Latest news with #Ride
Time Business News
2 days ago
- Automotive
- Time Business News
Is Your Playlist Putting You in Danger?
While most drivers rely on music to set the tone for their commute or road trip, a new study from The Fitch Law Firm reveals that your playlist may be doing more than keeping you entertained; it could be quietly raising your risk of an accident. By analyzing data from top driving playlists on Spotify and Apple Music alongside research on tempo, volume, and cognitive distraction, the law firm's new report highlights the under-discussed link between music and road safety. With 97% of drivers saying they listen to music in the car, this is no niche concern, it's a public safety issue hiding in plain sight. Music has long been known to affect human physiology. The Fitch Law Firm's report draws on research showing that tempo and volume directly influence heart rate, mood, and reaction time—three core components of safe driving. Here's what the data says: Slow-tempo music (60–80 BPM) helps regulate breathing, reduce anxiety, and stabilize speed. (60–80 BPM) helps regulate breathing, reduce anxiety, and stabilize speed. Fast-tempo music (120+ BPM) increases heart rate and may cause unconscious speeding. (120+ BPM) increases heart rate and may cause unconscious speeding. Emotionally intense songs, especially those tied to personal memories, can pull mental focus away from the road. 'Many people build road trip playlists for energy,' said a spokesperson from The Fitch Law Firm. 'But the same energy that gets you hyped can also impair your judgment. That's a real concern when you're operating a 3,000-pound vehicle.' An analysis of the most-played driving songs reveals that many of them far exceed the ideal tempo for safe driving. High-BPM hits like: 'Blinding Lights' by The Weeknd (191 BPM) 'As It Was' by Harry Styles (174 BPM) 'Stay' by The Kid LAROI & Justin Bieber (170 BPM) can subconsciously prompt faster acceleration and more aggressive maneuvering. In contrast, songs like: 'Hey Ya' by OutKast (80 BPM) 'Ride' by Twenty One Pilots (74 BPM) fall within the safe BPM range recommended by driving psychologists and safety experts. Distracted driving is one of the leading causes of crashes in the U.S. In 2022, 3,308 people lost their lives due to distraction-related collisions, according to federal data. While phones and food are commonly cited culprits, music is often ignored, despite being a triple-threat when it comes to distraction: Manual : Adjusting volume or skipping tracks removes hands from the wheel. : Adjusting volume or skipping tracks removes hands from the wheel. Visual : Glancing at a screen or stereo steals eyes from the road. : Glancing at a screen or stereo steals eyes from the road. Cognitive: Singing along or reacting emotionally shifts mental focus away from driving. 'Changing a song doesn't seem dangerous, but it ticks all three boxes of distracted driving,' the spokesperson explained. 'And yet, most drivers don't think twice about it.' Studies have shown that fast-paced music increases the likelihood of speeding, tailgating, and running red lights. Drivers often synchronize their movements with rhythm without realizing it, leading to unintentional speeding or late braking. High-energy music has been linked to: Increased lane changes Missed traffic signals Lower awareness of pedestrians and cyclists In contrast, moderate-tempo music encourages consistency in speed and smoother decision-making. Volume is another critical factor. The study found that: Drivers listening to music over 80 decibels (dB) experienced a 20% delay in reaction time . experienced a . At 55–70 dB , drivers performed better in tests involving braking, focus, and hazard detection. , drivers performed better in tests involving braking, focus, and hazard detection. Loud music also diminishes awareness of emergency sirens, honks, and road cues. With modern cars capable of hitting 90+ dB, it's easier than ever to exceed safe listening levels without realizing it. The future of safer in-car listening may lie in AI technology. The Fitch Law Firm notes that emerging systems are beginning to curate playlists based on: Driving conditions (e.g., highway vs. city) (e.g., highway vs. city) Driver behavior (e.g., frequent braking or speeding) (e.g., frequent braking or speeding) Biometric data (e.g., heart rate and stress levels) 'Adaptive playlists that calm the driver in traffic or slow the tempo during high speeds could be a game-changer,' the report states. The firm recommends the following to help drivers stay focused and alert: Keep BPM between 60–80 for a calm and steady pace. for a calm and steady pace. Set playlists before the trip to avoid mid-drive interaction. to avoid mid-drive interaction. Avoid songs tied to emotional events , which can trigger cognitive distraction. , which can trigger cognitive distraction. Limit volume to 70 dB or less for better awareness. for better awareness. Use driving-friendly apps or voice assistants to minimize manual input. 'Music can turn a mundane drive into a great experience,' said the firm's spokesperson. 'But it can also turn a minor distraction into a deadly one if we're not careful. Being mindful about what you listen to and how loud, isn't just smart, it's potentially lifesaving.' With millions of drivers hitting the road, The Fitch Law Firm urges all travelers to take a second look at their soundtracks and consider whether that high-energy song is worth the added risk. TIME BUSINESS NEWS
India.com
4 days ago
- Entertainment
- India.com
Meet actress who got stardom at 17, won National Award, one allegation ruined her career, her name is...
With huge aspirations, many actors and actresses start their journey in Indian cinema. However, not many can keep up with this fast-paced industry. On the other hand, some make it big in the industry. Today, we will discuss an actress who made a name for herself in the industry. However, one allegation ruined her career, and now this actress rarely makes an appearance on the big screen. If you are wondering who we are talking about, it is Shweta Basu Prasad. Who is Shweta Basu Prasad? Shweta Basu Prasad started her career as a child artist. When she turned 17, she gained massive recognition from the Telugu audience. After the success of Kott Bangaru Lokam, Shweta never looked back. As the movie turned out to be a blockbuster, it changed Shweta's fate. Following the success of her film, she worked in different films including Casco, Ride, and Kalwar King, but only Ride turned out to be a huge hit. Shweta Basu Prasad's Allegation Meanwhile, Shweta Basu Prasad's career took a major hit after she was embroiled in a prostitution scandal. The controversy led to a significant drop in film offers for the actress. Although she was eventually given a clean chit, the damage to her career was already done. Following the case, Shweta accepted a few projects, but they did little to revive her standing in the industry. After getting a clean chit, it was not easy for Shweta to find good roles. Later, she moved on to OTT projects and has been a part of them in recent times. Shweta played the lead role in the thriller film Makdi, released in 2002. She portrayed twin sisters named Chunni and Munni. Shabana Azmi and Makrand Deshpande also acted in this film. Shweta Basu Prasad received the National Award for her performance in Makdi.
The Irish Sun
07-07-2025
- Entertainment
- The Irish Sun
Brit DJ sparks concern as he reveals terrifying secret health battle in hospital snap
A FAMOUS Brit DJ sparked concern as he revealed a terrifying secret health battle in a hospital snap. The R&B artist took to social media as he gave fans an update on his progress after disappearing from the industry. Advertisement 3 Joe Unknown took to Instagram from his hospital bed Credit: instagram 3 He admitted that he was struck down with a virus and has been trying to recover ever since Credit: instagram Joe Unknown is a DJ who is known for his album, For Better, For Worse . He has over 50,000 monthly listeners on Spotify and boasts over 14,000 followers on Instagram. However, he took to the social media platform with a new selfie from his hospital bed. Writing in the captions alongside the image, he admitted that he was struck with a horrible virus around Christmas. Advertisement READ MORE ON UK DJ's He admitted: "Been out six months, I just disappeared, got ill around Xmas and caught a virus that attacked my heart. "Never meant to be out this long but here we are, six months later and still goin thru it. "I'm doing everything I can to get back to putting out music, I've not quit music. "I'm not banged up abroad, I'm not any of the reasonable explanations or possibilities u may have heard, I'm just dealing with f**t health . Advertisement Most read in Showbiz Breaking "I will be back I promise. Thank U to everyone that has DMd/ messaged / called even when you didn't know I'm sick, just to check up." He added: "I love you more than you know. I'll be back soon." Joe Unknown performs Ride This was accompanied by an emoji with the number nine and a black heart. His fans and friends flooded the comments section with well wishes for the music star. Advertisement One user commented: "Love you Joe. Get well soon x." A second stated: "Sending strength to ya brother." I'm doing everything I can to get back to putting out music, I've not quit music. Joe Unknown Instagram While a third wrote: "Mate ! Sending vibes get well soon bruv." As someone else posted: "Much love Joe. Wishing you a speedy recovery mate." Advertisement And a fifth added: "Oh man, Joe!! Sending all the healing vibes. Love ya mate." 3 The DJ told his fans that he has not quit music and is aiming for a comeback Credit: instagram
Metro
06-07-2025
- Entertainment
- Metro
'I'm a diehard Lana Del Rey fan - everyone's wrong about her new tour'
As the whole of Wembley Stadium screamed the lyrics of Ride back to Lana Del Rey, there was a euphoric sense of catharsis in the air – this was the point of live music. Alongside a handful of other artists, the 40-year-old music artist has soundtracked my adolescence and early adulthood. The melody of Summertime Sadness takes me back to sunny days spent with my sisters. Dark Paradise and Carmen became the anthem of my own indie pop-themed teen crash-out about the existential point of it all . Norman F**king Rockwell! came out in my first year of university as I discovered the world on my own for the first time, threaded together with the backing music of Lana's ethereal notes In recent years, Lana's Did You Know There's A Tunnel Under Ocean Boulevard and A&W perfectly capture the essence of childhood nostalgia mixed with the relentless dread of growing older, and all the messiness that it entails. I tried to watch Lana for the first time in February 2020 – I think we can all guess how that one ended. So, this was attempt number two. I'm not naive. I've heard the stories of the Born to Die hitmakers' poor stage etiquette – notoriously showing up late, singing off her phone, and disappointing fans with the short show lengths. Still, when I first saw the poor reviews rolling in for her UK and Ireland stadium tour (complaints of a poor setlist and underwhelming 90-minute performance) I was still gutted and bracing myself for disappointment. The Christian preacher we walked past on the stroll from Wembley Park station to the entrance, warning us of the hellfire that awaited, felt weirdly prescient. And I would be lying if I said I had much interest in TikTok sensation turned debut pop star Addison Rae (who was opening for Lana as well as featuring in her set). When she strolled onto stage five minutes early, I breathed a sigh of relief. The rest of the set proved just how wrong people had been. Not only did Lana look a vision on stage, leaning into her familiar old Hollywood aesthetic, but her stage set-up (a tree-adorned home) felt fitting in its beauty and simplicity. Then, of course, came the music. Ultimately, when it came down to it, belting out the lyrics to Venice B**ch, Ultraviolence, Summertime Sadness, Video Games and Young and Beautiful alongside thousands of others made the whole experience worth it. For the eighth year, 150,000 festival goers will descend on Glasgow Green from 11-13 July to see the liked of 50 Cent, Gracie Abrams and Biffy Clyro, and you could be there! Metro has teamed up with Rockstar Energy presents TRNSMT Festival to offer four VIP tickets to one lucky winner. For a chance to win this massive music prize, simply enter your details here. You have until midnight on Sunday 6 July 2025 to enter using the form below. Entrants must be 18+. Good luck! T&Cs apply*. Click here if form is not loading. * Open to legal residents of Great Britain (excluding Northern Ireland) aged 18 or over. Promotion opens at 18:01 BST on 2 July 2025 and closes at 23:59 BST on 6 July 2025. The promotion is free to enter; however internet access is required. Entrant must visit and when prompted by the form, submit their name, email, telephone number, date of birth and postcode. Acceptance of the terms and conditions is necessary to enter the promotion. There will be one (1) winner. The winner will win four (4) VIP weekend tickets for TRNSMT Festival, running from 11th – 13th July 2025 at Glasgow Green, in Glasgow ('Prize'). Proof of age and photographic ID are required for entry for all guests (the guests of the winner must be at least 16 years old at the time of entry). The Prize, including entry and attendance at TRSNMT festival, is subject to and governed by the Promoter's full ticket terms and conditions. 1 prize available. 1 entry per person. Full T&Cs apply, see here. Lana commanded the room like a witch casts a spell, with all of us hooked onto her every word and move. Her strength has always been in the way her music connects with her audience, and the unique husk of her voice that imbues an added gravitas to her songs. It's clear she cared about the audience experience as well, commenting on her attempts to make the sounds as high quality as possible between songs. Even her duet with Addison Rae, Diet Pepsi, ended up being a hoot. Of course, there is no denying that the show still felt short and – given it was her first stadium tour – lengthening her setlist to cover more of her songs (including some wildcards) would have elevated this to a five-star experience. Especially as she no longer had a new album to promote, given its unexpected delay. My friends and I spent the whole day (July 4) anticipating she would sing National Anthem as a nod to American Independence Day to no avail. More Trending It also felt cheeky to have a pre-recorded projection sing some of her songs when so many had paid a lot to experience her vocals live. When compared to the theatrics brought by Taylor Swift, Beyonce, hey, even newcomers like Olivia Rodrigo – perhaps there was more scope for Lana to use the stage to create a larger-than-life performance. In the end, the highs by far outweighed the lows and if my biggest note was that I simply wished there was more – then I'll take it as a win. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.
The National
27-06-2025
- Entertainment
- The National
I went to Lana Del Rey at Hampden. It was NOT worth the money
But let's get this out of the way. Lana's performance at Hampden Park was not it. Fans paid for tickets starting at around £120 to see Lana perform just 14 songs in a festival-length set. Of those, three were unreleased and two were covers. Lana performed only nine original, officially released songs – and treated us to a handful of hologram, pre-recorded versions of others. That means audiences paid around £13.30 per live song. READ MORE: Glasgow Lana Del Rey fans camp out for 27 hours at Hampden This is Lana's first UK stadium tour, and it should be an opportunity for a victory lap. She should have taken to the stage in Glasgow, a place she says is very special to her, and shown how much she's grown as an artist since living here in the early 10s. She should have demonstrated her superstar status, playing the hits, fan favourites and a sprinkle of deep cuts. Instead, audiences got a hastily thrown-together performance, featuring much of the same choreo and staging she's been using for years. There was no wow factor, no attention to detail, no passion. To make matters worse, the sound at Hampden was dreadful. In the standing area you could barely hear Lana's vocals, and good luck trying to decipher the speaking segments in between songs. Given Lana arrived into Glasgow two days early, you'd think she'd have time to iron out the details at soundcheck. The best part of the show was seeing the fans having an incredible time, singing along together and admiring their hero's dress, hair and makeup. While Lana's vocals were barely there, the sound of the full crowd singing along to Video Games, Born To Die and Ride was uplifting. If you treated the concert more like a mass-karaoke session than a live performance, it was a good time. READ MORE: 7 photos show Lana Del Rey arriving in Glasgow ahead of Hampden show I would also take a moment to shout out the stunning dancers and background singers, who brought some life to a dull set. Those women are incredible, and vocalists sent shivers down my spine. It was also a bit sneaky to call this a nearly sold-out show. Lana came nowhere near selling out Hampden, and that's down to her unusual staging. In reality, the stadium was half full. The stage was positioned lengthways along the side of the stadium, rather than at the goal-end as you might expect at a show like this. About half of the remaining standing area was taken up by the expensive golden circle section, which left us peasants who only shelled out £120 or so with no view of the stage. At least the camera work on the big screens was cinematic and ethereal. It's hard to be a Lana fan. She brings bad publicity onto herself by constantly arriving late (around 17 minutes late at Hampden), and promising projects that never materialise (remember the country album she was going to release last year?) But to Lana's credit, she spent around 25 minutes after last night's gig meeting fans at the front row, taking photographs and signing autographs. It's the least she could do after putting on such a lack-lustre show. Verdict: Two stars
