Latest news with #SargentandParis
Yahoo
23-07-2025
- Business
- Yahoo
The Met Wraps Up Fiscal-year 2025 With 5.7 Million Visitors
Having reeled in more than 5.7 million visitors to its two locations The Met Fifth Avenue and The Met Cloisters for the fiscal year 2025, the Metropolitan Museum of Art has seen more visitors walk through its doors compared to the fiscal year 2024. The Met's overall attendance has ticked up 5 percent since fiscal-year 2024. Tristate-area residents have helped boost the numbers. For the second consecutive year, the turnout among local visitors from New York, Connecticut and New Jersey has exceeded pre-pandemic figures. That has contributed to a 109 percent post-pandemic rebound compared to 2019. For fiscal-year 2025, which ends on June 30, local attendance accounted for 62 percent of the Met's overall visitors. In addition, domestic out-of-state visitors accounted for 23 percent of the foot traffic. More from WWD Houbigant Paris, a 250-year-old Niche Fragrance Brand, Reawakens Fashion Designer B Michael Honored at Smithsonian for Donating Couture Items Worn by Cicely Tyson The City of Light Goes Dark for Haute Couture Fall 2025 The opening day for the general public of the much anticipated Michael C. Rockefeller wing on May 31 was a winner for the Upper East Side cultural institution. That unveiling resulted in highest single-day attendance since 2017. The museum welcomed 33,700 visitors, and many no doubt headed for the redesigned wing to see the collections of the arts of Africa, the ancient Americas, and Oceania. The $70 million renovation had been a multiyear endeavor. Huastec artwork that was donated by the late fashion designer Mary McFadden, an intrepid traveler for decades, is among the objects. 'We are thrilled by the continued growth of our audiences, particularly across New York City and the surrounding area, with visitors showing incredible enthusiasm for our ambitious programming,' said Max Hollein, the Met's Marina Kellen French director and chief executive officer. 'Whether through our thought-provoking exhibitions, inventive educational initiatives, or wide-ranging digital offerings, the Met provides an array of ways to engage with our collection spanning 5,000 years of art from across time and around the world.'It's worth noting that 40 percent of the Met's fiscal-year guests said they planned their trips to see a specific presentation. Some of the main attractions include the museum's summer blockbuster 'Sargent and Paris,' which has pulled in more than 427,000 visitors to date. There is still a little time to buy tickets for thosewho want to explore John Singer Sargent's early days in Paris from 1874 through the mid-1880s. The exhibition at the Fifth Avenue museum is on view through Aug. 3. Another key exhibition has been the Costume Institute's 'Superfine: Tailoring Black Style,' which has registered more than 291,000 visitors. That fashion extravaganza, which millions associate with the Met Gala, runs through Oct. 26. Some of the Met's other strong suits for fiscal-year 2025 have been 'Caspar David Friedrich: The Soul of Nature' with 300,000 visitors and 'Siena: The Rise of Painting, 1300-1350' with 298,000 guests. Interestingly, the last months of two other shows — 'The Harlem Renaissance and Transatlantic Modernism' and 'Sleeping Beauties: Reawakening Fashion' — pulled in 464,000 and 401,000 visitors respectively. The chronically impatient or just highly organized managed to minimize any wait times by taking advantage of the Met's 'more expedited' ways to enter the museum's galleries. Forty percent of the visitors did just that and not just via online ticket sales or scannable membership cards. The Met recently rolled out an online ticketing option for New York State residents to reserve pay-what-you-wish tickets from its site. Of course, like every other museum in the world, the Met is trying to broaden its digital reach. The Met's site had more 27 million-plus visits in fiscal-year 2025, of which 35 percent were from outside the U.S. The museum's social media reach is robust — its Instagram has more 4.5 million followers, the museum's 'X' has more than 4.1 million, its Facebook has passed 2.3 million, its TikTok has more than 1.2 million and the Met's LinkedIn has more than 430,000 followers. Some additions for the museum this year were the debuts of official channels on Chinese-language social media platforms Weibo and WeChat, which have racked up 66,500 and 27,500 followers, respectively. Best of WWD Fashion Meets Cinema: Jaws 50th Anniversary and Calvin Klein Spring 2019 RTW Show Retro Glamour: Giorgio Di Sant'Angelo's Summer 1973 Chic Straw Hat Statement The Story Behind Jackie Kennedy's Cartier Watch: A Royal Gift With 'Traces and Clues of Her Life' Revealed Solve the daily Crossword
Time Out
22-07-2025
- Entertainment
- Time Out
A record number of museumgoers attended The Met this spring
'If you build it, they will come' doesn't just apply to baseball ghosts. As it turns out, it also applies to The Metropolitan Museum of Art, which just discovered that it hosted over 5.7 million visitors between The Met Fifth Avenue and The Met Cloisters in the 2025 fiscal year. (That would be financial talk for the 12-month period that ended on June 30, 2025.) Part of that growth came late in the tracking period, with a big ol' day party celebrating the new The Michael C. Rockefeller Wing on Saturday, May 31, which was the Met's highest single-day attendance record since 2017. How many people could possibly swing through The Met in a single day? Turns out, 33,700. That's a lot of stickers. Exhibitions still on view from this period are Sargent and Paris (427,000 visitors and counting), which closes August 3, and Superfine: Tailoring Black Style (through October 26), which has had 291,000 guests. Previous exhibitions were Caspar David Friedrich: The Soul of Nature (300,000 visitors), Siena: The Rise of Painting, 1300-1350 (298,000 visitors), and the final weeks of The Harlem Renaissance and Transatlantic Modernism (464,000 visitors) and Sleeping Beauties: Reawakening Fashion (401,000 visitors). 'We are thrilled by the continued growth of our audiences, particularly across New York City and the surrounding area, with visitors showing incredible enthusiasm for our ambitious programming,' Max Hollein, The Met's Marina Kellen French Director and CEO, said in a statement. 'Whether through our thought-provoking exhibitions, inventive educational initiatives, or wide-ranging digital offerings, The Met provides an array of ways to engage with our collection spanning 5,000 years of art from across time and around the world.' Overall, The Met saw a 5-percent growth in attendance over fiscal year 2024; 62-percent of the visitors were locals from the tri-state area. Upcoming exhibits at The Met include The Genesis Facade Commission: Jeffrey Gibson, The Animal That Therefore I Am (September 12–June 9, 2026), Man Ray: When Objects Dream (September 14–February 1, 2026), Witnessing Humanity: The Art of John Wilson (September 20–February 8, 2026), Spectrum of Desire: Love, Sex, and Gender in the Middle Ages (October 17–March 29, 2026), and Seeing Silence: The Paintings of Helene Schjerfbeck (December 5–April 5, 2026).
Business of Fashion
02-05-2025
- Entertainment
- Business of Fashion
The Met's Madame X-Rated Opportunity
Welcome back to Haul of Fame, your must-read beauty roundup for new products, new ideas and a Walmart influencer showdown. (It's not who you think…) Included in today's issue: Beachwaver, Bliss, Bloomeffects, Bottega Veneta, Bubble, Charlotte Tilbury, Clean Classic, Dazzle Dry, Dominique, Dossier, Dove, Glow Recipe, Kosas, Lafco, Lanolips, Laura Geller Beauty, Leonor Greyl, Matiere Premiere, Moroccanoil, O Positiv, Olive & June, Origins, Pantene, Peter Thomas Roth, Redken, Révive, Skinceuticals, Snif, Snow Fox Skincare, Tata Harper, U Beauty, Uni, Vintner's Daughter and a special breakout sun category. But first… Before influencers created #ParisTok trends, portrait subjects told Parisian girls what was pretty. Manet's barmaid was a messy bun originator. Gauguin's Tahitian sirens went hard on 'vacation blush.' And in 1884, John Singer Sargent's Madame X made the case for lip liner and body shimmer, or their 19th century equivalents: A wine-stained mouth and the right amount of moonlight. You can see the dazzling effect close up at the Metropolitan Museum of Art this season, when Madame X herself — also known as Virginie Amélie Avegno Gautreau, a Louisiana socialite who moved to Paris after her marriage — takes up a full and glorious wall on the museum's second floor. She's there to celebrate 'Sargent and Paris,' a comprehensive exhibit of the portraitist's work, which runs through August 3 and includes formal society portraits, art school sketches, and 'off duty' paintings of Gilded Age socialites partying in Antibes. There are soooo many beauty partnerships that could have happened here — big satin hair bows like those in The Daughters of Edward Darley Boit, lilac creme shadow to reference Gertrude Vernon, Lady Agnew of Lochnaw — but the Met is pretty beauty shy. They looped in J. Hannah's nail polish trios in 2022 and currently have a Band-Aid collab (really) with Target. Otherwise, there hasn't been much overlap between eyeshadow palettes and paint palettes, even though an Urban Decay x Van Gogh situation might be pretty epic. (Imagine a midnight blue liner called 'Starry Night'... or a blood red varnish called 'Lend Me Your Ear.' Sorry.) Sargent's exhibit could have been a beauty X-plosion (again, sorry) but the Madame has one big project with the fragrance brand Pura. Their 'portrait in scent' imagines the alluring muse as a potion of violet, apricot, bergamot and leather that debuted on April 23. 'There are notes within the fragrance that give you the illusion of the powder that they would use on their faces at that time,' said Mara Dumski, Pura's fragrance head. 'We want to really put scent into art, because scent is art, and it brings the art to life for people.' Revenue from museum gift shops can vary wildly, but the Met's audited financial report puts it into the 'auxiliary activities' category along with restaurant revenue. All together, it's a $56.7 million haul and a $3 million profit. Clearly, visitors are shopping when they visit. What's more, the museum claims 3.6 million email subscribers on its marketing list — a robust number if they want to try some baby e-comm steps to their museum shop. What kind of beauty company can claim a piece of that audience? Obviously one that aligns with the museum's all-encompassing mission to 'connect all people to creativity, knowledge, ideas and one another,' along with its unspoken alliances with classical art fiends, Met Gala obsessives and Blair Waldorf fans. The center of that Venn diagram may be younger, and cooler, than one thinks. Consider the Met's most successful fashion partnership to date — with Pacsun. The streetwear store made a licensing deal with the museum in 2022; it's still happening. Sales have been brisk (a source familiar says the revenue is around $10 million) and shoppers include college and high school students IRL alongside curious Highsnobiety and Cultured Mag readers online. That means while it might feel right to sell pricey, classic brands next to priceless, classic art, there may be more of an immediate opportunity for Naked Sundays to sell sunscreen while sponsoring marble nudes from Ancient Greece, or the nutso Rococo compacts from Flower Knows on the heels of a highlighted furniture collection from Versailles. And once Starface decides to make zit stickers in the shape of teeny tiny Warhol Marilyns, it's all over. Yes, in a perfect world, pure art is free from commerce. In the world we live in now, funding a museum takes work, and perhaps, a licensing deal with Glossier. There's a Balm Dotcom flavor for Monet's 'Water Lilies,' right? What else is new… Skincare They're not just for sidewalk pollen explosions. According to Bloomeffects, tulips also have skin-rebound properties. The brand's latest proof is its Black Tulip Regenerative Brightening Serum, an $89 formula available at Credo starting April 24. On April 28, Origins introduced Ginzing Glow-Boosting Moisturiser, a tinted formula available in pink pearl and bronze. It's $39 and promises to boost radiance along with hydration. On April 28, Laura Geller Beauty debuted its Wonder Balm, an all-over tint for eyes, lips and cheeks. It's $30, which is $10 less than Jones Road's now-legendary Miracle Balm, which claims a similar space. Does your vagina need a probiotic? Dr. Jen Gunter would say 'nope' but O Positiv Health hopes you think — and spend — differently. Its gummies launched at Walmart on April 29, which might mean the superstore has to utter the word 'vagina' on its sales floor for the first time. A worthwhile challenge, for sure. Ice, ice, maybe? On April 29, Peter Thomas Roth dropped Ice Facial Cooling Mist, a $30 formula with hyaluronic acid, caffeine and peppermint to 'instantly revive' puffy and flushed skin. Keep it in the fridge and you might be onto something. If you want Costco-sized luxury skincare, Vintner's Daughter is waiting for you. On April 29, it debuted Founder's Reserve, a massive 100mL bottle of the brand's hero botanical serum with 18-carat gold ceramic embellishment, for $740. Each comes with a 'hand-numbered card to certify the product's authenticity,' which... wait, are people out here selling fake Vintner's Daughter? Can you get it on Canal Street next to the knockoff Dior totes? Underground vendors, talk to me... It's been a minute since we've had a pond scum alert, but fear not: Microalgae is still a coveted beauty ingredient. On April 29, Uni launched its Golden Microalgae Body Oil for $48. Besides the tiny cells, it also has passion fruit oil, kalahari melon, and kakadu plum in the formula. Skinceuticals introduced Advanced RGN-6 on May 1. The $195 formula claims to mirror the effects of laser treatments to treat firmness and elasticity. Most of Tata Harper's eye products top $200 but its Brightening Eye Gel, which debuted on May 1, costs $74 and comes loaded with caffeine, cucumber and vitamin C. Double the cleanse, double the profits? Let's see how it goes for Kosas, which released its Plump + Juicy Double Cleansing System on May 2. The duo includes a $48 cleansing oil and a $38 gel cleanser. Is $86 too much to wash your face? Probably, but Kosas is throwing in a free Emi Jay clip with orders on their DTC site, which is actually pretty brilliant. Meanwhile, if you'd rather single-cleanse, RéVive's Melting Cleanser hit shelves on May 1, and claims to do double duty on makeup and pores in one wash. Sun Care GRWM: Sunscreen edition. On April 29, the Tiktok royals at Glow Recipe debuted Watermelon Glow Dew Shield, a version of their internet-famous formula infused with SPF 30. It's $35 and I've already had to pry it from a friend's hands when she came over. Bliss continues its acne crusade with Block Star, a 'clarifying' sunscreen that combines SPF 30 with witch hazel and salicylic acid that debuted on April 29 for $25. U Beauty dropped its Multimodal Sheer Mineral Sunscreen on April 30. It's got an invisible, melt-into-skin formula, plus an endorsement from Michelle Monaghan, who hopped onto a zoom call from the set of a Robert DeNiro movie (!) to show it off to beauty editors last week. It's $98. Sunscreen that's also a lip gloss? Hello, Lanolips. On May 1, the Aussie brand introduced Sun Balm SPF 30, a $14 lip ointment with a golden shimmer. Makeup Will it be a matte summer? Snow Fox Skincare believes so, but they're gonna charge you $45 for it. On April 28, the Taiwanese beauty brand debuted Snow Melt Mattebright, a new powder formulation with a silky texture and 'pore-blurring' effect. Yellow nail polish — should we discuss? Dazzle Dry wants to talk about it, with an amber yellow hue called Go Go Mango out May 2. It's part of the brand's Paradise Collection, which also includes a metallic indigo and a shiny orchid purple, just in case you'd rather keep the 'yellow' trend to Timothee Chalamet at the Oscars. So! Much! Lip liner! On May 1, Charlotte Tilbury introduced Lip Cheat Contour Duo, a double-ended pencil for $26 that's meant to define, enhance and bring back the 1990s lip-liner-and-clear-gloss trend perfected by T.L.C. on T.R.L. The next day, Dominique Cosmetics dropped Lip Frame, a creamier formula for lining and filling in the pout. It comes in nine shades, including super-pale pink and deep magenta. Bubble is nailing its demographic. On May 1, the tween-loved skincare brand debuted a partnership with manicure label Olive & June that includes limited-edition press-ons, polishes, decal stickers, and moisturiser bundles. It's an exclusive with Walmart, Haircare The bigger the hair, the bigger the expense account? Don't tell my editors, but I'm game to test out that theory during all the Met Gala pre-parties this week. On April 29, Beachwaver dropped its $18 Everyday Flex hairspray for body and hold. See you at Caviar Kaspia… Will MAHA turn against seed oils in beauty products, too? I'm asking for Moroccanoil, which debuted its High Shine Gloss Mask on April 29 with argan oil (from seeds), hydrolyzed quinoa (from seeds) and crambe abyssinica, a seed extract that sounds like a Greek battleship. I hope this stuff doesn't get banned, because the mask itself is so perfect for dull or coarse hair. Redken claims its new Naked Gloss oil, which dropped on May 1, gives 130% shinier strands, along with heat protection and frizz reduction. It's $45 if you want to give it a try. The luxury hairbrush wars have a new entrant: Leonor Greyl. The French brand famous for its overnight hair oil released a $82 tortoise-shell brush on May 1. It's made with 100% boar bristles and natural latex rubber… but it's still about $84 less than La Bonne Brosse. Fragrance On April 21, Dossier began stocking CVS stores nationwide with its eight best-selling fragrance dupes, including Ambery Saffron (wannabe Baccarat Rouge), Woody Sandalwood (wannabe Santal 33 Le Labo) and Floral Lavender (wannabe YSL Libre). Sounds harsh? Not for the brand. In fact, Dossier is so excited to share their copycats, they coded their Google ads with each luxury fragrance name. (Yes, this is legal… for now.) While we wait for Louise Trotter to debut Bottega Veneta's Spring 2026 collection, some fragrance news: The Italian brand has released a gold-finished travel perfume case, imprinted with the label's famous braided leather texture, for $350. In the words of Little Mermaid bombshell Ursula, 'Don't underestimate the importance of body language.' The French fragrance house Matiere Premiere isn't — on April 28, it debuted body lotion in the brand's Neroli Oranger, Cologne Cédrat and Bois d'Ébène scents. The Tiki Bar fragrance trend continues! After guava's April invasion, pineapple is drenching May. First up: Clean Classic's Tropical Escape, which also includes coconut and sandalwood. The brand is calling it a 'dopamine charged' scent, which might not have much scientific merit, but it sounds fun. Lafco is testing the drop model with Out of Office, its first-ever limited edition home scent. The candle is infused with coconut, bergamot and sandalwood; only 400 were made. The brand says 500 people are already on the waitlist… but until the credit cards run, that's no guarantee of a hit. Let's see where this goes. Snif's Gentle Reminder is a fragrance, not a memo. It launched May 1 and has notes of milky black tea, lavender and palo santo, along with ube, a violet yam from the Philippines that's sometimes used to make ice cream. And finally… Procter & Gamble versus Unilever is also Alix Earle versus Emma Chamberlain — at least for this week. On April 30, Earle revealed her new Pantene collaboration with the P&G hair care brand, which was born from an organic TikTok video that drove Pantene sales through the roof in December. Meanwhile, Dove paired with Chamberlain Coffee — Emma's (honestly delicious) java line — on an oat milk latte recipe to celebrate its Plant Milk Cleansing Collection. Both are great gigs; both are incredibly successful girls… especially if you believe the recent Page Six item that claims Earle gets $400,000 per TikTok post. Sign up to The Business of Beauty newsletter, your complimentary, must-read source for the day's most important beauty and wellness news and analysis.
New York Post
27-04-2025
- Entertainment
- New York Post
World's most scandalous painting returns to the Metropolitan Museum of Art
She's back. After two years of traveling, 'Madame X' — the iconic 1884 portrait by John Singer Sargent — has returned to the Metropolitan Museum of Art, where it's the star of a new exhibit ,'Sargent and Paris,' which runs through Aug. 3. The painting of a striking young woman in an alluring black dress has long been one of the Met's biggest attractions. Advertisement 6 After two years of traveling, 'Madame X' — the iconic 1884 portrait by John Singer Sargent — has returned to the Metropolitan Museum of Art, where it's the star of a new exhibit ,'Sargent and Paris,' that opens Sunday and runs through Aug. 3. The Metropolitan Museum of Art 'People get upset when it's not on view,' said Stephanie L. Herdrich, curator of American painting and drawing at the Met. 'I've even seen people with [Madame X] tattooed on their bodies.' In its day, the painting wasn't nearly so highly regarded. Advertisement It was branded 'immodest,' 'indecent' and 'vulgar' when it debuted. One critic deemed it 'the worst, most ridiculous, and most insulting portrait of the year.' Another called it 'simply offensive in its insolent ugliness.' Cartoonists mocked it for months. The new exhibit examines the scandal surrounding the piece, which Sargent painted when he was 28 after spending a decade in the City of Light. The madame who posed for him, Virginie Amélie Gautreau (nee Avegno), was a 25-year-old socialite whose reputation was forever changed by associating with Sargent. Like Sargent, Amélie was American. She hailed from a wealthy French Creole family in New Orleans. After her father died in the Civil War — he was a major in the Confederate Army — her mother took 8-year-old Amélie to Paris, in hopes of finding her a rich husband. Advertisement With her distinctive looks and bold fashion sense, she became the toast of Paris. At 19, Amélie married Pierre Gautreau, a wealthy businessman 20 years her senior, and had a daughter, but that didn't stop her exhibitionism. 6 John Singer Sargent was 28 when he painted 'Madame X.' Corbis/VCG via Getty Images 'She was a professional beauty … what we would call an influencer today,' Herdrich said. 'She wore glamorous, often low-cut dresses, dyed her hair, rouged her ears.' The newspapers — in France and the US — reported where she shopped, where she got her hair done and how she achieved her artificial, lavender-tinged pallor. She attended parties and dinners accompanied by men who were not her husband, which set tongues wagging. Advertisement The only thing Amélie needed to cement her role as the most celebrated woman in France was a portrait, a really sensational one. Sargent was a rising star in the art world. He had arrived in Paris in 1874, and attracted attention for his captivating portraits. In 1881, he painted one of Amélie's rumored lovers, the gynecologist and notorious ladies' man Samuel Jean de Pozzi, in a louche scarlet silk robe. He and Amélie began planning in 1882, going through her wardrobe and picking out a form-fitting, strapless black dress with a deep sweetheart neckline. She would wear no jewelry, save for her wedding band and a diamond crescent in her hair, an allusion to Diana, goddess of the hunt. 6 The painting's model, Virginie Amélie Gautreau, was a glamorous gal about Paris. Sargent labored over the portrait. 'He had the feeling that he needed to outdo himself,' Herdrich said. He had hoped to finish it in time for the 1883 Paris Salon — the town's biggest art event — but it wasn't ready. Amélie quickly grew bored of the whole process. 'I am struggling with the unpaintable beauty and hopeless laziness of Mme. G,' Sargent complained to a friend. When he was finished in 1884, Amélie dubbed it 'a masterpiece.' Sargent submitted it to the 1884 Salon with the title 'Madame ***' — though everyone in Paris knew the subject's identity. Advertisement All of Paris went to the opening, and they were aghast. 'But she's not wearing a chemise [undergarment],' they shouted amid boos and jeers. Most shocking was that Amélie had posed with her shoulder strap falling off. Nevermind that the Salon boasted plenty of nudes: Those were all historical paintings, or nymphs and other fantastical creatures. 6 Cartoonists mocked the painting for months after its debut. The Metropolitan Museum of Art 6 The reception for the painting was so bad, Sargent had trouble getting commissions afterward. The Metropolitan Museum of Art Later that evening, Amélie's mother stormed into Sargent's studio and demanded that Sargent remove the painting from the Salon or her humiliated daughter would 'die of despair.' Sargent defended the work, saying he had painted her 'exactly as she was dressed.' But when the Salon was over, he installed the unsold portrait in his studio and repainted the strap upright. (That's how it's remained.) Advertisement Afterward, Sargent had trouble getting commissions. 'Women are afraid of him lest he should make them too eccentric looking,' wrote his friend Vernon Lee. He moved to London, and his portraits there — and in the U.S. — helped restore his reputation. Still, he would not show 'Madame ***' for another 20 years. Gautreau recovered and was back out on the town weeks later. 'She almost embraced the controversy,' Herdrich said. She went on to pose for more artists, separate from her husband and, eventually be consumed by her own vanity. Advertisement 6 The painting was branded as 'indecent.' The Metropolitan Museum of Art According to the book 'Strapless: John Singer Sargent and the Fall of Madame X' by Deborah David, a 50-something Amélie's had all the mirrors in her home removed after overhearing a woman say that her 'physical splendor had totally disappeared.' She stopped leaving the house and died in 1915 at the age of 56. The next year, Sargent sold her portrait to The Met, asking the museum to retitle it 'Madame X.' 'I suppose it's the best thing I've done,' he later wrote.
South China Morning Post
22-04-2025
- Entertainment
- South China Morning Post
John Singer Sargent exhibition in New York charts the star portraitist's rise
John Singer Sargent (1856-1925) is justifiably known for his renditions of beautiful belle époque socialites. Advertisement 'To have been painted by [Sargent] added distinction to the most distinguished,' wrote one critic in a 1925 obituary. But before he became the hottest portrait painter in France – and eventually the UK and the US – Sargent had to establish himself as both a member of the cultural elite and a painter of unmatched talent. The only place to do that, in his mind at least, was the Paris Salon. When Sargent first arrived in Paris, he was an ambitious unknown. 'He gets to Paris, he enrols in art lessons, he is young and energetic and really establishes himself in different circles,' says Stephanie Herdrich, the Alice Pratt Brown curator of American painting and drawings at the Metropolitan Museum of Art in New York, and co-curator of 'Sargent and Paris', a sweeping new show at the museum. John Singer Sargent (1856-1925) studied portraiture in Paris, and painted portraits of wealthy society members in Europe and America. Herdrich explains that Sargent quickly figured out how to make his work stand out at the Paris Salon, the juried forum where thousands of artists – both unknown and famous – would hang new work.
