Latest news with #Sensei
Time of India
21-05-2025
- Entertainment
- Time of India
AI-generated Anime: The future of animation or the death of art?
Credits: Uchi: Japan Real Estate AI-generated anime has taken the internet by storm, sparking a debate over the future of animation. AI is now 'permeat[ing] the creative realm'raising questions about its influence on art, copyright and the livelihood of traditional animators. Legendary director Hayao Miyazaki even warned that AI-made animation can be 'an insult to life itself', highlighting fears that algorithms might lack the human touch behind emotional storytelling. At the same time, new AI tools promise to speed up production and democratize creativity. In short: is AI a powerful assistant for anime, or is it threatening to replace artists? AI tools powering new Anime Today's AI toolset can do remarkable things. For example, EbSynth lets artists paint a single keyframe and automatically propagates that style across an entire video sequence, transforming raw animation into a stylized scene. Runway ML is a creative suite with advanced 'image-to-video' features, enabling users to generate and refine animated clips with just a few reference images. Major software makers are also adding AI: for instance, Adobe's Firefly and Sensei engines can turn text or sketches into polished characters and backgrounds (and even animate them) with minimal effort. In short, tools like Ebsynth, Runway and Adobe's AI are making it easier than ever to produce anime-style visuals. Ebsynth – A free application that 'enables artists to transform their animated footage by applying the visual style of a chosen key frame' i . It preserves the painted style (color palette, brushwork, etc.) and applies it seamlessly to the moving image. Runway ML – An AI-powered creative suite for generating and editing images and video. With features like Gen-4 image-to-video, Runway helps creators bring still frames to life. Adobe AI (Firefly, Sensei) – Adobe's AI tools allow text or doodles to become fully rendered characters or scenes. For example, Firefly can generate anime-like character art from prompts, while Character Animator adds real-time motion to illustrations. These tools deliver major advantages. They can automate time-consuming tasks (like in-between frames or complex backgrounds), letting even small teams produce polished animation much faster. Industry analysts note that advanced models can create high-quality, emotionally expressive anime art 'with minimal technical expertise'. The result is a kind of democratization of anime: hobbyists and independent artists can now experiment with ambitious projects that would have needed a large studio before. AI models (many based on GANs and diffusion) are capturing finer details – facial expressions, lighting, textures – with speed and consistency that rival traditional methods. Case study: Netflix 's The Dog & The Boy Credits: One high-profile example is Netflix Japan's 2023 short 'The Dog & The Boy'. This 3-minute sci-fi anime about a boy and his robot dog made headlines because all of its background art was generated by AI. Netflix's anime arm explained that it used an in-house AI (based on DALL·E) trained on thousands of images from its catalogue to help during a Japanese anime labor shortage. Concept art was first drawn by a human, then repeatedly processed with AI and hand-tweaked. The result looked visually acceptable, but the way it was made provoked outrage. When Netflix tweeted about the experiment, many fans and artists accused the company of using AI 'to avoid paying human artists'. On social media, comments criticized the approach as unethical (AI models are often trained on scraped human art) and dehumanizing. The short's credits even listed 'Human' vs. 'AI+Human' for background art, which many found disrespectful. Industry figures joined in: a union leader said the backgrounds looked 'hackneyed' and 'not original'. Mashable's review agreed that criticism of the AI work was 'fair'. In short, Netflix's AI experiment made global headlines – not because the story was bad, but because it touched a nerve in the animation community. Creative concerns vs. Technological benefits The debate is now front and center in anime circles. On one side, many artists worry that AI could erode the craft of animation. AI can mimic styles but it might never match human creativity and emotional depth. Critics point out that the trending 'Ghibli-style' filters (which turn any photo into a pastel, Studio Ghibli-like image) are fun, but they also spark controversy. As one Times of India report noted, AI Ghibli art 'poses a serious threat to the originality and livelihood of human artists'. Hayao Miyazaki himself has publicly decried AI art as lacking life and soul. There are also legal and ethical concerns: many AI models are trained on copyrighted images, leading to a 'legal minefield' of ownership and right issues. On the other side, proponents emphasize how AI can assist rather than replace artists. Anime veteran Goro Miyazaki (Hayao's son) predicted that a fully AI-animated film could be made in the next few years, but he also noted the technology's potential: it might allow 'great' new talent to emerge that otherwise never would. Indian studios report practical gains: for example, Reliance Animation says it is 'committed to integrating AI' to improve efficiency and even unlock new creative potentials in storytelling. In a year-end interview, several industry leaders observed that AI is now used at various production stages – from early storyboarding to final in-betweening – and they view it as a tool to hasten the execution of work. Many see AI-generated in-betweens and backgrounds as helpers that free animators to focus on characters and emotion. Key advantages of AI in anime include: Speed: Automating laborious tasks (like background art or tweening) dramatically speeds up production3. Experimentation: Artists can prototype scenes or styles quickly with text-to-image models, fueling creativity and innovation. Accessibility: Even solo creators or small studios can produce high-quality animation without large budgets, thanks to user-friendly AI tools. Meanwhile, major concerns include: Artistic authenticity: Can AI capture the nuance and emotion of hand-drawn art? Skeptics cite Miyazaki's warning that machines may lack 'emotional depth'. Job displacement: If studios rely heavily on AI, junior animators and background artists may find fewer opportunities. The Netflix short ignited fear of artists being replaced. Copyright and ethics: AI tools trained on vast data scraped from artists' work raise tricky questions about ownership and fair credit. Global and Indian trends These debates are happening worldwide, and India is no exception. Globally, market analysts report that the AI anime generator market is booming: a recent industry report estimated it at over $90 billion in 2024, with fast growth expected through 2030. Advanced AI models (GANs, transformers, diffusion) are driving unprecedented quality, making anime art generation a lucrative field. In India, anime fandom and production are also on the rise. The Indian anime market is projected to grow at a CAGR of ~13% through 2030. Viewership is young and growing (nearly 40% of Indian anime fans are 18–24 years old), and streaming platforms report increasing anime subscriptions. Industry analysts explicitly cite emerging tech – including AI, VR and AR – as factors that will fuel this growth. AI-generated anime has even become a social media craze in India. 'Ghibli-style' filters (powered by AI) went viral on Instagram and Twitter, with celebrities and politicians joining in. In March 2025, Prime Minister Narendra Modi shared a series of AI-made Studio Ghibli–inspired portraits of himself. Other influencers have posted 'Ghiblified' images of daily life, underscoring how fascinated Indian audiences are by this AI art wave. At the same time, Indian animation studios are experimenting with AI. A recent Indian industry survey noted that studios are adopting AI for storyboarding, previsualization, and even script-generation to boost efficiency and creativity. The future of Anime in an AI world So where does this leave the anime art form? For now, most experts envision collaboration, not replacement. As Goro Miyazaki acknowledged, a completely AI-made anime might happen soon, but human vision remains central. India's creative leaders talk about AI enabling new styles and workflows, rather than killing off animation. In practice, we're likely headed for a hybrid future: AI will handle rote work and rapid prototyping, while human artists inject emotion, originality and storytelling. The question – 'AI-Generated Anime: future or death of art?' – is itself driving fresh creativity. Some artists are embracing AI as a new brush, while others push back to protect traditional craft. The real answer may be in the balance. For the global anime industry (and its booming Indian market), the challenge will be to integrate AI with respect for creators and originality. If managed well, AI might revolutionize the future of animation , accelerating projects and expanding what's possible. But if mishandled, it could indeed dim the unique spirit of hand-drawn anime. Only time will tell whether AI in the anime industry becomes a renaissance for creativity or an unwanted endnote to an art form. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Travel Daily News
09-05-2025
- Business
- Travel Daily News
Three new team members to the Rancho Mirage
Sensei appoints new leadership at Porcupine Creek retreat, enhancing luxury hospitality operations and supporting its mission as a leading wellbeing brand. RANCHO MIRAGE, CA – Leading wellbeing brand, Sensei, has announced several new appointments at Sensei Porcupine Creek, its luxury retreat in Rancho Mirage, California. The brand has appointed Ryan Drushel as Director of Food & Beverage, Joan Marte as Director of Operations, and Nicolas Galli as Director of Finance. Each of these three leaders brings extensive experience in the world of luxury hospitality to the premier wellbeing brand, founded by tech pioneer Larry Ellison and world-leading physician and scientist Dr. David Agus. 'As Sensei continues its mission of being the leading wellbeing brand in the industry, it is crucial to us to find talent who can help take our brand to the next level and whose expertise will continue to provide our guests with an unmatched luxury stay that excels across the board from culinary programming to remarkable accommodations,' said Alexandra Walterspiel, President and CEO of Sensei. 'Each with an incredibly strong background in the luxury hospitality sector, Ryan, Joan, and Nicolas will bring their years of expertise to their respective roles to aid in the continued growth and success of the brand.' Ryan Drushel Drushel joins the Sensei Porcupine Creek team as Director of Food & Beverage, working closely with the property's talented team of chefs, Sensei Guides, and Wellness Science team to oversee Sensei's culinary outlets, programs, and more. With over 20 years of experience in the food and beverage industry, he began his career in the heart-of-house as an Executive Steward and went on to manage beverage programs, banquets, lounges, and fine dining restaurants at iconic properties such as the Waldorf Astoria New York and The Pierre. Drushel has held leadership roles at Loews Coronado Bay Resort, Agua Caliente Casino, and most recently as Area Food & Beverage Director for Avalon Hotel & Bungalows and Ingleside Estate & Bungalows, which includes the historic Melvyn's Restaurant in Palm Springs. In his free time, Drushel enjoys hosting friends at home, experimenting with recipes and cocktails from his extensive cookbook collection, and hiking or exploring new places with his partner Phil and their dog, Duke. Joan Marte Marte is joining the Sensei team as Director of Operations, where she will be managing the day-to-day operations of the property, from accommodations to safety and security, golf and tennis, and more. With a BS in Hospitality Management, she brings almost 15 years of luxury hotel and resort leadership experience, with a background that includes Walt Disney World, Four Seasons, and Montage International. Most recently, Marte served as the Director of Rooms at Montage Big Sky, where she was responsible for the ultra-luxury operation of 100 rooms, 39 residences, 15 mountain homes, and 35 inn units. Leading the pre-opening team at the resort, Marte played a key role in training and helping the property achieve a Forbes Five-Star rating within its first year of evaluation. In her free time, Marte enjoys traveling the world to immerse herself in other cultures, volunteering in her community, partaking in outdoor activities, and recharging through the spa. Nicolas Galli With 10 years of experience in finance and a degree in Hospitality Management, Galli joins the Sensei team as Director of Finance. He began his career as a Management Trainee and went on to supervise accounts receivable at the St. Regis Aspen. He has held leadership roles as the Director of Finance at Ace Hotel & Swim Club in Palm Springs, the Heathman Hotel, and the Woodlark Hotel. Most recently, he served as the Regional Director of Finance for Kimpton Hotels, part of the IHG portfolio. Galli enjoys cycling, rock climbing, and going on outdoor adventures with his dog.
The Mainichi
30-04-2025
- Entertainment
- The Mainichi
Fukuoka music festival marking century since start of Showa era takes visitors back in time
FUKUOKA -- A music festival held in this southwestern Japan city on Showa Day on April 29 took visitors back in time with a series of classic songs from the Showa era (1926-1989). The "Showa 100 Year Bayside Song Festival" was hosted by the Bayside Place Hakata entertainment complex in Fukuoka's Hakata Ward on a specially prepared outdoor stage in front of visitors who reveled in the nostalgia. Performers included the big band Dan Ishida & Newbricco, based at the Acros Fukuoka concert hall, and others with numbers including Megumi Asaoka's "Watashi no Kare wa Hidarikiki," Masako Mori's "Sensei," and Agnes Chan's "Sogen no Kagayaki," which drew enthusiastic applause from the audience. Toshio Fujinaga, 55, a civil servant visiting from Kitakyushu, remarked, "All the songs are ones that are still great to listen to. During the Showa era, everyone gave it their all." His wife Shinomi, 54, added, "I love Seiko Matsuda and still go to her concerts." Showa-era goods and records were also sold at the venue and a DJ event was held by the retro "kayokyoku" karaoke bar "Spotlight," enveloping the area in Showa memories.
Bloomberg
20-03-2025
- Business
- Bloomberg
Larry Ellison's Sensei Resorts Gear Up for a Global Expansion
When the billionaire founder of Oracle Corp. Larry Ellison snapped up the Hawaiian island of Lanai in 2012, he also got two coveted Four Seasons resorts. The $450-million renovation of the property at Manele Bay that he undertook was considered trailblazing for its over-the-top luxury, including a $21,000-a-night suite. Fewer people buzzed over his reinvention of the neighboring, 34-acre Koele Lodge. But the first Sensei wellness resort, which opened in 2018, would technically be far more visionary. Fast-forward and it's Sensei that Ellison is hoping to scale into his own global brand. Co-founded with physician and biomedical researcher David Agus, Sensei aimed to leverage science and technology to help people live longer, better lives, well before these types of places became a cultural craze.
