Latest news with #PeterGabriel
Yahoo
28-07-2025
- Entertainment
- Yahoo
Phil Collins explains why he's in hospital and debunks hospice claims
A representative for Phil Collins has assured fans that the 74-year-old music legend is not in hospice care, despite recent rumors. Instead, the former drummer and frontman of British rock band Genesis is currently in the hospital after undergoing knee surgery, his spokesperson confirmed to The Independent. Last week, unfounded rumors that the retired musician was on his deathbed went viral online. It's unclear what sparked them; however, they came months after the eight-time Grammy-winning artist revealed that he was 'very sick.' 'I keep thinking I should go downstairs to the studio and see what happens but I'm not hungry for it anymore,' Collins told Mojo magazine in February after his final concert with the group at London's O2 Arena. The concert was billed as the band's last ever together and saw Collins say goodbye to his fans. 'The thing is. I've been sick, I mean very sick,' he said. 'Phil wasn't in as great a shape as he used to be, but they did a great job,' founding Genesis member Peter Gabriel added. Though Gabriel didn't perform with the rock group, he explained: 'Me going was a rite of passage, really. I'd been part of the creation of Genesis, so I wanted to be there at the end.' Collins announced his retirement from live shows in 2022, after having previously said he can 'barely hold a drumstick' following a serious spinal injury in 2007. The injury damaged vertebrae in his upper neck and caused lasting nerve damage. 'I'm kind of physically challenged a bit, which is very frustrating because I'd love to be playing up there with my son,' he said in a September 2021 interview with BBC Breakfast. Collins' 24-year-old drummer son, Nic, filled in for his father during Genesis's final The Last Domino tour in 2021. Nic regularly drums for the band Better Strangers. Collins, who has been married three times, is also a father to four other children: actor Joely, 52; drummer Simon, 48; Emily in Paris star Lily, 36; and soccer player Mathew, 20. He was married to his first wife, Andrea Bertorelli, from 1975 to 1980, followed by his second marriage to Jill Tavelman from 1984 to 1996, and his third wife, Orianne Cevey, from 1999 to 2008. Solve the daily Crossword
The Star
21-07-2025
- Entertainment
- The Star
Rainforest World Music Festival: The sound of sustainability
IN the noughties, Womad Singapore at Fort Canning Park was the place to be for any ardent world music fan in the region. The World of Music Arts and Dance – incepted by former frontman of legendary rock band Genesis turned world music aficionado Peter Gabriel – was then the ultimate music festival with its eclectic sounds and frenetic vibes. The mesh of contemporary and traditional tunes from different corners of the globe drew our cultured and the wannabes for a seminal experience. For many others, it was just an excellent excuse to party. Today, however, Womad's place here has been supplanted by Sarawak's Rainforest World Music Festival (RWMF) and superbly so! The annual RWMF has something that Womad and the republic never had – the Borneo spirit. Celebration of diversity Sure, Womad Singapore drew its curtains in 2008 due to reasons beyond its control, but what many music lovers perhaps don't realise is that both world music festivals started in our corner circa 1998. While the comparison may be unfair – where else can you find lush jungles and authentic cultural heritage like Sarawak's – it's a useful reminder to us all as Singapore tries to position itself as the concert capital of Asia: you need more than capital to be cool. The sustainability of RWMF (pun intended) is also very much part and parcel of the state's cultural heritage growth and sustainable tourism policy. But first, back to the party. Returning for the 28th time with a roar, RWMF 2025 rocked the Sarawak Cultural Village at Pantai Damai Santubong in the outskirts of Kuching for three days, from June 20 to June 22, with its infectious blend of big beats and traditional arts. On the first night, festival goers were thrilled by some traditional throat singing and elemental vocals from Otyken, a folk music group from Siberia, Russia. Otyken thrilling the crowd with their traditional throat singing. The otherworldly renditions were powered by even more surreal but electrifying music played on a range of contemporary and traditional instruments including giant leather drums; a jaw harp; a traditional Siberian lyre called khomys; and an electric base guitar made of (what must be giant) mushrooms. What raptured the revellers most was the Morinhur, a gigantic traditional horse-head fiddle, played by a young female musician who leapt and headbanged as she fiddled on stage. Otyken's horse head-fiddler, Kys, really raptured the crowd with her showmanship. The second night was more of a 'chill time' as the soothing ukulele strums, mele (traditional ditties) and the hula dances of Hawaii's Kulaiwi, followed by the dulcet tones of Maori musician Rob Ruha, set the stage for the smooth, groovy sway of Earth, Wind & Fire Experience by Al Mckay. The Earth, Wind & Fire Experience by Al Mckay with their smooth, groovy sway. Those looking for a more pulsating time were not left disappointed though as they were blasted with the thundering beats of taiko drums played by explosive 'Édo' ensemble Sepukku Pistols from Japan, and the fierce and fiery performance by ethnic-rock band Kuntaw Mindanao from the Philippines. Sepukku Pistols interactive pulsating performance. The genre-defying Kuntaw Mindanao with their fusion of rocky strains, ancestral melodies and native chants of indigenous resistance, survival and identity really wowed me, haunting me even as the sounds of the night faded. The fiery singer of Kuntaw Mindanao, Dorothy Blez Bano with her song of resistance. The final night was all about the home favourites, At Adau. Their name is supposedly evocative of an awakening spirit, and it was immediately clear why as they revved up the crowd with their vibrant interplay of tribal rhythms, contemporary arrangements and the soulful Sape, a traditional lute of the Orang Ulu of Sarawak. A sape player from the homegrown favourites At Adau. It is not possible to list all the diverse international and local acts that lit up the rainforest stage that weekend – and many were definitely not household names – but their love, passion and artistry showed through with every rhythm and movement. In return, the festival goers gave back the love – screaming their names and crying out for more – befitting the fest's theme 'Connections: One Earth, One Love'. As one pumped up reveller shouted,' I don't know what they are saying, but I love them!' Another, a first timer who only wanted to be known as Mira, raved: 'I'm so glad I finally made it here. It's given me a broader perspective on music in the world. 'The RWMF is really an exciting platform where people can come without prejudice to listen to great music and dance and experience new cultures. I'm definitely going to come back next year.' Of course, there were many loyal RWMF returnees, some who brought along not just their friends and partners, but also children and grandchildren. As they said, it's 'our beautiful legacy.' Love and connections. More than the music For the Sarawak Tourism Board (STB), the agency behind the music festival, building on the RWMF legacy means 'offering an immersive journey' through cultural workshops and showcases, not only of global cultures but also the rich cultural heritage of Sarawak. True, there was something for everyone throughout the fest: you could learn the hula, strum the sape, beat the traditional drums – take your pick from which country and community, learn a traditional Sarawakian game, get a traditional tattoo and taste some traditional cuisine. Traditional Sarawak art workshop. A festival goer trying out the traditional gamelan. You can also get a traditional tattoo at thefest. And if you are not too tired from the fun of the night before, you can meet the artistes again at the various casual mini showcases, musical workshops and spontaneous jam sessions around the village. A fan even tried to bring down the Iban Long House with the Morinhur at an Otyken workshop! Another initiative by the STB to evolve RWMF is the Rainforest Youth Summit (RAYS), which brought together youth leaders from across the region for sustainability workshops, cultural dialogues and creative exchanges. As STB CEO Sharzede Datu Salleh Askor put it, RAYS aims to foster continuity between young voices on sustainability and global indigenous rhythms – a 'powerful connection that defines the festival's spirit'. RAYS 2025 brought together youth leaders from across the region for sustainability workshops, cultural dialogues and creative exchanges. 'Obviously, one of my tasks when I joined STB in 2018 was to make sure we sustain RWMF, so the first focus is to ensure that we evolve the fest. We need to bring in new blood because all the patrons are getting older, right? "That is why we started RAYS last year. We need to bring in young blood and new fans, so that they become the group that will follow this through for the next 50 years.' The young are also passionate about the environment and the earth's sustainability, which is also the spirit of RWMF, she added. 'I believe that the youth must have a voice and Sarawak, I feel, needs to have that voice too, you know, and be heard, be seen, especially when it comes to indigenous issues. So, we said, let's have an event offshoot of RWMF, but related to it, which is youth-led and has indigenous content.' Sharzede: 'Youth must have a voice and Sarawak, I feel, needs to have that voice too, you know, and be heard, be seen, especially when it comes to indigenous issues.' Another sustainability initiative is the eco-friendly practices promoted at the music festival. Building on its previous achievements, the festival reaffirmed its commitment to planting 10,000 trees by 2027, with a portion of every ticket going towards reforestation programmes, said Sharzede. Single-use plastics are banned on-site, and visitors are encouraged to refill, reuse, and recycle through clearly marked eco stations and water stations. Visitors are encouraged to refill, reuse, and recycle through clearly marked eco stations and water stations. Being green and sustainable is an honourable aim but STB needs to be careful to ensure that it extends beyond lip service. For one, while bottled drinks are banned, many vendors were still giving out single-use plastic bags and utensils. Noting this, STB shared that it had encouraged all food and beverage vendors to adopt biodegradable and eco-friendly alternatives as part of the state's green initiatives for RWMF 2025. 'To support this transition, we provided vendors with access to suppliers offering certified biodegradable packaging at discounted rates. 'We are proud to share that more than 75% of our vendors responded positively to this initiative, demonstrating a strong collective will to reduce plastic usage and minimise environmental harm. However, we acknowledge that a small percentage of vendors still resorted to conventional plastic packaging, despite the support and resources provided.' Taking this shortfall seriously, STB vowed to continue to invest in consistent vendor education on sustainable practices, responsible waste management, and the long-term benefits of adopting green solutions not just for the environment, but for the overall quality and reputation of the festival. 'Looking ahead, STB is actively exploring the introduction of a mandatory policy that will require 100% use of biodegradable and sustainable packaging for all vendors participating in future editions of RWMF. This policy will be supported by clear guidelines, supplier access, and stricter enforcement to ensure full compliance,' STB said in a statement. Sharzede stressed that STB and the state are committed to continuously improve the festival's environmental impact. 'We remain firm in our mission to make RWMF not only a celebration of music and culture but also a model of environmentally responsible event in the region. Our commitment is clear, to elevate RWMF as a benchmark for sustainable festivals in Asia and beyond.' But sustainability is not a one-time effort, it's a continuous journey, she noted. 'With RWMF, we strive to lead by example in embedding green values into large-scale event management. 'We hope, supported by our dedicated sponsors and partners, the RWMF will continue to unite music lovers, environmental advocates, and changemakers in a shared mission of connection, conservation, and celebration.'
The Guardian
13-07-2025
- Entertainment
- The Guardian
‘Is Peter Gabriel in my vocal range? I don't care. I'm singing it at karaoke': Xzibit's honest playlist
The first song I fell in love withFight the Power by Public Enemy from their Fear of a Black Planet album touched my soul. Hearing the vibrant production on that record is what really inspired me as a child to become a musician. I listened to it so much, I nearly wore it out. It was first single I boughtRuff Rhyme (Back Again) by my friend King T on cassette tape from Tower Records in Albuquerque, New Mexico. It has the Ruff Mix remix on the B-side, and to this day he and I fight about which is best. The song I do at karaokeIn Your Eyes by Peter Gabriel. Is it in my vocal range? I don't give care if I'm singing it right. I'll do my best. The best song to play at a party It depends on what they're serving. If it's a wild party and there's a whole bunch of drugs involved, it's gotta be uptempo. If it's kick back with some weed, then some 90s or 00s gangsta rap like Nuthin' But a 'G' Thang by Dr Dre featuring Snoop Dogg. The song I secretly likeI love Everything by Mary J Blige from her Share My World album, which samples You Are Everything by the Stylistics and The Payback by James Brown. I've been a fan of hers ever since she came out. She's one of my favourite artists who integrates hip-hop and R&B. The best song to have sex toIt's not about the music. Sometimes it's just about being into your partner: that's the music right there. Would I have sex to my own records? Hell no. Have you heard my shit, like Choke Me, Spank Me (Pull My Hair)? You can't have sex to those records. The song that changed my lifeBitch Please by Snoop Dogg featuring Nate Dogg and Xzibit was the beginning of an era. It launched us into the stratosphere, turned the page, and kicked everything up in my career. The song that makes me cryYou just reminded me I haven't cried in a minute. I gotta go look for that. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The song that gets me up in the morningYankee and the Brave by Run the Jewels because it's adrenaline and goes good with coffee. The song I'd like played at my funeralPlay This at My Funeral, the first song on my new album. Xzibit's new album Kingmaker is out now.
The Guardian
13-07-2025
- Entertainment
- The Guardian
‘Is Peter Gabriel in my vocal range? I don't care. I'm singing it at karaoke': Xzibit's honest playlist
The first song I fell in love withFight the Power by Public Enemy from their Fear of a Black Planet album touched my soul. Hearing the vibrant production on that record is what really inspired me as a child to become a musician. I listened to it so much, I nearly wore it out. It was first single I boughtRuff Rhyme (Back Again) by my friend King T on cassette tape from Tower Records in Albuquerque, New Mexico. It has the Ruff Mix remix on the B-side, and to this day he and I fight about which is best. The song I do at karaokeIn Your Eyes by Peter Gabriel. Is it in my vocal range? I don't give care if I'm singing it right. I'll do my best. The best song to play at a party It depends on what they're serving. If it's a wild party and there's a whole bunch of drugs involved, it's gotta be uptempo. If it's kick back with some weed, then some 90s or 00s gangsta rap like Nuthin' But a 'G' Thang by Dr Dre featuring Snoop Dogg. The song I secretly likeI love Everything by Mary J Blige from her Share My World album, which samples You Are Everything by the Stylistics and The Payback by James Brown. I've been a fan of hers ever since she came out. She's one of my favourite artists who integrates hip-hop and R&B. The best song to have sex toIt's not about the music. Sometimes it's just about being into your partner: that's the music right there. Would I have sex to my own records? Hell no. Have you heard my shit, like Choke Me, Spank Me (Pull My Hair)? You can't have sex to those records. The song that changed my lifeBitch Please by Snoop Dogg featuring Nate Dogg and Xzibit was the beginning of an era. It launched us into the stratosphere, turned the page, and kicked everything up in my career. The song that makes me cryYou just reminded me I haven't cried in a minute. I gotta go look for that. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The song that gets me up in the morningYankee and the Brave by Run the Jewels because it's adrenaline and goes good with coffee. The song I'd like played at my funeralPlay This at My Funeral, the first song on my new album. Xzibit's new album Kingmaker is out now.
The Guardian
04-07-2025
- Entertainment
- The Guardian
V&A announces details for David Bowie Centre
From the Thierry Mugler suit he got married in to his costumes from the Ziggy Stardust and Aladdin Sane era, David Bowie's most iconic looks will be available for fans to see up close as the V&A museum opens its David Bowie Centre on 13 September. Part of the V&A's wider archival project, the V&A East Storehouse, the Bowie archive comprises more than 90,000 items – which won't all be on display at once. Instead, in details revealed today, visitors will be able to order up items to look at closely, while V&A archivists and star curators will make selections to go on display in a series of rotating showcases. Tickets will be free. Nile Rodgers, the Chic bandleader and guitarist who worked with Bowie on the hit album Let's Dance, has curated one of these areas, with items including correspondence between the two, studio images taken by Peter Gabriel during the making of Bowie's Rodgers-assisted 1993 album Black Tie White Noise, and a bespoke suit designed by Peter Hall for the Serious Moonlight tour. 'My creative life with David Bowie provided the greatest success of his incredible career, but our friendship was just as rewarding,' Rodgers said, announcing the partnership. 'Our bond was built on a love of the music that had both made and saved our lives.' Also playing guest curators are the members of chart-topping alt-pop band the Last Dinner Party, whose selections include handwritten lyrics for the Young Americans album, studio photos by Mick Rock and – rather nerdishly – the manual for Bowie's EMS synth, heard on the so-called Berlin trilogy of albums. 'David Bowie continues to inspire generations of artists like us to stand up for ourselves,' the band said in a joint statement. 'When we first started developing ideas for TLDP, we took a similar approach to Bowie developing his Station to Station album – we had a notebook and would write words we wanted to associate with the band. It was such a thrill to explore Bowie's archive, and see first-hand the process that went into his world-building and how he created a sense of community and belonging for those that felt like outcasts or alienated – something that's really important to us in our work too.' Rodgers and the band's choices will be included in an area featuring items that are rotated every six months or so, with fresh guest curators each time. There will also be eight other sections showcasing around 200 Bowie items curated by the V&A team in collaboration with young people from the neighbouring London boroughs of Hackney, Newham, Tower Hamlets and Waltham Forest, with each area refreshed every few years. These will include a look at Bowie's unrealised projects, such as film tie-ins with the Diamond Dogs and Young Americans albums, and even a mooted adaptation of George Orwell's 1984. Other areas will spotlight iconic moments such as his 1987 Glass Spider tour, his collaborations with bassist Gail Ann Dorsey and the creation of the Ziggy Stardust persona. There will also be an interactive installation tracing Bowie's impact on pop cultural figures from Issey Miyake to Lady Gaga, and a film compiling live performances across his career. What will really provoke Bowie fans' fascination, though, is seeing objects up close, 'including costumes, musical instruments, models, props and scenery' according to the V&A. Visitors will be able to book to see five items each visit, with two weeks' notice, using the V&A's 'order an object' service. Bookings will begin in September. More than 70,000 of the archive items are photographic prints, negatives and transparencies, and these, along with other paper-based items – 'notebooks, diaries, lyrics, scripts, correspondence, project files, writings, unrealised projects, cover artwork, designs, concept drawings, fanmail and art' – will also be available to view by special appointment. The V&A first acquired Bowie's archive in 2023, with director Tristram Hunt promising the David Bowie Centre would be a 'new sourcebook for the Bowies of tomorrow'. He and his team will hope the centre will be a major tourist draw to its new V&A East Storehouse, which opened in May in the Olympic Park, Stratford. Like the David Bowie Centre within it, the building showcases items from the V&A's collection, and allows visitors to book to see other items close up. 'We wanted it to feel like an immersive cabinet of curiosities,' the building's architect Liz Diller told the Guardian. 'So you land right in the middle, at the very heart of the building, flipping the usual progression from public to private.' The Guardian's architecture critic Oliver Wainwright said the buildings gives 'a thrilling window into the sprawling stacks of our national museum of everything', while art critic Jonathan Jones said in a five star review: 'This is what the museum of the future looks like – an old idea that's now been turned inside out, upside down, disgorging its secrets, good and bad, in an avalanche of beautiful questions, created with curiosity, generous imagination and love.' Another V&A outpost in the Olympic Park, the more traditional gallery space of V&A East Museum, will open in spring 2026.
