Jazz legend Herbie Hancock to perform in Rockford in fall 2025
ROCKFORD, Ill. (WTVO) — Legendary jazz musician Herbie Hancock will perform in Rockford in Fall 2025.
Hancock began his career as a pianist at age 11, playing with the Chicago Symphony Orchestra. His first album, 'Takin' Off,' was released in 1961, after which Hancock worked with Miles Davis for five years.
Recognized as one of the greatest pianists of all time, Hancock explored the use of electronic instruments in his music. In 1983, his single 'Rockit' became a hit on MTV.
He also wrote the scores for several films, including Blow-Up (1966), Death Wish (1974), and Round Midnight (1987), for which he won an Academy Award.
Hancock has won 12 Grammy Awards over the past 2 decades.
Hard Rock Live announced that Hancock will perform at the Hard Rock Casino Rockford on Friday, October 24th.
Tickets go on sale Friday, April 4th, on and at the Hard Rock Live box office.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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Boston Globe
2 days ago
- Boston Globe
A Sikh Captain America? Why religious diversity matters in the comics universe.
Representation of non-Abrahamic religions and spiritual traditions, particularly in the mainstream comics universe, is minimal. Even when they are portrayed in comics, their presentation, as Singh and others in the field point out, is often inauthentic and sometimes negative. Recently, however, comic book writers and academics who study the intersection of religion and comics observe a renaissance of sorts, which they say is happening because people close to these faith traditions are telling these stories with a reverence and sincerity that resonate with a wider audience. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Singh's journey to make that connection began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' Advertisement He suited up as Captain Sikh America in Manhattan for the first time in summer 2013 — one year after a self-proclaimed white supremacist opened fire inside a Sikh temple in Oak Creek, Wisconsin, killing six and injuring four others. Advertisement New York's reaction to Captain Sikh America was joyous. 'Strangers came up and hugged me,' Singh said. 'Police officers wanted photos with me. A couple wanted me to be part of their wedding ceremony. I felt I had a certain privilege I'd never had before.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. He doesn't speak directly about religion but rather the core values of Sikhism. 'I talk about equality, justice and about the universal light being present in every speck of creation,' he said. Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. For example, one page might talk about the Orishas, divine spirits that play a key role in the Yoruba faith of West Africa, while another might feature Egyptian gods. One of the first superheroes with African religious roots, Chireau said, was Brother Voodoo, created in the 1970s by Marvel publisher Stan Lee, writer Len Wein and artist John Romita. He was the first Haitian superhero. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. 'It's definitely gotten a lot better and much more authentic because the people who are telling these stories care about those religious practices,' she said. Advertisement Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. Elysée was raised Catholic, but he now considers himself agnostic. For the past decade, he's written comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I went looking for anything on African spirituality in the bookstore, I found it in the occult section as opposed to the religion or mythology section,' he said. Common depictions of African faith as voodoo and witchcraft are colonialist narratives aimed at demonizing Indigenous spiritual practices, he added. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Elysée is excited and relieved by the reaction to his work. 'While this is entertainment, you also don't want to offend those who believe in it and truly get so much power from it,' he said. 'Some of my portrayals of these religions in my comics may not be 100% authentic, but there is a level of research and respect that goes into every piece of it.' Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. Porcellino was drawn to Buddhism in his 20s after what he describes as a period of intense mental suffering and health problems. Advertisement As a punk rock fan, Porcellino saw commonalities between punk and Zen because 'they are both concerned with the essence of things rather than appearances.' Both are ways of life — simple yet nuanced. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking home one night from school. When he gets home, his mom asks him to take the dog outside; as he steps out, he sees the stars. 'It's the experience of being in everyday, mundane life ... and then suddenly breaking through to some kind of transcendence,' he said. Porcellino views these comics as a healing presence in his life. 'They are an important part of my spiritual practice,' he said. 'Any time I have a major crisis in my life, my first reaction is to sit down and start making comics and put my focus into that. It just helps ground me.' Teresa Robeson, who wrote a graphic novel about the 14th Dalai Lama, said that even though her mother was Catholic and raised her in the faith, her grandmother was Buddhist. She grew up in Hong Kong, with memories of relatives praying to Buddhist gods, taking in the fragrance of burning incense and the sound of Buddhist chants. Though she practices neither Catholicism nor Buddhism at this time, Robeson jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Advertisement Robeson liked the idea of representing a religion and culture that do not get much attention in media. 'Children's books are like mirrors and windows for kids,' she said. 'It's helpful especially for children of immigrants who don't often see themselves in mainstream literature. They don't see anyone who looks like them or prays like them. At the same time, it also helps kids who are not Asian or Buddhist to learn something about those communities.' Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Pai was an engineer turned comic books seller who used varied marketing techniques, including walking around with planks, nails and hammers in his bag so he could build shelves for bookstores that refused to display his comics because they lacked shelf space, said Reena I. Puri, the company's executive editor and a 35-year veteran of the business. Pai started with Hindu mythology and gods but soon expanded to other faiths, releasing a globally successful comic titled 'Jesus Christ' and others about Buddha, Sikh gurus and Mahavira, who founded Jainism. Later came secular comics about historical figures and folktales. But religion remains the mainstay of Amar Chitra Katha, and books that teach children about faith, history and culture are also the most popular in the diaspora, Puri said. Advertisement 'Most recently we've also portrayed (Indigenous) religions and have gathered folktales relating to these traditions from all over India,' she said. Amar Chitra Katha comics faced criticism in the past for their portrayal of gods as fair-skinned and 'asuras' — often the antagonists to the gods — as dark-skinned with demonic facial features. But that has changed, Puri said. 'We've educated ourselves and realized that our ancient texts were not as racist or colorist as we may be today,' she said. 'We're correcting those misconceptions now.' British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey counts himself an atheist who went to Sunday school only 'for the fun, stories and chocolate.' Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored pagan themes, particularly what he called the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. Even though many of his comics and novels explore religion and ethics, Carey said, he has never 'felt any temptation whatsoever to believe.' 'I've become more and more entrenched in that position, because organized religions are like any organization that sustain themselves, amass power, wealth and authority,' he said. 'So I've never really grappled with religious issues. What I do sometimes is explore, play with and tease out moral issues that were important and meaningful to me.' ___
Buzz Feed
2 days ago
- Buzz Feed
28 Beauty Products That Reviewers Say They'll Be Using 'Forever'
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Yahoo
2 days ago
- Yahoo
Older LGBTQ+ adults share their stories of coming out after 50
From a 90-year-old man finding the courage to come out to a former Baptist preacher revealing his authentic identity at 53, journalist Charles M. Blow uncovered the touching stories of everyday Americans who are embracing their true selves later in life. Bestselling author and former New York Times columnist Blow, who came out as bisexual at 40, made this decision after he became a public figure. He revealed his sexual orientation in his 2014 memoir "Fire Shut Up in my Bones," which is about his life growing up in Louisiana. "Late to the Party: Coming Out Later in Life," airing Friday, June 6, at 8 p.m. ET on ABC and streaming the next day on Hulu, follows Blow as he explores the experiences of older adults who have come out as LGBTQ+ later in life. At book signings, people thanked him for his courage and told him they also came out in their 50s or older. Blow realized that it's a phenomenon that needed to be explored and discussed more to help reduce stigma and shame. "Coming out late in life, you are not alone. You are not defective," he said. "You are a different expression of humanity, and you are just fine just the way that you are." For Dennis Meredith, who's featured in the docu-special, coming out at 53 meant confronting his entire career as a Baptist preacher. MORE: Transgender service members say they face 'heartbreaking' decision amid Trump ban His journey began when his own son came out, leading him and his then-wife to study what the Bible really says about homosexuality. "But what holds all of us back? We're afraid," Meredith said. Christopher McCrea spent 29 years in the military, believing he would never be able to come out and keep his job. "The reality of it is it's not a closet; it's a coffin," McCrea said. "It's a place of death and sadness." McCrea's story reflects the impact of policies like the Pentagon's "don't ask, don't tell" policy, which was in effect from 1994 to 2011 and forced many service members to hide their sexual identities. MORE: Hegseth orders Navy to rename ship honoring gay rights activist Harvey Milk After the policy's repeal, McCrea found the courage to come out at 47, though the journey wasn't easy, especially with his children. His daughter Kacie mentioned she repressed her feelings about the situation and didn't want to be "another bleeding heart" for her parents to worry about while they were dealing with their own issues. Ken Feltz also featured in the docu-special, waited even longer to come out, having revealed his sexuality at 90 to his family. While writing his life story during COVID-19 isolation, Ken finally opened up about his first true love, Phillip, whom he left decades ago due to societal pressure. "Even holding hands in public would get you arrested. They had to cure you," Feltz said of the era when he first fell in love. In the 1950s, he said he fell in love with a woman and lived a different life. Despite this, he said he never forgot Phillip. "I just knew that I had missed out on the one thing in my life that probably was the best thing in my life," he said. MORE: Who makes up the LGBTQ+ community? A look at the growing population For Erica, who asked that ABC only use her first name, coming out at 52 meant having difficult conversations with her Catholic parents. Her 81-year-old mother, Judy, showed remarkable acceptance. "It's not my job to judge. I love you for you. I always have and always will," Judy said, "I'm here to just love my daughter unconditionally." The stories shared demonstrate that while coming out later in life presents unique challenges, it's never too late to embrace one's true identity. "There is a price that has been paid for who I get to be today, but who I am is exactly who I'm meant to be," Jaime Zavala, who came out at 45, said.
