Latest news with #Pattie
The Age
7 hours ago
- Entertainment
- The Age
‘Mare of Easttown, with ghosts': The new show that brought this Succession star down under
Esteemed English actress Dame Harriet Walter has been in high demand the past few years – from playing the icy, patrician mother of the Roy siblings on Succession and Rebecca's flighty mum on Ted Lasso to a chain-smoking Russian gymnast-turned-assassin in Killing Eve. 'I focus on trying not to repeat myself,' the 74-year-old says. That's what brought her to Australia for a whirlwind fortnight late last year, to star as Pattie in six-part series Playing Gracie Darling: a character described by creator, writer and co-executive producer Miranda Nation as 'an old hippie at heart'. Loading On a hot December day halfway through the 12-week shoot, Walter's Pattie is sitting on the banks of Middle Harbour at Echo Point Park smoking a spliff and reflecting on motherhood and mistakes. She's become the kind of matriarch who enjoys sharing an afternoon joint with her adult daughter, according to New Zealand actress Morgana O'Reilly (The White Lotus), who plays Joni. The pair reflects on tumultuous events that occurred almost three decades earlier, when Joni was a teenager and Pattie was struggling with the pressures of being a parent. 'You get quite a narrow band of roles when you get older, and even women in middle-age feel that the roles are pretty stereotyped,' Walter says. 'Most people write you as an old lady in an old-people's home or something. They forget that we were the generation who grew up with the Rolling Stones, letting our hair down, literally, after the war. It's easy to forget that the oldies now had quite a naughty youth, so I'm quite pleased to be playing someone in a script that recognises that.' However, the show isn't as laid back as that tender scene suggests. In fact, Playing Gracie Darling could be described as a crime drama as it features several familiar generic markers: a small town, dark secrets and missing girls. Two disappearances have occurred, 27 years apart, with the spectre of supernatural forces at play. Gracie Darling (Kristina Bogic) was Joni's best friend when they were teenagers, and she vanished one night after a seance staged by a group of friends in a shack in a forest outside town. Decades later, another Darling daughter has disappeared. O'Reilly jokes the series is 'basically Mare of Easttown, but with ghosts'. Yet in its focus on girls and women, during their teenage years and later life, it also traverses territory explored in a number of recent dramas such as Sharp Objects, Yellowjackets, One Night and Bad Behaviour. Nation started working on the series in 2021 and took the project to Jo Porter and Rachel Gardner's Curio Pictures. 'Miranda's storytelling is so propulsive,' Porter says. 'Her pitch drew us in from the get-go. It was a fresh way into a mystery thriller and a bit of a genre mash. The access point of a seance, that thrill of dabbling in the unknown, is something that many of us enjoyed as children. And what she's cleverly done is create a pathway for people who are believers in the spiritual world. Though, for others who might be more rational or cynical, there's always another explanation.' When it came to casting the central role of the adult Joni, a child psychologist and the single mother of two girls, Mina (Chloe Brink) and Lulu (Stella Miller), Porter knew that she'd already worked with the ideal actress on Neighbours and Wentworth. 'Morgana is one of those actors who draws you in with her vulnerability, heart and warmth,' she says. 'She brings an incredible honesty and a lot of that comes from her sense of humour. She's not afraid to be vulnerable, she's magnetic on screen and she has a sprite-like quality, a sort of youthful energy that I'll bet she's going to have her entire life.' Loading For O'Reilly, the opportunity of a series lead came in what had already been 'a great year' as she'd also appeared in the third season of The White Lotus, playing hotel employee Pam. With years of experience to her credit, she reckons that acting 'can be a rollercoaster ride': the stress of auditions, sometimes never hearing anything afterward, sometimes getting multiple call-backs but no work. Actors, she says, have 'an addiction to hope'. But, she adds with an appreciative smile, 'Then something like this comes out of left field.' Walter also describes her involvement in the production as a left-field opportunity that came from working with Gardner and director Jonathan Brough on The End (2020). When she agreed to return to Australia for this project, the production schedule had to be structured to accommodate her commitment to Apple TV+'s dystopian drama Silo. Her scenes were shoe-horned into a tight two weeks and Porter says Walter 'hit the ground running'. Loading The story sees Pattie and Joni grappling with the pressures of parenting within the framework of the mystery surrounding the Darlings. Walter describes their relationship as 'quite complicated because Pattie has a sort of free-spirit thing that would rather not be tied down to a family, but she's got Joni, and she loves her very much'. Meanwhile, Joni's teenage daughter, Mina, who's increasingly testing her independence, is now around the age Joni was when Gracie vanished. Memories of that traumatic event are triggered by the latest disappearance, reawakening Joni's feelings of guilt and recrimination. O'Reilly says Joni (played as a teenager by Eloise Rothfield) is rocked by emotional confusion. 'Like everybody, she's a paradox. She lives in a world of rationality, and she's found a semblance of control of her life. She's conquered a lot in a logical sense: she's become a psychologist, and she's very good in her field, she's got children, she's on top of everything. So at the start of the series, when another girl goes missing, it's a reminder that she can't control her life, and she can't control her relationship with her daughter.' To an extent, she adds, Joni embodies 'the central conversation of the show, which is the rational versus the magic'. Nation says that, though the saying is 'a bit overused' her heroine is 'a strong, complex character'. 'I love how complex and contradictory people are, the way that we're all flawed and full of contradictions. Gracie's disappearance has haunted Joni, and she has reached for the pragmatism of psychology as a way to protect herself and cope with her guilt. If supernatural forces do exist, then she's guilty of abandoning her friend to their mercy. It's safer for her to believe that they don't and that there's a rational reason for her friend's disappearance. 'That's the tension that we see Joni grappling with throughout the series, reflecting the question at the heart of the show: can everything be explained or are there forces that we don't fully know and understand?'
Sydney Morning Herald
7 hours ago
- Entertainment
- Sydney Morning Herald
‘Mare of Easttown, with ghosts': The new show that brought this Succession star down under
Esteemed English actress Dame Harriet Walter has been in high demand the past few years – from playing the icy, patrician mother of the Roy siblings on Succession and Rebecca's flighty mum on Ted Lasso to a chain-smoking Russian gymnast-turned-assassin in Killing Eve. 'I focus on trying not to repeat myself,' the 74-year-old says. That's what brought her to Australia for a whirlwind fortnight late last year, to star as Pattie in six-part series Playing Gracie Darling: a character described by creator, writer and co-executive producer Miranda Nation as 'an old hippie at heart'. Loading On a hot December day halfway through the 12-week shoot, Walter's Pattie is sitting on the banks of Middle Harbour at Echo Point Park smoking a spliff and reflecting on motherhood and mistakes. She's become the kind of matriarch who enjoys sharing an afternoon joint with her adult daughter, according to New Zealand actress Morgana O'Reilly (The White Lotus), who plays Joni. The pair reflects on tumultuous events that occurred almost three decades earlier, when Joni was a teenager and Pattie was struggling with the pressures of being a parent. 'You get quite a narrow band of roles when you get older, and even women in middle-age feel that the roles are pretty stereotyped,' Walter says. 'Most people write you as an old lady in an old-people's home or something. They forget that we were the generation who grew up with the Rolling Stones, letting our hair down, literally, after the war. It's easy to forget that the oldies now had quite a naughty youth, so I'm quite pleased to be playing someone in a script that recognises that.' However, the show isn't as laid back as that tender scene suggests. In fact, Playing Gracie Darling could be described as a crime drama as it features several familiar generic markers: a small town, dark secrets and missing girls. Two disappearances have occurred, 27 years apart, with the spectre of supernatural forces at play. Gracie Darling (Kristina Bogic) was Joni's best friend when they were teenagers, and she vanished one night after a seance staged by a group of friends in a shack in a forest outside town. Decades later, another Darling daughter has disappeared. O'Reilly jokes the series is 'basically Mare of Easttown, but with ghosts'. Yet in its focus on girls and women, during their teenage years and later life, it also traverses territory explored in a number of recent dramas such as Sharp Objects, Yellowjackets, One Night and Bad Behaviour. Nation started working on the series in 2021 and took the project to Jo Porter and Rachel Gardner's Curio Pictures. 'Miranda's storytelling is so propulsive,' Porter says. 'Her pitch drew us in from the get-go. It was a fresh way into a mystery thriller and a bit of a genre mash. The access point of a seance, that thrill of dabbling in the unknown, is something that many of us enjoyed as children. And what she's cleverly done is create a pathway for people who are believers in the spiritual world. Though, for others who might be more rational or cynical, there's always another explanation.' When it came to casting the central role of the adult Joni, a child psychologist and the single mother of two girls, Mina (Chloe Brink) and Lulu (Stella Miller), Porter knew that she'd already worked with the ideal actress on Neighbours and Wentworth. 'Morgana is one of those actors who draws you in with her vulnerability, heart and warmth,' she says. 'She brings an incredible honesty and a lot of that comes from her sense of humour. She's not afraid to be vulnerable, she's magnetic on screen and she has a sprite-like quality, a sort of youthful energy that I'll bet she's going to have her entire life.' Loading For O'Reilly, the opportunity of a series lead came in what had already been 'a great year' as she'd also appeared in the third season of The White Lotus, playing hotel employee Pam. With years of experience to her credit, she reckons that acting 'can be a rollercoaster ride': the stress of auditions, sometimes never hearing anything afterward, sometimes getting multiple call-backs but no work. Actors, she says, have 'an addiction to hope'. But, she adds with an appreciative smile, 'Then something like this comes out of left field.' Walter also describes her involvement in the production as a left-field opportunity that came from working with Gardner and director Jonathan Brough on The End (2020). When she agreed to return to Australia for this project, the production schedule had to be structured to accommodate her commitment to Apple TV+'s dystopian drama Silo. Her scenes were shoe-horned into a tight two weeks and Porter says Walter 'hit the ground running'. Loading The story sees Pattie and Joni grappling with the pressures of parenting within the framework of the mystery surrounding the Darlings. Walter describes their relationship as 'quite complicated because Pattie has a sort of free-spirit thing that would rather not be tied down to a family, but she's got Joni, and she loves her very much'. Meanwhile, Joni's teenage daughter, Mina, who's increasingly testing her independence, is now around the age Joni was when Gracie vanished. Memories of that traumatic event are triggered by the latest disappearance, reawakening Joni's feelings of guilt and recrimination. O'Reilly says Joni (played as a teenager by Eloise Rothfield) is rocked by emotional confusion. 'Like everybody, she's a paradox. She lives in a world of rationality, and she's found a semblance of control of her life. She's conquered a lot in a logical sense: she's become a psychologist, and she's very good in her field, she's got children, she's on top of everything. So at the start of the series, when another girl goes missing, it's a reminder that she can't control her life, and she can't control her relationship with her daughter.' To an extent, she adds, Joni embodies 'the central conversation of the show, which is the rational versus the magic'. Nation says that, though the saying is 'a bit overused' her heroine is 'a strong, complex character'. 'I love how complex and contradictory people are, the way that we're all flawed and full of contradictions. Gracie's disappearance has haunted Joni, and she has reached for the pragmatism of psychology as a way to protect herself and cope with her guilt. If supernatural forces do exist, then she's guilty of abandoning her friend to their mercy. It's safer for her to believe that they don't and that there's a rational reason for her friend's disappearance. 'That's the tension that we see Joni grappling with throughout the series, reflecting the question at the heart of the show: can everything be explained or are there forces that we don't fully know and understand?'
The Age
21 hours ago
- Entertainment
- The Age
‘Mare of Easttown, with ghosts': The new show that brought a Succession star Down Under
Esteemed English actress Dame Harriet Walter has been in high demand over the past few years – from playing the icy, patrician mother of the Roy siblings on Succession and Rebecca's flighty mum on Ted Lasso to a chain-smoking Russian gymnast-turned-assassin in Killing Eve. 'I focus on trying not to repeat myself,' the 74-year-old says. That's what brought her to Australia for a whirlwind fortnight late last year, to star as Pattie in six-part series Playing Gracie Darling: a character described by creator, writer and co-executive producer Miranda Nation as 'an old hippie at heart'. Loading On a hot December day halfway through the 12-week shoot, Walter's Pattie is sitting on the banks of Middle Harbour at Echo Point Park in Sydney smoking a spliff and reflecting on motherhood and mistakes. She's become the kind of matriarch who enjoys sharing an afternoon joint with her adult daughter, Joni, according to New Zealand actress Morgana O'Reilly (The White Lotus), who plays that daughter. The pair reflects on tumultuous events that occurred almost three decades earlier, when Joni was a teenager and Pattie was struggling with the pressures of being a parent. 'You get quite a narrow band of roles when you get older, and even women in middle-age feel that the roles are pretty stereotyped,' Walter says. 'Most people write you as an old lady in an old-people's home or something. They forget that we were the generation who grew up with the Rolling Stones, letting our hair down, literally, after the war. It's easy to forget that the oldies now had quite a naughty youth, so I'm quite pleased to be playing someone in a script that recognises that.' But the show isn't as laid back as that tender scene from the fifth episode suggests. In fact, Playing Gracie Darling could be described as a crime drama as it features several familiar generic markers: a small town, dark secrets and missing girls. Two disappearances have occurred, 27 years apart, with the spectre of supernatural forces at play. Gracie Darling (Kristina Bogic) was Joni's best friend when they were teenagers, and she vanished one night after a séance staged by a group of friends in a shack in a forest outside town. Decades later, another Darling daughter has disappeared. O'Reilly jokes the series is 'basically Mare of Easttown, but with ghosts'. Yet in its focus on a range of characters, particularly girls and women, during their teenage years and later life, it also traverses territory explored in recent dramas such as Sharp Objects, Yellowjackets, One Night and Bad Behaviour. Nation (Undertow) started working on the series in 2021 and took the project to Jo Porter and Rachel Gardner's Curio Pictures. 'Miranda's storytelling is so propulsive,' Porter recalls. 'Her pitch drew us in from the get-go. It was a fresh way into a mystery thriller and a bit of a genre mash. The access point of a séance, that thrill of dabbling in the unknown, is something that many of us enjoyed as children. And what she's cleverly done is create a pathway for people who are believers in the spiritual world. Though, for others who might be more rational or cynical, there's always another explanation.' Loading When it came to casting the central role of the adult Joni, a child psychologist and the single mother of two girls, Mina (Chloe Brink) and Lulu (Stella Miller), Porter knew that she'd previously worked with the ideal actress on Neighbours and Wentworth. 'Morgana is one of those actors who draws you in with her vulnerability, heart and warmth,' she says. 'She brings an incredible honesty and a lot of that comes from her sense of humour. She's not afraid to be vulnerable, she's magnetic on screen and she has a sprite-like quality, a sort of youthful energy that I'll bet she's going to have her entire life.' For O'Reilly, the opportunity of a series lead came in what had already been 'a great year' as she'd also appeared in the third season of The White Lotus, playing hotel employee Pam. With years of experience to her credit, she reckons that acting 'can be a rollercoaster ride': the stress of auditions, sometimes never hearing anything afterwards, sometimes getting multiple call-backs but no work. Actors, she says, have 'an addiction to hope'. But, she adds with an appreciative smile, 'Then something like this comes out of left field.' Walter also describes her involvement in the production as a left-field opportunity emanating from her earlier experience working with Gardner and director Jonathan Brough on The End (2020). When she agreed to return to Australia for this project, the production schedule had to be structured to accommodate the brief window allowed during her commitment to Silo. Her scenes were shoe-horned into a tight two weeks and Porter says Walter 'hit the ground running'. Loading Nation's story has Pattie and Joni grappling with the pressures of parenting within the framework of the mystery surrounding the Darlings. Walter describes their relationship as 'quite complicated because Pattie has a sort of free-spirit thing that would rather not be tied down to a family, but she's got Joni, and she loves her very much'. Meanwhile, Joni's teenage daughter, Mina, who's increasingly testing her independence, is now around the age that Joni was when Gracie vanished. Memories of that traumatic event are triggered by the latest disappearance, reawakening Joni's feelings of guilt and recrimination. O'Reilly says Joni (played as a teenager by Eloise Rothfield) is rocked by emotional confusion. 'Like everybody, she's a paradox. She lives in a world of rationality, and she's found a semblance of control of her life. She's conquered a lot in a logical sense: she's become a psychologist, and she's very good in her field, she's got children, she's on top of everything. So at the start of the series, when another girl goes missing, it's a reminder that she can't control her life, and she can't control her relationship with her daughter.' To an extent, she adds, Joni embodies 'the central conversation of the show, which is the rational versus the magic'. Nation says her heroine is a strong, complex character. 'I love how complex and contradictory people are, the way that we're all flawed and full of contradictions. Gracie's disappearance has haunted Joni, and she has reached for the pragmatism of psychology as a way to protect herself and cope with her guilt. 'If supernatural forces do exist, then she's guilty of abandoning her friend to their mercy. It's safer for her to believe that they don't and that there's a rational reason for her friend's disappearance. 'That's the tension that we see Joni grappling with throughout the series, reflecting the question at the heart of the show: can everything be explained or are there forces that we don't fully know and understand?'
Sydney Morning Herald
21 hours ago
- Entertainment
- Sydney Morning Herald
‘Mare of Easttown, with ghosts': The new show that brought a Succession star Down Under
Esteemed English actress Dame Harriet Walter has been in high demand over the past few years – from playing the icy, patrician mother of the Roy siblings on Succession and Rebecca's flighty mum on Ted Lasso to a chain-smoking Russian gymnast-turned-assassin in Killing Eve. 'I focus on trying not to repeat myself,' the 74-year-old says. That's what brought her to Australia for a whirlwind fortnight late last year, to star as Pattie in six-part series Playing Gracie Darling: a character described by creator, writer and co-executive producer Miranda Nation as 'an old hippie at heart'. Loading On a hot December day halfway through the 12-week shoot, Walter's Pattie is sitting on the banks of Middle Harbour at Echo Point Park in Sydney smoking a spliff and reflecting on motherhood and mistakes. She's become the kind of matriarch who enjoys sharing an afternoon joint with her adult daughter, Joni, according to New Zealand actress Morgana O'Reilly (The White Lotus), who plays that daughter. The pair reflects on tumultuous events that occurred almost three decades earlier, when Joni was a teenager and Pattie was struggling with the pressures of being a parent. 'You get quite a narrow band of roles when you get older, and even women in middle-age feel that the roles are pretty stereotyped,' Walter says. 'Most people write you as an old lady in an old-people's home or something. They forget that we were the generation who grew up with the Rolling Stones, letting our hair down, literally, after the war. It's easy to forget that the oldies now had quite a naughty youth, so I'm quite pleased to be playing someone in a script that recognises that.' But the show isn't as laid back as that tender scene from the fifth episode suggests. In fact, Playing Gracie Darling could be described as a crime drama as it features several familiar generic markers: a small town, dark secrets and missing girls. Two disappearances have occurred, 27 years apart, with the spectre of supernatural forces at play. Gracie Darling (Kristina Bogic) was Joni's best friend when they were teenagers, and she vanished one night after a séance staged by a group of friends in a shack in a forest outside town. Decades later, another Darling daughter has disappeared. O'Reilly jokes the series is 'basically Mare of Easttown, but with ghosts'. Yet in its focus on a range of characters, particularly girls and women, during their teenage years and later life, it also traverses territory explored in recent dramas such as Sharp Objects, Yellowjackets, One Night and Bad Behaviour. Nation (Undertow) started working on the series in 2021 and took the project to Jo Porter and Rachel Gardner's Curio Pictures. 'Miranda's storytelling is so propulsive,' Porter recalls. 'Her pitch drew us in from the get-go. It was a fresh way into a mystery thriller and a bit of a genre mash. The access point of a séance, that thrill of dabbling in the unknown, is something that many of us enjoyed as children. And what she's cleverly done is create a pathway for people who are believers in the spiritual world. Though, for others who might be more rational or cynical, there's always another explanation.' Loading When it came to casting the central role of the adult Joni, a child psychologist and the single mother of two girls, Mina (Chloe Brink) and Lulu (Stella Miller), Porter knew that she'd previously worked with the ideal actress on Neighbours and Wentworth. 'Morgana is one of those actors who draws you in with her vulnerability, heart and warmth,' she says. 'She brings an incredible honesty and a lot of that comes from her sense of humour. She's not afraid to be vulnerable, she's magnetic on screen and she has a sprite-like quality, a sort of youthful energy that I'll bet she's going to have her entire life.' For O'Reilly, the opportunity of a series lead came in what had already been 'a great year' as she'd also appeared in the third season of The White Lotus, playing hotel employee Pam. With years of experience to her credit, she reckons that acting 'can be a rollercoaster ride': the stress of auditions, sometimes never hearing anything afterwards, sometimes getting multiple call-backs but no work. Actors, she says, have 'an addiction to hope'. But, she adds with an appreciative smile, 'Then something like this comes out of left field.' Walter also describes her involvement in the production as a left-field opportunity emanating from her earlier experience working with Gardner and director Jonathan Brough on The End (2020). When she agreed to return to Australia for this project, the production schedule had to be structured to accommodate the brief window allowed during her commitment to Silo. Her scenes were shoe-horned into a tight two weeks and Porter says Walter 'hit the ground running'. Loading Nation's story has Pattie and Joni grappling with the pressures of parenting within the framework of the mystery surrounding the Darlings. Walter describes their relationship as 'quite complicated because Pattie has a sort of free-spirit thing that would rather not be tied down to a family, but she's got Joni, and she loves her very much'. Meanwhile, Joni's teenage daughter, Mina, who's increasingly testing her independence, is now around the age that Joni was when Gracie vanished. Memories of that traumatic event are triggered by the latest disappearance, reawakening Joni's feelings of guilt and recrimination. O'Reilly says Joni (played as a teenager by Eloise Rothfield) is rocked by emotional confusion. 'Like everybody, she's a paradox. She lives in a world of rationality, and she's found a semblance of control of her life. She's conquered a lot in a logical sense: she's become a psychologist, and she's very good in her field, she's got children, she's on top of everything. So at the start of the series, when another girl goes missing, it's a reminder that she can't control her life, and she can't control her relationship with her daughter.' To an extent, she adds, Joni embodies 'the central conversation of the show, which is the rational versus the magic'. Nation says her heroine is a strong, complex character. 'I love how complex and contradictory people are, the way that we're all flawed and full of contradictions. Gracie's disappearance has haunted Joni, and she has reached for the pragmatism of psychology as a way to protect herself and cope with her guilt. 'If supernatural forces do exist, then she's guilty of abandoning her friend to their mercy. It's safer for her to believe that they don't and that there's a rational reason for her friend's disappearance. 'That's the tension that we see Joni grappling with throughout the series, reflecting the question at the heart of the show: can everything be explained or are there forces that we don't fully know and understand?'
West Australian
01-06-2025
- Sport
- West Australian
Youthful Raiders overpower Roosters in NRL win
Canberra's generation next have stood tall in a come-from-behind 26-24 win over the Sydney Roosters that has further strengthened the Raiders' claims as genuine premiership contenders. Without first-choice hooker Tom Starling (suspension) and Manly-bound halfback Jamal Fogarty (groin), the Raiders' youthful spine showed calmness and composure to run the Roosters down at Allianz Stadium on Sunday. Debutant halfback Ethan Sanders didn't look out of place in his first game for the Raiders, while Owen Pattie kicked a 40/20 and set up a try with a clever grubber kick in what was arguably his finest NRL game to date. Fullback Kaeo Weekes, who was the most senior member of the Raiders spine with just 42 NRL games to his name, then set up lively five-eighth Ethan Strange for the match-winning try with a bust from inside Canberra's half. The win leaves the Raiders second with an 10-3 record while the Roosters, who led by 10 points with 25 minutes left, were made to rue a game where they failed to turn the screw. Trent Robinson's side looked set to pick up from where they left off last week when Sandon Smith found winger Mark Nawaqanitawase with a bomb after just four minutes. There was some concern as to whether Nawaqanitawase cleanly grounded the ball but bunker official Chris Butler stuck with the on-field awarding of a try. Without Fogarty, Canberra's attack was cumbersome for much of the first half and it took the Raiders 35 play-the-balls in the Roosters 20m zone before they found a way over the line. Winger Xavier Savage struck for the Green Machine in the 31st minute and the Raiders looked to have nabbed another just before halftime when Simi Sasagi started and finished a brilliant flowing move. But hooker Pattie was deemed to have been offside in the build-up, allowing the Roosters to go up the other end and finish the first half with a James Tedesco try and a 12-4 halftime lead. Pattie kicked a 40/20 that allowed Sasagi to score early in the second half before Daniel Tupou helped the Roosters re-establish a 10-point buffer with a 55th minute try. But just as it looked as if the game might slip from the Raiders' grasp they pulled two tries out of nowhere in the space of four minutes. First, rookie winger Savelio Tamale tiptoed the sideline and flung a speculative offload back infield for a supporting Hudson Young to crash over. Then Pattie stabbed a grubber kick to the in-goal and captain Joe Tapine pounced on the loose ball. Strange finished Weekes's 73rd minute break to open some breathing space for Canberra before Rob Toia nabbed a consolation try for the Roosters.
