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Yahoo
5 days ago
- Business
- Yahoo
Lithium Miners Retrace Share Gains With Chinese Output in Focus
(Bloomberg) -- Lithium producers' shares fell — following sharp gains on Monday that were driven by the closure of a major mine closure — as the market weighed the outlook for Chinese output of the battery metal. Stocks of miners declined in Hong Kong and Australia. Tianqi Lithium Corp. was about 8% lower as of 12:23 p.m. in the city after jumping 18% in the previous session, and Ganfeng Lithium Group Co. fell 5%, retracing about a quarter of its spike. In Australia, PLS Ltd. and Liontown Resources Ltd. also dropped. Sunseeking Germans Face Swiss Backlash Over Alpine Holiday Congestion New York Warns of $34 Billion Budget Hole, Biggest Since 2009 Crisis To Head Off Severe Storm Surges, Nova Scotia Invests in 'Living Shorelines' Chicago Schools' Bond Penalty Widens as $734 Million Gap Looms A New Stage for the Theater That Gave America Shakespeare in the Park The lithium market was rocked after Contemporary Amperex Technology Co. Ltd. confirmed the suspension of its Jianxiawo mine in the hub of Yichun, a move that may help to ease oversupply. The project accounts for about 6% of global lithium output, according to Bank of America Corp. There's speculation other mines in the area could also be suspended as Beijing tackles a glut as part of its anti-involution drive to curb excessive competition and overcapacity. Lithium futures on the Guangzhou Futures Exchange extended gains, although they rose less than daily-limit jump of about 8% seen on Monday. Still, lithium-carbonate prices may lack the impetus for a sustained rise, Shanghai Securities News reported. The problem of excess capacity has not fundamentally improved, and CATL's project may restart, it said, citing analysts. In Yichun, the local authorities have requested that companies facing similar regulatory scrutiny submit updated reports on their mineral reserves by Sept. 30, without yet mandating any more production suspensions. The Jianxiawo case established a 'strict tone' for regulatory approvals and enforcement, potentially broadening the extent of production halts and exacerbating supply shortages, Yongan Futures Co. said in a note. 'With a decisive outcome expected by Sept. 30, speculative trading activities might repeatedly emerge,' the analysts said. They also highlighted divergent views on time lines for mining license approvals or renewals. Why It's Actually a Good Time to Buy a House, According to a Zillow Economist Bessent on Tariffs, Deficits and Embracing Trump's Economic Plan The Social Media Trend Machine Is Spitting Out Weirder and Weirder Results Klarna Cashed In on 'Buy Now, Pay Later.' Now It Wants to Be a Bank The Game Starts at 8. The Robbery Starts at 8:01 ©2025 Bloomberg L.P. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Winnipeg Free Press
07-06-2025
- Entertainment
- Winnipeg Free Press
The Bard's tragic tale delivered with passion, bit of levity
As every true-crime fan knows, there's something deeply fascinating about outwardly respectable people who dare to plan and carry out murder. Shakespeare's Macbeth still has the power to enthral audiences with its tale of a too-ambitious general who kills the Scottish king, usurps the throne and descends into increasingly depraved murders as his tormented mind fills up with 'scorpions' of guilt. Essential to the story are the three witches' prophecies about Macbeth and his honourable friend Banquo, and the eternal question of whether we control our own destinies. JOHN WOODS / FREE PRESS Lindsay Nance as Lady Macbeth and Darren Martens in the title role of Shakespeare in the Ruins's promenade production of Macbeth. In great productions, 'the Scottish play' is a horrifying tragedy. Its relevance to the current reign of the amoral, arrogant King Trump is striking. Shakespeare in the Ruins' Macbeth opened at the Trappist Monastery ruins in St. Norbert on Friday night, after its planned Thursday opening was cancelled because of wildfire smoke. Helmed by Emma Welham in her professional directing debut, the production doesn't attain the dark intimacy or intensity to truly shock or chill. This Macbeth, which runs 2 1/2 hours including intermission, also doesn't equal the overall polished professionalism of some past SiR shows. Macbeth The only music is the ominous pounding of a drum. Anika Binding's costumes and Lovissa Wiens' minimal sets have the scrounged-up look usually seen at the fringe festival. Men wear what look like polyester pants along with vaguely medieval-styled sashes, cloaks and hoods of synthetic fabric. The props include a plastic plant pot for the weird sisters' cauldron. Still, it's compelling to watch the plucky cast of just seven actors throw everything they've got into a fiercely physical outdoor performance. The action includes scaling and jumping over walls, violent killings via stabbing, slashing and neck-cracking, and expertly choreographed sword fighting. The ruins' weathered brick and stone walls make a wonderfully evocative backdrop for an era of candlelit castles. The audience, which is issued lawn chairs, is led to five locations — perhaps one chair schlep too many — in and around the picturesque ruins and grounds. Bits of levity arise from characters running in at full tilt to report the latest news, and from the witches popping up to tell the audience in rhyme that it's time to change locations. JOHN WOODS / FREE PRESS Macbeth (Darren Martens) and Lady Macbeth (Lindsay Nance) deal with the aftermath of their deadly ambition. The actors refrain from spewing rapid torrents of text, carefully pacing their delivery so most of the lines can be understood. Darren Martens as Macbeth and Lindsay Nance as Lady Macbeth make a picture-perfect couple, but lack dramatic ferocity as they proceed from entitled self-assurance to anguish and madness. Each has some strong moments, as well as too-guarded moments that don't get at the guts of their roles. Ideally, Macbeth should be so riveting that the audience can't look away. Martens could make his voice and presence much bigger. He isn't helped when the director places him too far from the audience. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Nance's Lady Macbeth tends to be contained when we expect her to be furiously worked up, especially when she calls on the spirits to masculinize her, then taunts her husband into murder. It's unfortunate that Nance also has to play soldiers and other minor roles, which aren't well differentiated. Three actors display the mature technique to command the outdoor spaces. Ray Strachan is thrillingly passionate as Macduff. Tracy Penner superbly embodies both the female Banquo (as well as her ghost) and Lady Macduff, holding nothing back emotionally. The latter's screams of agony upon seeing her innocent son murdered are wrenching. Tom Keenan creates multiple distinct characters, including King Duncan, a witch and the porter (gatekeeper) who likens the castle doors to the gates of Hell. JOHN WOODS / FREE PRESS Darren Martens (left) as Macbeth and Lindsay Nance as Lady Macbeth make a picture-perfect couple in SiR's promenade production. In a funny respite from the play's 'bloody business,' Keenan's porter is a Scottish standup comic who teasingly interacts with audience members. More crowd participation ensues when folks are recruited to fill seats at the ghost-plagued banquet, but it distracts from — here's that word again — the intensity of the scene. The three witches, played by the male actors Keenan, Liam Dutiaume and Mackenzie Wojcik, are effectively conceived as shrieking, cawing, birdlike creatures in cloaks of white rags that suggest feathers. When they exploit Macbeth's ego by delivering their second set of riddle-like prophecies, they become grotesquely clownlike. The famous 'By the pricking of my thumbs, Something wicked this way comes' is broadly played for laughs. While many productions of this masterwork bring out the hags' comic dimensions, there's something to be said for a more classical approach of letting the supernatural scenes be darkly frightening. This show may be a summer outing, but it could use more creepy chill. arts@
