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CBS News
4 days ago
- Automotive
- CBS News
Rollover crash on San Francisco Great Highway renews concerns about road safety
A rollover crash near San Francisco's newest park, Sunset Dunes, has people talking about the safety of the new traffic flow on the Great Highway. It happened Sunday afternoon, just north of the part of the Great Highway that was shut down to all cars back in March for the new oceanside park. Patrick Doherty has lived in the area for 15 years, and he said he is concerned. "It's totally scary," said Doherty about the crash. "It's very scary. I know they just installed the lights down here, but I can see how it would happen." San Francisco police said both drivers involved in the crash had minor injuries but will recover. Doherty believes that when more people are on the roads, like during workdays and big events like Outside Lands, which was happening at the time of the crash, it's more dangerous. "I think it's a bad idea to close the Great Highway, especially during rush hour," said Doherty. But Trish Gump, a lifelong San Franciscan, believes it has more to do with the drivers than the roads. "Unfortunately, I think a lot of people are just driving too fast in the city, so I attribute it to speed more than anything," said Gump. She lives near Sunset Dunes and is grateful for the extra outdoor space. "I love it," exclaimed Gump. "I use it just about every day." Lucas Lux, President of Friends of Sunset Dunes, an organization that advocates for the park, said that the intersection has been a problem for a long time. "This intersection has somewhat of a history of crashes well before Sunset Dunes," explained Lux. "In 2017, an SFPD vehicle rolled over in the same spot. In '21 or '22, there was another rollover crash on the Great Highway." Last month, the San Francisco Municipal Transportation Agency released its first data on the new traffic flow, which shows a calming. On the Great Highway, between Fulton Street and Lincoln Way, SFMTA found it carries roughly 12,000 vehicles on an average weekday, down from 17,000 last year. "What we know from the data is that drivers have switched to the next closest arterial, Sunset Boulevard," said Lux. "That is what the city modeled and expected, and what we all wanted to see, drivers switching to an arterial rather than going through neighborhood streets and impacting safety there." Still, Doherty said he sees a big impact on the side streets once people turn onto Lincoln, and he can only think of one solution. "I've thought about scenarios about how to make it better, and I think the best way is to open the Great Highway again," said Lux.
North Wales Chronicle
29-06-2025
- General
- North Wales Chronicle
Glass from Guildhall and Bloody Sunday belt go on display to mark new initiative
Training logs for Loyalist prisoners in the former Long Kesh prison camp where scores of paramilitary prisoners were held are also among the items put together in a collaboration between museums and groups. The Conflict and Legacy Interpretive Network includes National Museums NI, the Museum of Free Derry/Bloody Sunday Trust and Healing Through Remembering. It aims to bring expertise together to nurture diverse perspectives on Northern Ireland's conflict and the legacy of The Troubles and inform the debate on reconciliation. The Network has been awarded more than £200,000 in funding from The National Lottery Heritage Fund to support its Realising The Potential Of The Conflict And Legacy Interpretive Network project. This involves a project co-ordinator being appointed for three years to reach other organisations and communities across Northern Ireland, support the delivery of a major conference and online resources, as well as a touring exhibition. A display giving a taster of what is to come has been unveiled at the Ulster Museum in Belfast within its The Troubles and Beyond gallery. The objects in the display include a piece of stained glass from The Guildhall following the 1972 IRA bombing, training logs for loyalist prisoners in Long Kesh and the belt worn by Patrick Doherty when he was shot dead on Bloody Sunday, also in 1972. William Blair, director of collections at National Museums NI, described a 'complex part of history with many different perspectives'. He emphasised that the legacy of conflict needs to be interpreted sensitively and empathetically. 'Peacebuilding is an ongoing process, and we're all part of that journey,' he said. 'Interpreting our recent past requires care and sensitivity. 'At the Ulster Museum, our Troubles and Beyond exhibition is intentionally presented as a work in progress, inviting visitors to ask: 'What's missing?' 'This question creates space for continued reflection and engagement, and thereby continual evolvement. 'As the exhibition states, 'Whilst we have a shared past, we do not have a shared memory'. 'Everyone's lived experience holds its own truth, and that must be respected.' He added that National Museums NI is 'committed to representing multiple perspectives through the diversity of our collection'. 'More broadly, we're fortunate to be part of a wider network of organisations – brought together through the Conflict and Legacy Interpretive Network – who are actively engaged in exploring our recent conflict and progressing peacebuilding as a result,' he said. 'We are grateful to The National Lottery Heritage Fund for recognising the value and potential impact of this collaborative effort.' Cate Turner, director at Healing Through Remembering, a cross-community organisation dedicated to facilitating discussion around conflict, said they are aware of the need to engage all perspectives. 'Challenges as a result of the past remain evident here in Northern Ireland, and in responding to them, we need to ensure that we adopt an approach that not only engages those directly impacted, but future generations too,' she said. 'The Conflict and Legacy Interpretive Network allows us to leverage specialist expertise to ensure we engage people in ways that will benefit communities.' Maeve McLaughlin, director at the Bloody Sunday Trust said that collaboration is central to the continued success of the Network. 'As the debate around the historical legacy of conflict here continues, museums and heritage organisations have been considering their role and purpose,' she said. 'This has been a difficult area, but in establishing the Network, we have found we can learn from each other and better define the approach. 'We are not simply institutions that record history, but experts in determining how history should be collected, interpreted and shared. 'We look forward to continuing to leverage this collective expertise across this new project.' Dr Paul Mullan, director of Northern Ireland at The National Lottery Heritage Fund, added: 'We recognise that dealing with contested history can be challenging, but as our ongoing investment in reconciliation projects demonstrates, it's important that work to build greater understanding of the legacy of conflict is acknowledged. 'It's thanks to National Lottery players that this meaningful project by the Conflict and Legacy Interpretive Network has the potential to connect with communities across the region and beyond, and demonstrate how important continued dialogue about the past is in building a better future.'' The Conflict and Legacy Interpretive Network exhibit will remain on display at Ulster Museum until the end of the year.
Leader Live
29-06-2025
- General
- Leader Live
Glass from Guildhall and Bloody Sunday belt go on display to mark new initiative
Training logs for Loyalist prisoners in the former Long Kesh prison camp where scores of paramilitary prisoners were held are also among the items put together in a collaboration between museums and groups. The Conflict and Legacy Interpretive Network includes National Museums NI, the Museum of Free Derry/Bloody Sunday Trust and Healing Through Remembering. It aims to bring expertise together to nurture diverse perspectives on Northern Ireland's conflict and the legacy of The Troubles and inform the debate on reconciliation. The Network has been awarded more than £200,000 in funding from The National Lottery Heritage Fund to support its Realising The Potential Of The Conflict And Legacy Interpretive Network project. This involves a project co-ordinator being appointed for three years to reach other organisations and communities across Northern Ireland, support the delivery of a major conference and online resources, as well as a touring exhibition. A display giving a taster of what is to come has been unveiled at the Ulster Museum in Belfast within its The Troubles and Beyond gallery. The objects in the display include a piece of stained glass from The Guildhall following the 1972 IRA bombing, training logs for loyalist prisoners in Long Kesh and the belt worn by Patrick Doherty when he was shot dead on Bloody Sunday, also in 1972. William Blair, director of collections at National Museums NI, described a 'complex part of history with many different perspectives'. He emphasised that the legacy of conflict needs to be interpreted sensitively and empathetically. 'Peacebuilding is an ongoing process, and we're all part of that journey,' he said. 'Interpreting our recent past requires care and sensitivity. 'At the Ulster Museum, our Troubles and Beyond exhibition is intentionally presented as a work in progress, inviting visitors to ask: 'What's missing?' 'This question creates space for continued reflection and engagement, and thereby continual evolvement. 'As the exhibition states, 'Whilst we have a shared past, we do not have a shared memory'. 'Everyone's lived experience holds its own truth, and that must be respected.' He added that National Museums NI is 'committed to representing multiple perspectives through the diversity of our collection'. 'More broadly, we're fortunate to be part of a wider network of organisations – brought together through the Conflict and Legacy Interpretive Network – who are actively engaged in exploring our recent conflict and progressing peacebuilding as a result,' he said. 'We are grateful to The National Lottery Heritage Fund for recognising the value and potential impact of this collaborative effort.' Cate Turner, director at Healing Through Remembering, a cross-community organisation dedicated to facilitating discussion around conflict, said they are aware of the need to engage all perspectives. 'Challenges as a result of the past remain evident here in Northern Ireland, and in responding to them, we need to ensure that we adopt an approach that not only engages those directly impacted, but future generations too,' she said. 'The Conflict and Legacy Interpretive Network allows us to leverage specialist expertise to ensure we engage people in ways that will benefit communities.' Maeve McLaughlin, director at the Bloody Sunday Trust said that collaboration is central to the continued success of the Network. 'As the debate around the historical legacy of conflict here continues, museums and heritage organisations have been considering their role and purpose,' she said. 'This has been a difficult area, but in establishing the Network, we have found we can learn from each other and better define the approach. 'We are not simply institutions that record history, but experts in determining how history should be collected, interpreted and shared. 'We look forward to continuing to leverage this collective expertise across this new project.' Dr Paul Mullan, director of Northern Ireland at The National Lottery Heritage Fund, added: 'We recognise that dealing with contested history can be challenging, but as our ongoing investment in reconciliation projects demonstrates, it's important that work to build greater understanding of the legacy of conflict is acknowledged. 'It's thanks to National Lottery players that this meaningful project by the Conflict and Legacy Interpretive Network has the potential to connect with communities across the region and beyond, and demonstrate how important continued dialogue about the past is in building a better future.'' The Conflict and Legacy Interpretive Network exhibit will remain on display at Ulster Museum until the end of the year.
South Wales Guardian
29-06-2025
- General
- South Wales Guardian
Glass from Guildhall and Bloody Sunday belt go on display to mark new initiative
Training logs for Loyalist prisoners in the former Long Kesh prison camp where scores of paramilitary prisoners were held are also among the items put together in a collaboration between museums and groups. The Conflict and Legacy Interpretive Network includes National Museums NI, the Museum of Free Derry/Bloody Sunday Trust and Healing Through Remembering. It aims to bring expertise together to nurture diverse perspectives on Northern Ireland's conflict and the legacy of The Troubles and inform the debate on reconciliation. The Network has been awarded more than £200,000 in funding from The National Lottery Heritage Fund to support its Realising The Potential Of The Conflict And Legacy Interpretive Network project. This involves a project co-ordinator being appointed for three years to reach other organisations and communities across Northern Ireland, support the delivery of a major conference and online resources, as well as a touring exhibition. A display giving a taster of what is to come has been unveiled at the Ulster Museum in Belfast within its The Troubles and Beyond gallery. The objects in the display include a piece of stained glass from The Guildhall following the 1972 IRA bombing, training logs for loyalist prisoners in Long Kesh and the belt worn by Patrick Doherty when he was shot dead on Bloody Sunday, also in 1972. William Blair, director of collections at National Museums NI, described a 'complex part of history with many different perspectives'. He emphasised that the legacy of conflict needs to be interpreted sensitively and empathetically. 'Peacebuilding is an ongoing process, and we're all part of that journey,' he said. 'Interpreting our recent past requires care and sensitivity. 'At the Ulster Museum, our Troubles and Beyond exhibition is intentionally presented as a work in progress, inviting visitors to ask: 'What's missing?' 'This question creates space for continued reflection and engagement, and thereby continual evolvement. 'As the exhibition states, 'Whilst we have a shared past, we do not have a shared memory'. 'Everyone's lived experience holds its own truth, and that must be respected.' He added that National Museums NI is 'committed to representing multiple perspectives through the diversity of our collection'. 'More broadly, we're fortunate to be part of a wider network of organisations – brought together through the Conflict and Legacy Interpretive Network – who are actively engaged in exploring our recent conflict and progressing peacebuilding as a result,' he said. 'We are grateful to The National Lottery Heritage Fund for recognising the value and potential impact of this collaborative effort.' Cate Turner, director at Healing Through Remembering, a cross-community organisation dedicated to facilitating discussion around conflict, said they are aware of the need to engage all perspectives. 'Challenges as a result of the past remain evident here in Northern Ireland, and in responding to them, we need to ensure that we adopt an approach that not only engages those directly impacted, but future generations too,' she said. 'The Conflict and Legacy Interpretive Network allows us to leverage specialist expertise to ensure we engage people in ways that will benefit communities.' Maeve McLaughlin, director at the Bloody Sunday Trust said that collaboration is central to the continued success of the Network. 'As the debate around the historical legacy of conflict here continues, museums and heritage organisations have been considering their role and purpose,' she said. 'This has been a difficult area, but in establishing the Network, we have found we can learn from each other and better define the approach. 'We are not simply institutions that record history, but experts in determining how history should be collected, interpreted and shared. 'We look forward to continuing to leverage this collective expertise across this new project.' Dr Paul Mullan, director of Northern Ireland at The National Lottery Heritage Fund, added: 'We recognise that dealing with contested history can be challenging, but as our ongoing investment in reconciliation projects demonstrates, it's important that work to build greater understanding of the legacy of conflict is acknowledged. 'It's thanks to National Lottery players that this meaningful project by the Conflict and Legacy Interpretive Network has the potential to connect with communities across the region and beyond, and demonstrate how important continued dialogue about the past is in building a better future.'' The Conflict and Legacy Interpretive Network exhibit will remain on display at Ulster Museum until the end of the year.
Glasgow Times
29-06-2025
- Politics
- Glasgow Times
Glass from Guildhall and Bloody Sunday belt go on display to mark new initiative
Training logs for Loyalist prisoners in the former Long Kesh prison camp where scores of paramilitary prisoners were held are also among the items put together in a collaboration between museums and groups. The Conflict and Legacy Interpretive Network includes National Museums NI, the Museum of Free Derry/Bloody Sunday Trust and Healing Through Remembering. File photo dated 30/1/1972 of soldiers take cover behind their sandbagged armoured cars while dispersing rioters with CS gas in Londonderry, where an illegal civil rights march culminated in a clash between troops and demonstrators, which resulted in 13 men being shot dead It aims to bring expertise together to nurture diverse perspectives on Northern Ireland's conflict and the legacy of The Troubles and inform the debate on reconciliation. The Network has been awarded more than £200,000 in funding from The National Lottery Heritage Fund to support its Realising The Potential Of The Conflict And Legacy Interpretive Network project. This involves a project co-ordinator being appointed for three years to reach other organisations and communities across Northern Ireland, support the delivery of a major conference and online resources, as well as a touring exhibition. A display giving a taster of what is to come has been unveiled at the Ulster Museum in Belfast within its The Troubles and Beyond gallery. The objects in the display include a piece of stained glass from The Guildhall following the 1972 IRA bombing, training logs for loyalist prisoners in Long Kesh and the belt worn by Patrick Doherty when he was shot dead on Bloody Sunday, also in 1972. William Blair, director of collections at National Museums NI, described a 'complex part of history with many different perspectives'. He emphasised that the legacy of conflict needs to be interpreted sensitively and empathetically. 'Peacebuilding is an ongoing process, and we're all part of that journey,' he said. 'Interpreting our recent past requires care and sensitivity. 'At the Ulster Museum, our Troubles and Beyond exhibition is intentionally presented as a work in progress, inviting visitors to ask: 'What's missing?' 'This question creates space for continued reflection and engagement, and thereby continual evolvement. 'As the exhibition states, 'Whilst we have a shared past, we do not have a shared memory'. 'Everyone's lived experience holds its own truth, and that must be respected.' He added that National Museums NI is 'committed to representing multiple perspectives through the diversity of our collection'. 'More broadly, we're fortunate to be part of a wider network of organisations – brought together through the Conflict and Legacy Interpretive Network – who are actively engaged in exploring our recent conflict and progressing peacebuilding as a result,' he said. 'We are grateful to The National Lottery Heritage Fund for recognising the value and potential impact of this collaborative effort.' Cate Turner, director at Healing Through Remembering, a cross-community organisation dedicated to facilitating discussion around conflict, said they are aware of the need to engage all perspectives. 'Challenges as a result of the past remain evident here in Northern Ireland, and in responding to them, we need to ensure that we adopt an approach that not only engages those directly impacted, but future generations too,' she said. 'The Conflict and Legacy Interpretive Network allows us to leverage specialist expertise to ensure we engage people in ways that will benefit communities.' Maeve McLaughlin, director at the Bloody Sunday Trust said that collaboration is central to the continued success of the Network. 'As the debate around the historical legacy of conflict here continues, museums and heritage organisations have been considering their role and purpose,' she said. 'This has been a difficult area, but in establishing the Network, we have found we can learn from each other and better define the approach. 'We are not simply institutions that record history, but experts in determining how history should be collected, interpreted and shared. 'We look forward to continuing to leverage this collective expertise across this new project.' Dr Paul Mullan, director of Northern Ireland at The National Lottery Heritage Fund, added: 'We recognise that dealing with contested history can be challenging, but as our ongoing investment in reconciliation projects demonstrates, it's important that work to build greater understanding of the legacy of conflict is acknowledged. 'It's thanks to National Lottery players that this meaningful project by the Conflict and Legacy Interpretive Network has the potential to connect with communities across the region and beyond, and demonstrate how important continued dialogue about the past is in building a better future.'' The Conflict and Legacy Interpretive Network exhibit will remain on display at Ulster Museum until the end of the year.
