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Buzz Feed
20-05-2025
- Entertainment
- Buzz Feed
Celebs Share Favorite Parts Of Their Culture
It's AAPI Month in the US! To celebrate, I sat down with a number of Pacific Islander celebs to chat about their careers and cultures for BuzzFeed's Voices of the Pacific series. In each interview, I asked them about their favorite part of their culture. And wow, did they have some beautiful responses: Simone Kessell (Māori) "I'll cry if I think about it. See, I'm getting teary. When you're honored with the haka, and when it's the ultimate respect to honor somebody or something with a waiata [song] and a haka, from welcoming them onto your marae [communal meeting grounds], from sports to somebody's tangi at their funeral, or wedding celebration. In the Māori culture [visibly tears up] see, look, I cry every time I think about the haka. It's so incredible, and it's so powerful, and it's so uplifting." Drew Afualo (Samoan) "Family is my favorite part. Family and humor are essential, integral parts to Samoan culture. I'm constantly telling people about Samoan people because there's so little exposure, especially in the entertainment world. Samoan culture is a culture rooted in service to your family, to your culture, to the lord, to your elders, to anyone, really. It's inherently selfless — selfless to a fault in a lot of ways. But we love to give with no expectation of anything in the thread line you can see in so many different aspects of our culture, whether it's food, in the way we serve, the way we eat together, the way that we spend all of our waking moments together. There has never been a moment in my life where I was not surrounded by family in some capacity; everything is rooted with family and love, and the same thing with humor. I learned how to be funny with my family. I learned how to take a joke with my family. I learned how to roast with my family. My favorite parts of Samoan culture are definitely family and humor because every Samoan I've ever met is the funniest motherfucker I've ever met my life. I've never met a funnier person in my life than Samoan people, so I have to attribute all of my humor and jokes to them. They've made me funny." Dinah Jane (Tongan) "My favorite part of our culture is the singing and the chanting. I was in Hawai'i in December, and I closed off my tour out there. The next day, I was able to go to PCC [Polynesian Cultural Center]. Anytime I hear Polynesians sing together in unison of any type of song without any instruments, it's so chilling to me, and it takes me back home. It makes me feel like I'm back on the islands. It makes me feel like I'm back where my grandparents were walking, where their footprints started. When I was there in Hawai'i, I remembered experiencing them singing to us, to this day, I still get chills about it because it was from the heart. The music is what really drives me and makes me cry. If they're singing so beautiful and it's a nice song, I feel like it's such a lullaby when our people sing. That's the type of lullaby I could sleep to, cry to, champion. I would love to listen to us singing before I go on stage because that's what will hype me up. There's just so much power and spirit. You just feel like your ancestors are in the room, singing with them and speaking. They were singing Māori, and I don't know much of the language, but I feel like that's what makes our people feel like one. If it's Tongan, if it's Fijian, if it's Samoan, whatever language it is, it still feels like home." Alex Tarrant (Māori, Samoan, and Niuean) "That's a tough question. I am three ethnicities. I am Māori, Samoan, and Niuean. With that being said, I love the mixture I can feel within myself. There's certain abilities that I know I get from each culture. But what I love the most about my culture is the sense of a strong community. And I mean it when I say: if one of us succeeds, I'm so proud of from New Zealand, it's interesting because I keep on coming back to this idea of when one of us wins, we all win. We're very much shoulder to shoulder, hand to hand, moving forward in this big idea of the film and television industry. The end of Moana 2 really struck us, just the idea of all of these islands coming together. We have a beautiful, amazing friend/mentor who says we're not divided by land; we're connected by water." Sasha Colby (Native Hawaiian) "Oh, I have so many favorite aspects. The food alone [laughs] that's definitely home base for me. But I love the music and the hula, the dancing. As a dancer, I love the idea that we came up with mythology to explain natural occurrences in nature, and then to remember it, we would write it into a poem, and then to remember it and pass it on, we would make it into a mele or a song. And to pass it along again and to reiterate it more into our culture, we would make a hula out of it. So, it was all these things that naturally combined. But that's what I really loved because I love learning about our history, through that flow." Uli Latukefu (Tongan) "This one might get me choked up a little bit. The singing for me [starts tearing up]. My grandmother was a preacher, and we spent a lot of time growing up in the church. There's something about when you go to church: you hear the voices in 1) in our own language, and 2) the harmonies and all that kind of thing. Just the thought of it moves me a lot. And it's not unique to Tonga, obviously, everywhere across the changed a lot [from] when our fathers and our grandparents first came over to America or Australia or New Zealand or wherever. That freedom of expression of our culture wasn't always embraced. It wasn't always understood. But that's very much changed now, where our kids are very proud of who they are and their cultural heritage, proud to represent Samoa, Tonga, wherever. And so, when I see that in our young kids, it makes me feel very warm inside. Māfana is how we would say it in Tongan. When I hear the kids singing like that, it really hits home." Rachel House (Māori) "It's our relationship with nature. It's the way we see nature. It's what I tried to really infuse The Mountain with, actually, as I want people to remember that we used to see — well, a lot of us still do — but that we used to see nature as family. So, if we can start thinking that way again, we might treat her better." Oscar Kightley (Samoan) "One of my favorite Samoan words is va, meaning the set of rules and protocols that dictates your social connection with other people, your relationships. I love that aspect of our culture, that the space between you and someone else is not just empty space — it's what actually connects you. Epeli Hauʻofa, a great Tongan academic and thinker, said something like, 'People look at the Pacific Ocean and see these little islands dotted around, and they think [it's] this vast empty space. We look at it and see, no, it's a sea of islands.' That is the landmass that connects us.I think my favorite part of our culture is concepts like that, that are important to us. I love that whole concept of interconnectedness. Pasifika is so many different groups, too, right? There's Micronesia, there's Polynesia, there's Melanesia. And we're connected to each other, whichever one of those nations you fit into. You can be in a room of Fijians and Solomon Islanders and Tongans, Niuean, Cook Island, Micronesian, and you will feel a common thread that I think links us all." And finally, Luciane Buchanan (Tongan) "I think about this all the time. I'm just like, 'I love being Tongan.' I love everything about it. I love our humor. I love the way that we love. We're also just so dramatic. I think my calling to be a storyteller definitely comes from the way that my aunties record stories over and over, and the way they would perform it. I've definitely inherited that. We have this concept called māfana, which is like the love, the warmth inside that we have and we love. And I think that's so special, and I try to capture that in anything I try to do that is specific to the Tongan way that my grandma showed love was keeping in touch with people. Sometimes, me and my cousin joke around. We're like, 'Could we actually do what she did?' Because now, we live in a time where we're like, 'Boundaries. [Laughs] I can't live like that. I can't open the door for everyone.' But she always made time, and she had this phone book. Do you remember you'd write everyone's landline numbers? Her phone book was so tattered because it was used so much that my auntie had to laminate the pages because it was so ruined. And me and my cousin say this now, we feel like we're exactly the same. We're constantly on FaceTime, and I live overseas. I'm constantly on the road, so I try to inherit that way of connecting with people. I think that's the way that she showed love. It's my favorite part of my culture that I want to continue to do." You can read the full Voices of the Pacific interviews here.
Buzz Feed
01-05-2025
- Entertainment
- Buzz Feed
"Yellowjackets" Star Simone Kessell Spoke About Pacific Islander Representation In The Industry: "I Know How Hard It Is Being A Māori Woman To Be Seen And Heard"
Brooke Greenberg / BuzzFeed BuzzFeed proudly presents Voices of the Pacific — a month-long interview series celebrating Pacific Islanders who've made profound contributions to pop culture. This project purposefully combats the erasure that PIs face every May during APAHM and highlights these talented individuals's careers, cultures, and stories. So grab a snack, settle in, and read about your faves, new and old! 1. Simone Kessell Maya Dehlin Spach / FilmMagic / Getty Images Simone Kessell is a Māori actor best known for Yellowjackets and Obi-Wan Kenobi. She stars in the highly anticipated Apple TV+ show, The Final Frontier. In Simone's own words: " It shouldn't be: 'Oh, well, no, she's Māori, so she can't play that role.' It should be: 'She's a woman in that age group; let's see what she brings to the table.'"
Buzz Feed
01-05-2025
- Entertainment
- Buzz Feed
Simone Kessell Revealed If She Would Return To "Yellowjackets" For Season 4, And Her Answer Surprised Me
Warning: Massive Yellowjackets spoilers ahead! Born in Aotearoa (New Zealand), Simone Kessell is taking the US by storm. You probably recognize her from the hit show Yellowjackets, where she brought adult Lottie to life, but that's just one on a long list of credits, including Obi-Wan Kenobi, Terra Nova, and Our Flag Means Death. She's also starring in the upcoming Apple TV+ thriller drama show, The Last Frontier, and has other projects on the horizon that I'm so excited about! For BuzzFeed's Voices of the Pacific series, I sat down with Simone to chat about all things Yellowjackets, her favorite aspect of Māori culture, and more. You portrayed adult Lottie Matthews in the hit show Yellowjackets, bringing so much charm and intrigue to the role. I was devastated when your character died in Season 3! She's such a fan favorite. What was your reaction when you first read the script? Simone Kessell: I'd already known. I'd spoken with the showrunners prior to filming that season. I was working on another show at the time, and they were calling, and they said, "Look, we've worked out the arc for Lottie this season." And unfortunately, this was going to happen. Of course, I was disappointed because I think when you create a character like Lottie, she's got so many layers, and I put so much time and love into her. I was really looking forward to seeing where that character could go. But I think it's the kind of show where lead characters die; another main character, Van, died. It's been a blessing to work on it, and it's been a blessing to get to play that character. So, it's only a privilege, and I'm incredibly grateful for that. BuzzFeed: Did you take anything from set after filming wrapped? I took a few things. I was very drawn to her jewelry. It was part of my mask and the character of Lottie. So, a wonderful costume designer gave me a few pieces. In Season 2, I was always surrounded by crystals when she was at her community, her compound, and I would often bring home a few crystals. Do you feel like you've said goodbye to Lottie, or would you be willing to return in Season 4 if they asked you to appear in flashbacks or dream sequences? To be honest, I feel that maybe my time with Lottie is done, which is heartbreaking but also invigorating because that's what we do as actors. We move on; we get to create more characters. She's definitely in my heart, and I know I can tap into that sensitivity, especially around mental health and status and things like that. No, she'll always be a part of me. I loved the scenes where Lottie stayed at Shauna's house. You and Melanie Lynskey had such great chemistry together, and she's another Kiwi actor! Do you have any favorite behind-the-scenes memories with her? I knew Melanie going into the season, and she was actually, I think, the reason why I got to play in the world of Yellowjackets because Melanie told the showrunners about me. I'm eternally grateful for that, and through the last couple of years, we've just become incredibly close. There have been many electric moments between us on set in character as Shauna and Lottie, which plays back so nicely into the past storyline as well. I just love her very, very much, and I've got to say, it was a highlight getting to work with her, watching her craft. I think her work this season is sublime. She's so nuanced and honest and heartbreaking, and Melanie is so vastly different from that character. Seeing and knowing Melanie, and then seeing the work that she does as Shauna — it's very, very special to be around. Often after work, she'd be like, [whispering] "Should we go for a Chardonnay?" And I'd go, "Let's go for a Chardonnay, babe." [Laughs] We already had Courtney Eaton as young Lottie in Season 1, and she's Māori, so it was absolutely perfect when they cast you as the adult version in Season 2. Can you share how that came about? Did they intentionally honor Courtney's heritage? They did. She was raised in Australia and wasn't raised in Aotearoa. So, she was a bit distant from that, from her culture back home. But in 2025 especially, you have to really acknowledge people's ethnicities and diversity and background, and they really did. The casting on Yellowjackets is perfect because all of the younger and older characters are sort of beautifully crafted together. Courtney, my goodness, she's stunning on and off screen. She is one of those women you're just drawn to. She's so humble and unique in who she is. When I first met her, I was a bit concerned if I could pull that off, because she has such a stillness in her, especially in her work as young Lottie. But I think we got there, and she does this lovely thing with her eyes, so I tried to incorporate that into adult Lottie and a bit in the physicality. But yes, it was very important for them to make sure they cast in ethnicities, and they did that really well. What was it like building off a character Courtney created? Did you two work together to create Lottie in Seasons 2 and 3? We did, and we didn't. She's actually left-handed. We were like, "Okay, let's make Lottie right-handed." And a couple of times, she forgot [laughs] but we did. She's about this much taller than me, so I made sure all my shoes would always have a sort of platform in them. I'm 5'8, she's easily 5'10, 5'11, so I always wanted that height, especially with the other women. But then when you think about 25 years later — I don't know what you were like 25 years ago or 30 years ago, but I know I was vastly different. And so, we get to play in that world a little bit. There were big boots to fill, I have to say, playing her older version because she crafted that character so beautifully. Have you ever faced challenges in your career as a Pacific Islander? If so, how did you overcome them? Growing up in New Zealand, it was always the supporting or the smaller roles for Māori and Pacific Island characters. They were often also characters that were the single mother, the poor demographic. For so long, you are typecast in that, and still, I don't understand why — especially back in New Zealand — if they're a lawyer or a doctor or a wealthy family woman, that they can't be Māori or Pacific Island. That needs to change. The number of times I've passed on roles because she's the single mom in a housing community and a housing commission flat; it's got to change. It shouldn't be: "Oh, well, no, she's Māori, so she can't play that role." It should be: "She's a woman in that age group; let's see what she brings to the table." That's what I'm really proactive about bringing because it's a melting pot right now, and it's 2025, and I want to see more of that. So, I encourage that, I support that, and I don't take those roles that are typecast anymore. I don't do that anymore, and that's my way of standing up for that. I don't know if you remember this, but you actually tweeted a screenshot from a BuzzFeed post I wrote in 2023 celebrating the casting. You said, 'More Māori and Pacific Islander wahine on our screens please.' What changes would you like to see in the industry to make this happen? More stories and writing for especially Māori, Pacific Island women. Rather than being the supporting role, I would like to see more lead female characters. I am so encouraged and so inspired when I see beautiful, beautiful work coming from our Māori and Pacific Island wahine [women] in particular, because I know firsthand how hard it is to get in front of those people. I know firsthand how hard it is to go into an audition room and blow people out of the water and then get cast. I know how hard it is being a Māori woman to be seen and heard, and I would like to see more of that, because we have an abundance of talent and beauty. Even looking at you. You're so beautiful. BuzzFeed: [smiling] You really are, and we need to see that and to celebrate it, just to be exposed to it. Also, I was wanting to set up something of giving back to Māori Pacific Island communities. Australia does it really well. They have the Heath Ledger scholarship, where they support Australian actors, and they send in their reels, and it narrows them down, and they get $10,000 and a flight to Los Angeles and introduced to all the top agents in Hollywood. I want to incorporate that for our Māori, Pacific Island actors, artists, creatives, and so maybe we can do this together. Unfortunately, I don't live in New Zealand right now. I'm in Sydney, Australia, but that is my dream to do. Because there's such an abundance of talent, from Rachel House through to Cliff Curtis to obviously Taika [Waititi] and all our beautiful Māori, Pacific Islander actors and Temuera [Morrison] and Luciane [Buchanan] and everybody. So with us mob, we can embrace it and create something to hone the next generation, to support, and to give. That way, we will see more wahine, more beautiful Pacific Island and Māori actresses on our screens. You portrayed Queen Breha in the Disney+ series, Obi-Wan Kenobi. What was it like stepping into the Star Wars universe? Stepping into the Star Wars universe was so exciting. It was on the heels of COVID, and I got to fly to Los Angeles, Manhattan Beach, where we filmed it. It was so wonderful. I think of myself as a character actress. Again, there we are, breaking the mold, right? It didn't matter that I was Māori. They saw me for my work, and I had five auditions, so when I was finally given the role, it was such a celebration. I was like, "Oh, how am I going to do it?" And then, it was one of the highlights of my long career so far because stepping into that world, I wasn't a big Star Wars fan. I didn't know. I had to do my homework, and the experience was one of the best. Ewan McGregor was such a generous, wonderful actor to everybody on set. I just had such an amazing time. That was such a treat as an actress. And she's so beautiful. This character, Queen Breha Organa. She was so regal and effortless. I channeled a bit of Michelle Obama. I brought in all these beautiful women that I look up to, and I got to play in that world that was very special. BuzzFeed: I love that Michelle was your inspo. I can totally see the vision. She is all class, and that's what I wanted to play without judgment. Just class and fun. She's got a bit of a spunk to her, so I love that. For Pacific Islanders, there are so many aspects of our cultures that we hold close to our hearts, from our foods to our dances to our tattoos. What's your favorite part of your culture? I'll cry if I think about it. See, I'm getting teary. When you're honored with the haka, and when it's the ultimate respect to honor somebody or something with a waiata [song] and a haka, from welcoming them onto your marae [communal meeting grounds], from sports to somebody's hongi at their funeral, or wedding, celebration. In the Māori culture [visibly tears up] see, look, I cry every time I think about the haka. It's so incredible, and it's so powerful, and it's so uplifting. So, I guess it is waiata, song, cultural dance. BuzzFeed: Sometimes, the right video will come up, a funeral or a wedding, whatever the situation is, and there's just so much emotion in the haka. I'm Samoan, but I feel like for all Pacific Islander people, you can feel the mana [power]. Exactly, yes. It is the mana, the respect, the coming together as one regardless. And it's incredibly powerful. Do you have a favorite Māori food? Well [laughs] when I go home, my whanau or my family say that I'm hopeless because I don't eat meat. So, a boil up, which is probably incredibly good for you because it is all the bones and the meat and the watercress, but it's not a food I eat. I do like fry bread, though. With lots of butter, fantastic. For your next role, you're starring in an Apple TV+ show called The Last Frontier. While very different than Yellowjackets, a plane clash is also central to this story as it frees dozens of prisoners, creating issues for the local US marshall and his wife, Sarah, who you portray. What can you tell us about your character and storyline? We filmed it in Montreal, which doubles for Alaska. It's a lot of snow, a lot of cold, a lot of jackets. It was freezing, minus 10 or 15. I play a nurse and a mother, a wife in this community, when the plane goes down. Think John Grisham, think a big action thriller. My husband, played by Jason Clark. He plays the local marshall, and he has to deal with the fallout from this plane going down in the middle of nowhere, which is filled with the worst convicts, the worst bad guys you can imagine. After Yellowjackets, it's yet another role so vastly different. And it's action, and it's thriller, and it's drama. I'm really looking forward to that. The team behind it are so good, and I'm really excited to be a part of the Apple network as well. I think the show is going to be one that just comes at you. It's very different for me, the character I'm playing as well. I can't wait to share it with everybody. If you could work with any Pacific Islander, who would it be? I've been very fortunate to work with a lot of Māori and Pacific Islander actors for Aotearoa. Right now, I'm working with Rachel House on something. Rachel and I and a couple of others are trying to develop a miniseries with women, think Bad Sisters. So, that's exciting. Some fans might not know this, but you won gold in the women's singles and silver in the women's doubles at the Australian Pickleball Championships! What do you love most about the sport? This weekend, I just played another PPA tournament, and I'm the captain of a major pickleball league team as well. It's just happened in the last year. I love exercise sports. I was a very good tennis player, so playing pickleball came quite easily, and I sort of got very good very quickly. I dedicate a lot of time to it. I think the reason it speaks to me is because I can turn off from this industry. I can turn off Lottie. Playing Lottie really took an emotional toll on me because I gave so much to her, and she was so broken to me. I needed something other than just exercise, like going to the gym. So, pickleball came up, and I started playing, and now I play most days. In fact, after our interview, I'm going to play pickleball! But it's a sport where you're on a court. You can be playing for four or five hours, and you're just thinking of strategies, stroke, where I'm playing, who I'm playing. It's a wonderful way to switch between acting and having a sport that I can get better at as I get older, too. I want to not just work out; I want to learn. The level I play at is very fast, and it's highly strategic. These competitors are incredible athletes, so I'm really pushing myself, and then I get to be an actress. My life is full and wonderful. It's so great. It's such a pleasure playing. BuzzFeed: I love your attitude about continually learning. If we don't, we become stagnant. For me, I travel so much, and I work so much that I have to do something that fills my cup. But also, I'm learning [something] that I can get better at. And let's be honest, I'm very competitive. You can't win at yoga. What advice do you have for young Pacific Islander creatives? If you get nervous — I see a lot of that in young creatives — know that everybody gets nervous. Everyone gets anxious and holds back. It's really, really hard, but when you rise to it and you get there, the payoff is everything. It's not about working as an actress in our industry for the fame. We have to take that out. We have to do it because it fills us up, and it's all we think about, and it's all we want to do. And if that's what speaks to you, then keep going. I am the perfect example. I have been acting for such a long time, and it's only in the last maybe five years that I've continuously worked back-to-back. That's just being tenacious; that's just believing and loving what I do. I always say to myself, "As soon as you stop loving it, as soon as you start not feeling good in it, then give it up." And I don't ever want to give it up. It still makes me so happy. They're the big questions you have to ask yourself. The answer is that it still fills my cup. It still gives me absolute pleasure in life. Then go for it. Your turn is coming. The more you put it out, the more you get back. Just keep on going. You miss one audition. It's not personal. Go for the next, go for the next, go for the next. One year, I think I auditioned 33 times. I didn't get one job, and here we are! You just have to be tenacious and believe in yourself and do the work. And finally, what does being Pacific Islander mean to you? Being Pacific Islander means I have a uniqueness that I'm immensely proud of. Being Pacific Islander means that I come from a community of love and celebration. Being Pacific Islander means that I have whānau [family] all around me, and my ancestors walk beside me.
Sydney Morning Herald
23-04-2025
- Entertainment
- Sydney Morning Herald
I once dated Heath Ledger. He's the reason I met my husband
Australian actor Simone Kessell is best known for playing Lottie Matthews in the TV series Yellowjackets. The 49-year-old shares how her ex-boyfriend, the late Heath Ledger, introduced her to her husband, film director Gregor Jordan, and why she's never taken his last name. My Maori maternal grandfather [Koro] Jack Gardiner was one of the grumpiest and mightiest of men, but he had a soft spot for me. I was the sporty grandchild, and he was a former Maori All Black. He passed away four years ago. I sunk a dingy in the river at the back of his house as a kid. I was with my cousin, and he came out and yelled at us. I blamed my cousin. She looked up at Koro who was very scary and didn't say it was me. He was the sort of man who got over his temper quickly. He had big hands, loved the cows on his farm, and every Christmas I was the one who always gave him a cow mug. I get my empathy and compassion from Dad, Michael Kessell. He is a bit eccentric, very tactile and warm to strangers. He was also a good sportsman and my tennis coach. I broke his heart at 15. I had been doing theatre and was cast in a TV series, and suddenly a new world opened up. I can still remember Dad asking, 'What about tennis?' I was like, 'What about it?' As careless as teenagers are, I broke his heart as we always talked about going to Wimbledon. Dad met Mum, Matewiki, when she was a waitress in Auckland. He was a dishwasher at the time and then worked his way up to head chef. She helped him run their restaurant. They also ran a wedding reception lounge and we lived out the back as a family. Dad carved ice sculptures [ Laughs ]. I remember an exquisite peacock for a wedding. I never thought I would get married. I thought I was too cool for that. Simone Kessell, actor I had a crush on a boy at primary school when I was six. He asked if he could give me a kiss and I said no. I then put a leaf to my cheek and said you can kiss the leaf, and he said OK. I was thrilled. I had a long-time boyfriend when I was 16 to 19. He was the cool guy from the boys' school and was very popular. We stayed together a few years out of high school. I was close to his family. We attempted to go flatting together, and then the wheels fell off. I last saw him at a mutual friend's wedding 10 years ago.
The Age
23-04-2025
- Entertainment
- The Age
I once dated Heath Ledger. He's the reason I met my husband
Australian actor Simone Kessell is best known for playing Lottie Matthews in the TV series Yellowjackets. The 49-year-old shares how her ex-boyfriend, the late Heath Ledger, introduced her to her husband, film director Gregor Jordan, and why she's never taken his last name. My Maori maternal grandfather [Koro] Jack Gardiner was one of the grumpiest and mightiest of men, but he had a soft spot for me. I was the sporty grandchild, and he was a former Maori All Black. He passed away four years ago. I sunk a dingy in the river at the back of his house as a kid. I was with my cousin, and he came out and yelled at us. I blamed my cousin. She looked up at Koro who was very scary and didn't say it was me. He was the sort of man who got over his temper quickly. He had big hands, loved the cows on his farm, and every Christmas I was the one who always gave him a cow mug. I get my empathy and compassion from Dad, Michael Kessell. He is a bit eccentric, very tactile and warm to strangers. He was also a good sportsman and my tennis coach. I broke his heart at 15. I had been doing theatre and was cast in a TV series, and suddenly a new world opened up. I can still remember Dad asking, 'What about tennis?' I was like, 'What about it?' As careless as teenagers are, I broke his heart as we always talked about going to Wimbledon. Dad met Mum, Matewiki, when she was a waitress in Auckland. He was a dishwasher at the time and then worked his way up to head chef. She helped him run their restaurant. They also ran a wedding reception lounge and we lived out the back as a family. Dad carved ice sculptures [ Laughs ]. I remember an exquisite peacock for a wedding. I never thought I would get married. I thought I was too cool for that. Simone Kessell, actor I had a crush on a boy at primary school when I was six. He asked if he could give me a kiss and I said no. I then put a leaf to my cheek and said you can kiss the leaf, and he said OK. I was thrilled. I had a long-time boyfriend when I was 16 to 19. He was the cool guy from the boys' school and was very popular. We stayed together a few years out of high school. I was close to his family. We attempted to go flatting together, and then the wheels fell off. I last saw him at a mutual friend's wedding 10 years ago.
