Latest news with #PalestinianCinema
Yahoo
10-07-2025
- Entertainment
- Yahoo
Personal Stories From Gaza Screen at Amman Festival Via Rashid Masharawi's Bold Film Initiative, From Ground Zero
AMMAN, Jordan — As Gaza remains engulfed in one of the most devastating conflicts in its modern history, Gaza-born Palestinian filmmaker Rashid Masharawi is focused on something both impossibly difficult and urgently necessary: storytelling. The veteran director, best known for 'Curfew' and 'Ticket to Jerusalem,' is the force behind From Ground Zero and its expanded follow-up From Ground Zero+, initiatives aimed at helping emerging Palestinian filmmakers document life inside Gaza. More from Variety 'In the Name of the Father' Director Jim Sheridan Talks Sea Lions, Family Road Trips and the Politics of Storytelling Expert Aleksi Hyvärinen Talks at Amman About How AI Is Rewriting Indie Filmmaking Gaza-Set Fatma Hassona Documentary 'Put Your Soul on Your Hand and Walk' Sells Wide for Cercamon (EXCLUSIVE) Several short films from the project have screened at this year'sAmman International Film Festival, which wraps July 10, offering audiences a deeply personal look at individual lives too often reduced to numbers. 'We were completely numbers — 100, 200, 1,000,' Masharawi says. 'Part of this project is about turning those numbers into humans again. People with names, eyes, colors, dreams.' Initially launched as a short-form workshop concept, From Ground Zero produced 22 shorts, each running between three and six minutes. The follow-up, From Ground Zero+, expands the format to include longer documentaries, up to an hour each, with 10 films in development. According to Masharawi, five are complete, and more are in production and post-production, with editing taking place in France. 'As long as the war continues, our cameras will continue,' he says. 'We wanted these films to be cinema, not news. Personal stories, not just reactions.' That distinction, between reactive documentation and intentional artistic creation, is crucial to Masharawi's vision. Despite working remotely with a team of five assistants inside Gaza, he served as the artistic advisor and story mentor, ensuring the filmmakers had both structure and creative freedom. 'I left space for the filmmakers to express not only their feelings, but also their cinematic ideas,' he explains. 'Some films are fiction, animation, video art, even marionette theater. Everything was open.' Stories From Inside The challenges of production were, as Masharawi notes, unlike anything faced in traditional filmmaking. Electricity was rare. Internet access often meant venturing into high-risk areas near hospitals and media tents, locations frequently targeted by Israeli airstrikes. 'We needed to move people, give them cameras, transport hard drives, and to talk, they had to go where there was Internet,' he says. 'Those were the most dangerous places.' Despite these constraints, the films that emerged are rich with humanity, loss and unexpected resilience. One four-minute short, 'Jad and Natalie,' tells the story of a man mourning a lost love. The filmmaker, unsure his story was appropriate at such a moment, was encouraged by Masharawi to proceed. 'He was shy, but I told him, 'This is exactly the story we need, something deeply human, far from the news,'' Masharawi recalls. 'And it turned out to be a very beautiful film.' Another, 'Taxi Wanissa,' follows a man using a donkey-drawn cart as a taxi service after fuel supplies ran out. The filmmaker, Etimad Washah, was only two days into filming when tragedy struck. She lost her brother, his wife and their children in a bombing. 'She appears in the film and says, 'I'm sorry, I can't finish it,'' Masharawi recounts. 'It's the first time I've seen that in cinema — where the filmmaker tells you, on camera, why the film has to end.' Some projects were never completed. 'One filmmaker lost everything: his camera, his laptop, his house,' Masharawi says. 'He was living in a tent. How could he go shoot?' Festival Run and Global Reach Despite the overwhelming odds, From Ground Zero has found remarkable success internationally. The collection has screened at more than 350 film festivals like Toronto, at Cannes in events organized in parallel to the festival, and it was shortlisted for the Oscars. In France, it's had a theatrical release, and it has been shown at institutions including Unesco in Paris and the United Nations in New York. 'For me, it's also about memory,' Masharawi says, 'and about showing the people in Gaza that they're not alone. Festivals, articles, audiences …. It means something. It matters.' Above all, he believes in cinema as a form of cultural protection, a means to preserve identity, memory and humanity in the face of destruction. 'Cinema can carry feelings, thoughts, dreams,' he says with gravitas. 'It becomes a land that no one can occupy.' Looking Ahead Asked what success might look like in 2035, Masharawi doesn't speak in terms of box office or distribution deals. He speaks, instead, of permanence, of history remembered, of stories told. 'No war lasts forever. No occupation lasts forever,' he says. 'Governments may win or lose battles. But people, the population, never lose. They are like trees, like sand, like the sea. You cannot win against nature.' For now, From Ground Zero+ continues to grow, despite the circumstances. As long as there are stories to be told from Gaza, Masharawi will keep making space for them. 'This is not my film,' he says. 'This is our film. I just give them the platform.' Best of Variety Oscars 2026: George Clooney, Jennifer Lopez, Julia Roberts, Wagner Moura and More Among Early Contenders to Watch New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
The National
27-05-2025
- Entertainment
- The National
‘This is the time of Gaza', says Cannes-winning Palestinian director Arab Nasser
Arab Nasser had a feeling that he may win a top prize at the Cannes Film Festival. But even so, he had considered skipping the ceremony. The Palestinian filmmaker's mother is in North Gaza, which is currently suffering a barrage of Israeli air strikes. On Thursday, after days of trying, he was able to speak to her. As happy as she was to see her son's face, as proud as she was of his latest achievements, she had tears in her eyes. Arab recounted the story on stage on Friday, as he accepted the Un Certain Regard award for best directors along with his brother Tarzan: 'My mother said, 'I'm not crying because of you. I'm looking now at the three kids of your sister. They are starving. Go to Cannes – tell them to stop the genocide.'' That is the urgency with which Arab accepted the award for his and his brother's latest film, Once Upon a Time in Gaza. It is the same urgency he's had since the day they decided to pursue the project. The world needs stories such as this, he believes, and this moment needs to be seen through the eyes of the Gazan people. 'This is the time of Gaza,' Arab Nasser tells The National. 'They need to show something about us. And we made a very human film – not a film about heroes – because the world needs to see our humanity. 'Of course, it's important for us as creatives to be in a festival such as Cannes. It's a dream of any director in the world. But as a Palestinian, it means something different.' As Arab suggests, there are new heroes in his latest film. It follows three men from 2007 to 2009 in the Gaza Strip, each struggling to endure the harsh circumstances created by the Israeli occupation. One is a young student named Yahya, taken under the wing of a charming drug dealer named Osama. Another is a corrupt cop named Abou Sami, whose feud with Osama turns deadly. But it is far from an ordinary crime story – instead a layered, self-reflexive meditation on identity, resistance and the cost of survival. 'These are people who are victims of occupation. And they accept unacceptable conditions because they have no other options and they cannot be judged for that. 'There are many things we are trying to say in this film. But if you ask me to name one thing, it's the humanity of Gaza. It's the daily life of two million people who have lived inside a cage since 2007. And nothing can justify what's happened to them.' Arab and Tarzan first gained international attention in 2010 with their poster series Gaza Wood, for which the two brothers turned the names of Israel's military operations in Gaza into fictional film posters. This is their third feature film after Degrade in 2015and Gaza Mon Amour in 2020. Both garnered international acclaim. The idea for Once Upon a Time in Gaza came to them in 2015. It was originally intended as an ode to the spaghetti Westerns and crime films that made them fall in love with cinema to begin with. After years of work, they finished the script on October 6, 2023. Once the war began the next day, they lost all motivation to continue the project. 'For a while, I lost my belief in the art of cinema. I don't want to have to justify my humanity to the world all the time, only for the world to reply with guilt, and nothing will change,' says Arab. 'But after five months, we were tired of waiting for bad news all the time. And we believed this was the perfect film to show the world what's happening in Gaza – what life was like before the war, the siege and the genocide.' Before October 7, funding for the film was already secured and a team was in place to bring the project to fruition. But when plans restarted, Arab and Tarzan found that many who had previously been committed were unwilling to continue. 'Most people quit the film,' says Arab. 'We got more partners, and then they quit. The money we'd secured started to disappear. It's a miracle we got this film made. But we succeeded because everyone – from the actors to the cinematographer to the editor – believed in this film. I would have sold my kidney to make it and so would they. That's why we succeeded – and that's why were able to bring this film to Cannes.' It wasn't just the crew that supported them – it was the Palestinian people. Filming took place in Palestinian camps in Jordan in mid-2024, and the community was integral from start to finish. Nader Abd Alhay, who plays Yahya, says: 'Ït wasn't easy to film at the Palestinian camp in Jordan, but the people there were working with us because they saw this movie as a statement for them. That's why they were helping. 'They were part of the movie on many levels, and they were welcoming us to do this movie because, by the end, they knew it was going to tell their story.' Unlike other Palestinian films, such as No Other Land, that aim entirely to educate Western audiences, Once Upon a Time in Gaza is a film equally for insiders and outsiders, referencing historical happenings once Hamas took power and dissecting complexities with nuance. 'But I'm not here to criticise the Gazan people,' Arab says. 'I'm telling you a story. Nobody has the legitimacy to criticise the Palestinian people. Nothing could justify what's happening now in Gaza. Nothing could excuse killing children.' Ultimately, while the film often takes a tone of black humour – even playing a clip of US President Donald Trump talking about turning Gaza into a tourist destination during the opening credits 'for a laugh', Arab explains – ultimately, its message is hopeful. Because even amid unthinkable devastation, the Palestinian people persevere. 'Right now, when we talk about Gaza, we have to talk about 'once upon a time' – because Israel has destroyed everything. But we will rebuild. Life will continue. Our people will stay in Gaza for all time.' As Arab's twin brother Tarzan said as they accepted the best directors prize: 'To every Palestinian, your life matters, your voice matters. Soon Palestinian will be free, inshallah.'
Khaleej Times
25-05-2025
- Entertainment
- Khaleej Times
Cannes 2025: Palestinian director wins Best Short Film award for 'I'm glad you're dead now'
Palestinian director Tawfeek Barhom's short film "I'm glad you're dead now" has snatched the Best Short Film award at the 78th Cannes Film Festival during a star-studded night on Saturday. The movie follows the story of Abu Rashid and Reda; two brothers who return to their childhood home on an island to discover long-buried secrets that will ultimately bind them together. The short drama movie stars Ashraf Barhom, Tawfeek Barhom and Avrilios Karakostas and took part in the Short Film official competition under Palestine-Greece-France's name. In a post on Instagram announcing the selection of his movie to take part in the official competition, Barhom said: "To the best team we could've asked for; Thank you for your talent your trust, and everything you brought to this project." During the night and in a major achievement for South Asian and Southeast Asian cinema, Ali, a short film directed by Bangladeshi filmmaker Adnan Al Rajeev, received a special mention in the Short Film Palme d'Or category. The night's big bounty, the Best Film Palm d'Or award, went to "It Was Just an Accident" by Iran's Jafar Panahi. This year's cinema festival in the French Riviera city was overshadowed by a major power outage that authorities blamed on sabotage.
Arab News
18-05-2025
- Entertainment
- Arab News
Palestinian Film Institute amplifies local stories at Cannes
DUBAI: The Palestinian Film Institute is making a resounding statement at the Cannes Film Festival with its largest presence to date under the banner #HereThereAndForever. For the latest updates, follow us on Instagram @ This year's Pavilion Program spans a range of activities including exhibitions, screenings, producer talks, and intimate meet-and-greet sessions, reflecting a commitment to amplifying Palestinian voices on the global stage. 'We're not celebrating being in Cannes,' PFI programmer Mohanad Yaqubi said in an interview with The Hollywood Reporter. 'There's nothing to celebrate for us … it's really about orienting the narrative surrounding Palestinian cinema and Palestinian stories through the filmmakers themselves. 'We feel the responsibility, and it's very hard,' he said. 'Some of our members actually have families in Gaza now, and they are here in Cannes. It's uncomfortable, but this is not an industry only for rich people. We have to make that industry accommodate us and our needs as an oppressed and underrepresented (group).' A major highlight of the program is the official launch of the PFI Film Fund. According to Yaqubi, the fund represents a dream long in the making. 'The aim for the first three rounds is to fund or support four to six projects in different formats, at least, to give them a base so that they can start working,' he said. In addition, PFI is hosting a special spotlight session on Palestinian producers, as well as a reception featuring filmmakers Arab and Tarzan Nasser, whose film 'Once Upon a Time in Gaza' is part of the Un Certain Regard lineup. Another notable event is the screening and reception for 'From Ground Zero,' an initiative spearheaded by filmmaker Rashid Masharawi. The anthology film is a collection of eight short documentaries and two feature-length films by 22 Palestinian directors, each offering raw glimpses into life under airstrikes in Gaza. With four Palestinian producers participating in the Producers' Network, Yaqubi encouraged attendees to explore their slates, which he described as 'the upcoming Palestinian films and narratives that need to be supported.' Yaqubi's aims are clear. 'We hope to be here every year,' he said. 'The presence is important, and to stay away won't make a change. We have to dip our toes in the cold water and change things.'
