Latest news with #ShahanaGoswami
India Today
5 days ago
- Entertainment
- India Today
Shahana Goswami's 'Four Years Later'
In a career spanning two decades, Shahana Goswami has been a part of only two stories that had romance at the centre of them. The first was Ru-Ba-Ru (2008), and the second is Four Years Later, an eight-part Indo-Australian series created by Mithila Gupta. Co-starring Akshay Ajit Singh, the show revolves around a newly-wed couple forced to live apart as the husband moves to Sydney while the wife continues to live in India. 'The portrayal of their lives felt very real. The kinds of issues in their relationship were nuanced and mature. It isn't just typical male-bashing or gender normative issues between couples,' says Goswami. Shot in Mumbai and Jaipur before moving to Sydney, the show uses both English and Hindi. 'It was so refreshing to have Indian characters in the lead who spoke in their natural accents.'
Time of India
11-07-2025
- Entertainment
- Time of India
Shahana Goswami: Cultivate space in relationships, like you cultivate togetherness when there is distance
Love - a four-letter word for many, a complicated emotion for others. Everyone has his or her own definition of it, expression of it, but one thing that we often hear is that distance serves as a powerful catalyst for growth in relationships. They say it adds to the depth of emotional connection . According to actress Shahana Goswami , distance helps a person develop a sense of independence, which is every important for any cohabitation relationship. While speaking to us exclusively, the ' Four Years Later ' actress expressed, 'If you're living apart, you end up forcefully being able to have your independence, situationally and circumstantially. You are forced to also find your way without your partner physically being there. So in that sense, there's a kind of silver lining to it because most people who are together love each other after all, and that's part of any cohabitation.' Shahana, whose latest series follows the story of a couple who had to part ways right after their marriage, owing to professional commitments, further explained that this skill of independence needs to be present not just in a love relationship but in every connection. 'If you live with your parents, you feel the same way; if you share a house with your siblings, you feel the same way with your friends,' she said. 122383398 Doing everything together is not love - finding balance is 'Eventually, there is a bit of that familiarity that breeds contempt, only because what happens is that there are constructs around having to do everything together. You're a unit, and you're inseparable. But if you can find that balance, it applies to both long-distance relationships and those where you live together,' she added. Weighing in further on the phenomenon of long-distance relationships, Shahana mentioned, 'In a long-distance relationship, you have to find that balance of creating time and space for togetherness, both in terms of finding quality time together and staying connected.' However, the actress said the 'opposite applies as well when you're living with a partner—learning how to give each other a little more space and how to take space.' 'Sometimes you might feel the urge to be deeply involved with each other, but I think it's important to cultivate space in relationships, the same way that you cultivate togetherness when there is distance,' she concluded. The actress's insightful view on the subject not only highlights her personal opinion but also the intricate subject that her latest work, 'Four Years Later', focuses on. The series is now available for streaming on Lionsgate Play .
Time of India
08-07-2025
- Entertainment
- Time of India
Shahana Goswami praises Shah Rukh Khan's respectful nature and commitment to craft: 'He makes you feel seen...'
Shahana Goswami, praised for her strong performances, stars in 'Four Years Later', premiering July 11 on Lionsgate Play. She fondly recalls Shah Rukh Khan's dedication and respect while working together on ' (2011), a sci-fi superhero film exploring technology and family, featuring a stellar cast including Kareena Kapoor and Arjun Rampal. Shahana Goswami is known for delivering consistently strong performances, yet her talent has often been overlooked by mainstream Hindi cinema. Despite this, she continues to impress with some of the most powerful work of her career. Her latest project, 'Four Years Later', is an intense, relationship-focused drama set to premiere on July 11 on Lionsgate Play. In a recent interview, Shahana, who previously collaborated with Shah Rukh Khan in ' reflected on her experience working with the superstar. Impressions of Shah Rukh Khan's Dedication Speaking to Hindustan Times, Shahana shared that she had crossed paths with Shah Rukh Khan several times, especially before she left for Paris. She described him as impossible not to love—charming, intuitive, and incredibly creative. She recalled a moment during the filming of ' when Shah Rukh was rehearsing a scene alone on set after everyone else had left for a set change. She was deeply impressed by his dedication. Shahana also highlighted his respectful nature toward everyone, including child actors, noting that he makes people feel truly seen without any pretentiousness. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Free P2,000 GCash eGift UnionBank Credit Card Apply Now Undo According to her, this genuine presence is simply who he is. About the Film ' is a 2011 Indian sci-fi superhero film starring Shah Rukh Khan in dual roles as a video game designer and the heroic character The villain, a powerful AI, escapes the game into the real world, threatening the designer's son. The story follows their battle to stop and protect the family. Known for its advanced visual effects and action, the film explores themes of technology, family bonds, and good versus evil. Released on October 26, 2011, ' also stars Arjun Rampal , Kareena Kapoor, Armaan Verma and Shahana Goswami in pivotal roles.
Indian Express
08-07-2025
- Entertainment
- Indian Express
‘Shah Rukh Khan makes you feel seen, rehearses a lot, and treats everyone with respect': Shahana Goswami
Shahana Goswami rarely hits a false note. Go through her filmography and you'll find one standout performance after another. With each role, she proves just how remarkably versatile she is. And yet, the more you explore her body of work, the more apparent it becomes how criminally underutilized she's been by mainstream Hindi cinema. Still, Goswami continues to deliver, consistently, doing some of the most affecting work of her career. Her latest is Four Years Later, a raw, relationship-driven drama that premieres on July 11 on Lionsgate Play. The series, which unfolds like a marriage story coded in heartbreak, also stars Akshay Ajit, who is equally devastating in his role. In an exclusive conversation with SCREEN, Shahana Goswami and Akshay Ajit open up about working on a story as emotionally sensitive as this one. They also break down key moments from the show and share a light-hearted aspiration: to one day co-star in a Karan Johar-style romantic comedy. Edited excerpts for clarity and brevity. Q: I watched the first two episodes last night, and I really liked the zoo sequence. That was such a powerful moment. I'd love to start with that. How was it shooting that scene? It's such a pivotal moment in the show, revealing so much about both characters. What can we expect going forward? And what kind of conversations did you all have before shooting it? Shahana: From the moment we read the scene, there were a lot of discussions. We did several readings with the showrunner. We really took the time to go through each scene in depth, specifically this one. What I loved about that zoo scene is that no one is being deliberately unkind. You can understand that Akshay's character is speaking from a perspective shaped by society and its norms. And my character suddenly realizes, despite the chemistry and pull she feels towards this person from another world, that her own fears and insecurities come rushing in. They're not intended, but they surface. It's her biggest fear, rooted in the reality of feeling trapped in a world where she can't fully be herself. Even while filming, I remember thinking, 'I hope it's clear why she walks away,' because on the surface it might feel abrupt. He apologizes immediately, but for her, it's not even about the apology. It's like, 'This isn't about being sorry, this is about us not being aligned.' Akshay: That scene was definitely tricky. We weren't sure if it would come through clearly. But judging by the response, some four million views on reels and thousands of comments, it clearly resonated. What's beautiful is that our intent is translated. Even something said with love, with care, can still come off as judgmental. Sometimes control can stem from love, like a parent who's overly protective. And that's where my character is coming from. He thinks what he's saying is natural. But he also realises that he's said something wrong. Q: That nuance really comes across. The tension is so tangible. What was it like building that chemistry? Because every time you two are on screen, there's this undercurrent of passion and conflict. Shahana: It actually took some time. When we first met, it wasn't like we instantly hit it off. I remember feeling quite awkward during our initial auditions. They made us do an impromptu scene, and in one bit, Akshay kept physically moving back, not because the character was supposed to, but because I think he felt awkward about the proximity. I was thinking, 'Oh no, how are we going to pull this off?' And I knew early on that the show would have intimate scenes, but we had an incredible support system, directors, writers, and even an intimacy coordinator from Australia. That made a huge difference. Akshay: Truly, the work put in by the coordinator really helped us. And we always intended the gaze to be very empathetic in those moments. That's probably why the scenes didn't feel sensationalized, but instead deeply emotional and sensitive. Q: Absolutely. I was speaking to Aastha Khanna, an intimacy coordinator, and she said that even now, when there is so much awareness of intimacy coordinators, many production houses still don't hire them, which is concerning. Shahana: Exactly. It's still not the norm, but it should be. Physical intimacy has its own language, and actors need the tools to communicate that safely on screen. Shared post on Time Q: I also really liked that small, seemingly trivial moment when you meet again at the hospital, right before the zoo scene, and you both go for chai. I noticed the chai vendor is named Shah Rukh, which was such a sweet little nod. Akshay: Yes! That was something we added ourselves. We realized he didn't have a name, and I said, 'Shouldn't he have a name?' So before the shoot, we both just started calling him Shah Rukh. It was our small tribute. Q: That really felt like an improvised choice. Shahana, you have worked with Shah Rukh in so what was that experience like? Shahana: Yes, we'd crossed paths before, especially during that phase before I left for Paris. He's impossible not to love, charming, intuitive, incredibly creative. I remember during there was this one scene he was rehearsing alone on set. Everyone else had left because of a set change, and he was just sitting there, quietly practicing. I was so struck by that. He treats everyone, even a child actor, with such respect. He makes you feel seen, but not in a pretentious way. It's just how he is, always fully present. Also Read | 'Nobody asks your caste or religion on a film set': Shahana Goswami Q: That's beautiful. And I heard you had a bit of a breakdown before starting your now widely acclaimed film Santosh? Shahana: Yes, the night before the shoot. Usually, the writing and conversations with the director help me build the character in the first few days. But before Santosh, I started doubting myself. I began comparing my process to other actors, those who read scripts 17 times, make extensive notes, and have a very methodical approach. I started thinking, 'Maybe I should do that too. Maybe I'm underprepared.' I had a long cry. I even thought, 'They've made a mistake casting me.' But then someone said, 'You've worked for 20 years. Maybe your process is your own.' And that helped me snap out of it. I tend to freeze under pressure, but that reminder helped me reclaim my rhythm. Q: And what's the status of Santosh now? Shahana: It's still stuck due to certification. Until we get that, we can't approach streaming platforms, or rather, we can, but most of them don't want to associate with anything potentially controversial. Executives don't want to get caught in legal messes. So things are in limbo, but we're hoping for a resolution soon. Q: Akshay, while watching this, I remembered you from 24: Season 2. That was for television. How different was that from working on this streaming series? Akshay: 24 was more physical, more action-oriented. This show is far more introspective and emotional. But in terms of preparation, my process doesn't change. I come from theatre, so whether it's stage, film, or streaming, it's the same commitment. Of course, in theatre, the body is the canvas. On stage, it's larger than life. But emotionally, the effort is the same across mediums. Q: Shahana, you've done so much OTT work, Bombay Begums, for example. But do you feel like streaming content has reached a saturation point? That it's starting to feel formulaic? Shahana: Yes, definitely. What once felt fresh is now being shaped by numbers, algorithms, and corporates that don't necessarily understand storytelling. That balance still exists in Hollywood. You see a Succession, or new voices breaking through. But here, a lot of creative people are stuck making what works, over and over. The problem is that creative decisions are being dictated by people who don't come from a creative space. Q: Lastly, what are your favorite relationship dramas, series or films, Indian or international? Shahana: Scenes from a Marriage, I thought that was incredible. Then there's Breaking the Waves, an extraordinary film about relationships. I also loved that film with multiple stories, one about a writer and a Spanish-speaking maid, I think it was Love Actually? Akshay: Yes, Love Actually is so good. Even When Harry Met Sally. But how can we not say DDLJ? Shahana: Even Rocky Aur Rani, I really loved. In fact, I so want to do a Karan Johar film. Akshay: Yeah, me too, man.
News18
07-07-2025
- Entertainment
- News18
Smriti Irani's FIRST Look As Tulsi From Kyunki Saas Bhi Kabhi Bahu Thi 2 Revealed, Internet Reacts
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