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Gwen McCrae, singer who helped open the dance floor to disco, dies at 81
Gwen McCrae, singer who helped open the dance floor to disco, dies at 81

Boston Globe

time11-03-2025

  • Entertainment
  • Boston Globe

Gwen McCrae, singer who helped open the dance floor to disco, dies at 81

She released most of her best-known songs through TK Records, a regional powerhouse founded by Henry Stone that counted other proto-disco acts, including Betty Wright and KC and the Sunshine Band, among its stable. She began performing with George McCrae as a duo. They recorded their own albums, sang backup on others, and carved a presence for themselves in the clubs of South Florida. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up They also performed separately, and Gwen McCrae's repertoire was not limited to dance songs. On her own, she was the first person to release a version of the ballad 'You Were Always on My Mind,' in 1972; sometimes shortened to 'Always on My Mind,' it was later recorded by the likes of Elvis Presley, Willie Nelson, and the Pet Shop Boys. Advertisement "She was an amazing talent," Harry Wayne Casey, a songwriter at TK Records and the lead singer of KC and the Sunshine Band, said in an interview. "She had one of the most soulful voices I've ever heard." After the worldwide success of George McCrae's signature hit, "Rock Your Baby," in 1974, Gwen McCrae recorded her own hit the next year: "Rockin' Chair," a sensual, swinging tune that topped the Billboard R&B chart and reached No. 9 on the Hot 100 pop chart. There was some dispute over how the two came to record their respective songs. Gwen McCrae later said that Casey and Richard Finch had written 'Rock Your Baby' for her, but that she had given it to her husband to help his career — and then asked for her own hit song once his went big. Advertisement But George McCrae had a different spin: Their marriage was on the rocks, he said, and she had given him "Rock Your Baby" in a bid to keep them together. Regardless, their marriage did not last. They divorced a year later. After TK Records closed in 1981, she moved to New York City and signed with Atlantic, where she had a minor hit with "Funky Sensation" in 1981 and recorded two albums. Although her career had begun to slow in the postdisco era, she found a new fan base in Europe, especially in Britain, where the discovery of classic American soul, sometimes called 'rare groove,' was underway in the 1980s. DJs and hip-hop artists sampled her songs. She became known as the 'queen of rare groove' across Britain and Europe. "When I went overseas, I didn't know people loved me so much. They really loved my old stuff," she said in a 1996 interview with a Swedish journalist. "Yeah, I was shocked!" Gwendolyn Patricia Mosley was born Dec. 21, 1943, in Pensacola, Fla. Her father, Aaron, died when she was young, and she was raised by her mother, Winnie (Lee) Mosley. She began singing gospel songs in church and aspired to make religious singing her career. Even later in her career, when she was belting out disco tracks filled with double entendres, she found it uncomfortable to be too explicit. "I had the worst time singing 'Damn Right It's Good,'" she said in the 1996 interview, referring to a song she released in 1976. "I sang like 'Darn right it's good, you better knock on wood'; I could not sing 'Damn right it's good.' And I still can hardly say it. It ain't me!" Advertisement She met George McCrae in 1963, when he was stationed in Pensacola with the Navy. They married soon after, and they began singing together once he left the service in 1967. She leaves two daughters from her marriage to McCrae: Sophia and Leah; a daughter from a previous relationship, Wanda; a son from a later relationship, Alex; 12 grandchildren; and eight great-grandchildren. Although 'Funky Sensation' was her last hit in the United States, Ms. McCrae continued to make music and to draw a dedicated following for her live performances, both at home and in Europe. In 2004, she released a gospel album, "I'm Not Worried." Two years later, she worked once more with Stone, recording an album of standards from the TK Records catalog, "Gwen McCrae Sings TK." Although she claimed Florida as her primary residence, she toured Europe extensively. She stopped in 2012, when a stroke after a concert in England left her paralyzed on the left side of her body. This article originally appeared in

Gwen McCrae, Singer Who Helped Open the Dance Floor to Disco, Dies at 81
Gwen McCrae, Singer Who Helped Open the Dance Floor to Disco, Dies at 81

New York Times

time08-03-2025

  • Entertainment
  • New York Times

Gwen McCrae, Singer Who Helped Open the Dance Floor to Disco, Dies at 81

Gwen McCrae, whose gospel-infused R&B hits of the early 1970s like 'Lead Me On' and 'Rockin' Chair' featured bouncing, dance-floor-friendly grooves that helped open the door to disco, died on Feb. 21 in Miami. She was 81. Her former husband and frequent singing partner, George McCrae, said she died in a care facility from complications of a stroke she had in 2012. Though she had her share of nationwide hits, Ms. McCrae was best known on the music scene in the Miami area, where her upbeat R&B fit perfectly with the hot nights and subtropical vibe. She released most of her best-known songs through TK Records, a regional powerhouse founded by Henry Stone that counted other proto-disco acts, like Betty Wright and KC and the Sunshine Band, among its stable. She began performing with Mr. McCrae as a duo. They recorded their own albums, sang backup on others and carved a presence for themselves in the clubs of South Florida. They also performed separately, and Ms. McCrae's repertoire was not limited to dance songs. On her own, she was the first person to release a version of the ballad 'You Were Always on My Mind,' in 1972; sometimes shortened to 'Always on My Mind,' it was later recorded by the likes of Elvis Presley, Willie Nelson and the Pet Shop Boys. 'She was an amazing talent,' Harry Wayne Casey, a songwriter at TK Records and the lead singer of KC and the Sunshine Band, said in an interview. 'She had one of the most soulful voices I've ever heard.' After the worldwide success of Mr. McCrae's signature hit, 'Rock Your Baby,' in 1974, Ms. McCrae recorded her own hit the next year: 'Rockin' Chair,' a sensual, swinging tune that topped the Billboard R&B chart and reached No. 9 on the Hot 100 pop chart. There was some dispute over how the two came to record their respective songs. Ms. McCrae later said that Mr. Casey and Richard Finch had written 'Rock Your Baby' for her, but that she had given it to her husband to help his career — and then asked for her own hit song once his went big. But Mr. McCrae had a different spin: Their marriage was on the rocks, he said, and she had given him 'Rock Your Baby' in a bid to keep them together. Regardless, their marriage did not last. They divorced a year later. After TK Records closed in 1981, she moved to New York City and signed with Atlantic, where she had a minor hit with 'Funky Sensation' in 1981 and recorded two albums. Though her career had begun to slow in the post-disco era, she found a new fan base in Europe, especially in Britain, where the discovery of classic American soul — sometimes called 'rare groove' — was underway in the 1980s. She recorded new songs and rerecorded old ones for regional markets, and she found a steady stream of singing gigs over the next few decades. D.J.s and hip-hop artists sampled her songs. She became known as the 'queen of rare groove' across Britain and Europe. 'When I went overseas, I didn't know people loved me so much. They really loved my old stuff,' she said in a 1996 interview with a Swedish journalist, adding, 'Yeah, I was shocked!' Gwendolyn Patricia Mosley was born on Dec. 21, 1943, in Pensacola, Fla. Her father, Aaron, died when she was young, and she was raised by her mother, Winnie (Lee) Mosley. She began singing gospel songs in church and aspired to make religious singing her career. Even later in her career, when she was belting out disco tracks filled with double entendres, she found it uncomfortable to be too explicit. 'I had the worst time singing 'Damn Right It's Good,'' she told Ms. Granditsky, referring to a song she released in 1976. 'I sang like 'Darn right it's good, you better knock on wood'; I could not sing 'Damn right it's good.' And I still can hardly say it. It ain't me!' She met George McCrae in 1963, when he was stationed in Pensacola with the U.S. Navy. They married soon after, and they began singing together once he left the service in 1967. She is survived by two daughters from her marriage to Mr. McCrae, Sophia and Leah; a daughter from a previous relationship, Wanda; a son from a later relationship, Alex; 12 grandchildren; and eight great-grandchildren. Although 'Funky Sensation' was her last hit in the United States, Ms. McCrae continued to make music, and to draw a dedicated following for her live performances, both at home and in Europe. In 2004 she released a gospel album, 'I'm Not Worried.' Two years later she worked once more with Mr. Stone, recording an album of standards from the TK Records catalog, 'Gwen McCrae Sings TK.' Though she claimed Florida as her primary residence, she toured Europe extensively. She finally stopped in 2012, when a stroke after a concert in England left her paralyzed on the left side of her body.

‘Rockin' Chair' singer Gwen McCrae got nation to groove to Miami's '70s Sunshine Sound
‘Rockin' Chair' singer Gwen McCrae got nation to groove to Miami's '70s Sunshine Sound

Miami Herald

time24-02-2025

  • Entertainment
  • Miami Herald

‘Rockin' Chair' singer Gwen McCrae got nation to groove to Miami's '70s Sunshine Sound

Gwen McCrae helped the pre-Bicentennial U.S. find another use for the 'Rockin' Chair,' turning the piece of furniture into one of the soundtracks of the summer of 1975. McCrae was one of the soulful voices that pulled Miami's Sunshine Sound out from the confines of Criteria and TK studios in North Miami and Hialeah to get its pop, Black and tropical fusion blend on radios across the nation and world. McCrae died Friday, Feb. 21, at a care facility in North Miami Beach, said Joe Stone, son of TK Records co-founder Henry Stone. McRae was 81. 'Gwen was an amazing singer. She really did help to shape hip-hop and dance music with her energetic soulful voice and Henry Stone's pioneering and visionary contributions to music around the world,' Stone said. 'Gwen was a force in Miami's TK family. She was loved, admired and she will be missed — but never forgotten.' The sexy crossover tune 'Rockin' Chair' was written by Miami composers Clarence 'Blowfly' Reid and Willie Clarke and it thrust its way up the Billboard Hot 100 pop chart to No. 9 and No. 1 R&B in the summer of 1975. The biggest hit that summer was the Captain & Tennille's chaste smash 'Love Will Keep Us Together.' By comparison, 'Rockin' Chair' percolated into the nation's consciousness on McCrae's sighs, ahhs and 'let's get it on' exhortations to an unnamed 'good lovin' daddy.' She cooed 'Let me be your rockin' chair' in a ear-catching voice of melted butter. George and Gwen McCrae McCrae, who was married at the time to fellow Miami TK star George McCrae, captured the steam Marvin Gaye delivered with his own 'Let's Get It On' two years earlier. Then, as fast as she seemed to rise, the major hits stopped coming. 'Funky Sensation' may be McCrae's other best-known song as it climbed to No. 22 on the R&B chart in 1981. But that song's impact continued into 2018 through the heavy use of samples by acts including Afrika Bambaataa, Aswad, Ja Rule and Disclosure. 'She had one of the most soulful female voices that I had heard of at that time,' said Harry Wayne Casey, who, as the KC namesake of the Sunshine Band, had his breakthrough by co-writing George McRae's trailblazing 'Rock Your Baby' for TK Records in 1974. That song's rhythm inspired ABBA's 'Dancing Queen' in 1976 and its chord structure powered Reid and Clarke's 'Rockin' Chair.' Miami's TK Records family Gwen McCrae was there for so much of that '70s era Miami sound, Casey said. 'She also did many background sessions on TK artists including all the songs on my very first KC LP. You can hear both her and George's distinct voices on my first European hit called the 'Queen of Clubs.' She wails at the end 'the queen is rocking' among other ad libs. Another overlooked true Florida artist of our time,' Casey said. The late Betty Wright, another artist in the Stone's artist group famed for her 1971 Wright-Reid classic, 'Clean Up Woman,' also introduced McCrae to the Miami musicians and songwriters that would help her establish her recording and performing career. McCrae was born Gwen Mosley on Dec. 21, 1943, in Pensacola. She started singing in church by 7. In 1963, after marrying George McCrae, the couple, who were living in West Palm Beach then, formed a musical duo that caught Reid's ears. Reid introduced them to Henry Stone, the co-founder of TK Records, and his business partner, songwriter-producer Steve Alaimo. A young Casey started co-writing songs and supplying background vocals for McCrae as early as 1972, such as 'Leave the Driving to Us.' Casey soon featured the McRaes as backing vocalists on the earliest KC and the Sunshine Band records before 'Get Down Tonight' exploded in the same year as 'Rockin' Chair.' 'When I first met Gwen she had this amazing aura around her as if she was from royalty,' Casey said. 'She dressed immaculately and carried herself in a dignified way. A very classy woman who wasn't afraid to laugh and have fun. She was the apple of Steve Alaimo's eye. He seemed to be the one who guided her career and made her musical decisions. So many memories. Those were the days and we will eternally always be family and Gwen holds a special place in my heart.' KNOW MORE: Steve Alaimo helped make the Miami sound — and was a force behind big hits After 'Rockin' Chair After 'Rockin' Chair,' the McCraes divorced in 1976. She began recording and performing in Europe as musical tastes and trends changed in America. Acts like French duo Cassius sampled her track 'All This Love That I'm Giving' in 1999. She recorded a gospel album and other tracks into the 2000s. McCrae suffered a stroke in 2012 after performing on stage in England that affected her performing ability. McCrae's survivors include her children Wanda, Sophia, Leah and Alex, and grandchildren and great grandchildren. Services will be private.

The late Gwen McCrae brought emotion to dance music like no one else
The late Gwen McCrae brought emotion to dance music like no one else

The Guardian

time22-02-2025

  • Entertainment
  • The Guardian

The late Gwen McCrae brought emotion to dance music like no one else

Rockin' Chair, 90% of Me Is You, All This Love That I'm Givin', Keep the Fire Burning, Funky Sensation – Gwen McCrae, who has died after a long illness aged 81, sang all these soul-funk anthems and more. Songs that refreshed radio, songs and lit up discos and clubs, songs that saw her called 'The Queen of Rare Groove', songs that were covered and sampled and sound as fresh today as when she originally recorded them in Miami in the 1970s and early 80s. Gwen Mosley was born in Pensacola, Florida, and grew up singing in church before marrying a sailor she met a week previously when he was on shore leave. Her new husband, free from the navy, insisted they form the duo George & Gwen McCrae in 1963, with Gwen out front. Betty Wright, then a 14-year-old vocal prodigy, brought the couple to soul singer and label owner Steve Alaimo in 1967, who signed them to Alston Records. After the duo's singles sold only moderately, Gwen signed to Columbia to perform deep southern soul but, when sales flagged again, she returned to Alston and began recording the lighter, more dance-oriented 'Miami sound' then fermenting in the city's TK Studios. George McCrae would launch the Miami sound worldwide with his 1974 UK No 1 Rock Your Baby – written by KC and the Sunshine Band's Harry Wayne Casey (KC) and Richard Finch for Gwen. Gwen's account was that she wanted to help out George, whose recording career had dwindled as he supported hers, and told KC they could give him a song – and Alaimo picked out Rock Your Baby. 'I thought: 'Not that one, you dummy!'', she later said. By 1976, her marriage had badly soured. 'You know when you're hurting when someone's hurting you, you just can't do nothing,' she said. 'You feel helpless.' She would also refer to George as a mere 'sperm donor' for their children. But through her heartache, working closely with Wright, KC, Willie 'Little Beaver' Hale, Clarence Reid and Willie Clarke, Gwen cut a sublime run of 45s. Her powerful, throaty voice backed by Little Beaver's chiming, funky guitar licks and TK's effervescent house band (which could include Timmy 'Why Can't We Live Together' Thomas), made for dance music with emotional depth. Rockin' Chair, with its propulsive groove and McCrae's caressing vocal, crossed over to No 9 in the pop charts – her biggest hit. The emotive, distinctive 90% of Me Is You and All This Love That I'm Givin' – later sampled to hit-making effect by French dance duo Cassius – are also landmark recordings. After TK and its associated label crashed in 1981 – co-owner Henry Stone claimed the disco backlash undermined his labels and led to banks refusing to extend his loans – Gwen signed to Atlantic. Her last US chart placing was Funky Sensation in 1981 – a meagre No 60 on the R&B charts – yet she found a new lease of life when invited to Britain in the mid-1980s, where she was idolised by rare groove fans and became an in-demand live performer. Later albums for small UK and US labels demonstrated McCrae's striking voice had lost none of its sparkle, but she never again troubled the charts. Beyond her legion of loyal British soul boys and girls, McCrae never won the wider recognition she deserved. TK's back catalogue was not well-served for decades – Stone's bankruptcy meant he lost control of it – and McCrae would, alongside other Black artists that recorded for the label, complain they were never properly remunerated. The Miami sound has also rarely received the attention from music historians and collectors that Detroit's Motown and Memphis's Stax and Hi labels have. Why? Possibly because TK's biggest artist, KC and the Sunshine Band, sold millions of records to pop fans. Or the Miami sound got disparaged as 'disco' when that genre was widely regarded as déclassé by gatekeepers. Alaimo's death last November received dismayingly little attention. Things may now be changing, with British label Soul Jazz's Miami Sound albums Volumes 1 & 2 being well-received and containing McCrae tunes – a snippet of a discography charged with pain and wonder in equal measure. 'The only time I'm really happy is when I'm on that stage, in front of my audience,' McCrae said in 1997. 'Then I'm the happiest woman in the world.'

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