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Business Recorder
19 hours ago
- Politics
- Business Recorder
Bilawal attends concluding ceremony of Urs of Bhittai
HYDERABAD: Chairman of the Pakistan Peoples Party (PPP), Bilawal Bhutto Zardari, attended the concluding ceremony of the 282nd annual Urs of the great Sufi poet, Hazrat Shah Abdul Latif Bhittai (RA). On the occasion, he visited the shrine, offered Fateha, and laid a ceremonial Chaadar. Bilawal Bhutto Zardari also visited the shrine of Hazrat Shah Habib, the father of Hazrat Shah Abdul Latif Bhittai (RA), where he offered Fateha, and later listened to Shah Jo Raag in the courtyard of the shrine. Afterwards, Chairman Bilawal Bhutto Zardari participated as the chief guest in the awards ceremony held at the HT Sorly Hall in Bhitt Shah, where he distributed awards to individuals who had shown outstanding performance in various fields. Addressing the ceremony, he said it was an honour for him that his family has, for generations, maintained devotion to the shrine of Bhitt Shah. He added that Shaheed Zulfikar Ali Bhutto, Shaheed Mohtarma Benazir Bhutto, and President Asif Ali Zardari have all been followers of Shah Latif's message. Bilawal said Pakistan has never initiated a war but has always ended it. He further stated that 'every citizen and youth of the country defended the homeland by taking the frontline on social media.' He said 'India attacked our water and the Indus River to target our centuries-old history and culture, but we responded to Modi's threats before the entire world.' Bilawal made it clear that 'while we desire peace, if war is imposed upon us, its declaration will be made from the land of Shah Latif.' Sindh Chief Minister Syed Murad Ali Shah, addressing the ceremony, said that Chairman Bilawal Bhutto Zardari's participation was a matter of great joy for them. He said 'this relationship is historic — 64 years ago, Shaheed Zulfikar Ali Bhutto came here and laid the foundation of the Cultural Centre, while Shaheed Mohtarma Benazir Bhutto attended the 250th Urs along with her father and delivered a historic speech in Sindhi. Recalling excerpts from that speech, the CM said 'Mohtarma urged the youth towards education and hard work and had the Ganj Sharif published at her own expense and sent to all universities.' Syed Murad Ali Shah said Shaheed Mohtarma had expressed the wish to establish a Centre of Excellence, which President Asif Ali Zardari fulfilled in the form of the Sufi University. He further said 'this year's Independence Day holds a special significance because Pakistan, through Bunyan al-Marsoos, defeated India, and this victory is being celebrated under the title Battle for Truth, in which the Urs of Shah Latif has also been adorned in the same spirit.' At the concluding ceremony, Bilawal Bhutto Zardari presented awards to Dr Ali Akbar Dhakan (for the English translation of Shah Latif's poetry), the best Shah jo Raagi Haji Sher Muhammad Nizamani, best singer Mumtaz Lashari, best storyteller (Sugharr) Faqir Fayaz Hussain Mahesar, best instrumentalist Shahid Ali, best composer Faqir Ghulam Rasool, and folk singers Mai Sanon and Mai Sarhai. Posthumous Latif Awards were also conferred on Shams-ul-Ulama Mirza Qaleech Baig and Ustad Gulzar Ali Khan. On the occasion, Sindh CM Syed Murad Ali Shah, Member National Assembly Makhdoom Jamil-uz-Zaman, and Provincial Minister for Culture Syed Zulfiqar Ali Shah were also present. Copyright Business Recorder, 2025
Express Tribune
30-03-2025
- Politics
- Express Tribune
A voice of resistance
Abeda Iqbal Azad is perhaps better known for her insightful political commentaries, and contributions to the historic literature of Pakistan's 1971 uprising, than her poetry. Her literary career impressed many writers and critics. Her poems, enriched by their deep engagement with political dynamics, imagery and illustration, provoke the readers' thoughts on societal structures, power dynamics, and human behaviour. They glorify women and humanity and capture the essence of equality and justice. Abeda Iqbal Azad, a multifaceted figure as an activist poet, writer, journalist, and author, continues to resonate deeply, even eleven years after her passing on April 20, 2012. Her legacy, particularly her dedication to fostering pro-women consciousness through her writing, has only intensified. Her influence and the admiration for her work have expanded posthumously, fuelled by the eloquence of her poetry and the profound impact she had on readers, poetry enthusiasts, and fellow writers. Reading her works today, with an understanding of her unwavering commitment to using her art for social change, is a deeply moving experience. Azad's poetry transcends physical, cultural, or geographical barriers and her contribution to Urdu literature is a testament to the transformative power of art and the importance of using our voices to call for change. As a rights campaigner, she continues to make waves in the literary world, even after 12 years of passing. While her works continue to bringing attention to issues that are often overlooked, her verses are a reminder that words have the power to shape our reality and to create a more just and equitable society. With every stanza she wrote, Azad challenges us to think deeper, to feel more profoundly, and to act with purpose. Similarly, her stories and columns serve as a call to arms, urging us to stand up for what we believe in and to fight for a better world for all. Through her campaign and her dictum, she embodies the spirit of resilience, courage, and hope. As an activist poet, Azad is known for expressing her thoughts and emotions through impactful verses that paint vivid pictures of societal issues and shed light on important matters. Her poetry reflects a passion for advocating change and bringing attention to resonant issues. Invoking empathy and reflection, she creates a world where emotions run deep and injustices are spotlighted. Oscillating between Urdu and English, her poems still remain in the popular imagination. Azad's most prominent work remains her poetic masterpiece where she challenges the legacy of Sufi poet. Shah Latif tumhari sohni aaj bhi dubo di jati hai [Shah Latif they still drown your Sohni] is her call on epic sufi port Shah Latif that describes the anguish and horror of honour killing. Instead of weaving words of praise or appreciation, she approaches him with a voice forged in pain, unheard, unnoticed. What makes this poem a memorable and celebrated piece, is the fact that it is written by a woman, for women in a society where honour killing is conventionally celebrated. Abeda's dedication to her craft is evident in the honesty and authenticity of her words. With each poem she writes, she invites readers to step into her world and see things from a different perspective. Her ability to blend activism with poetry creates a compelling narrative that resonates with many. Dr Nuzhat Abbasi, Head of the department of Urdu literature at a private university, commends Azad's worked on diverse landscapes. 'Her poetry is a form of storytelling,' she says. 'Equally, superb were her short stories and columns. Her prose narratives were a wide range of genres, including politics, human rights and romance. Abeda's poetry was different to anything contemporary I'd been exposed to before.' 'It seems like it was only yesterday that I met her for the first time in 2005 at my book launch where she was on a panel of speakers. I still can't believe that she has gone. It's no wonder Abeda's works have resonated with me so much through the years,' Dr Abbasi added. Shahnaz Perveen, author and former member of the Syllabus Committee and Board of Studies in the Urdu Department of Karachi, and intermediate Board of education believes Abeda's poetry stands out among the contemporary works of Urdu women poets. 'Her diction resonates deeply, particularly in select masterpieces like Jirga, a moving protest against honour killings,' says Parveen. 'Equally unforgettable are her works Farishton ki Sargoshi and Khamosh Siski where she captures the spectrum of human emotion with unparalleled artistry. She chiselled words that scream, sigh, and silently sob and painted intense portraits of agony and profound sorrow, revealing the innermost feelings and sorrows with each carefully chosen phrase, leaving an unforgettable mark on the reader's heart and soul.' Discussing Azad's subtle style and understated elegance, Parveen said that Azad was very deliberate in her choices and didn't follow trends. 'Azad will always be remembered by her incredible courage towards her mission to propagate a message of love — a love that transcends all boundaries and embraces everyone irrespective of differences.' 'Exploring Azad's works is like uncovering a treasure trove of insights,' says Prof Dr Uzma Farman Farooqui, the chairperson department of Urdu, University of Karachi. 'She was not only an advocate for feminism but also a tireless fighter for women's empowerment, striving to break down barriers and challenge societal norms that perpetuate gender inequality. Her poetry is a voice for the marginalised or unheard. I regard her as a champion for equality, believing in social, political, and economic parity and contributing to society in meaningful ways.' Recalling lines from Azad's poem Jirga, Dr Farooqui said, 'It is a distress call to Shah Latif on behalf of all women.' Dr Farooqui believes that Azad's unwavering dedication and advocacy left an indelible mark on the pursuit of gender equality, inspiring emerging writers and poets to join the cause and work towards a more equitable world for all. 'We need to preserve and curate her work, ensuring accessibility for future generations,' she concludes. Sharing her favourite lines from Azad's poetry, Urdu novelist Nasim Anjum says, 'Azad's creation Khamosh Nagar is akin to a puzzle. 'Intriguing and thought-provoking, it is like a profound conversation with the silence of the grave and immerses me completely. Azad delicately unravelled her deep reflections on the unpredictability of human life, leaving readers captivated by the intricacy of her thoughts.' Anjum explained that Azad made a significant impact that epitomises her honesty and dedication to this world and her activism resonating far beyond her years. 'She poured her heart and soul into every endeavour, leaving behind a legacy of inspiration and change.' Abeda presented a larger landscape through her poetry and short stories, shared Dr Tahmina Abbas, assistant professor, department of Urdu, Karachi University. 'There was lighter side of her creations too with a strong presence of nature and romance in her poetry,' she says. 'It is interesting to note the diversity in writings comprising love, separation, longing, or desire. In fact, Azad conveyed all types of human emotion in simple words. I believe, Abeda will always flicker like those fireflies in her poetry.'
