Latest news with #Radha
News18
14 hours ago
- General
- News18
International Tiger Day: Meet Mohan, World's First White Tiger, Who Fasted Every Sunday
The year was 1951 when Maharaja Martand Singh spotted a white tiger in the Bargadi forest of Sidhi. Captivated by its unique appearance, the King decided to capture it. Once caught, the white tiger was brought to the royal fort of Govindgarh. From wild jungle to royal palace, Mohan's life changed overnight. With striking white fur and piercing blue eyes, the tiger became a centre of attraction, not just for the king but for everyone in the palace. (News18 Hindi) 3/8 Mohan was more than a pet; he was treated like royalty. According to historians, Mohan was cared for with the same respect and attention as a prince of the Baghel dynasty. The palace staff even referred to him as 'Mohan Singh'. Interestingly, Mohan was known for his unusual habit of fasting on Sundays. No matter how much the King tried to persuade him, the tiger would only consume milk on those days. (News18 Hindi) Mohan also had a playful side; he loved football. Over time, the palace began to feel less like a home for a wild animal and more like a kingdom where Mohan reigned. As he grew older, Mohan fathered a new generation of white tigers. He had three mates, one of whom was named Radha. On October 30, 1958, Radha gave birth to four white cubs: Raja, Rani, Mohini, and Sakeshi - the world's first naturally born white tigers. (News18 Hindi) Mohan's lineage continued to grow. In total, 34 cubs were born from Mohan, out of which 21 were white. His legacy extended far beyond Rewa, with many of his offspring sent to zoos across India and abroad. However, despite this success, white tigers eventually disappeared from Rewa. The very land that gave the world its first white tiger lost its connection with them. (News18 Hindi) Mohan passed away on December 19, 1969, at the age of 19. He was buried with full state honours in the gardens of Govindgarh Fort, where a mausoleum now stands in his memory. His death marked the end of an era, and years later, his last known descendant in Rewa, a white tiger named Virat, died in 1976. (News18 Hindi) According to historian Dr Mukesh Yengal, in 2016, efforts to revive Mohan's legacy were reignited. Thanks to the initiative of Minister Rajendra Shukla, the Maharaja Martand Singh Zoo Dev White Tiger Safari was established in Mukundpur, Govindgarh. It marked the return of the white tiger to its homeland. A white tigress named Vindhya was brought in, bringing hope and pride back to the land of Vindhya. (News18 Hindi) Interestingly, the existence of white tigers in India predates Mohan. Historical texts like the Akbarnama mention that Mughal Emperor Akbar hunted two white tigers in 1561. Yet, it was Mohan who carved a special place in history, not just as a rare animal, but as a symbol of Rewa's royal legacy and India's rich wildlife heritage. (News18 Hindi)
Time of India
7 days ago
- Entertainment
- Time of India
Cooku with Jathiratnalu: Rewind in time with a 'Retro Special' this weekend
Get ready for a rollercoaster of fun and entertainment as Cooku with Jathiratnalu gears up for a nostalgic 'Retro Special' this weekend! Contestants will don 1970s-inspired outfits, whip up classic dishes with a humorous twist, and compete in the much-anticipated 'Retro Recipe Rumble' challenge. The latest promo offers a sneak peek into the chaos and comedy that await viewers, featuring hilarious banter between contestants and judges that keeps the atmosphere light and engaging. The retro theme pays tribute to Indian cuisine over the decades, spotlighting unique, time-honored dishes that combine the charm of traditional homemade cooking with a modern flair. With Pradeep Machiraju's energetic hosting setting the tone, the judges Radha, Ashish Vidyarthi , and celebrity chef Sanjay Thumma (VahChef) bring culinary expertise and chemistry that add even more spice to the show. Guest appearances by popular actors like Siddharth and Chaitra turn up the excitement, while new team pairings featuring the Jathiratnalu stars alongside skilled cooks heat up the competition. Cooku with Jathiratnalu is a comedy-cooking reality show that blends celebrity contestants and comedians in a unique format where culinary challenges meet unscripted humor. Its vibrant energy, entertaining promos, and fresh concept have made it a hit among Telugu television audiences. The show pairs TV stars like Yashmi Gowda, Suhasini, and Rithu Chowdary with comedy favorites like Mukku Avinash , Jabardasth Emmanuel, and Baba Bhaskar . Divided into teams like Saturday Singhams and Sunday Sizzlers, they take on lively tasks such as the 'Best Food Forward Challenge', bringing joy, laughter, and a whole lot of flavor to the screen.
The Hindu
7 days ago
- General
- The Hindu
Multiple stories of humiliation of Devadasi children
Thirty-two-year-old S. Radha has been running from pillar to post to get her daughter admitted to a government-run residential school for a year now. The child whose documents do not provide the father's name, but has 'XYZ' marked in the column to name the father, has been denied admission. 'I have been humiliated by officials. Having to fill the father's name mandatorily has to be removed to make our lives easy,' said Ms. Radha, a Davadasi and a resident of Nagenahalli, near Hosapete in Vijayanagara district. The woman, who dropped out of PUC more than a decade ago, is currently pursuing a Bachelor of Arts. Similarly, 22-year-old Ravi Kombenavar, a civil engineering diploma holder from Nidugundi in Vijayapura district, has 'XXX' written in place of his father's name. The need for naming the father has become a problem, especially after the application process has been moved online and without filling the name, the application remains incomplete. 'Though officials frustrate us by asking us to put some random name whenever there is a problem, I do not do it. How can I create documents for some imaginary name?' asked Manjula Malige, daughter of a Devadasi and an MSW graduate working at Hosapete-based NGO Sakhi Trust. 'We want the government to allow us to name our mother in the father's column or just write Devadasi.' Ms. Malige faced a problem when she applied for a certificate to get benefits under Article 371 J. The Devadasi children have been facing the problem for a long time, and recently, the daughter of a Devadasi fought successfully for months to get her passport done without naming the father. 'Many others have had a problem of the grandfather's name or a maternal uncle's name filled in the father's name column. When the women migrated looking for livelihood, they would leave their young child in their maternal homes. During admissions, either the grandfather or uncle would have provided names,' said Renukamma from Kudligi. According to Koppal resident Yamanurappa Hucchaiaya Swamy, son of a Devadasi and coordinator of the Vimuktha Devadasi Mahila Mathu Makkala Vedike spread across 14 districts, most Devadasis come from Dalit and backward communities. He said more than 90% of the Devadasis come from the most backward Madiga community. Women from Holeya, Valmiki, and Talwar communities, among others, have also been initiated. 'In many cases, though the father is moving in front of his children, they cannot identify him as the father. The Bill has become necessary because there is no reservation or any other comprehensive benefits for Devadasi children. In most cases, Devadasis are abandoned by men, do not provide their name to the child, and there is no value for relationship,' he said.
Time of India
22-07-2025
- Entertainment
- Time of India
Radha & Rukmini: Two Facets Of Love In Krishn Lila
In Krishn's divine lila, love reveals itself in many shades, not to confuse us but to awaken us. At first glance, Krishn's bond with Radha may seem puzzling, especially since Rukmini was his lawful consort. Yet across centuries, temples, songs, and hearts remember Krishn not as 'Rukmini-Krishn' but as 'Radha-Krishn'. Radha and Rukmini are two expressions of the same Divine force. They symbolise two dimensions of love - the worldly and the transcendental, the composed and the consuming. They are not in conflict but in complement, reflecting the soul's journey towards the Divine. Rukmini, the queen of Dwaraka, embodies maryada, the love that lives within the boundaries of dharm. She is Lakshmi incarnate, graceful and steadfast. Her love stands for a sacred partnership rooted in harmony, order, and purpose. She represents Apara Shakti, Krishn's manifest energy that sustains worldly life. Radha, the gopi of Vrindavan, is Krishn's Hladini Shakti, his bliss, inner song. Her love transcends all boundaries. It is romantic, yes, but not merely earthly; it's the soul's cry for union with the Infinite. Radha is Para Shakti, the soul's longing for the Divine, unbound by law or logic. She is not another love; she is love itself, raw and pure. To a layperson, Radha and Krishn 's romance is emotionally relatable, a tale of longing, stolen glances, and secret meetings under moonlit skies. But to the seeker, it reveals a profound truth: that the soul, like Radha, yearns not for a husband or a protector, but for oneness with the Divine Beloved. This is why their love stirred saints and poets alike. Meerabai , too, wept and sang for Krishn, not as a king but as her eternal lover. Her devotion mirrored Radha's fearless and boundless love, pure, sacred, and beyond the bonds of this world. Rukmini's love is the temple. Radha's the sacred fire within. Rukmini walks with grace, and Radha dances in divine ecstasy. Both are true. Both are sacred. One represents Krishn's presence in worldly life. The other reveals Krishn in the innermost heart. Sri Aurobindo saw Radha as the symbol of the psychic being - the soul's flame moving toward the Divine. In this light, Radha and Krishn are not two lovers, but the seeker and the sought. Their union is not merely emotional. It is spiritual and cosmic. Some traditions view Radha and Krishn as Shakti and Shiv, two forms yet ultimately one. Rukmini represents Krishn's role in society and dharm. Radha is his inner music, his hidden joy. Both are divine movements of the same truth. To truly understand Krishn, one must embrace both these aspects. He is the cowherd of Vrindavan and the sovereign of Dwaraka. He is Radha's eternal beloved and Rukmini's devoted husband. One whispers the mystery of divine ecstasy. The other upholds the strength of divine grace. Krishn's lila unveils love in its fullness. In Krishn's world, love has many faces. Each of them is sacred. Through them, we do not just learn how to love. We learn how to become Love itself. Authored by: Ganesh Kolambakar Why Arjun Was Chosen: The Untold Secret of Bhagavad Gita Chapter 4, Verse 3
News18
21-07-2025
- Entertainment
- News18
DYK Manju Warrier's Railway Track Scene In Sallapam Almost Claimed Her Life?
Last Updated: In the film's emotional climax, Manju Warrier's character Radha, devastated after losing her true love, decides to leap in front of an oncoming train. News18 It's been nearly 30 years since Sallapam premiered on screens but behind-the-scenes moments created on sets are still etched in the hearts of the cast and crew of the film. At the center of these unforgettable moments remains Manju Warrier 's iconic railway track scene in the film that still sends shivers down the spine. In a recent interview, the actress' co-star Manoj K Jayan revisited the scene, revealing that the terrifying incident that unfolded during its filming could have ended in a tragedy. Talking to a television channel, Manoj K Jayan recalled, 'Everyone watching realised immediately that she was operating on another level." He added, 'She had completely surrendered to the character. It didn't feel like acting anymore—something shifted, and the situation almost slipped out of control." In the film's emotional climax, Manju Warrier's character Radha, devastated after losing her true love, decides to leap in front of an oncoming train. Shot on the 24th day of production, the sequence involved a real train approaching close to the actress. During the interview, Manoj remembered gripping Manju's arm with all his strength. 'Had my hand even slightly loosened, she would have gone under the wheels. I told myself I couldn't let go—whatever happened," he continued. Both the actors were left drained physically and emotionally after the scene was filmed and the director finally called 'cut'. Manoj K Jayan, however, felt like giving Manju a scolding after the shot but the entire unit erupted into applause watching their determination. 'Had I not been there that day, Malayalam cinema might have lost a future icon before she had truly begun," said Manoj, signing off. Manju Warrier was just 17 when she stunned audiences and critics with her performance in Sallapam. Written by the late AK Lohithadas and directed by Sunder Das, the romantic drama was released in 1996. Manju's portrayal of Radha in the film won her the Kerala Film Critics' Award for Best Actress and carved her name into the industry as a talented actress. After the film's success, Manju Warrier went on to become one of the most respected actors in the Malayalam industry. She continues to deliver powerful performances, earning love and applause from fans and critics. Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
