating market conditions. However, a rebound may be on the horizon. Analysts expect a resurgence in 2025, fuelled by renewed growth in EV adoption and clean energy storage. Although lithium prices remain difficult to predict, Australian miners are once more betting big on the metal. With an abundance of active lithium mines and reserves, Australia is well placed to be at the forefront of this lithium opportunity. However, as demand grows, questions have been raised as to how this burgeoning market can remain sustainable and how waste streams can be safely managed. Strengthening domestic recycling capabilities, developing greener processing methods and building closed-loop supply chains could be key to ensuring that growth in lithium production does not come at the expense of the environment. By 2040, the International Energy Agency (IEA) expects demand for lithium to be more than 40-times current levels if the world is to meet its Paris Agreement goals. As such, despite the current market volatility, optimism about the future of lithium remains strong. In this context, Australia has positioned itself to be a leading global supplier. In 2024, the federal government extended a A$230m ($149.81m) loan to Liontown Resources, which began production at its Kathleen Valley mine last July. The mine is expected to produce around 500,000 tonnes (t) of spodumene concentrate annually. Spodumene is Australia's main source of lithium. Meanwhile, Perth-based Pilbara Minerals plans to boost lithium ore production at Pilgangoora by 50% over the next year through its P1000 project. Crucially, there has been an uptick in interest to build out not only the extraction side of the lithium supply chain but also refineries. For instance, in Western Australia, Covalent Lithium is constructing its own lithium refinery, while Albemarle is operating another refinery in the region. The motivation behind the shift in focus stems from efforts to diversify critical minerals supply chains and move away from China's continued dominance. According to the IEA, China currently accounts for 70% of global lithium refining. 'At the moment in Australia, we are doing the mining and integration aspects of lithium-ion [Li-ion] batteries really well,' says Neeraj Sharma, chemistry professor at the University of New South Wales, and founder of the Australian battery society. 'Our grid is years ahead when it comes to battery storage. It is the middle part of the supply chain that we need to grow – the processing and cell manufacturing aspects.' Similarly, Serkan Saydam, chair of mining engineering at UNSW Sydney, believes the main gap in Australia's lithium supply chain lies in the processing and refining element. 'While Australia excels in lithium extraction, it currently lacks sufficient domestic processing and refining capacity, leading to reliance on overseas facilities,' says Saydam. Indeed, in 2022–23 Australia exported 98% of its spodumene concentrate for processing. Both Sharma and Saydam identify developing lithium processing capability as necessary not only for Australia's national security and economic growth but also for sustainable industry development. Saydam says developing low-emission processing infrastructure is essential 'not only for economic gain but also for minimising environmental impacts through tighter regulatory oversight'. Building out this part of the supply chain could also, Sharma believes, help establish a more robust battery recycling industry in Australia. 'If we know what is going into the batteries from a processing perspective, it will better equip us to know how to recycle them at the end of life,' he tells Mining Technology. 'We are seeing a lot of interest from the mining and start-up sectors to move towards this, but right now, without the right electrode processing or refinement in-country, it is harder to create the recycling processes needed in-country.' According to the Commonwealth Scientific and Industrial Research Organisation, only around 10% of Li-ion battery waste is currently recycled in Australia. However, Sharma predicts that as large-scale battery demand grows, so too will the recycling rates. 'I think recycling rates for things like EV batteries will be close to 100%,' he says. 'Just by the nature of the fact that these batteries are large, people won't want to have them hanging around.' The difficulty, he says, lies in scalability and the fact that battery chemistry is still evolving. 'Currently there are not enough Li-ion batteries to recycle efficiently,' says Sharma, adding that battery chemistry is constantly evolving, meaning recyclers are collecting batteries that 'have a mix of so many different chemicals'. Some battery chemistries are emerging as dominant, however, and Sharma suggests that the next few years will see the emergence of a 'more homogenous' battery waste stream that will be easier to organise and recycle. '[Once] you have more batteries available to recycle, then you have the scale to be able to do so effectively,' he adds. 'Once you start to standardise the battery chemistry, you can then start to think about really minimising the steps of recycling.' Some progress is being made. There is also an historical precedent, with the lead-acid battery industry providing a model Australia can learn from. In January 2022, the Battery Stewardship Council introduced a levy scheme in partnership with manufacturers, lifting the recovery rate of small batteries from less than 8% to more than 16% within six months. The Australian Government also recently announced its National Battery Strategy, laying out ways to support its domestic battery industry as it grows. As Australia works to close the loop, embedding sustainability throughout the supply chain will be crucial. With environmental, social and governance standards becoming more stringent, shareholders and consumers alike will be paying close attention. Saydam warns that Australia's mines will have to integrate more sustainable practices into operations to not only meet future lithium demand but also become a 'key player' in the global transition to a low-carbon economy. 'Investment in innovation – such as direct lithium extraction and low-carbon refining technologies – is vital to reduce the environmental footprint and support a circular economy,' Saydam says. 'The industry must navigate global market volatility and advocate for clear national policies that support sustainable growth. 'Addressing these challenges holistically will be key to ensuring that Australia can scale its lithium production in a responsible and globally competitive manner,' he adds. Australia has already begun to develop local refining capacity and domestic battery recycling initiatives. Still, significant hurdles remain in meeting the fast-rising global demand. Optimising lithium extraction and processing will require a coordinated blend of legislative reform, technological advancement and strategic investment, according to Saydam. 'Legislative frameworks need to be strengthened to encourage sustainable and efficient practices,' he says. 'This includes creating clear, stable policies that incentivise domestic value-adding activities such as refining and battery material production, rather than solely exporting raw materials. 'Regulatory settings should also enforce strict environmental standards to ensure water use, waste management and emissions are responsibly managed, while fast-tracking approvals for sustainable technology deployment,' Saydam continues. Enhancing community and Indigenous engagement, investing in workforce upskilling, and encouraging collaboration between academia, industry and government were also highlighted as key to long-term success. As Saydam concludes: 'In essence, the long-term success of Australia's lithium industry depends on a holistic approach that integrates sustainability, innovation and strategic positioning in the global value chain.' "Lithium in Australia: the future of the 'white gold' rush" was originally created and published by Mining Technology, a GlobalData owned brand. The information on this site has been included in good faith for general informational purposes only. It is not intended to amount to advice on which you should rely, and we give no representation, warranty or guarantee, whether express or implied as to its accuracy or completeness. You must obtain professional or specialist advice before taking, or refraining from, any action on the basis of the content on our site.
Mint
02-05-2025
- Mint
Nikon Coolpix P1100: For serious shutterbugs
At a time when the category of fixed lens compact cameras are all but wiped out of existence by the juggernaut-esque charge of the smartphone brigade, there is one last bastion that's still standing. Bridge cameras like the latest Nikon Coolpix P1100 ( ₹ 83,695)—a successor to the wildly popular P1000 launched seven years ago—deliver the convenience of a point-and-click with jaw-dropping 'less telephoto, more telescope" levels of zoom, sans the sheer bulk of big lenses that sends many photographers prematurely into physiotherapy sessions. Yet, in an age of computational photography and rapidly shrinking mirrorless cameras, does anybody need a camera like this? Now, while it may be classified as a compact camera, both by definition (fixed, non-removable lens) and by Nikon, there's nothing compact about the P1100. It's shaped like a digital SLR camera, down to a chunky hand grip and plenty of dials and controls strewn all over. There's a fully articulating 3.2-inch rear screen, although it's oddly dated in not being a touchscreen, and there's a 2,359-dot OLED electronic viewfinder to compose shots. The P1100's hefty dimensions are made even more so by the presence of a big lens that dominates the camera even when fully retracted. At nearly 1.5kg, you will not forget it's slung over your shoulder, or when you hold it up for use, although Nikon has got the weight distribution and ergonomics just right for a camera this size. Using the P1100 with a tripod or a monopod is highly recommended, if for no other reason but to be able to rest the camera in between shots. Also read: How to skip ads, especially if you've watched that Black Mirror episode The heft starts making sense when you look at the P1100's raison d'être— zoom range. It's by far the biggest of the category—a stabilized 125x optical zoom with 24-3000mm in 35mm terms. Yes, that's 3000mm at the long end - for reference the Samsung S25 Ultra does 100x, that too in digital zoom with all processing and loss of quality. So you can start with a wide lens for landscape photography and zoom in all the way to the moon or closer to earth, birds and wildlife, all by the flick of a zoom rocker around the shutter release. And if the 3000mm reach isn't enough for you, then a digital Dynamic Fine Zoom further doubles zoom to 250x—that's 6000mm! Going from 24mm to 3000mm in one lens is nothing short of mind-boggling, and the equivalent digital SLR or mirrorless lenses to cover the same range would need a suitcase larger than the average cabin bag to transport around. While the camera itself is large, the 16-megapixel, 1/2.3-inch image sensor is relatively small, and to put it in perspective, smaller than the sensors on many mid-range and flagship smartphones. Of course, the sensor size is dictated by the zoom range here, else the lens would have to be absolutely enormous, and with a smaller sensor comes a limited sensitivity range, from ISO 100 to 6,400. Couple that with the lens' maximum aperture, which goes from f/2.8 at 24mm to a narrow f/8 at 3000mm, thus reducing the amount of light the camera can take in, and you have a camera that is best suited for good light and massively tempered expectations when the light is less than ideal. Even in mildly dim conditions, detail levels take a dip, and I wouldn't recommend using the camera in dark conditions whatsoever. On the plus side, you do get the ability to shoot RAW images aside from JPEG, and video at 4K/30 frames per second. But let's be honest here—at lower zoom ranges, between 24mm and 150mm, you're probably better off shooting with a phone, as the combination of larger sensors and better computational photography blows anything the P1100 shoots out of the water. What the P1100 can do that your smartphone can't, is to take serviceable shots at much longer focal lengths, and in the 2000-3000mm territory, there isn't a phone or smaller point and shoot that can go up against the P1100 and not come back with absolutely blurry messes disguised as photographs. It's clear as day this is a camera that's going to be bought for its reach, so what better test that to take it into the wild outdoors, or in my case, the numerous lakes that still continue to dot the Bengaluru landscape and are home to more birds than most folks can identify. You'd do well to keep in mind that the P1100 has no phase detection autofocus that is faster and better for tracking moving subjects, relying instead on the slower contrast detection autofocus that works better and more precisely for still subjects. That said, the autofocus, even at full stretch, is quick in decent light though I did have some autofocus hunting issues when pointing the lens at birds hidden amidst thick foliage…and one does end up wishing Nikon had packed in faster autofocus into a camera that doesn't get updated all that often. To counter this, one used the snap-back zoom button, so you can zoom out to locate a subject and then zoom all the way back in, all at the touch and release of a button—this really comes into play when you lose track of the subject flying across the lake. Complete static subjects, faraway buildings or mountain peaks for example, fare much better, as does the moon. The optical image stabilization (called Vibration Reduction) system built into the lens did well turn out sharp images during handheld shooting, even at 3000mm zoom levels, which is quite the achievement, though a tripod does improve the hit rate significantly (another reason to pack one along). And on the whole, colours are nicely saturated, if a little on the muted side. After a full day of shooting over 200 stills and a bit of video, battery life seemed respectable, though with USB-C charging, you could top this up mid-shoot via a power bank as well. Whether the P1100 is considered expensive for a compact camera or reasonably good value for money will come down to how much you need to use the longer end of its 125x optical zoom range—in most of my use, I rarely found the need to go the full distance, but I can't deny it is nice to have the reach at hand. What this camera does have is a very particular set of skills, skills acquired over a very long (and mature) product lifecycle for the P series, skills that make it a nightmare for the unassuming subject preening across a Bengaluru lake. Also read: Motorola Edge 60 Fusion: A few thoughtful features make it stand out
Yahoo
06-02-2025
- Yahoo
The beast is back! Nikon P1100 launches with monster 24-3000mm optical zoom, but what's changed?
When you buy through links on our articles, Future and its syndication partners may earn a commission. The Nikon P1100's launch sequence has begun and, in a world where the best bridge cameras are all but extinct, I'm over the moon that the Big N is keeping this unique superzoom's exceedingly long legacy alive. However, the core specs remain largely unchanged – with the same lens, sensor, burst speeds, and video capabilities. But with the previous Nikon P1000 now discontinued and prices reaching for the stars, the Nikon P1100's small price increase of $99.95 / £49 / AU$200 on an RRP that was set 7 years ago, makes this charming oddity accessible for a whole new generation of birders and budding astrophotographers. First, let's delve into what remains the same. The Nikon P1100 retains that monster 125x optical zoom, which is still the largest in the world. The zoom range is 4.3 to 539mm, but factor in that tiny sensor and this translates to a whopping 24-3000mm (in 35mm terms). And that's before you've digitally doubled it, via Nikon's Dynamic Fine Zoom, to a frankly ridiculous 250x (6000mm). Optically, the lens has a variable aperture of f/2.8 to f/8 and comprises 17 elements in 12 groups, which includes 5 Extra-Low Dispersion lens elements and a Super Extra-Low Dispersion lens element. It also retains that very useful snap-back zoom button, so you can quickly widen the frame if you lose your subject. Internally you'll find the same 1/2.3-in 16.79MP CMOS sensor, and an unchanged video spec delivering up to 4K 30p. As far as I can tell the form factor is identical, too, with the same button placement, mode dial options, 3.2-inch TFT LCD vari-angle screen and pop-up flash. So, what's changed? Well, for starters the Nikon P1100 weighs in at 3lb 1.8oz / 1,410g, which is slightly lighter than the P1000's 3lb 2 oz / 1,415g. But the biggest differences are quality-of-life upgrades that look set to improve the camera's usability. Image 1 of 2 Image 2 of 2 Nikon explains that the AF-area mode in Bird-Watching mode is now selectable, enabling you to cycle between Center (spot), Center (normal), and Center (wide). Nikon has also included a new Fireworks mode within the camera's multiple exposure settings, designed to mitigate blown-out highlights. Nikon has also revealed that any function the camera's Fn button can perform can be assigned to the ML-L7 Remote Control's Fn1 / Fn2 buttons. And you'll also find a new USB-C port. One area of interest is the image processor. Nikon hasn't disclosed exactly what generation of Expeed it is, something it repeated during the release of the P1000. However, it's since come to light that the older bridge camera used the Expeed 4 – so the P1100's could be the same or a later generation. Image 1 of 4 Image 2 of 4 Image 3 of 4 Image 4 of 4 But perhaps the most baffling difference isn't actually a difference at all. Both the P1100 and P1000 feature Nikon's Dual Detect Optical Vibration Reduction, but the eagle-eyed will notice that the P1100 features 4 stops of VR in comparison to the P1000's superior 5 stops. Thankfully, this perceived reduction in VR is actually to do with CIPA's new 2024 standards. Rest assured, both cameras feature the same Vibration Reduction, even if the spec sheet suggests otherwise. The Nikon P1100 is set for release in late February and will retail for $1,099.95 / £1,049.00 / AU$1,699.95. If you're into wildlife photography, take a look at the best lenses for bird photography. If you're a Nikon fan, here are the best Nikon cameras. And if you like the look of the P1100, I photographed the moon with a monster Nikon P1000 bridge camera – here's what I learned…
Yahoo
05-02-2025
- Business
- Yahoo
Nikon Announces NIKKOR 35mm F1.2 S Lens, COOLPIX P1100 Super-Zoom Camera; First Look YouTube Video P1100 Camera and NIKKOR 35mm F1.2 S Lens: Preorder and More Info at B&H
Nikon releases P1100 a new super-zoom camera, the 125x optical zoom COOLPIX P1100 Digital Camera, along with a long-awaited fast wide-angle prime lens, the NIKKOR 35mm f/1.2 S. NEW YORK, Feb. 4, 2025 /PRNewswire/ -- B&H is pleased to share Nikon's latest pair of anticipated products: a new super-zoom camera, the COOLPIX P1100 digital camera, and the company's first ever Nikkor 35mm f/1.2 S lens for its Z series mirrorless cameras. The P1100 replaces the popular P1000, a darling of birders and stargazers that was discontinued, while the long-awaited 35mm f/1.2 lens brings the company's latest advances in optical resolution and bokeh to this popular, wide-angle focal length, benefitting lifestyle, environmental portraiture, and documentary photographers. Nikon NIKKOR Z 35mm f/1.2 S Lenshttps:// Product Highlights Full-Frame | f/1.2 to f/16 Fast Aperture Normal-Length Prime Lens Multi-Focus System and Dual STM Rounded 11-Blade Diaphragm Control Ring and Function Buttons 1 Aspherical ED & 3 ED Elements 13.4" Minimum Focusing Distance Meso Amorphous & ARNEO Coatings 82mm Filter Thread Extensively Weather Sealed The Nikon COOLPIX P1100 camera retains many of the highlights of its predecessor, most notably its massive 125x optical zoom, spanning a staggering 24-3000mm full-frame equivalent focal length and complemented by a 16MP CMOS sensor. Aiding photographers on the telephoto end is Nikon's Dual Detect Optical VR, offering up to four steps of image stabilization and supporting handheld use when shooting birds, celestial bodies, or other distant subjects. The lens, which sports an f/2.8 maximum aperture, also features extra-low dispersion and super extra-low dispersion elements to ensure the clarity and resolution of images throughout the zoom range. Nikon COOLPIX P1100 Digital Camera NIKKOR 24-3000mm Lens (35mm Equivalent) Aperture Range: f/2.8-8 16MP BSI CMOS Sensor EXPEED Image Processor ISO 100-6400 Adoption of a USB Type-C Connector 3.2" 921k-Dot Vari-Angle LCD Monitor 4K UHD Video Recording ML-L7 Remote Connects via Bluetooth Records Super Lapse & Time-Lapse Movies Additions to the P1100 camera include a new USB-C port, upgraded Wi-Fi and Bluetooth connectivity, and added functionality when using the optional ML-L7 remote. Bird-watching and Moon modes are now directly accessible using the mode dial. The versatile camera also benefits video shooters and documentarians, supporting UHD 4K video at 30 or 25 fps. For users looking for the best quality, the P1000 does feature clean HDMI output and has a 3.5mm mic input for cleaner audio. For mirrorless shooters with Z-series interchangeable lens cameras, the 35mm f/1.2 S lens offers the possibility of outstanding subject isolation in a fully rendered environment. Rounding out a series of f/1.2 prime lenses that include 50mm and 85mm focal lengths, the 35mm f/1.2 is a natural storytelling lens ideal for event, documentary, and street work as well as environmental portraiture. The lens's superior performance is a result of its symmetrical optical design, which includes three ED elements and an additional aspherical element to correct lens aberrations. Three coatings—Meso Amorphous, Nano Crystal, and ARNEO—help suppress flare. A multi-focusing system with multiple stepping motors achieves fast and accurate autofocus in both stills and video applications. Speaking of video, the lens's symmetrical design results in a balanced weight distribution that benefits use on stabilizers and gimbals. Additionally, videographers can expect a clickless control ring, silent focusing, stable exposure, and suppressed focus breathing, to ensure a smooth and stable shooting experience. Two L-Fn buttons allow custom function assignments, improving workflow. The lens is also weather-sealed and dust and drip-resistant for use outdoors. First Look YouTube Video: Nikon Nikkor 35mm f/1.2 S Lens and Coolpix P1100 Camera Learn more about Nikon NIKKOR 35mm F/1.2S Lens and Coolpix P1100 Camera Digital Camerashttps:// Nikon Camerashttps:// Nikon Mirrorless Camerashttps:// Tripods – Camera Tripodshttps:// Camera Bagshttps:// More Categories USB C Headphoneshttps:// Curved Gaming Monitorshttps:// External Hard Driveshttps:// 4K Monitorshttps:// About B&H Photo Video As the world's largest source of photography, video, and audio equipment, as well as computers, drones, and home and portable entertainment, B&H is known worldwide for its attentive, knowledgeable product experts and excellent customer service, including fast, reliable shipping. B&H has been satisfying customers worldwide for over 50 years. Visitors to the website can access a variety of educational videos and enlightening articles. The B&H YouTube Channel has an unmatched wealth of educational content. Our entertaining and informative videos feature product overviews from our in-house specialists. You can view the B&H Event Space presentations from many of the world's foremost experts and interviews with some of technology's most dynamic personalities. Tap into this exciting resource by subscribing to the B&H YouTube Channel here. In addition to videos, the B&H Explora blog presents new product announcements, gear reviews, helpful guides, and tech news written by product experts and industry professionals, as well as our award-winning podcasts. When you're in Manhattan, take a tour of the B&H Photo Electronics and camera store, located at 420 Ninth Avenue. The techno-carousel spins all year round at the counters and kiosks at B&H. With thousands of products on display, the B&H Photo SuperStore is the place to test-drive and compare all the latest gear. The B&H Payboo Credit Card offers the industry's best instant savings and special financing, subject to credit approval. Visit B&H's Payboo Page to learn more and apply. Contact InformationGeoffrey Ngai B&H Photo Video212-615-8820https:// View original content to download multimedia: SOURCE B&H Photo Sign in to access your portfolio
Yahoo
05-02-2025
- Yahoo
Is a Nikon P1100 and Z9 II coming in 2025?
When you buy through links on our articles, Future and its syndication partners may earn a commission. Rumormongering website Nikon Rumors has made its predictions of the Nikon cameras it expects to see launched in 2025, based on a roundup of the rumors and reports it has received, and top of the list in a Nikon Coolpix P1100 – a replacement of the discontinued but ever-popular Nikon Coolpix P1000, one of the best bridge cameras the world has ever seen. As we reported recently, prices of the P1000 have skyrocketed of late, so there is clearly a demand for a camera with a built-in lens that has a gargantuan zoom range. The P1000 had an utterly bonkers 24-3000mm equivalent range and this, combined with its 5-stop VR, made it a popular choice with bird photographers and shady surveillance types alike. A Nikon Z9 replacement is also "definitely coming" according to Nikon Rumors, and will undoubtedly be badged the Nikon Z9 II. However, the website does concede that it may not happen in 2025 as the original Z9 is still selling well as Nikon's flagship camera for pros. The website also reckons we'll see some sort of Z-series video camera that follows the ethos of the RED line of high-end video cameras, with a modular brick-shaped design and lacking a pentaprism, which would be no big surprise after Nikon's acquisition or RED last year. One previously rumored camera where the trail has gone cold, though, is a Nikon Z5 replacement, the website having recently heard nothing but deafening silence about a Z5 II aside from a solitary (and unreliable) tip. Of course, while Nikon Rumors prides itself in sorting the wheat from the chaff of the hearsay to make its predictions, they are still just rumors and may not come to fruition at all – or Nikon might surprise us all and blindside us with something else entirely.
