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Washington Post
28-01-2025
- Politics
- Washington Post
Portraits in power: The official photos of Melania and President Trump
The returning first couple have released their new official portraits: a perfectly synced duet of lady-boss power and glowering demand for surrender. Melania Trump worked with Régine Mahaux, the same Belgian photographer who documented her first tenure at the White House. This time, the first lady was photographed in stark black and white instead of color, but she once again is wearing the Italian brand Dolce & Gabbana. For her 2025 portrait, it's a dark tuxedo jacket with strong, sharp shoulders. She's positioned in a typical corporate power stance with her arms spread wide as her hands rest on a reflective tabletop. She stands with her gaze cast directly at the viewer with a blurred Washington Monument in the distance. And she is not smiling — not with her mouth and not with her eyes. Her jaw is set; her mouth is a straight line; her eyes do not twinkle. The lighting is kind. The focus is respectful. The first lady's face has been relieved of any evidence of life experiences, whether disheartening or invigorating. The viewer does not know if she has cried or laughed, thought deeply or raised an eyebrow in curiosity. The image is a far cry from those favored by close-up portraitist Martin Schoeller, the portraitist of Hillary Clinton and Angela Merkel, who has rarely seen a wrinkle, blemish or age spot he did not want to scrutinize in the most unapologetic terms — and whose resulting photographs are almost unbearably intimate. Mahaux's portrait of Melania is glossy and slick and stuffed with familiar signifiers of power: the slightly looming posture, the perfectly manicured hands placed on the desktop, the tailoring of the pantsuit and the crispness of the open shirt, the obelisk in the background. But its totality is more of a fashion photograph than a portrait of an individual. Its pristine nature says a lot about how the person wishes to be seen but nothing about who the person actually is. It stands apart from portraits of previous first ladies, with their pleasant smiles, tasteful frocks by American designers and an abundance of pearls. Melania Trump skipped the American label and the pearls, but in her previous White House portrait she showcased the classic first lady smile. Her eyes practically twinkled. Her face was cast in a rosy-cheeked glow. She had her arms folded in front of her, and yet the overall effect was far more welcoming than the more recent image. That first portrait suggested a willingness to consider the traditional soft power of the first lady's office. The new portrait simply announces her power. It's in keeping with the aesthetic note she struck on Inauguration Day: sober, unyielding, self-contained. Perhaps this new portrait marks a step forward — or maybe it's just a sideways jog — in the country's relationship with a first spouse. Dare one call it an awakening? This 2025 official image suggests that Melania Trump will in no way be saddled with the requirement that she offer up consoling hugs, approving nods or a face frozen into a toothy smile whenever in public. She won't pretend to care. The picture recognizes that the first spouse indeed has power, but there is no rule that it must be soft. The first lady's portrait is the yin to the president's rage. Donald Trump's second official White House portrait has far more in common with his mug shot taken in Fulton County, Georgia — where he was indicted on racketeering charges — than it does with the many presidential portraits that have come before. The mug shot is a sad photo. It serves as evidence of how deeply Trump damaged the electoral system, the presidency and the country's sense of cohesion. It's also a photograph brimming with anger and sorrow. Trump folded his brow into a scowl and tilted his chin down. He doesn't look defiant as much as petulant. He seemed intent on evoking that expression for his 2025 White House portrait. The lighting has been slightly refined. It's calibrated to be dramatic rather than haphazardly harsh. He has adopted a one-eyed squint and self-conscious scowl as if he's playing a version of himself in a Hollywood set piece about gangsters, or reprising his own role as a despotic corporate chieftain in 'The Apprentice.' He has leaned into a persona defined by rage and a delight in screaming 'You're fired!' to those who've failed his test of loyalty. He's come a long way since his first White House portrait. In hindsight, that one is distinguished by its fealty to continuity, even if his administration ultimately was not. It showed the 45th president in natural light, smiling broadly and openly in front of an American flag. That 2017 picture depicted a man stepping into an office, of someone sharing the frame with Old Glory. The 2025 portrait shows a man wrapping himself in power. He fills the frame with his fury. Any hints of dignity or thoughtfulness have been nearly squeezed out of the frame to make room for the breath of Donald J. Trump's anger. And he is always Donald J. Trump, as if his middle initial is a talisman of respectability, some antiquated shred of social currency like being II or III or a Chip and not just a middle son from a family in Queens. Missives from President Trump do not come from the White House Press Office, they simply come from The Office of Communications. It's not the White House that speaks. It is Trump. Only Donald J. Trump. These 2025 portraits of the first couple reveal two people who have stepped into extraordinary circumstances. By any measure, they have been graced by good luck. In her flawless fashion shot, Melania Trump has slipped into her power. In his White House mug shot, the president has succumbed to his rage. Power and rage. There's little room for anything else.
The Guardian
28-01-2025
- Entertainment
- The Guardian
American power: what does official portrait reveal about Melania 2.0?
At first glance, the official portrait of the returning Flotus – soft power stance, crisp unbuttoned Dolce & Gabbana tux, the Washington monument soaring behind her – scans so neatly with the returning administration that you'd be hard pushed to find any clues as to who Melania 2.0 is. After all, she also wore a Dolce & Gabbana jacket for the same shot in 2017. The only real change this time is that she swapped the necktie for a black Ralph Lauren cumberband, as if to sprinkle a little alpha patriotism into an otherwise blankly corporate get-up. Yet as ever with an erstwhile model who prefers to parse her internal monologue through her wardrobe choices rather than anything with substance, speculate we must. Look closer, and there is plenty to start with. Photographed by Régine Mahaux, a Paris-based Belgian photographer who also shot a smilier Trump in 2017, it's the first time a first lady has been photographed in black and white since that became a choice. Obama, Clinton, both Bushes and Reagan were all shot in glorious colour. It's a choice that could signify grief or tradition, but mostly invites us to view her independently, or businesslike, while foreshadowing the whitewashing to come. Then there's the stance – legs crossed under the table, French tips on top, that Lean In lean – which is somewhere between The Apprentice's Sir Alan Sugar and House of Cards' Claire Underwood. Even the soft-wave hair is a hybrid of sorts, based on the cultish style beloved by the Republican ladies because it's expensive and requires a stylist: it's feminine, even modern. Finally, there's the face – that sphinx-like smize more guarded, more ambiguous than ever. At least she smiled in 2017. The duties of the flotus have never been clear. Other than a nebulous expectation that she should fit the role of American womanhood, the role is undefined and unpaid. The fact that she's launched crypto, is working on a documentary and is now standing behind a desk suggests that she may well step out of the shadows this time. Sign up to Fashion Statement Style, with substance: what's really trending this week, a roundup of the best fashion journalism and your wardrobe dilemmas solved after newsletter promotion Which is why the real clue is behind her. The famous obelisk is less a symbol of American democracy like the Statue of Liberty, and more a symbol of American power. Jutting up into the air of the imperial capital, it's rigid, coolly austere and carries an air of menace. Sound familiar?
