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Middle East Eye
3 days ago
- Entertainment
- Middle East Eye
'Word soup': U2 statement on Gaza dismissed as ‘billionaire pacifism'
The massively popular Irish band U2's lengthy statement on Israel's war on Gaza on Sunday has triggered widespread backlash on social media and has been dubbed 'billionaire pacifism'. In the statement, all four members of the band shared their individual views on Gaza, touching upon an array of issues such as Israel's starvation of Gaza, the blocking of humanitarian aid and the potential military takeover of the enclave by Israel. The band's statement starts with the phrase, 'We are not experts in the politics of the region, but we want our audience to know where we each stand.' Lead singer Bono's (Paul David Hewson) own statement spans from 'The rape, murder, and abduction of Israelis at the Nova music festival was evil' to 'I also understood that Hamas are not the Palestinian people.' Bono's statement repeats Israel's often-repeated "right to self-defence justification and echoes the same debunked claims Israel makes about Hamas using civilians as human shields. He also added that 'Benjamin Netanyahu today deserves our categorical and unequivocal condemnation', which many on social media have criticised as 'word soup'. New MEE newsletter: Jerusalem Dispatch Sign up to get the latest insights and analysis on Israel-Palestine, alongside Turkey Unpacked and other MEE newsletters U2's Gaza statement is billionaire pacifism, weeping into your champagne as you cash cheques from a genocide. Your 'moral clarity' stops where your wallet begins. Bono et al…until you ditch Live Nation and denounce your donors, you're just laundering blood money through a… — Mark Jones (@markjonescp) August 11, 2025 Others criticised U2's statement for their opening claim that they are not 'experts in the politics in the region', though they made public statements about Ukraine and the Ukrainian people 'for all of us who love freedom', two months into Russia's invasion of Ukraine. Two years after a genocide in Gaza: 'We are not experts in the politics of the region' But two months after Russia's invasion of Ukraine 👇🏽 — Osita Mba (@DrOsitaMba) August 11, 2025 U2's statement came on the same day Israel killed prominent Al Jazeera correspondents Anas al-Sharif and Mohammed Qreiqeh in a drone strike on a press tent near al-Shifa hospital in Gaza City. The strike also took the lives of Al Jazeera staff Ibrahim Zaher, Mohammed Noufal and Moamen Aliwa, as well as freelance journalist Mohammed al-Khalidi. After Bono's statement, perhaps the one that received the most backlash was the statement by Larry Mullen Jr, the drummer of the band. He said that after the 7 October Hamas-led attack on Israel, Israel's response was expected. "After those attacks, the total obliteration of Hamas was called for by Israel and its allies and was expected." Many on social media expressed outrage at these words, hinting that Israel's war on Gaza started well before 7 October 2023. Larry you say what did Hamas expect? Well what did Isreal expect to happen after a blockade on Gaza since 2007? Where Isreal controls all land borders, the sky and the sea. Has bombed Gaza multiple times and murdered thousands since 2007 and Suffocates the life in Gaza! — lu (@slammesh) August 10, 2025 Some on social media, uninterested in Mullen's statement on Gaza in general, expressed their confusion as to why he felt he had to share his thoughts on this issue. This was a general sentiment towards the entirety of the statement by many social media users, saying that the band, specifically Bono, was a "fraud" and has no issue staying 'out of politics when it suits him'. I could not give an absolute fuck what U2 have to say about Gaza. Those shills have been dripping in Israeli blood money since day dot. Bono can "stay out of politics" when it suits him, while he's filling his pockets. He's a gutless poser and a fraud. — Carlito's Way stan account 🇵🇸 (@Oh_Deer_Diner) August 11, 2025 This is not the first time Bono has come under scrutiny for what critics say is selective humanitarianism, with satirical comedy show South Park taking aim at him in More Crap, the 9th episode of season 11. The Edge (David Howell Evans), lead guitarist of the band, criticised Netanyahu's Likud party for its plan to ethnically cleanse Palestinians from Gaza and the occupied West Bank to make way for a 'Greater Israel.' If the end game is this, 'that is not peace-it is dispossession, ethnic cleansing, and, according to many legal scholars, colonial genocide,' he said. Some on social media said that Mullen's statement was the only one openly and directly addressing Israel's assaults on Palestinians in Gaza and the occupied West Bank, which several countries, as well as many international rights groups and experts, now qualify as an act of genocide. Over 61,000 Palestinians have been killed in Gaza since the war started in October 2023, most of them women and children. Many also said that even though they grew up listening to the band, they would not follow or listen to their songs anymore, simply because they root for 'war criminals and imperialism'.
Globe and Mail
28-05-2025
- Entertainment
- Globe and Mail
Why U2's Bono surrendered himself to the screen, one memory, rattle and hum at a time
No one rocks rose-coloured glasses like Bono. Holed up in a Cannes hotel suite overlooking the French Riviera – the bay outside swarming with megayachts, a good portion of which likely belong to the U2 front man's famous friends – the rock star known to some as Paul David Hewson is clad in black, head to toe. Except, that is, for his stylish pair of rosé-all-day sunglasses. Which are, of course, the perfect lens through which to view Bono's relentlessly sunny outlook. A perspective that is on full, glorious, it's-a-beautiful-day display in his new documentary, Bono: Stories of Surrender. Three days from now, Bono will walk the red carpet as Stories of Surrender makes its world premiere at the Cannes Film Festival, where hundreds of click-happy paparazzi will shout his name while heat-exhausted fans clamour on the sidelines. In other words, a normal evening out for the world's most famous Irishman. But this morning in his hotel, well, Bono is feeling a little out of place, no matter his shade of eyewear. 'I've certainly got some imposter syndrome here, impersonating an actor on the Croisette, walking the plank that is the red carpet,' Bono says, not at all convincingly. 'It was strange making this film, because I thought maybe I wouldn't be very good at acting? I found it quite overwhelming, having to go to all those places.' Those 'places' are the sometimes anxious, sometimes heartwarming depths of Bono's youth in north Dublin – the home where he lost his mother, fought with his father, met his wife and formed U2 – which he previously chronicled in his 2022 memoir, also titled Bono: Stories of Surrender. After publishing the autobiography, Bono eschewed a traditional book tour for what he calls his 'quarter-man show' without his U2 bandmates – a sold-out run of performances at New York's Beacon Theatre in which he mixed personal-history monologues with stripped-down renditions of U2 singles. A few years after the show closed, Bono turned to his long-time friend, the Australian filmmaker Andrew Dominik (The Assassination of Jesse James, Killing Them Softly, a series of Nick Cave documentaries), to transform the work into yet another medium for Apple TV+, shooting in stark black-and-white. 'Andrew's work with non-actors was the draw. You know Eric Bana was a comedian before he was in Andrew's Chopper, right? He became the Eric Bana he is now with Andrew's guidance,' Bono says. 'It's not just a film of a concert, and it's not just a film of my performance. Andrew was very demanding and wouldn't let me get away with anything. I had to film the scene where I say goodbye to my father five times in one day, and these are very strong feelings I was having. But not strong enough for him: 'It's performative, mate!'' Bono is well-aware that the new film is something of a vanity project – he cops to it right in its opening. But the musician also knows that he didn't get to where he is, headlining world tours and bending Apple to his whims, by shying away from the spotlight. And the stories Bono shares on screen are far beyond the kind of navel-gazing, self-serving nostalgia trips that might be expected from other stars of his stature. The film opens with a haunting recollection of Bono's eight-hour emergency heart operation from 2016, before rewinding to his teenage battles with his emotionally unavailable, widower father and the lucky break he scored in 1976 when he connected with three high-school mates: Larry Mullen Jr., Adam Clayton and David Howell Evans, better known as the Edge. If the film seems atypically rooted in exploring the man who is Bono, rather than perpetuating the myth that is U2, that's because it is. And if Bono himself seems more committed to promoting and pushing the doc than any other project in recent memory, well, that's true, too. The musician rarely sits down for one-on-one interviews these days, and it is unclear how many times he might have previously taken the time to personally autograph copies of his memoir for journalists who didn't even ask for one (although I will forever treasure the 'Thanks Barry!' that he scrawled inside my copy, the 'arry' in my name written over the 'ono' from the book's title page). This project seems to have ignited something in Bono – a desire to chase the past in order to figure out his future. It is not so much a midlife-crisis project as it might be a figuring-out-what's-next project. He still hasn't found what he's, well, you know. The timing makes sense. A few days before the Cannes premiere, Bono turned 65. Next year, U2 will celebrate 50 years, a milestone that will be commemorated with a new book, at least one new documentary and a new Netflix drama series written by Anthony McCarten of Bohemian Rhapsody fame. Memory, its power and presence, is simply in Bono's atmosphere. 'Part of writing the book Surrender was to retrieve memories that I lost, and then doing the play I ended up discovering ones that had really changed me, too,' Bono says. 'I began to really appreciate my father, in playing him. Just by turning my head to the left or the right, I discovered him. One side is my younger self. By turning my head, I became my father.' Despite his assertion that he's no actor – seeming to forget, unlike my children, his performance as a rock-star lion in Sing 2 – Bono proves himself to be a great performer in Stories of Surrender. Whether he is personifying his father, his bandmates or even Luciano Pavarotti, the man has a talent for not only spinning his own narrative but deftly weaving in others'. 'Lots of singers are mimics – it's our musical ears. We all vie to have the best Bob Dylan impersonations, though Mick Jagger's is probably the best,' Bono says with a laugh. 'Making music, you step into the shoes of the people who you most look up to. Even my activism, if I think about it, was probably shaped by John Lennon growing up in my teenage years. Here was a guy who was ready to look ridiculous for peace! I knew I could do the ridiculous part. It was just if I can follow that level of songwriting.' Stories of Surrender doesn't focus much on the singer's long and sometimes controversial (i.e., white saviour) history of activism – work that brought him, back in 2010, to guest edit an edition of The Globe and Mail about 'the African Century' alongside Bob Geldof. ('At ease,' he says upon learning that he was technically close to being my boss.) But the film's release has caused Bono to re-examine and recontextualize his legacy in that realm, too. 'Being Irish, we definitely approach the injustice of the world's poor from a horizontal position – we're looking across to them, not down,' he says. 'Ireland is a kind of encouragement for people, because if you were the poorest country in Europe, how did you get out of it?' Unlike so many other stars attending Cannes, who seem to be allergic to the words 'tariff' or 'Trump,' Bono is also eager to talk politics, even when unprompted. 'I'll say one thing: There are 51 reasons to be grateful for Mark Carney,' Bono says with a smile, before going on to rhapsodize about the Canadian Prime Minister's Irish roots. The 52nd reason? His family come from the same county as the Gallagher brothers, Liam and Noel. They're definitely from seeds that grew into very different trees, but I'm grateful for both!' Sitting alone in the room with Bono – well, 'alone' is a relative term when there are assistants and publicists and camera operators swirling about – one cannot help but recall the stripped-down atmosphere of Stories of Surrender itself. The tiny, bare-bones stage of the Beacon is, after all, a world away from the high-tech, high-everything orb of the Sphere in Las Vegas, where U2 recently wrapped up a residency in which they performed the entirety of 1991's Achtung Baby. 'Part of this was asking, had I just gotten used to a certain maximalism?' Bono says. 'At the Beacon, we were able to get to that level of intimacy because I had all this time with an audience who were just a yard away. There's a little bit of taking your clothes off in front of the whole school about this.' Not that Stories of Surrender is some bygone, analogue experiment. Apple TV+ subscribers can watch the doc in its traditional form starting May 30, or strap on an Apple Vision Pro headset to get a more immersive, 3-D experience that feels akin to inviting Bono directly into your living room. Although that element gave Bono just a bit of skeptical pause, given that the last time he partnered with Apple on a quote-unquote innovative project, it resulted in U2's album Songs of Innocence showing up unsolicited in iTunes libraries around the world. 'Apple suggested the VR element for this film – they offered us their labs to play: 'We have this technology, do you want to try something?' I think as corporations get to that scale, they start experimenting,' Bono says. 'We know some of those experiments didn't go right – I was in charge of one of them, and it was my suggestion actually. But you're seeing successful experiments.' One of the charges that critics have tried, sometimes successfully, to stick on Bono is that it is impossible for a star of his magnitude and influence to see outside of his own bubble. But Stories of Surrender seems to be Bono's backward way of bursting that notion. 'I have to be careful about this film, I can only watch it so often – that's the imposter syndrome you're witnessing. I'm not acting. I'm trying to tell my own story, to regain some of the dimension and the pencil shavings that you lose when you become a bit famous,' he says. 'Can I get it back? Can I return some of myself to the band? To my family?' He slides his glasses back and nods to himself, satisfied with answering his own question. It is Bono's world – he can see it however he wants. Bono: Stories of Surrender is available to stream on Apple TV+ starting May 30.
Extra.ie
25-05-2025
- Entertainment
- Extra.ie
Bono's new film in 'mixed reality' better than the real thing - but definitely not cheaper
Bono's new film has been shot in a special high-tech 'mixed reality' version – but even his most ardent fans may baulk at the cost of the new technology that can bring them virtually onstage with the U2 star. A special immersive version of Bono's new film takes the viewer 'close enough to see the faint scar in his chest' from his heart surgery – once you can afford the €3,000-plus technology required to watch it. Bono: Stories of Surrender, based on the U2 frontman's 2022 memoir and accompanying tour, premiered at Cannes this week to mixed reviews. And, in the latest of a series of linkups between U2 and Apple spanning two decades, the tech giant has also produced a version specially for viewing on its Apple Vision Pro headset. U2. Pic: Victor Chavez/REX/Shutterstock (14374810ek) It is the first ever feature film created for the 'mixed reality' device, which is similar to a virtual reality headset but blends digital content with the real world to give users 'an unparalleled sense of realism and immersion.' Retailing from around €3,100, even the band's most loyal fans may have to miss out on the chance to be 'onstage with Bono and in the centre of his story', as Apple TV+ puts it. In an interview with the singer last week, Deadline Hollywood said watching Stories of Surrender through the device 'reveals a uniquely close and personal experience, complete with Bono's own drawings that sprout up in the wide frame'. Apple Vision Pro. Pic: Getty Images The industry website said the technology 'places the viewer right up there onstage alongside Bono, close enough to see the faint scar in his chest where the heart surgeon saved his life [in 2016]'. Bono told interviewer Mike Fleming Jr the special version is 'really playful', but admitted the experience will be prohibitively expensive for many fans. 'I know Apple are dying to make the Vision Pro more affordable and more democratic,' he said. Irish singer Bono Vox (Paul David Hewson) at the Cannes Film Festival 2025. Pic: Rocco Spaziani/Archivio Spaziani/Mondadori Portfolio via Getty Images) 'They know not everyone can afford this, but they're still going for it, believing that some way down the line, it'll make financial sense for them.' The 65-year-old rocker said that intimacy is 'at the heart' of the recent book, tour and film projects centred on his storied life. 'I tell my friends, 'Intimacy is the new punk rock,'' he told Deadline. Irish singer Bono (Paul David Hewson) with his family. Pic: Michael Buckner/Variety via Getty Images 'If I'm going to do one of these memoirs, I'd better really go there. It shouldn't be the same approach others have taken. 'We performed in The Sphere [in Las Vegas], and that is what got me to Vision Pro. The core of this is, 'Can we make this radical intimacy?' Does that sound pretentious? Probably.' The films (the 2D version is also available on Apple TV+ from May 30) are the latest in a string of collaborations between U2 and Apple. When the tech behemoth launched its digital music catalogue iTunes in 2003, it contained an exclusive U2 single featuring an acoustic version of Stuck In A Moment and two live tracks. The following year, Apple launched a special edition iPod preloaded with U2's back catalogue and featuring elements of the band's branding on its casing. Later in 2004, the band released their Complete U2 Digital Box Set exclusively to iTunes. The collection featured over 400 recordings, including previously unreleased material. But a 2014 marketing initiative proved a major misstep for both the opinion-splitting band and Apple. U2 performed their new single The Miracle (of Joey Ramone) at an Apple product unveiling and announced the surprise release of their 13th studio album, Songs of Innocence. However, the album was automatically downloaded to the music libraries of all iTunes customers, without charge, leading to much irritation from non-fans at having the work foisted upon them at the expense of disc space. It even proved difficult to remove, with Apple creating a special feature to permanently delete it. Bono later took 'full responsibility' for the gaffe, writing in his memoir: 'I'd thought if we could just put our music within reach of people, they might choose to reach out towards it. Not quite. As one social media wisecracker put it, 'Woke up this morning to find Bono in my kitchen, drinking my coffee, wearing my dressing gown, reading my paper.' Speaking to RTÉ's Brendan O'Connor yesterday about why he undertook the latest project, Bono said: '[When you become famous] you turn into a caricature. I wanted to explain to people the origin behind all the success U2 has had. And I wanted to let people in and take off the armour, talk about my life growing up, my family and the things that make you the way you are.' Asked about how the rest of his U2 bandmates reacted to his memoir, stage-show and now the film, he jokingly noted: 'I've read their memoirs.' 'The Edge has definitely seen the film. He thought my head looked even bigger on the screen at Cannes. Larry [Mullen Jr] is more of a Western man, and he doesn't believe anything I do outside of U2 exists? Adam [Clayton] was good'. He said his 'little family opera' came in the 'absence' of a new U2 album. Bono added: 'It's the band that gave me permission to sell my wares, activism or my music.'
Irish Independent
01-05-2025
- Entertainment
- Irish Independent
‘This is my story' – U2's Bono to tell ‘tall tales of short rock star' in his new film on Apple TV+
Bono: Stories of Surrender is based on his memoir, Surrender: 40 Songs, One Story, and the accompanying book and theatre tour. The Dublin singer, whose band is known for songs including Beautiful Day and With or Without You, performs in front of a lively crowd. In the black and white video the musician, whose real name is Paul David Hewson, says: 'Something to know about performers in pursuit of truth, we are capable of more untruth than most.' The film includes footage from his Beacon Theatre shows in New York and shows him performing the U2 songs that shaped his career. 'Turns out, the most extraordinary thing about my life is the people I'm in relationships with. I met my wife Ali the same week I joined U2,' he says. Bono also speaks about craving his father's attention and the last time he saw his mother alive. 'This is my story. I'm stuck with it,' he says. U2 formed in the late 1970s and comprises Bono, guitarist The Edge, bass player Adam Clayton and drummer Larry Mullen Jr. They have had seven number one singles in the UK chart with tracks including Desire, Discotheque and Vertigo. Bono is also known for his activism and philanthropic work and was awarded the US Presidential Medal of Freedom in January, which is given for 'exemplary contributions to the prosperity, values or security of the United States, world peace, or other significant societal, public or private endeavours'.
Irish Independent
30-04-2025
- Entertainment
- Irish Independent
U2 frontman Bono releases trailer for new film Bono: Stories Of Surrender
Bono: Stories Of Surrender is based on his memoir, Surrender: 40 Songs, One Story, and the accompanying book and theatre tour. The Irish singer, whose band is known for songs including Beautiful Day and With Or Without You, performs in front of a lively crowd. In the black and white video the musician, whose real name is Paul David Hewson, says: 'Something to know about performers in pursuit of truth, we are capable of more untruth than most.' The film includes footage from his Beacon Theatre shows in New York and shows him performing the U2 songs that shaped his career. 'Turns out, the most extraordinary thing about my life is the people I'm in relationships with. I met my wife Ali the same week I joined U2,' he says. Bono also speaks about craving his father's attention and the last time he saw his mother alive. 'This is my story. I'm stuck with it,' he says. U2 formed in the late 1970s and comprises Bono, guitarist The Edge, bass player Adam Clayton and drummer Larry Mullen Jr. They have had seven number one singles in the UK chart with tracks including Desire, Discotheque and Vertigo. Bono is also known for his activism and philanthropic work and was awarded the US Presidential Medal of Freedom in January, which is given for 'exemplary contributions to the prosperity, values or security of the United States, world peace, or other significant societal, public or private endeavours'. Bono: Stories Of Surrender will premiere globally on May 30 on Apple TV+.
