Latest news with #Shrek2
Irish Examiner
2 days ago
- Entertainment
- Irish Examiner
Bernard O'Shea: Five things I had to explain to my kids about video rental shops
Last week, our family movie night ended in chaos over what to watch. I launched into telling my kids about video rental shops: places where families argued in public aisles, vied for VHS tapes, and paid fines as a rite of passage. 1. Friday night was an event When I told my kids that movie night used to mean leaving the house, hunting through aisles, and negotiating a family truce over which VHS to take home—rather than just scrolling and putting Shrek 2 on again — they looked at me as though I'd confessed to eating gravel daily. In the 90s, Friday night meant one thing: a pilgrimage to Xtra-vision or Chartbusters. You didn't 'pick a film' — you committed to an evening-long family summit, complete with heated debates in the aisles. Back then, choice was both a blessing and a curse. There were no algorithms spoon-feeding you, 'Because you watched Mrs. Doubtfire, here's every film Robin Williams ever made.' You had to walk the aisles yourself, judging VHS boxes purely by their cover art and hoping the one copy wasn't already gone. (And when it was gone, oh, the heartbreak. That empty space behind the display box? That was my first experience of grief.) Video rental shops sprang up throughout Ireland during the 1980s, thanks to the advent of the VCR. By the early 90s, nearly every town had one. Xtra-vision alone had over 200 stores nationwide at its peak. If you were under 18 or over 40 and wanted to stay in on a Friday night, this was your spot. The former Xtravision, Douglas, Cork: one of many houses of wonder that used to dot the high streets of Ireland 2. Late fees were real and personal My children have never known true fear. I'm not talking about the modern fears — climate change, AI, or the Wi-Fi going down. I mean the creeping dread of realising at 8.55pm that your rented movie was due back at 6pm… three days ago. I once returned Mulholland Drive two months late — the late fee was more than I could have invested as a junior producer. But the real cost was the shame: the staff would scan your card, look you in the eye, and calmly announce the fee to the whole shop. Culturally, this was Ireland at its best: a system based on guilt. The staff didn't have to say anything. They'd just scan your card, pause, look at you over the top of the computer, and quietly announce the fee. The whole shop heard it. Suddenly, you weren't just the fella renting Speed 2: Cruise Control — you were the community's delinquent. 3. The panic of the last copy Explaining this to my kids was like trying to teach the cat about the emotional impact of the Leaving Cert. In the streaming era, nothing 'runs out.' But in the 90s, scarcity was part of the game. You'd walk into Xtra-vision, desperate for Independence Day, spotting that glorious cover art with Will Smith. You'd reach behind the display box—cold, empty metal. Someone got there first, and you could only imagine them in pyjamas, smugly watching your movie. Back then, this scarcity made films more desirable. When there's less of something, you want it more. In the 1980s and early 90s, this didn't just apply to video shops — it applied to everything from public phones to tickets for Garth Brooks (yes, that one came full circle!). In rental shops, getting the last copy inspired a strange mix of pride and envy. If you got one, you'd guard it with your life. The counter at a Chartbusters' in Galway: a nest of temptations to go alongside your prized rentals. 4. Impulse snacks were a trap Video shops had a hidden agenda: luring you with treats. The counter was loaded with popcorn, jelly snakes, Maltesers, and old-school glass-bottled Coke. I'd go in for Apollo 13, and leave with enough sweets for a rugby team. Culturally, the upsell was genius. Ireland in the 90s was just getting used to the idea of 'treats' not being rationed. Marketing psychology tells us that point-of-sale treats work because you're already in a 'yes' mindset. You've committed to spending money, so your brain is primed for add-ons. In my case, it meant a Topic (yes, a weird choice but still my favourite bar EVER) and 14 packets of Tayto waffles. Make sure that's rewound before you hand it back! Pic: iStock 5. Rewinding was mandatory After watching a VHS tape, rewinding wasn't optional. When my kids heard that, they stared at me as if I had said we used to turn the moon by hand. In the rental shop days, 'Please Rewind' stickers were everywhere — on the case, on the tape, sometimes even on your account if you were a repeat offender. Not rewinding was the height of selfishness. It wasn't just lazy; it was antisocial. It was the film equivalent of leaving the jacks without flushing. Historically, rewinding became such an issue that shops started charging a 'rewind fee.' Americans called it the 'Be Kind, Rewind' campaign, but Irish shops skipped the kindness and went straight to quiet resentment. Video rental shops taught us more than films — patience, compromise, and the adrenaline of winning the last copy of Speed 2 (I still maintain it wasn't a bad choice).
Buzz Feed
29-07-2025
- Entertainment
- Buzz Feed
What sequel is actually *better* than the original movie?
Shrek 2 is the best movie and I will die on that hill. Start The Discussion
Daily Mirror
07-07-2025
- Entertainment
- Daily Mirror
McDonald's fans just learn about 'most unique' venue in 'Medieval castle'
People have been wowed by this McDonald's in a Medieval castle that looks like it is straight out of the Shrek films, and it is one of many unique branches around the world People are only just realising that there is a McDonald's that looks like a huge medieval castle - and fast food lovers are keen to visit the unique spot. When we travel abroad, many of us like to try out the local cuisine and avoid food spots that we can easily get at home. But, often, some of our favourite brands offer different menus we wouldn't be able to try at home. While we all know what McDonald's restaurants looks like, the menus vary by location to reflect local tastes and traditions - and there are a few which look nothing like the other eateries. The biggest McDonald's restaurant is in Orlando, Florida, and some fans believe the "poshest" chain is in Long Island. In New Zealand, there is a McDonald's where food is served from an abandoned aeroplane, plus there is a floating McDonald's service in Germany. Recently, fans have discovered a rather spectacular McDonald's in Goshen, Indiana, located in what looks like an entire Medieval castle. The unique spot can be found at Gallops Truck Stop, and it isn't just a McDonald's. The enormous structure, which opened in 2014, also boasts a Subway, a mega-sized convenience store, and 11 showers. This McDonald's is located just north of Goshen at the intersection of US Highway 20 and State Highway 15 between Middlebury and Elkhart. Owner Harpreet "Monte" Singh, who operates multiple truck stops under the Gallops brand, previously told Goshen News how he has always been fascinated by regal-looking buildings. He said: "I wanted to do something new. It was a concept that came in my mind and I just wanted to work on it." Many people are only just learning that the McDonald's exists after seeing clips shared on social media. @amberstellll posted a clip of the fast food fortress on TikTok, leaving people amazed. One person commented: "Best McDonald's I've ever seen." "Only in America," commented another. "This is how I imagine McDonald's in the UK," joked an American. One other pointed out: "Literally that restaurant from Shrek 2 with the medieval meal." Agreeing that the McDonald's looks like it could be in the Shrek films, another said: "This is exactly how it's like in Far Far away." Another agreed, writing: "That's where the fairy his mother got the medieval meal." "I'll have the medieval meal," commented one other. "Mcdonald's in random 90s/00s locations hit different. they don't build them like this anymore," commented another. If you have a story, get in touch at
Buzz Feed
23-06-2025
- Entertainment
- Buzz Feed
Shrek Character Trivia Quiz — BuzzFeed Quizzes
Raise your hand if you love Shrek. (Everyone with a functioning brain should be raising their hand high in the sky right now.) Yep. It's unironically one of the best movie franchises of all time. Well, it's been over 24 years since the first Shrek movie came out (yes, you read that right), so I thought I'd test all of us on how well we know the absolutely iconic cast of characters. YES, FROM MORE THAN JUST THE FIRST MOVIE, because we all know Shrek 2 is the best I digress. So here's how this works: I'll give you the name of a character, and you'll have to tap on the corresponding photo. Piece of cake. Here we go! Hey now, you're an all-star! Or maybe you're not. Either way, tell me how you did in the comments below! Shrek lovers unite! And for more fun quizzes, be sure to follow BuzzFeed Canada on Instagram and TikTok!
The National
17-06-2025
- Entertainment
- The National
Misogynistic attacks on Nicola Sturgeon lead to real threats, warns Kate Forbes
Speaking at the Scotland 2050 conference in Edinburgh on Tuesday, Kate Forbes addressed what she called 'abhorrent' comments from Everett, who is known for roles in hit movies such as Shrek 2 and Napoleon. In an interview with The Herald, the actor – who moved to Scotland when he was 18 to work at the Citizens Theatre in Glasgow – called the former first minister 'a witch' when discussing the record of the SNP with the arts. 'As soon as the witch Sturgeon came into power, everything changed in Scottish arts and everything had to be about being Scottish,' he said. READ MORE: Hate crime figures fall but disability attacks reach record high The former first minister branded Everett's comments 'deeply misogynistic', and Forbes was asked about them on Tuesday while speaking on a panel about women in public life. 'The problem is that these accusations, these criticisms, are so often tinged with misogynistic language. 'Whether it's women making or men making it, it is reflective of the deep-seated nature of misogynistic language and the fact that politics has gone from an exchange of views to just personal attacks, devoid of policy scrutiny. 'It's abhorrent. It's despicable. 'What's remarkable is that we've now been talking about this for at least six or seven years and it's only got worse in that time.' Forbes said that any post she made on Twitter or Facebook would see replies full of 'reels of the stuff'. (Image: Jane Barlow/PA Wire) 'It's only when somebody who should know better makes comments like that, that suddenly we all say, 'well, that's not acceptable'. But this is going on constantly. It is exhausting. 'It is totally misogynistic and whether it's men making it or women making it, the point stands that it is saturated with misogynistic language, and I think that the destructive nature of social media cannot be understated. I think it is going to transform our politics for a generation. 'It's going to transform, totally change, the type of people that are in politics for a generation, and it's particularly affecting young women.' The Deputy First Minister later said that she 'almost never' speaks publicly about the abuse she faces on social media – or the threats in real life – because she fears it will put other women off entering politics. She told the Scotland 2050 conference that the misogynistic attacks on social media were not isolated, online incidents. 'It's not just what happens online, sticks and stones and all that,' she said. 'The problem is that this spills over into the real world. 'I know myself, I'm fairly short and small, and if I have people that were once accusing me of all sorts of things on social media, then turning up to surgeries – as they have done. There's certainly been enough press coverage of threats that have been made around actual means of hurting me, it spills over into that. 'We all say, well, 'isn't it dreadful, we need to do something about social media'. 'It's just going to be a cycle until there is an intervention, that something disrupts the cycle, and we as a country – and as I suppose those of us who participate in the public square – decide to take a different approach.'
