Latest news with #Rohrwacher


Fashion Network
03-06-2025
- Entertainment
- Fashion Network
Maximilian Davis assembles standout creative team for Ferragamo's latest campaign
Davis said that 'we wanted to create a story that felt very Italian but was based around Hollywood cinema. Alice has a very strong point of view, as well as a sense of humour and charm to her work. She can take a specific time and make it feel modern – and that's exactly what we want to do'. With the product as protagonist, Rohrwacher 'lifts the curtain on the behind-the-scenes machinations and manual production techniques of the Golden Age, celebrating the craft of filmmaking as well as that which forms the accessories playing starring roles'. Chapter 1 – L'Appuntamento — draws on 'the timeless elegance of silver screen sirens. Angelina Kendall is caught in a moment of preparation for her on-set appearance: her face being powdered, her Gancini slingback being polished; her purse being grabbed as the clapperboard is struck and she makes her way in front of the lens'. 'When you look into the archive, the pumps are some of the most iconic Ferragamo creations,' said Davis. 'And so, we wanted to present them as part of the making of the movie star: a playful, almost ironic way of presenting elegance.' Chapter 2 is L'Avventura as high summer comes into focus. It's all about spherical cork-heeled sandals with raffia trim; handcrafted woven Gancini totes; and slip-on menswear mules. The chapter zooms out to reveal a filmmaking technique that 'uses scraps of fabric to present the illusion of rolling waves'. Davis added that Salvatore's ideas of using the materials around you to innovate is so interesting to me. This scene is all about innovation and craft and so using that to create the very setting of the scene felt perfect'. And Chapter 3 is Doppio Sogno as the season transitions to autumn. Angelina Kendall — 'and her illusory twin, conjured through mirroring techniques' — embarks on a bicycle ride against the rolling backdrop of the Tuscan countryside, wearing Vara buckled high heel loafers and clutching the new Soft Bag, whose supple leather is pleated by a Gancini piercing. 'It becomes a bit more sensual in terms of the buttery soft leathers, patent printed croc and knitted dresses with bouclé finishes: it's all about textures,' Davis explained. 'And a woman, riding her bike in a dress and a pump, is showing modern elegance in an Italian way: this is the Ferragamo woman as we see her today.' As mentioned, Davis as the brand's design chief is the overall creative director but specific campaign creative direction was entrusted to Ferdinando Verderi with Rohrwacher as video director, Francois Coquerel as photographer and Lotta Volkova as stylist.


Fashion Network
03-06-2025
- Entertainment
- Fashion Network
Maximilian Davis assembles standout creative team for Ferragamo's latest campaign
Davis said that 'we wanted to create a story that felt very Italian but was based around Hollywood cinema. Alice has a very strong point of view, as well as a sense of humour and charm to her work. She can take a specific time and make it feel modern – and that's exactly what we want to do'. With the product as protagonist, Rohrwacher 'lifts the curtain on the behind-the-scenes machinations and manual production techniques of the Golden Age, celebrating the craft of filmmaking as well as that which forms the accessories playing starring roles'. Chapter 1 – L'Appuntamento — draws on 'the timeless elegance of silver screen sirens. Angelina Kendall is caught in a moment of preparation for her on-set appearance: her face being powdered, her Gancini slingback being polished; her purse being grabbed as the clapperboard is struck and she makes her way in front of the lens'. 'When you look into the archive, the pumps are some of the most iconic Ferragamo creations,' said Davis. 'And so, we wanted to present them as part of the making of the movie star: a playful, almost ironic way of presenting elegance.' Chapter 2 is L'Avventura as high summer comes into focus. It's all about spherical cork-heeled sandals with raffia trim; handcrafted woven Gancini totes; and slip-on menswear mules. The chapter zooms out to reveal a filmmaking technique that 'uses scraps of fabric to present the illusion of rolling waves'. Davis added that Salvatore's ideas of using the materials around you to innovate is so interesting to me. This scene is all about innovation and craft and so using that to create the very setting of the scene felt perfect'. And Chapter 3 is Doppio Sogno as the season transitions to autumn. Angelina Kendall — 'and her illusory twin, conjured through mirroring techniques' — embarks on a bicycle ride against the rolling backdrop of the Tuscan countryside, wearing Vara buckled high heel loafers and clutching the new Soft Bag, whose supple leather is pleated by a Gancini piercing. 'It becomes a bit more sensual in terms of the buttery soft leathers, patent printed croc and knitted dresses with bouclé finishes: it's all about textures,' Davis explained. 'And a woman, riding her bike in a dress and a pump, is showing modern elegance in an Italian way: this is the Ferragamo woman as we see her today.' As mentioned, Davis as the brand's design chief is the overall creative director but specific campaign creative direction was entrusted to Ferdinando Verderi with Rohrwacher as video director, Francois Coquerel as photographer and Lotta Volkova as stylist.
Yahoo
18-04-2025
- Entertainment
- Yahoo
Cannes Film Festival: Alice Rohrwacher Named President Of Caméra D'or Jury
Italian director and screenwriter Alice Rohrwacher has been chosen to chair the Jury of the Caméra d'or. She follows in the footsteps of last year's joint chairs Emmanuelle Béart and Baloji. This award honors a first feature film presented in the Official Selection, at the Critics' Week or the Directors' Fortnight. Rohrwacher will also recognize a filmmaker's debut at the Closing Ceremony of the 78th Festival de Cannes on Saturday May 24. More from Deadline Palestinian Photojournalist & Protagonist Of Cannes-Selected Doc Killed In Israeli Gaza Strike International Insider: Cannes Lineup; UK Streamer Levy; China Vs Hollywood Cannes Boss Thierry Frémaux Talks 'Mission: Impossible', Star Presence, Hollywood Introspection & Oscar Track Record In 2024, the Caméra d'or went to Halfdan Ullmann Tøndel for Armand which premiered at Un Certain Regard. The 78th Festival de Cannes will take place from Tuesday May 13 to Saturday May 24, 2025. Rohrwacher said: 'First times are always important, and they stay with us for the rest of our lives. Like entering an unfamiliar room, approaching one's beloved for a first kiss, or landing on a foreign shore. There's something golden that haloes these moments in our memory. Is that why the most prestigious award for first films is called Caméra d'or?' Her first feature, Heavenly Body (Corpo Celeste), was presented at the Directors' Fortnight in 2011. Her second feature, The Wonders (Le meravialie), was selected to compete at the 2014 Festival de Cannes and won the Grand Prix. Happy as Lazzaro (Lazzaro Felice) was presented in Competition in Cannes in 2018, when it tied for the award for Best Screenplay. La Chimera followed in 2023. Previously she worked in documentary, with titles including Checosamanca (2006); 9×10 Novanta (2014); Futura (2021). Best of Deadline 'Ransom Canyon' Soundtrack: All The Songs You'll Hear In The New Netflix Western Romance Series Everything We Know About 'Emily In Paris' Season 5 So Far Everything We Know About Ryan Coogler's 'Sinners': From The Themes To How It Was Shot