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Arab Times
05-03-2025
- General
- Arab Times
Pritzker Prize goes to Liu Jiakun of China, recognized for architecture that honors ordinary lives
NEW YORK, March 5, (AP): The annual Pritzker Architecture Prize has been awarded to Liu Jiakun of China, who earned the field's highest honor for "affirming architecture that celebrates the lives of ordinary citizens,' organizers announced Tuesday. Liu, 68, becomes the 54th laureate of the prize, considered akin to a Nobel in the field of architecture. In an interview with The Associated Press in his office in Chengdu in China's southwestern Sichuan region, the architect said he had a simple definition of his profession: "To simplify, the task of architects is to provide a better living environment for human beings,' he said, speaking in Mandarin. "First of all, you do something that is functional. But if it is just like that, it cannot be called architecture. (So) you have to provide poetry." Liu is known for creating public areas in highly populated cities where there is little public space, "forging a positive relationship between density and open space,' a Pritzker statement said. The architect "upholds the transcendent power of the built environment through the harmonizing of cultural, historical, emotional and social dimensions, using architecture to forge community, inspire compassion and elevate the human spirit,' the statement said. Among his 30 or so projects, which range from academic institutions to commercial buildings to civic spaces, organizers cited in particular his 2015 West Village in Chengdu, which spans a block. The five-story project includes a perimeter of pathways for cyclists and pedestrians around "its own vibrant city of cultural, athletic, recreational, office and business activities within, while allowing the public to view through to the surrounding natural and built environments.' They also noted the Sichuan Fine Arts Institute Department of Sculpture in Chongqing, which they said displays an alternate solution to maximizing space, "with upper levels protruding outward to extend the square footage of a narrow footprint.' Liu was born in 1956 in Chengdu and sent at age 17, during the Cultural Revolution, to labor on a farm in the countryside. He has said life felt inconsequential - until he was accepted to architecture school in Chongqing, where he "suddenly realized my own life was important.' In the interview Sunday in his office in Chengdu, Liu said the speed of change in China during his early adulthood was "very fast, and it was turning things upside down. Even until now, sometimes I feel like I have lived several lifetimes.' Liu established his practice, Jiakun Architects, in 1999. He said he is not one of those architects who likes to have a strongly recognizable visual style. Rather, Liu said, he pays more attention to method and strategy. "Many architects use a strong personal style and form to gain a foothold in the world,' Liu said. "No matter where it is, people can tell immediately that it is his or her work with a very strong symbolism. But I am not such a kind of architect.' "I don't want to have a very clear or obvious style that can be recognized as mine just at a glance,' he said. "I take a more methodological and strategic approach. I hope that when I go to a specific place, I can use my methodology and strategy to adapt to local conditions. I like to fully understand the place, and then look for resources, problems … and then distill and refine, and finally turn (this) into my work.' Liu also said he tries to balance his country's artistic and architectural heritage with the realities of modern technology. "I think China's traditional architecture is of course brilliant and very classic,' he said, "but it is a product of its time.' He said he hopes to deeply understand "the thematic part of tradition that can survive,' and then express it with contemporary technology and language. In that way, he said, "tradition can be used as a core … but the presentation of your work is contemporary.' Liu said he also seeks to balance commercial imperatives with civic concerns. "The rapid development of cities nowadays is basically driven by capital. It is natural for capital to pursue profits,' he said. But he added: "You have to leave the public the space they deserve. Only in this way can the development of a city be positive and healthy, rather than being completely high-density, where people live in drawers and boxes … without even a place to go and no space for communication.' The Pritzker Architecture Prize was established in 1979 by the late entrepreneur Jay A. Pritzker and his wife, Cindy. Winners receive a $100,000 grant and a bronze medallion. Asked if he thought the honor would impact his life, Liu replied: "I have thought about it. But I want to maintain normalcy … I don't want to become nervous about everything. Of course, it has its advantages. I will definitely not need to promote myself too much. But will it also make me better at work? Not necessarily. Excessive expectations may become a pressure.' He had another concern, too. "And will it make me too busy and prevent me from working more attentively?' he pondered. "I hope to keep the normalcy and the freedom, as well as calmness.'
Yahoo
04-03-2025
- General
- Yahoo
Chinese architect Liu Jiakun honoured with 2025 Pritzker Prize for human-centered design
The prestigious Pritzker Architecture Prize has been awarded to Liu Jiakun, a visionary architect from Chengdu, China, whose work redefines how architecture serves everyday people. The 69-year-old architect and founder of Jiakun Architects 'upholds the transcendent power of the built environment through the harmonising of cultural, historical, emotional and social dimensions, using architecture to forge community, inspire compassion and elevate the human spirit,' Pritzker organisers said in a statement. He is only the second Chinese citizen to receive the prize, following Wang Shu in 2012, a remarkable achievement considering private architectural practice was banned in China until the 1990s. Liu, based in China's southwestern Sichuan region, has said that the purpose of his architecture 'is to create a beautiful, just and dignified living environment,' and that he tries to balance commercial needs with the human needs of the public. Related Amazing architecture: Inside the largest mosque in Central Asia Japanese studio SANAA honoured with RIBA Gold Medal for their ethereal, gravity-defying architecture Organisers cited his West Village in Chengdu, a 2015 five-story project that spans a block. It includes a perimetre of pathways for cyclists and pedestrians around 'its own vibrant city of cultural, athletic, recreational, office and business activities within, while allowing the public to view through to the surrounding natural and built environments.' They also noted the Sichuan Fine Arts Institute Department of Sculpture in Chongqing, which they said displays an alternate solution to maximising space, 'with upper levels protruding outward to extend the square footage of a narrow footprint.' In a recent interview in his office in Chengdu, Liu said he was not one of those architects who likes to have a strongly recognisable visual style. Rather, he said, he pays more attention to method and strategy. 'Many architects use a strong personal style and form to gain a foothold in the world,' Liu told the AP, speaking in Mandarin. 'No matter where it is, people can tell immediately that it is his or her work with a very strong symbolism. But I am not such a kind of architect.' 'I don't want to have a very clear or obvious style that can be recognised as mine just at a glance,' he said. 'I take a more methodological and strategic approach. I hope that when I go to a specific place, I can use my methodology and strategy to adapt to local conditions. I like to fully understand the place, and then look for resources, problems … and then distill and refine, and finally turn (this) into my work." Among his other projects are a mysterious clock museum in Chengdu, where a grand circular courtyard evokes the timeless elegance of a sundial, and a striking brick museum in Suzhou. More recently, he has sparked new life into a historic temple district in Lishui and transformed a dramatic cliffside cave complex in Luzhou. Liu also said he tries to balance his country's artistic and architectural heritage with the realities of modern technology. 'I think China's traditional architecture is of course brilliant and very classic,' he said, 'but it is a product of its time.' He said he hopes to deeply understand 'the thematic part of tradition that can survive,' and then express it with contemporary technology and language. In that way, he said, 'tradition can be used as a core … but the presentation of your work is contemporary.' Asked if he thought the honour would impact his life, Liu replied: 'I have thought about it. But I want to maintain normalcy … I don't want to become nervous about everything. Of course, it has its advantages. I will definitely not need to promote myself too much. But will it also make me better at work? Not necessarily. Excessive expectations may become a pressure.'
Euronews
04-03-2025
- Business
- Euronews
Chinese architect Liu Jiakun honoured with 2025 Pritzker Prize for human-centered design
The prestigious Pritzker Architecture Prize has been awarded to Liu Jiakun, a visionary architect from Chengdu, China, whose work redefines how architecture serves everyday people. The 69-year-old architect and founder of Jiakun Architects 'upholds the transcendent power of the built environment through the harmonising of cultural, historical, emotional and social dimensions, using architecture to forge community, inspire compassion and elevate the human spirit,' Pritzker organisers said in a statement. He is only the second Chinese citizen to receive the prize, following Wang Shu in 2012, a remarkable achievement considering private architectural practice was banned in China until the 1990s. Liu, based in China's southwestern Sichuan region, has said that the purpose of his architecture 'is to create a beautiful, just and dignified living environment,' and that he tries to balance commercial needs with the human needs of the public. Organisers cited his West Village in Chengdu, a 2015 five-story project that spans a block. It includes a perimetre of pathways for cyclists and pedestrians around 'its own vibrant city of cultural, athletic, recreational, office and business activities within, while allowing the public to view through to the surrounding natural and built environments.' They also noted the Sichuan Fine Arts Institute Department of Sculpture in Chongqing, which they said displays an alternate solution to maximising space, 'with upper levels protruding outward to extend the square footage of a narrow footprint.' In a recent interview in his office in Chengdu, Liu said he was not one of those architects who likes to have a strongly recognisable visual style. Rather, he said, he pays more attention to method and strategy. 'Many architects use a strong personal style and form to gain a foothold in the world,' Liu told the AP, speaking in Mandarin. 'No matter where it is, people can tell immediately that it is his or her work with a very strong symbolism. But I am not such a kind of architect.' 'I don't want to have a very clear or obvious style that can be recognised as mine just at a glance,' he said. 'I take a more methodological and strategic approach. I hope that when I go to a specific place, I can use my methodology and strategy to adapt to local conditions. I like to fully understand the place, and then look for resources, problems … and then distill and refine, and finally turn (this) into my work." Among his other projects are a mysterious clock museum in Chengdu, where a grand circular courtyard evokes the timeless elegance of a sundial, and a striking brick museum in Suzhou. More recently, he has sparked new life into a historic temple district in Lishui and transformed a dramatic cliffside cave complex in Luzhou. Liu also said he tries to balance his country's artistic and architectural heritage with the realities of modern technology. 'I think China's traditional architecture is of course brilliant and very classic,' he said, 'but it is a product of its time.' He said he hopes to deeply understand 'the thematic part of tradition that can survive,' and then express it with contemporary technology and language. In that way, he said, 'tradition can be used as a core … but the presentation of your work is contemporary.' Asked if he thought the honour would impact his life, Liu replied: 'I have thought about it. But I want to maintain normalcy … I don't want to become nervous about everything. Of course, it has its advantages. I will definitely not need to promote myself too much. But will it also make me better at work? Not necessarily. Excessive expectations may become a pressure.'
Yahoo
04-03-2025
- General
- Yahoo
Pritzker Prize goes to Liu Jiakun of China, an architect who celebrates lives of ordinary citizens
The annual Pritzker Architecture Prize has been awarded to Liu Jiakun of China, who earned the field's highest honor for 'affirming architecture that celebrates the lives of ordinary citizens,' organizers announced Tuesday. Liu, based in Chengdu in China's southwestern Sichuan region, has said that the purpose of his architecture 'is to create a beautiful, just and dignified living environment,' and that he tries to balance commercial needs with the human needs of the public. The architect 'upholds the transcendent power of the built environment through the harmonizing of cultural, historical, emotional and social dimensions, using architecture to forge community, inspire compassion and elevate the human spirit,' Pritzker organizers said in a statement. See for yourself — The Yodel is the go-to source for daily news, entertainment and feel-good stories. By signing up, you agree to our Terms and Privacy Policy. Liu is known for creating public areas in highly populated cities where there is little public space, 'forging a positive relationship between density and open space,' the statement said. Organizers cited his West Village in Chengdu, a 2015 five-story project that spans a block. It includes a perimeter of pathways for cyclists and pedestrians around 'its own vibrant city of cultural, athletic, recreational, office and business activities within, while allowing the public to view through to the surrounding natural and built environments.' They also noted the Sichuan Fine Arts Institute Department of Sculpture in Chongqing, which they said displays an alternate solution to maximizing space, 'with upper levels protruding outward to extend the square footage of a narrow footprint.' In an interview Sunday in his office in Chengdu, Liu said he was not one of those architects who likes to have a strongly recognizable visual style. Rather, he said, he pays more attention to method and strategy. 'Many architects use a strong personal style and form to gain a foothold in the world,' Liu told The Associated Press, speaking in Mandarin. 'No matter where it is, people can tell immediately that it is his or her work with a very strong symbolism. But I am not such a kind of architect.' 'I don't want to have a very clear or obvious style that can be recognized as mine just at a glance,' he said. 'I take a more methodological and strategic approach. I hope that when I go to a specific place, I can use my methodology and strategy to adapt to local conditions. I like to fully understand the place, and then look for resources, problems … and then distill and refine, and finally turn (this) into my work.' Liu also said he tries to balance his country's artistic and architectural heritage with the realities of modern technology. 'I think China's traditional architecture is of course brilliant and very classic,' he said, 'but it is a product of its time.' He said he hopes to deeply understand 'the thematic part of tradition that can survive,' and then express it with contemporary technology and language. In that way, he said, 'tradition can be used as a core … but the presentation of your work is contemporary.' Liu said he also seeks to balance commercial imperatives with civic concerns. 'The rapid development of cities nowadays is basically driven by capital. It is natural for capital to pursue profits,' he said. But he added: 'You have to leave the public the space they deserve. Only in this way can the development of a city be positive and healthy, rather than being completely high-density, where people live in drawers and boxes … without even a place to go and no space for communication.' Liu is the 54th laureate of the Pritzker Architecture Prize, established in 1979 by the late entrepreneur Jay A. Pritzker and his wife, Cindy. Winners receive a $100,000 grant and a bronze medallion. The prize has often been equated to the Nobel. Asked if he thought the honor would impact his life, Liu replied: 'I have thought about it. But I want to maintain normalcy … I don't want to become nervous about everything. Of course, it has its advantages. I will definitely not need to promote myself too much. But will it also make me better at work? Not necessarily. Excessive expectations may become a pressure.' He had another concern, too. 'And will it make me too busy and prevent me from working more attentively?' he pondered. 'I hope to keep the normalcy and the freedom, as well as calmness.' —— AP senior video producer Wayne Zhang contributed from Chengdu, China
The Independent
04-03-2025
- General
- The Independent
Pritzker Prize goes to Liu Jiakun of China, an architect who celebrates lives of ordinary citizens
The annual Pritzker Architecture Prize has been awarded to Liu Jiakun of China, who earned the field's highest honor for 'affirming architecture that celebrates the lives of ordinary citizens,' organizers announced Tuesday. Liu, based in Chengdu in China's southwestern Sichuan region, has said that the purpose of his architecture 'is to create a beautiful, just and dignified living environment,' and that he tries to balance commercial needs with the human needs of the public. The architect 'upholds the transcendent power of the built environment through the harmonizing of cultural, historical, emotional and social dimensions, using architecture to forge community, inspire compassion and elevate the human spirit,' Pritzker organizers said in a statement. Liu is known for creating public areas in highly populated cities where there is little public space, 'forging a positive relationship between density and open space,' the statement said. Organizers cited his West Village in Chengdu, a 2015 five-story project that spans a block. It includes a perimeter of pathways for cyclists and pedestrians around 'its own vibrant city of cultural, athletic, recreational, office and business activities within, while allowing the public to view through to the surrounding natural and built environments.' They also noted the Sichuan Fine Arts Institute Department of Sculpture in Chongqing, which they said displays an alternate solution to maximizing space, 'with upper levels protruding outward to extend the square footage of a narrow footprint.' In an interview Sunday in his office in Chengdu, Liu said he was not one of those architects who likes to have a strongly recognizable visual style. Rather, he said, he pays more attention to method and strategy. 'Many architects use a strong personal style and form to gain a foothold in the world,' Liu told The Associated Press, speaking in Mandarin. 'No matter where it is, people can tell immediately that it is his or her work with a very strong symbolism. But I am not such a kind of architect.' 'I don't want to have a very clear or obvious style that can be recognized as mine just at a glance,' he said. 'I take a more methodological and strategic approach. I hope that when I go to a specific place, I can use my methodology and strategy to adapt to local conditions. I like to fully understand the place, and then look for resources, problems … and then distill and refine, and finally turn (this) into my work.' Liu also said he tries to balance his country's artistic and architectural heritage with the realities of modern technology. 'I think China's traditional architecture is of course brilliant and very classic,' he said, 'but it is a product of its time.' He said he hopes to deeply understand 'the thematic part of tradition that can survive,' and then express it with contemporary technology and language. In that way, he said, 'tradition can be used as a core … but the presentation of your work is contemporary.' Liu said he also seeks to balance commercial imperatives with civic concerns. 'The rapid development of cities nowadays is basically driven by capital. It is natural for capital to pursue profits,' he said. But he added: 'You have to leave the public the space they deserve. Only in this way can the development of a city be positive and healthy, rather than being completely high-density, where people live in drawers and boxes … without even a place to go and no space for communication.' Liu is the 54th laureate of the Pritzker Architecture Prize, established in 1979 by the late entrepreneur Jay A. Pritzker and his wife, Cindy. Winners receive a $100,000 grant and a bronze medallion. The prize has often been equated to the Nobel. Asked if he thought the honor would impact his life, Liu replied: 'I have thought about it. But I want to maintain normalcy … I don't want to become nervous about everything. Of course, it has its advantages. I will definitely not need to promote myself too much. But will it also make me better at work? Not necessarily. Excessive expectations may become a pressure.' He had another concern, too. 'And will it make me too busy and prevent me from working more attentively?' he pondered. 'I hope to keep the normalcy and the freedom, as well as calmness.' ——
