Latest news with #RockyHorror
BBC News
5 days ago
- Entertainment
- BBC News
Rocky Horror Show cast get ready to Time Warp in Belfast
The cast of the touring production of the Rocky Horror Show have paid homage to one of the show's original stars, who is from Belfast. Patricia Quinn starred in the original stage production and in the film. It is also a "full circle moment" for Connor Carson, from Killinchy in County Down, who is playing Brad Majors in the touring Rocky Horror Show first opened as a stage production in the Royal Court in 1973 and then became a film starring Tim Curry and Susan Sarandon. The popular show has built up a huge cult following over the years as fans follow the adventures of Brad Majors and Janet Weiss who accidentally find themselves in Frank-N-Furter's country mansion living alongside the perfect man Rocky and domestics Riff Raff and Magenta. The iconic Time Warp dance is also a hugely popular feature of the show. Patricia Quinn played Magenta and the Usherette in the Royal Court production and subsequent film. Natasha Hoeberigs is now playing Magenta and the Usherette and is proud to be part of a show with such an important legacy. "Incredible people have come and gone through the show over the years, like the amazing Patricia Quinn," she said."To step into the shoes of a role that she originated, it's a blessing, it's a dream come true," she said. "I grew up as a child in New Zealand watching the film and watching her portrayal and thinking that's amazing,". In Hamilton in New Zealand there is a statue of Riff Raff. Rocky fans have tried to get a Magenta statue organised in Belfast. Ms Hoeberigs believes it "has to happen". "I think we need to start a petition and I think everyone who is a fan of Rocky Horror needs to get on board with this and we must pay homage to Patricia Quinn and her Magenta," she said. "Richard O'Brien has his statue in Hamilton in New Zealand and it would be so special to have one here in Belfast." Connor Carson used to perform in amateur shows in Belfast and Lisburn before training professionally. He has now performed in the West End and Rocky Horror is his first UK tour."The first professional show I ever watched as a little kid was here in the Grand Opera House so it's definitely a full circle moment to come back here and be playing one of the leads in Rocky Horror - it's a pinch me moment," he says it is very comforting to hear Northern Irish accents in the crowd and meeting him at stage door. "It's such an iconic show and people love it so much so it's great to bring that to Belfast as well," he said. "There is pressure here as I've a bunch of family and friends coming to see it this weekend. "It's amazing to be part of something that means so much to people and that they can connect with. It's really special."One of Connor's favourite bits of the show is getting to perform the Time Warp, particularly during the finale. "Doing the Time warp is an iconic piece of choreography, everyone has been doing at primary school discos since they were five years old," he added. The Rocky Horror show is currently playing at the Grand Opera House in Belfast before moving on to Dublin and then the Millennium Forum in Londonderry.
Daily Maverick
12-07-2025
- Entertainment
- Daily Maverick
No freak show — Everybody's Talking About Jamie is a musical with a gender-transcending hero
Based on the true story of a British schoolboy who set out to attend his high-school dance in a dress, the show addresses teenagers on their own terms. Despite some salty language and a scene or two featuring teenaged boys comically discussing rapacious plans for their ambitious penises, Everybody's Talking About Jamie hits just the right notes for young audiences caught up in some of the existing and emerging complexities of our time. The British musical is based on a 2011 documentary (Jamie: Drag Queen at 16) about a Sheffield schoolboy who not only wanted to attend his high school dance wearing a dress, but also aspired to become a drag queen. The show premiered in Sheffield in 2017, became a hit on the West End and on Broadway, and was turned into a film. It owes a little something to everything from the transformative magic of Cinderella to the queer celebration of cross-dressing in Rocky Horror. And, like the musical Kinky Boots, it explores drag culture in the context of a poorer, working-class north England town. Its message of acceptance, of self and others, though, is universal. And vital. It takes on homophobes, absent fathers and the tricky path to unconditional self-love (don't worry, the path is definitely not twee), all while making a case for mean-spirited dullards to stop policing other people's identities. The iteration that's just opened in Cape Town at Artscape's intimate Arena theatre is a student production, a showcase of the triple-threat talents of a large ensemble cast from the Waterfront Theatre School. Challenges for young cast It comes with plenty of challenges for the young, enthusiastic cast, including Sheffield (and Jamaican) accents, boys sashaying and dancing in heels, a set that gets a little bit in the way of the action, and – along with a lot of scene changes – a roller-coaster of emotional ups and downs on the way to catharsis, healing and redemption. Whether or not all of these challenges are surmounted, isn't really the point. While the show perhaps lacks polish, it is not without its triumphs: there is tremendous life, passion and energy on stage – and the songs, the big-hearted story and the celebration of an independent spirit will win you over. And while some of the best scenes are its intimate moments (such as when Jamie's mum, played by Danielle Bosman, tenderly sings about her unconditional love for her boy), it's the energising large-scale sequences that really make the Arena come alive with the whizz-bang choreography, the best of which includes riffs on ballroom vogueing and snatches of distinctly South African dance moves that make it all feel very much of the moment and quite close to home. The titular Jamie New is played by the spry young John Marshall, who has both the cheekbones and the legs for the part. Jamie's a bit of a paradox, though. Bright, sunshiny and perennially positive, there's something in the performance here that perhaps reflects the conservative backlash against personal freedom that is emerging across the globe. While Jamie exudes a fierce confidence that occasionally veers into unabashed narcissism, there are moments when he's less certain, almost held back, making him a lot more gritty and complicated than you'd expect from a teenage boy who, within the first few scenes, is given a pair of red high-heel shoes by his working-class single-and-struggling mum. This isn't a show about a boy's battle to come out of the closet – we're beyond that, and Jamie is a hero designed for a brave new openminded world – but there are moments (such as when he butts heads with his school counsellor over his right to equality) when you're reminded of the ways in which the so-called Free World seems to be going backwards. Marshall has a tough task balancing the multiple nuances and intricacies of the role, and he does a commendable job. What he allows to come through is the fact that the show is not actually about a boy getting his own way in an unjust world, but about a boy who learns that there is more to life than being the centre of the show. Sure, everybody is eventually talking (and singing) about Jamie, but only because Jamie has nabbed the spotlight while disappearing into the guise of an alter ego – what he learns in the second act, though, is that there's more to life than 'me' (or Mimi Me, his drag persona). As wonderful as Jamie feels when he achieves social acceptance (in the form of 'everybody' talking about him), the real lesson is that genuine happiness lies in self-acceptance, being himself rather than escaping into the superficial joy of wearing a pretty dress. And while there's plenty of acceptance – from his mother, his best friend and by most of his classmates who don't seem to care either way about his sexuality – many familiar negative tropes and stereotypes are there, too. Chief among them are his homophobic and neglectful father and a school bully who, in a touching performance by Khanya Gwe, manages to convey some glimmer of the broken soul that dwells inside Jamie's bigoted nemesis. Which means that, as much as this is one of those feel-good musicals with a predictably upbeat outcome, it's not without its more sobering moments. The show is what some might call 'woke', with some colossal moments of the gay hero reclaiming homophobic slurs. It also shapes an interesting conversation around the theory (posed in the show by Asanda Mngadi's semi-retired drag queen, Loco Chanelle) that, while 'a boy in a dress is something to be laughed at, a drag queen is something to be feared'. As it turns out, neither is true. Charmingly bitchy There's nothing at all scary, in fact, about the show's trio of charmingly bitchy queens – Laika Virgin (Andrew Woods), Tray Sophisticay (Andrew Ingram) and Sandra Bollock (Krys Igirubuntu) – who most precisely capture the spirit and energy of the musical. They bring biting humour, a touch of glamour and plenty of swank to their parts. And they make a pretty good go of stealing the show. That said, not everything in this production coheres quite as well as the drag queens, and there are times when the cast seems a touch inhibited, when the actors underplay, forgetting that in musicals everything is heightened – or should be – so my sense is that it's a show that will improve with time as everyone finds their groove. One harder-to-resolve problem is that the set itself impedes the staging. There's a massive, squat, pyramid-shaped rostrum in the middle of the performance space which, rather than serving the show, frequently squashes the action into uncomfortably restrictive spaces. There's also the question of the energy dropping off between scenes, which has the effect of making the show lag a bit. To its credit, this production really manages to get into some of the deeper nuances of the story: that it's not so much about a boy figuring out how to get his own way, but about a boy learning that he is not the centre of the universe. Jamie gets his much-needed lesson in inner beauty from his best friend, Pritti, a bookish, hijab-wearing Muslim girl played with diligent seriousness and real commitment by Kate Lagan. What Pritti conveys is the soul of the story: that real actualisation has nothing to do with fame, celebrity, notoriety or having everyone talk about you. Jamie's real journey is coming to terms with the fact that he is enough. And if that's not a valuable message for young people caught up in all the nonsense in the world today, I don't know what is. DM
The Irish Sun
06-07-2025
- Entertainment
- The Irish Sun
RTE star Jennifer Zamparelli opens up on surprise radio comeback & reveals if she'd return full-time
JENNIFER Zamparelli has opened up about her surprise comeback to the airwaves and revealed if she'd ever consider returning full-time. The Dublin beauty in May 2024 after ten years hosting her 2FM show. 2 Jennifer recently made her radio comeback Credit: Instagram 2 The former 2FM star has opened up about the new gig Credit: Instagram / @bprdowling made the tough decision to leave 2FM to spend more time with her husband Lauterio and their two kids - daughter Florence and . And after over a year off air, the 45-year-old made her Jennifer and The mum-of-two told fans: "He's off on his holidays (I know the cheek) and myself and @bprdowling will take a week each and hopefully take care of Dave's lovely listeners while he has a much deserved break!" READ MORE ON JENNIFER Now, Jennifer has described her new gig as "going over to the dark side". She told the "And because I've never worked in that organisation. I'm doing seven shows in total. I can't do any more." When asked if she'd ever consider taking on a full-time radio role again, Jen admitted: "Ah, listen, right now? No. I don't think so. I don't think I'm in that head space." MOST READ IN THE IRISH SUN Meanwhile, the popular presenter recently The host was cast as The Narrator in The which will tour around Ireland this August. Jennifer Zamparelli starts rehearsals on huge West End show The renowned stage show will take to the stage at The musical will then Jen will be joining Aussie singer, HUGE ROLE The 45-year-old jetted over to The Dublin star was ecstatic to start her journey working on the famous show and documented her day. As she walked up to the theatre, Jen filmed the outside of the venue and wrote: "Lets go!!! Rocky Horror rehearsals!!" Jen finished up the run through, but admitted to feeling slightly taken aback by the work load. The mum-of-two recorded herself leaving the theatre and said: "So I just finished my first rehearsal there and it's kind of more than I thought. "There a lot of work in it. But the guys are lovely."
The Irish Sun
03-07-2025
- Entertainment
- The Irish Sun
‘It's more work than I thought', admits RTE star Jen Zamparelli begins rehearsals for iconic West End musical
RTE star Jennifer Zamparelli has begun rehearsals on an iconic West End musical - and fans can see her in action this summer. The Ireland this August. Advertisement 3 Jennifer Zamparelli will star in The Rocky Horror Picture Show 3 Jen jetted over the London to rehearse for the show 3 Jen updated fans on her first day of rehearsals The renowned stage show will take to the stage at Energy Theatre from Monday, August 11 to Wednesday, August 16. The musical will then Opera House from August 25 to 30. Jen will be joining Aussie singer , The 45-year-old jetted over to Wimbledon Theatre. Advertisement READ MORE IN JEN ZAMPARELLI The Dublin star was ecstatic to start her journey working on the famous show and documented her day. As she walked up to the theatre, Jen filmed the outside of the venue and wrote: "Lets go!!!! Rocky Horror rehearsals!!" Jen finished up the run through, but admitted to feeling slightly taken aback by the work load. The mum-of-two recorded herself leaving the theatre and said: "So I just finished my first rehearsal there and it's kind of more than I thought. Advertisement Most read in News TV "There a lot of work in it. But the guys are lovely." Earlier last week, Jen opened up about her stage nerves while chatting to Rebecca and Brendon on 98FM. Jennifer Zamparelli returns on air The host confessed: "Everytime I talk about it I get even more scared. Because its one thing to stand on a stage, but standing next to West End actors and Jason Donovan and doing the Time Warp is a different level of fear." Jen told how she was delighted to land the role of The Narrator as it's "not much of a character role" and is more to do with interacting with the audience. Advertisement "So it's a bit of craic and I get to do the Time Warp." The former 2FM star shared her apprehension surrounding the idea of performing eight shows a week. She added: "I don't know if I have it in me. Time will tell." Jen recalled watching Advertisement But we're sure Jen will live up to all expectations when she hits the stage this August.
RNZ News
02-07-2025
- Entertainment
- RNZ News
Linus O'Brien his dad journey to create The Rocky Horror Show
This audio is not downloadable due to copyright restrictions. It was the little musical that ended up with cult following. When the Rocky Horror Show opened in London in 1973, it bucked the trend of big-budget and technical productions like Jesus Christ Superstar and Hair . It was the brainchild of Richard O'Brien, the UK-born New Zealand-raised creative who wrote the stage show and played the character of Riff Raff. The show became a hit, and Richard wrote the screenplay when it was turned into the Rocky Horror Picture Show . Rocky 's transition from musical to movie, to 4am screenings with audience dress up and participation, has been captured by Richard's son Linus. It features interviews with key members of the production team and original cast, including Tim Curry, Susan Sarandon and Barry Bostwick. It's called Strange Journey: The Story of Rocky Horror and is screening as part of the DocEdge film festival . Linus and Richard join Kathryn to talk about the show's enduring legacy.
