Latest news with #RoundMidnight
Yahoo
02-04-2025
- Entertainment
- Yahoo
Jazz legend Herbie Hancock to perform in Rockford in fall 2025
ROCKFORD, Ill. (WTVO) — Legendary jazz musician Herbie Hancock will perform in Rockford in Fall 2025. Hancock began his career as a pianist at age 11, playing with the Chicago Symphony Orchestra. His first album, 'Takin' Off,' was released in 1961, after which Hancock worked with Miles Davis for five years. Recognized as one of the greatest pianists of all time, Hancock explored the use of electronic instruments in his music. In 1983, his single 'Rockit' became a hit on MTV. He also wrote the scores for several films, including Blow-Up (1966), Death Wish (1974), and Round Midnight (1987), for which he won an Academy Award. Hancock has won 12 Grammy Awards over the past 2 decades. Hard Rock Live announced that Hancock will perform at the Hard Rock Casino Rockford on Friday, October 24th. Tickets go on sale Friday, April 4th, on and at the Hard Rock Live box office. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
New York Times
29-03-2025
- Entertainment
- New York Times
Madison Chock and Evan Bates, U.S. ice dance stars, win third straight world title
BOSTON — For a duo that's done just about it all, this was one of the highs. On Saturday at TD Garden, Madison Chock and Evan Bates, the venerable American ice dancers, captured their third consecutive world championship gold medal. After comfortably winning the rhythm dance portion, Chock and Bates delivered a clutch free dance with their trademark refinement and energy. Their score of 131.88 comfortably delivered the gold with a total score of 222.06, confirming their elite status in the sport. Advertisement Canada's Piper Gilles and Paul Poirier won silver with a score of 216.54. Great Britain's Lilah Fear and Lewis Gibson took bronze with a 207.11. The figure skating couple of Chock and Bates is an American institution. They are the first to win three consecutive world championship ice dancing golds since Russians Oksana Grishuk and Evgeni Platov won four straight between 1994 and 1997. The only other American pair to win at worlds was Meryl Davis and Charlie White in 2011 and 2013. They also won silver in 2010 and 2012. This is the sixth world championship medal for Chock, 32, and Bates, 36. With their first coming in 2015, a silver, they now have a decade between podium appearances at worlds. They also won bronze in 2016 and 2022. The only accolade missing from their resume is an ice dance medal at the Winter Olympics. The six-time U.S. national champions and three-time Olympians have a gold from the team event in 2022. But the quality they've accrued seems to warrant a new pinnacle. It sure feels like it's their time. Saturday, they didn't rise to the occasion as much as they descended to it. After a breathtaking performance from Fear and Gibson, followed by an even more ambitious showing from Gilles and Paul Poirier, there was no questioning whether Chock and Bates could top it. Their best is more than enough. The question is whether they had it with them on this day. Their ode to swing dancing launched with a subtle sultry to Miles Davis' trumpet in ''Round Midnight' from 1957 and escalated in sophistication, culminating on Frizzo's 2014 jam'Take Five.' The chemistry of Chock and Bates shined in their seamless transitions, in the effortlessness of their complicated lifts, in how the pressure never seemed to faze them. Nearing their 14th anniversary as an official duo, and third as a married couple, their trust is tangible in what they dare and their expertise in each other evident in how well they execute. Advertisement When they were done, their absence of doubt was transferred to the packed house. Chock and Bates feel inevitable right now. Americans Christina Carreira and Anthony Ponomarenko posted a season-best score of 123.37 in Saturday's free dance, putting them into the lead entering the final group of five pairs. They finished fifth with a total score of 204.88. (Photo of Evan Bates and Madison Chock celebrating after Saturday's routine: Maddie Meyer / Getty Images)
The Guardian
07-02-2025
- Entertainment
- The Guardian
Xhosa Cole: On a Modern Genius (Vol 1) review
Few have doubted that African American pianist/composer Thelonious Monk was a genius of modern music, as this album title attests, but the acclaimed 28-year-old Birmingham-born saxophonist Xhosa Cole catches Monk's wild spirit as well as the legacy of his great compositions. Ever since Monk's emergence among the midnight-jamming subversives of jazz's revolutionary early-1940s bebop movement, his rhythmically jagged, melodically circuitous music was revered – and even feared – by improvisers. His playing would ascend, only to suddenly stop with a crash or jump a sudden chasm; he would lay harmonic booby-traps that invited escapes in shambling melodic runs. Even the great John Coltrane described missing a Monk chord change as like falling into an empty elevator shaft. But Cole will surprise even the most devout buffs, and hook the most unsuspecting of jazz newbies too. Cole accelerates the opening Trinkle, Tinkle into a whooping clamour of figures resolving on a dark, grouchily slurred low note, then elides the details of the composition without losing any of its ingenious design. An unusual lineup features a dynamically empathic guitarist in Steve Saunders, and the percussion is shared between drummer Nathan England Jones and the sharp chatter of Brooklyn tap dancer Liberty Styles' feet. Rhythm-a-ning opens on wriggling free-tenor figures before the melody emerges – first faithfully, then slewing and loose – and Misterioso enters on bassist Josh Vadiveloo's muscular solo pizzicato before the dreamy tenor theme. Criss Cross segues into Round Midnight before ending up at Brilliant Corners, and Cinematic Orchestra singer Heidi Vogel unwraps a majestic account of Duke Ellington's Come Sunday before a quietly ecstatic tenor-sax odyssey at the end. An erudite young sax master, Cole sounds as if he's already way down the road, but with plenty of fascinating detours to go. UK double-bassist/composer Misha Mullov-Abbado sidestepped his illustrious classical-musical parentage and found his own contemporary-musical path in 2014, and with his fourth album, Effra (Ubuntu Records), he unveils an autobiographically heartfelt mix of hard-boppish and traditionally swinging grooves, minimalism and Latin jazz from his A-list London band. Long-running Norwegian piano trio In the Country (including Susanna and the Magical Orchestra's Morten Qvenild) is joined by imaginative guitarist Knut Reiersrud, the crystal-clear vocals of Solveig Slettahjell, and recitations by Sidsel Endresen on Remembrance (Jazzland). Qvenild's compositions and Reiersrud's shimmering guitar sounds create luminously delicate contemporary settings for poems by the Brontë sisters and Emily Dickinson, and if jazz and improv aren't exactly conspicuous, this soundscape owes a lot to them. German pianist/composer Julia Hülsmann continues to be one of the quietly ascending stars of the ECM label's roster, with her regular band plus Norwegian trumpeter Hildegunn Øiseth (captivatingly applying electronics to both the conventional instrument and to Norway's goat horn) on the playful and haunting Under the Surface.
