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Nine creative and whimsical ways to add nature themes to your summer wardrobe
Nine creative and whimsical ways to add nature themes to your summer wardrobe

Irish Examiner

time18 hours ago

  • Entertainment
  • Irish Examiner

Nine creative and whimsical ways to add nature themes to your summer wardrobe

Mother Nature – the original summer muse; a constant source of style inspiration. Where would we be without her? Lemons, butterflies, fish and jungle flora are setting the prevailing print mood with the help of aquatic motifs. Think freewheeling and fun; pure creative whimsy – as it should be. Now, let's get into it. Looking for a wardrobe wonder? Irish designer Georgina O'Hanlon's 'Wild Child' silk scarf is just that. Featuring hand-drawn illustrations inspired childhood trips with her mother to County Clare, this bright botanical multitasker can be worn as a bandana, top, head wrap or necktie. Elegant and endlessly practical. From comely to conversational, Scandi print purveyors at Stine Goya win big with 'Lemons on a Plate': a still-life pattern rendered in a Tencel-blend in a dress and separates, both with a relaxed boxy fit. Equally laidback and oh-so-lovely, Dubai-based brand WhiteHello renders colourful tropical prints with fluid trousers and kimono wrap tops in skin-friendly silk. Your first-class travel co-ords await you. Should you prefer the aesthetic to the air miles, Farm Rio celebrates all things Brazilian in their serotonin-soaked collections. Scarf-tied basket bags, featuring parrots, fish and a Copacabana tribute make playful arm candy—perfect for holidays. Zara's high impact coral necklace pairing also punches well above its high street weight. Wear with a strapless dress while dining beachside or with a crisp white shirt and trouser pairing on home turf. Prefer something low-key? Try Essentiel Antwerp's rose mesh overlay skirt with a t-shirt and kitten heels. You'll thank me later. Dust off those Pinterest boards, folks. It's going to be an interesting season. 'Lemons on a plate' midi dress and shirt 'Lemons on a plate' midi dress, €395, and shirt €255, Stine Goya Stine Goya, €395 and €255 Short sleeve 'Leo' jacket Short sleeve 'Leo' jacket, WhiteHello, €264 WhiteHello, €264 'Wild Child' silk scarf 'Wild Child' silk scarf, Georgina O'Hanlon Illustration, €105 Georgina O'Hanlon Illustration, €105 'Jacky' trousers 'Jacky' parrots trousers, WhiteHello, €218 WhiteHello, €218 Pack of two coral necklaces with resin Pack of 2 coral necklaces with resin, Zara, €39.95 Zara, €39.95 Stine Goya 'Spring Mimosa' midi dress Stine Goya midi dress, Zalando, €270 Zalando, €270 Floral mesh overlay skirt Floral mesh overlay skirt, Essentiel Antwerp, €245 Essentiel Antwerp, €245 Ruffle floral mini dress Ruffle floral mini dress, & Other Stories, €129 & Other Stories, €129 Farm Rio scarf-detail printed basket bag Farm Rio scarf-detail printed basket bag, MyTheresa, €275 MyTheresa, €275 Read More Nine essential capsule wardrobe pieces to pack in your carry-on this summer

Scandi brand Nudient launches at Goodhood in UK with in-store installation
Scandi brand Nudient launches at Goodhood in UK with in-store installation

Fashion Network

time2 days ago

  • Business
  • Fashion Network

Scandi brand Nudient launches at Goodhood in UK with in-store installation

Scandinavian tech accessories brand Nudient has made its London retail debut at curated design, fashion, and lifestyle destination Goodhood Store in East London. With it comes the unveiling of its latest luggage collection, featured within an in-store installation that transforms the line into 'sculptural masterpieces'. Called 'The Art of Packing Art' the installation's designed in collaboration with creative Scandi studio Ray Atelier and draws inspiration 'from the utilitarian beauty of wooden art shipping crates - the kind used to transport priceless sculptures or delicate artefacts'. Also echoing themes of 'arrival, protection, and artistic value', the suitcases are suspended in mid-air within custom-built crates, cradled by foam-lined wooden arms 'resembling the treatment reserved for high-value artwork in transit'. So, in essence, the suitcase 'becomes the artwork', we're told. Nudient CEO Pontus Krusing added: 'Launching at Goodhood is a milestone… because it places our brand in the heart of one of Europe's most respected design destinations. It's a space where aesthetics, culture, and intention meet -- which perfectly reflects our approach to travel and product design. This installation allows us to showcase our luggage in a way that highlights both its function and its design-driven soul.' The new collection, meanwhile, includes carry-ons and check-in suitcases in four finishes (urban grey, linen beige, charcoal black and chalk white) priced £220-£290.

If you loved Dept Q, this is how to watch the gripping Scandi film series version for free
If you loved Dept Q, this is how to watch the gripping Scandi film series version for free

Cosmopolitan

time2 days ago

  • Entertainment
  • Cosmopolitan

If you loved Dept Q, this is how to watch the gripping Scandi film series version for free

If like us, you spent your weekend intensely binge-watching Netflix's newest thriller series Dept Q and are already desperate for more, then you're in luck. No, the series hasn't yet been confirmed for series two just yet (fingers crossed tho!), but there is in fact an entire movie series of the same books you can watch right now. Dept Q is based on a series of books by Jussi Adler-Olsen and follows Detective Carl Morck who is set up in a new department investigating cold cases in Copenhagen, Denmark. The Netflix series follows the first book in the series closely but makes one big change - it's set in Scotland and is in English. But the Netflix version isn't the only adaptation of the story. A few years after the novel was originally published in 2007, a Scandi film adaption was made of the novel, and we've got all the details on where to see it and its sequels. The Department Q novel series began in 2007 by Danish author Jussi Adler-Olsen and he has since published 10 novels in the series, all following Detective Carl Morck as he solves cold cases alongside his team of Assad (Akram in the Netflix series) and Rose. The most recent novel Locked In in the series was published in 2021 and sees Carl himself behind bars. Several years after the release of the first novel in the Department Q series Mercy, in 2013 a movie adaptation of the novel was released in Denmark called The Keeper of Lost Causes. It stars Nikolaj Lie Kaas as Detective Carl Morck, Fares Fares as Assad and Sonja Richter as Merete Lynnggard, and follows a similar plot to that of the Netflix series. The second film The Absent One, based on the novel of the same was released a year later in 2014 and follows Carl and Assad investigating the double murder of a pair of twins whose death was meant to have been solved 20 years ago. A third film in the series A Conspiracy of Faith was released in 2016 and shows what happens after an eight old message in a bottle turns up. There was also a fourth film The Purity of Vengenace released in 2018 which is about what happens when the duo discover three mummified bodies in an apartment. If you want to see more of this unlikely police duo solving cold cases then thankfully you can find all four of the movies online. They are all available through ViaPlay on Prime Video and right now you can try a free seven day trial of ViaPlay. After the week is up this then auto-renews for £4.99 a month if you don't cancel it after your trial. SIGN UP FOR PRIME VIDEO HERE Dept Q is available on Netflix now

Inside the "strange and weird" world of Dept. Q with Edinburgh's Chloe Pirrie
Inside the "strange and weird" world of Dept. Q with Edinburgh's Chloe Pirrie

Scotsman

time6 days ago

  • Entertainment
  • Scotsman

Inside the "strange and weird" world of Dept. Q with Edinburgh's Chloe Pirrie

Surreal, strange, weird... what happens when you set a Scandi noir crime drama in Scotland. Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... 'Extraordinary moments, surreal, strange things…' Attempting to describe her favourite part of filming new Netflix drama Dept. Q when we speak ahead of its launch, Chloe Pirrie is immediately tied up in avoiding spoilers, such is the extraordinary turn of events that befall her character. 'There are moments, but I can't say what they were because it'll give it away,' she says, 'strange, weird things…' Advertisement Hide Ad Advertisement Hide Ad An adaptation of the novels of Danish author, Jussi Adler-Olsen by acclaimed showrunner Scott Frank (The Queen's Gambit), written with Chandni Lakhani, Stephen Greenhorn and Colette Kane, the nine-part Netflix drama launches this week. Following the tale of Merritt Lingard, a high-flying lawyer played by Pirrie whose fate becomes intertwined with that of detective Carl Morck (Matthew Goode), who has been kicked downstairs to head up a new cold case department after an investigation went awry leaving his partner paralysed (Jamie Sives), the tense thriller sees them both pushed to their limits. Also starring are Alexej Manvelov (Jack Ryan, Top Dog), Kate Dickie, Kelly Macdonald (Line of Duty, Operation Mincemeat) and Leah Byrne (Call The Midwife, Nightsleeper) and an ensemble cast featuring many Scottish actors. Pirrie is a familiar face from TV and film, appearing in last year's Canadian horror film Kryptic, The Crown, Netflix's The Queen's Gambit, Emma, War & Peace, BBC's miniseries thriller The Victim and as Emily Bronte in Sally Wainwright's To Walk Invisible. Chloe Pirrie stars as Merritt Lingard in Dept. Q, filmed in Edinburgh. | Netflix Raised in Edinburgh, the daughter of a physiotherapist and a lawyer, Pirrie started acting at school in The Cherry Orchard and went on to study at Guildhall School of Music and Drama in London. After a career launching appearance in Scott Graham's award-winning indie feature film Shell with Iain De Caestecker and Kate Dickie in 2010, she was named Best Newcomer at the British Independent Film Awards and a Screen International Star of Tomorrow. She soon landed roles in BBC2 Cold War spy thriller The Game alongside Brian Cox, Sky Atlantic's crime series The Last Panthers with Samantha Morton and John Hurt, Oscar-nominated comedy drama Youth with Michael Caine and Rachel Weisz and black comedy road movie Burn, Burn Burn. Advertisement Hide Ad Advertisement Hide Ad At the start of the series Pirrie's Merritt Lingard is a prosecutor at the top of her game, fighting for justice and described by some as a 'blunt instrument'. Brought up on Mull by an absent father, when her brother suffers a brain injury she becomes his protector and following the biggest case of her career, decides to make a change, with dramatic consequences. 'Merritt operates on a basis of not needing to be liked, doesn't have many friends and is a bit of a mystery to the people around her,' says Pirrie. 'She has very successfully compartmentalised her life in terms of her past and current work situation but is starting to struggle under the pressure of the case she's prosecuting. 'We're seeing somebody who is maybe not as in control as they're used to being. Chloe Pirrie and Mark Bonnar as lawyers in Dept. Q, Netflix's Scottish adaptation of Jussi-Alder Olsen's Scandi Noir series. | Netflix 'This case is more high profile but is coming with baggage she hasn't anticipated. Obstacles start to emerge that she doesn't understand and the frustration is starting to get under her skin. Advertisement Hide Ad Advertisement Hide Ad 'Alongside this she is receiving anonymous threatening messages.' In terms of preparing for the part of Merritt, the lawyer element was straightforward as Pirrie has experience of playing a lawyer from The Victim in 2019. 'That was less of a thriller and more about depicting and anatomising someone's trial, so that gave me a lot. I did a lot of research for that and you become a bit more acquainted with the differences in the Scottish legal system and I went to the WS society and Signet Library where my dad works and got a bit of insight of the culture and expectations in that legal world. 'Also I watched a lot of murder trial documentaries where you learn so much about how a profession works and I just love doing that kind of research. Advertisement Hide Ad Advertisement Hide Ad 'And for Merritt, she's somebody who has quite a different background from others in that profession so it was understanding what might be most challenging for her and those encountering someone who does things differently or doesn't conform.' For Merritt, a belief that those who commit a crime don't ever truly get away with it and that through justice, conscience or karma, the universe will see them ultimately punished, helps sustain her on the wild ride on which her life takes her. Chloe Pirrie at the premiere of Under The Banner Of Heaven in Hollywood, California, 2022. |'This may be one of Merritt's blindspots,' says Pirrie. 'She's very hyperfocused on the right thing when it applies to others but has so successfully buried things as she's evolved that I don't think she ever turns the lens on herself. We learn more about that later in the show. It's interesting playing someone who isn't interested in self-reflection. We see that in scenes I have with Mark Bonnar, and her colleagues, where she's butting heads because she is unwilling to listen, and that serves her in some ways but not in others.' Does Pirrie think it's true, that people ultimately get punished? Advertisement Hide Ad Advertisement Hide Ad 'I don't know. I'd like to think so. Maybe the gentler version is 'what's for you won't go by you', but I don't know if that is entirely true. You obviously trust in the justice system as much as you can, but we all know it has limitations and is always trying to adapt. It depends what justice means to you I suppose.' Originally a Scandi noir thriller, Scott Frank has transposed the story to a Scottish setting with Edinburgh locations, institutions and fictional characters up front and centre. 'The show does that so successfully, Scott did a fantastic job. Being an American, it's amazing how somebody can assimilate and locate, very specifically, people and qualities and with excellent performances and the right cast, bring something to life that felt very specific to me. For the Edinburgh born and raised actor this was a homecoming. Advertisement Hide Ad Advertisement Hide Ad 'Because I'm from Edinburgh, it was really cool seeing it on screen, and a full circle moment as I've never worked here before. It was quite magical from that point of view. I just loved that.' Now based in North London, Pirrie's career has taken her all over for work, from Calgary to Prague, but once back in the capital for Dept. Q she enjoyed getting reacquainted. 'Chips and sauce, chips and cheese,' were top of the agenda, as well as catching up with family and friends. 'I had an apartment and it was really nice to spend more time in Edinburgh. I brought my car and my dog and had the freedom of returning as an adult with my own life. It was like discovering the city again, finding new places I hadn't known growing up like The Secret Herb Garden and there are so many restaurants because the food scene's gone insane. I really enjoyed going to old favourite places but also discovering new ones.' Advertisement Hide Ad Advertisement Hide Ad 'And the cast were amazing, some of whom I've worked with before and some who are new. It was great to see all these amazing Scottish actors together.' Chloe Pirrie | Photographer: Josh Shinner Stylist: Fabio Immediato Make-up: Amanda Grossman Hair: Davide Barbieri Now 37, if Pirrie reflects on her career, what would she say to her younger self? 'That it doesn't really get any easier but you're also doing way better than you think you are in terms of how you are navigating it. I'd say continue to try to not compare yourself to others as much as possible. I would tell her you are going to have the fortune to work with some really amazing people so savour the really amazing moments on set - that is the most important thing I think. 'Increasingly the industry is very noisy, there are so many extraneous things, but always return to the work because that's what is important, the time between action and cut. Keep focusing on that, because that's always where I felt 'oh I know how to do this', so keep feeling that way.' What sort of things make the industry 'noisy'? Advertisement Hide Ad Advertisement Hide Ad 'Things to do with publicity and knowledge about how things are made, which can make it really daunting. When I graduated a certain naivety was possible because whenever I didn't get a job I didn't know how to look up who got it but now there's an overwhelm of information. 'Being able to go into rooms, do an audition, leave and that would be that, was an amazing privilege. It's so rare to go into a room and meet someone in person, which is mad, because your interaction with another actor is such a personal thing. I'd tell my younger self soak up those opportunities to work in a room with people, whether you get the job or not.' Pirrie has worked with the show's acclaimed runner Scott Frank before, on The Queen's Gambit, in which she played Anya Taylor-Joy's birth mother. What insight did this give her into how Frank works? 'The Queen's Gambit was a wonderful job and what happened with the series blowing up was so rewarding. Scott creates an environment that is so special; he's so in control but also very freeing. That's a really amazing quality in a director. The quality of attention on set from everyone there is something you feel like you're part of and that's created by him. Advertisement Hide Ad Advertisement Hide Ad 'With The Queen's Gambit I was terrified because it was the first time I'd done an American accent and the first thing I had to do was improvise a load of stuff but it was so supportive. You feel like you're able to do your best work and can also fail and it doesn't matter. He's the best in that sense as a director. So stepping into this which is a role much more on my shoulders I suppose I did feel a lot of anxiety but he'd asked me to do it and I knew I was in safe hands.' Playing everything from heiresses and Mormon wives to petrol station assistants, the particular circumstances that befall Lingard make this role a unique experience for Pirrie and led to some of her favourite on set moments. 'I liked the emotional intensity of it. I have played people in a similar state for a short time - not the same circumstance - but not in such a protracted way. It's such a strange situation… 'And we spent a day on a ferry from Thurso and that was really cool because I'd never been that far north and it was a beautiful experience, to be doing your job on a little ferry travelling, and also the drive up there is really stunning, you pinch yourself. People pay a fortune to do this as tourists and I'm getting to go for my job. There were lots of moments like that. Advertisement Hide Ad Advertisement Hide Ad 'There was also my first day on set walking around Edinburgh and the first thing I did was sit in Princes Street Gardens where I spent so many Saturdays as a teenager. It was quite extraordinary to do that and really full circle.' Chloe Pirrie attends the Vogue x Netflix BAFTA Television Awards 2024 in London. | Getty Images Which roles or people she's worked with have been pivotal in her career? 'Well Shell was my first big job, it was a leading part, and was a really formative experience with Scott Graham. It was my first time being able to play somebody the camera follows through every scene. I had to throw myself into it and didn't really know what I was doing. It was purely on instinct and you're figuring out technique as you go. 'And I would say playing Emily [Bronte] was really big for me, because it was such a freeing thing. Emily's somebody who's surprising to people and working with Sally Wainwright and that cast was amazing so I really cherish that job a lot. Advertisement Hide Ad Advertisement Hide Ad 'Then The Queen's Gambit I loved for the way it worked. That part was quite small but important, and that's something I love about Scott, that there are no small parts. Even if someone's got one line, there's nothing perfunctory or accidental in the way he works, and that's amazing to be around. 'Under The Banner of Heaven [in 2022, in which Pirrie played a Scottish woman who has married into a fundamentalist Mormon family from Utah who commit a series of murders] which I did a few years ago, was amazing but different because I was playing someone profoundly not free, so that was also a really interesting experience from that point of view. Next up for Pirrie, after a well-earned week in the sun in Greece, is season four of Industry, the HBO hit about a group of junior traders at the London office of a city firm, now expanding its scope to follow the characters in the US. 'I did a little bit in season 3 and I'm reprising that. Industry is really fun, such a different thing. That's something I love about my job, that all sets are the same but also profoundly different and how the energy of a show really translates and how what is required of you can be really different. Industry means playing highly competent people which is hard because there's nowhere to put the vulnerability, you have to hold that together. It's really interesting, highly competent people who are melting down from the inside out is a really niche thing, and Industry definitely runs that concept to its absolute extreme. And then I don't know what I'm doing,' she says and smiles. Advertisement Hide Ad Advertisement Hide Ad Pirrie is content to take each role as it comes, and doesn't think too far ahead about parts she'd like to play. 'I try to take it as it arrives towards me as much as possible. And when you receive a script that makes you sit up and be forward and hoover up whatever it is, you give it everything you have, regardless of the outcome.' As for genres, she has a surprising penchant, as yet to be explored. 'Ok, so one of my favourite genres is submarine movies. I have a real thing about submarines and I would love to do one of those. And I can ride horses fairly competently - I learnt as a kid - and I've never got to do it because it's often something men do in things, go off into battle. So I'm waiting for that moment where someone says 'could you do that on a horse?' and I'll say 'Absolutely!' Advertisement Hide Ad Advertisement Hide Ad 'I actually made a short film recently that I'm editing now, that's a little bit about when I was young and working at a stables and imagining a life where I continued to do that. Maybe I'm creating opportunities for myself somehow, but I'd love to use that skill in some way. And it would be fun to learn to climb, swim in a particular way, dive, do stunt driving, to really push it.' In the meantime what Pirrie wants most is to be able to talk about Dept. Q without worrying about spoilers, which brings us full circle back to those 'extraordinary moments, surreal, strange things…'

I visited the sunny Scottish island that feels more like a chic Caribbean beach holiday
I visited the sunny Scottish island that feels more like a chic Caribbean beach holiday

The Sun

time6 days ago

  • Entertainment
  • The Sun

I visited the sunny Scottish island that feels more like a chic Caribbean beach holiday

I HAD only been awake for an hour and I'd immersed myself in Scandinavia and the Caribbean, with a side helping of haggis. Such is the joyful confusion of taking a holiday on Scotland's sunshine island of Tiree. 4 4 4 Dubbing somewhere the 'sunniest place in Scotland' sounds like faint praise — a bit like awarding a prize for the sandiest part of the Sahara or best-ever episode of Crossroads. But, thanks to the Gulf Stream, Tiree — with its population of barely 600 — really does have more hours of sunshine than anywhere on the UK mainland per year, despite its chilly-looking position in the Inner Hebrides islands. Checking into the Reef Inn after the three-hour ferry crossing from the pretty mainland town of Oban, I felt I'd been transported to a chic boutique bolthole in Helsinki or Stockholm. While so many hotels in the Scottish Highlands and Islands have maintained a traditional decor of wall-to-wall tartan and complimentary shortbread, the Reef Inn does things differently. Pale wood floors, sheepskin throws, a white four-poster bed and funky Scandi-retro furniture fitted in fabulously well with the views out over an unusual landscape. Unusual because Tiree doesn't have the soaring mountains, blind glens and deep forests you would expect from the Hebrides. This island is table-mat flat, giving the views from my window a gorgeously calming air, with the rolling grasslands and the odd cottage being the only distraction from the panoramically large blue skies, dotted with the smallest ice cream scoops of cloud. After a delicious breakfast of potato scones and vegetarian haggis, I drove to explore Tiree's main draw — its quite stupendous beaches. Turquoise waters There are dozens of coves, bays and yawning stretches of sand tucked into the folds of Tiree, but none are more beautiful than Balephetrish. Located on the western edge of this tiny, 12 mile by three mile island, I began strolling along an immense curve of sand the colour of vanilla and milk, and as soft as gossamer, all backed by Mohican tufts of marram grass. Discover the Scenic Arran Coastal Way It's a gorgeous day and yet, as the turquoise waters kiss the shoreline, I'm the only person here barring one man grappling manfully with his surfboard, perhaps in training for the Tiree Wave Classic event which is held every October. I don't even have to scrunch up my eyes to pretend that I'm in one of the quieter, more chic Caribbean islands, like Anguilla or Grand Turk, except there's no sun loungers and nobody trying to get me to buy overpriced cocktails. Tiree offers something far more disorientating than a shot of rum; this is an island that's home to some deeply strange structures known as 'brochs'. Built sometime between the first century BC and the first century AD, it's believed that these circular stone structures were lived in by invaders from England, who ruled over the local population. The broch I clambered around, called Dun Mor Vaul, still has its lower circular stone walls intact. With just a few hardy sheep for company, the view from the summit here is enchanting; a soft, whispering breeze rustles the clusters of thrift sea pink flowers, while skylarks and oystercatchers sing their way out over the silver and tin coloured waves. 4 Back on Balephetrish Bay later that day, I sigh as the sand slips between my toes and the sun casts its beam upon my shoulders. I'm seriously starting to wonder why I ever submitted to an eight-hour flight to Barbados. Tiree is the Caribbean beach holiday destination you can reach without a passport. And it turns out that haggis, heat and the Hebrides make for a surprisingly seductive combination.

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